Sense of Adventure – Instrumental Duo Mindful Dynasty Experiments With Different Genres on ‘The Barn Waltz’ Album

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Mindful Dynasty’s Toshana Grim and Jason Wiseley at Zerbo’s Market and Bistro in Commerce Township, Michigan. Photo courtesy of Mindful Dynasty

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

When it comes to creating music, Mindful Dynasty embraces a choose-your-own-adventure approach on The Barn Waltz.

The South Lyon, Michigan instrumental duo of Jason Wiseley (guitar, percussion, strings) and Toshana Grim (bass, strings) experiments and improvises with several genres—ranging from psych rock to EDM to flamenco—on its latest double album.

“It’s like going through an adventure, and there are highs and lows; there are also fast parts and slow parts. There are parts that are a little funky and maybe ones that make you laugh a little because there’s a wonky note,” Grim said.

“There are also parts where you might think, ‘This is so beautiful.’ That’s just life—in my opinion—because it is an adventure. The more you can just relax and go with the flow, the more fun you have.”

That carefree attitude and creative mindset flow throughout The Barn Waltz’s 17 tracks, which also feature elements of metal, classical, and funk interspersed with film samples.

“I write for everybody, but in my mind’s eye, it’s [especially] for somebody who plays an instrument. … I just want people to feel inspired. I want people to [hear] our music and think, ‘Oh Jason’s goofy, I can do that, too,’” said Wiseley, who workshopped the album’s tracks live with Grim during a past residency at Zerbo’s Market & Bistro in Commerce Township.

“Part of the reason why The Barn Waltz is dark and has all the movie samples is because I wanted to juxtapose the pretentiousness of the guitar playing. I wanted to put in this silly stuff and put in all of the dance music to pull back the idea that to have that level of fun playing music requires you to actually not have any fun at all.”

I recently spoke with Wiseley and Grim about their backgrounds, the origin of Mindful Dynasty, the evolution of their sound, select tracks from The Barn Waltz, the creative process for the album, and upcoming plans.

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Surge Protector – Hollow Head Faces Emotional Vampires on ‘I Can See You’ Single

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Hollow Head tackles toxic relationships on “I Can See You.” Photo – Paul Gerrard

Surging with adrenaline and emotion, Hollow Head boldly confronts emotional vampires on “I Can See You.”

That fearless act prompts the Denver indie-rock quartet to drive a stake in problematic relationships on their grungy new single.

“When I was writing lyrics for it, I didn’t go into it intentionally thinking this was what this song was gonna be about. I started writing and I think something on my mind at the time was just about emotional vampires,” said Jim Adame, the band’s vocalist-guitarist, who wrote the track last summer.

“We were going through [things] with specific friends at that time, and I’ve always had specific friends that have kinda been in that realm and also relationships. A lot of that was in my mind subconsciously.”

Backed by impulsive electric guitar, energetic bass and thunderous drums, Adame’s honest thoughts quickly rise to the surface as he sings, “All your words are parasitic / You just talk and watch me bleed / I bet you wanted me to be / Another version of what you see / No, no.”

“It touches on a little bit of guilt where you understand someone is trying hard to be a part of your life, and I was going through that a lot at the time with friends and in romantic situations, too,” he said.

“You have this one person trying very hard to be important to you, and you can very easily let that happen, but you also have to recognize this person is just gonna bring you down.”

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The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single

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Painted Friends’ Jeremiah McWhorter and Mitch Crosby examine the power of negative emotions on “Cain Complex.” Photo – Hannah McWhorter

Painted Friends vicariously explores the powerful, destructive forces of jealousy and envy on “Cain Complex.”

The Detroit indie-rock duo of Jeremiah McWhorter (vocals, guitar, bass) and Mitch Crosby (drums) examines those fierce emotions through the biblical perspective of Cain on their dark new single.

“The Cain and Abel story is one of the deepest stories in all of literature, no matter what belief system you hold. Putting myself in Cain’s shoes for a song made me realize how easy it was, especially in the music scene today,” McWhorter said.

“It is very easy to feel jealous toward other musicians who appear to have ‘made it’ and here I am still struggling to make a dime with my songs, yet I put so much work and passion toward it.”

That passion comes alive as McWhorter sings alongside fiery electric guitar, bass and drums, “I was the first man / The oldest of sons / What I give away is much better than blood / The envy that filled me was sent from above / And the reason I’m standing is not due to love.”

“Jealousy and envy are similar to drugs in my opinion. They almost become like an addiction that once it takes hold, [it] can literally bring you to the point of murdering another person,” he said.

“It is a song that is toeing the line between being appropriate and inappropriate, but I wanted to allow myself to do that for at least one song. It felt and still feels necessary.”

I recently spoke to McWhorter and Crosby about their backgrounds, previous releases, passionate new single, Feb. 9 live show in Detroit and plans for 2024.

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