“We will do some of our own songs and play as a fourpiece with them,” Steele said. “They put a whole new dimension on what we play.”
For Sunday’s show, Kane & Steele will throw a four-handed acoustic party filled with street swing, stomp blues and mountain twang, including tracks from their 2015 album, “Feels Like Home.”
Together, the husband-and-wife acoustic blues duo recorded 12 covers from blues guitar legends Robert Johnson, Reverend Gary Davis, Blind Blake, Robert Lockwood Jr., and Mississippi John Hurt and two original songs, “If I Don’t Jump” and “The Last Day of Summer,” in their Ann Arbor area home studio.
“I didn’t know initially that Dave loved Blind Blake or Blind Willie McTell or all of these people who were like home to me,” said Kane, who originally met Steele in summer 1991. “When I saw him on the street busking at the art fair, really what I was saying was I didn’t know you loved the same music that I love. That’s become home for us, and that’s really where we come from.”
Their love of acoustic blues led Kane & Steele to a fruitful 30-year musical partnership after performing previously with Peter “Madcat” Ruth and Big Dave & the Ultrasonics. Steele’s smoky vocals, percussive rhythm and innovative lead lines blend magically with Kane’s crisp finger-picking style, rootsy leads and stinging slide work.
“I want every musical act, every artist to work off each other’s creative synergies and styles. I’m excited about the eclectic nature of the show and believe the performers will complement one another in a unique way,” said Patrick Norton, organizer and manager at Nice Place and guitarist for Dirt Room. “I’m eager to see the different scenes from around the city come out of the woodwork and step outside of their social circles.”
For the “Punx” side of music, Ape Not Kill Ape, a Grand Rapids post-punk trio, will perform raw fist-pumping tracks from their 2017 full-length debut, “Bushman.” Adis Kaltak, (vocals, bass), Brett Dame (guitar) and Allen McAllister (drums) will bring an introspective, primal feel to connect with the crowd at Nice Place.
“We’re pretty confident about a lot of the ‘Bushman’ material,” said Kaltak, who was born in Slovenia and grew up listening to Bosnian music, ABBA and The Beatles. “We’re going to do the bulk of some new stuff for our 30-minute set along with two or three older songs.”
Five years ago, the University of Michigan’s co-op scene led to the formation of an emerging Ypsilanti band.
U-M’s Nakamura and Luther Buchele co-ops introduced Greg Hughes and Nate Erickson, co-founders of After Hours Radio, to a burgeoning underground, do-it-yourself (DIY) music community in the heart of downtown Ann Arbor.
Together, Hughes and Erickson cut their growing musical teeth performing at co-op open mic nights and formed After Hours Radio, a progressive, groove-heavy indie rock band, in 2014.
“The high energy and large crowds at co-op parties drove the band to write catchy grooves and riffs that co-oppers could dance to,” said Hughes, bassist for After Hours Radio. “This funk-inspired element flavored our initial indie-alternative style, which was influenced by open mic nights during the band’s infancy.”
Hughes also sought inspiration for the band while working as a late-night college DJ at WCBN-FM (88.3), a U-M student-run radio station. He used a “freeform” approach for the station’s programming and believed a similar philosophy could be applied to After Hours Radio’s musical approach.
“‘Freeform’ describes a perspective that doesn’t conform to a traditional setlist structure restricted by genre and embraces mixing different musical styles,” he said. “We’ve gained a strong sense of improvisation that has translated to the way we find influences for our original songs.”
That fluid musical approach resulted in the band’s self-titled debut EP in 2015 and the “What Happened?” EP in 2017. With Hughes and Erickson (vocals, guitar) at the helm, After Hours Radio went through several lineup changes, including several drummers, and expanded their sound to encompass keys, synths and other electronic effects.
Last year, the band launched their own DIY music venue, The Late Station, in Ypsilanti to showcase local emerging artists and musicians across a variety of genres. Bandmates and friends help promote events, run the door and assist with gear at The Late Station.
“I got acquainted with the whole DIY culture in Chicago, and I was so enamored with the scene there that I wanted to become more involved in it,” Hughes said. “That’s where the direct inspiration for The Late Station came, and we all decided we were going to move to the same location and start our own space.”
Today, Hughes and Erickson will celebrate the band’s evolution with a five-year anniversary show at Club Above, 215 N. Main St. in Ann Arbor, and feature special guests Stop Watch, Approachable Minorities and Summer Like The Season.
“We decided to celebrate the band’s anniversary with a special show because we thought five years for any band was a big milestone,” Hughes said. “Almost none of the local bands existing when we started are around anymore, and most lasted just one or two years.”
For the show, After Hours Radio will play an extended setlist that encompasses the band’s entire career and feature visuals from GSW Art & Design, a southeast Michigan-based visual art, web and graphic design firm. It’s also a valuable opportunity for After Hours Radio fans to embrace the artistry and musicianship of the show’s three special guests.
A husband-and-wife folk music duo, Boutette and Davis will perform catchy acoustic anthems from “Easy as Pie,” their 2018 album, along with a slew of old favorites during their 90-minute set.
“We have a couple of new songs and one new cover,” Boutette said. “As it’s become a tradition, Kristi goes into my back catalog to find things we haven’t done before.”
Boutette’s celebrated songwriting paired with Davis’ lush harmonies is where attendees will find onstage magic at the Farmington Civic Theater.
Close, comforting and warm, Davis’ voice slips in easily beside Boutette’s creating a beautiful sound. Her stage presence and quick wit are a perfect match for Boutette’s songs.
Boutette and Davis discovered their musical magic while singing together on their back porch six years ago. Those at-home singing sessions quickly turned into a growing series of shows and festival dates.
Coincidentally, their musical partnership dates back 35 years when the pair starred in musicals together while attending high school in metro Detroit.
After graduation, they went their separate ways while Boutette played in the Detroit alternative rock band The Junk Monkeys and later became a folk music solo artist.
Davis became a singer-dancer, Radio City Rockette and author of the 2015 comic memoir, “Long Legs and Tall Tales.” She reunited with Boutette in 2012, and they married the following year.
Today, Boutette and Davis continue to perform as part of a strong singer-songwriter movement locally, statewide and throughout the Midwest at a variety of venues, especially listening rooms like the Farmington Civic Theater.
“I think it’s nice to have more of a listening room environment where people can really focus in on Dave’s lyrics, which are so clever, meaningful and heartfelt,” Davis said. “They make you feel good if you really listen to them. I’m glad that we get a chance to do that.”
For The Sneeks, opportunity knocks with a new five-song EP.
The East Lansing alt rock quartet has delivered their latest release, “Sneekin’ Out the Back Door,” today via streaming services as a fun, breezy follow-up to their eight-track 2017 debut album, “Sneek Attack.”
Through “Sneekin’ Out the Back Door,” Niko Matsamakis (vocals, guitar), Kevin Neumann (vocals, bass), Alex Olivero (vocals, guitar) and Houston Smith (drums) create a laid-back summer sound filled with shimmery Mac DeMarco-inspired guitars and wrapped in personal tales of fleeting relationships.
It’s the musical alter ego to “Sneek Attack,” which follows a “rad rock and troll” sound born out of the band’s Michigan State University (MSU) party days and garage punk rock shows with Twin Peaks at The Loft in Lansing.
“The different approach for ‘Sneekin’ Out the Back Door’ is definitely the songwriting and recording style,” Matsamakis said. “We recorded it in my house upstairs in four different rooms at the same time, and we tracked it all together. Houston was in one bedroom, I was in another, Kevin was in the other bedroom and Alex was in the bathroom.”
Neumann and Olivero also contributed tracks to the “Sneekin’ Out the Back Door” while Matsamakis wrote the material for “Sneek Attack” – his personal journey through post-breakup single life.
“We used some different effects on our guitars that we don’t normally use, and some of those ‘Sneek Attack’ sounds are harder in general, but ‘Sneekin’ Out the Back Door’ is definitely a softer sound,” Matsamakis said. “I wrote a few of the songs, showed them to Kevin, and Kevin put his touch on them, and then vice versa. I would say Kevin’s songs are definitely the softer ones.”