The Great Escape – Kruel Summer Trades Stress for Bliss on ‘Another Night’ Single

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Kruel Summer searches for happiness on “Another Night.” Artwork courtesy of Kruel Summer

Kruel Summer hatches an instant, emotional escape plan on “Another Night.”

The San Jose, California indie rock-reggae quartet of Clev Stiles (lead vocals, electric guitar), Ben Dimmit (lead guitar, backing vocals), Shane Billings (drums) and Chris Reed (bass, keys, backing vocals) fervently abandons prolonged stress for instant bliss on their latest all-weather single.

“I was dealing with a major life impact when I was working on ‘Another Night.’ I felt stressed, anxious and uneasy not knowing what came next,” Stiles said. “I wanted the song to have the reverse effect … a sort of mood booster or escape to forget about [what] I was dealing with.”

Rolling waves of electric guitar, bass, keys and drums refresh Stiles as he sings, “We talk about / Running around all day / Swore to your father / Now I’m standing in the light / You know I wouldn’t have it any other way.”

“[It’s] an attempt to overturn any negative feelings of worry and stress to bring energy and happiness … an uplifting, feel-good summer song,” Stiles said.

“It’s sort of hard to not instantly get in a good mood after listening to it. The actual story is about me spending time with my girl in the city on the beach just escaping the stress and letting that love and company soak away the anxiety.”

Kruel Summer also escapes worries on the forthright breakup anthem, “Just Too Broken,” which dropped in May.

Soothing electric guitar and tranquil bass release the emotional floodgates as Stiles sings, “And if I didn’t know better I would love you / Be stitched up together like you want to / But that’s a little surreal to deal / I’m better off living off what I feel.”

“I feel like everyone in one time or another has felt ‘Just Too Broken.’ You’re just tired, exhausted and drained in trying to keep a relationship, connection or anything going … that feeling like you’re putting more effort into it than a significant other,” Stiles said.

“But it doesn’t necessarily need to be about a person or a relationship. It could be about anything you’re struggling with – a job, a habit or a personal roadblock. It’s that sense of giving up and trying to keep something going when it’s simply not working.”

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My Brave Face – Ken Newman Uncovers Societal Fears on ‘What Am I Afraid Of?’ Album

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Ken Newman’s “What Am I Afraid Of?” album features purposeful lyrics, vigorous instrumentation and massive rock soundscapes. Photo – Jayms Ramirez

Ken Newman boldly tackles society’s deepest and darkest fears on What Am I Afraid Of?

The San Francisco indie-rock singer-songwriter and guitarist deftly uncovers and deciphers a multitude of emotional traumas, violent conflicts, racial injustices and political tensions on his insightful debut album.

“It was gonna be called ‘Dreaming of Guns’ based on that one song. At some point, somebody else recommended another title, and I tried that for a little while, but that didn’t quite resonate,” Newman said.

“And then Scott (Mickelson) and I were talking about it, and I said, ‘What if I just called it What Am I Afraid Of? ’ Then, the two of us went, ‘Oh my God, of course, that’s what everything’s about.’”

For Newman, “everything” serves as an umbrella of personal and societal challenges ranging from everyday anxieties to teen suicide to homelessness to gun violence. The album’s 11 gripping tracks provide a poignant wake-up call for the nation to strongly unite, take action and instill change.

“The thing about this album is essentially the same paradigm that’s kind of dictated my entire life,” he said. “I don’t exactly know what’s happening until I look in the rear-view mirror and go, ‘That happened.’”

Continue reading My Brave Face – Ken Newman Uncovers Societal Fears on ‘What Am I Afraid Of?’ Album

Ripple Effect – Eric Ripper Finds Growth and Love on New ‘Wavelength’ Album

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Eric Ripper features exploratory lyrics, radiant acoustic guitars and ambient soundscapes on his new album. Artwork – Dean Ripper

Filled with emotion and adventure, Eric Ripper rides the wave of new possibilities.

The Ferndale, Michigan acoustic pop-rock singer-songwriter boldly journeys through the peaks and valleys of growth, love and aspiration on his latest revelatory album, Wavelength.

“I traveled out to Utah to start this project, worked on it while I was out there and continued it after coming back. I’ve seen many beautiful things and spent a lot of time alone with my thoughts,” Ripper said.

“Those thoughts come together when you finally sit down with a guitar in hand. I’ve learned that I need time to write and need to explore myself if I am to continue writing and producing music.”

With self-discovery top of mind, Ripper soars alongside Wavelength’s exploratory lyrics, radiant acoustic guitars and ambient soundscapes. The album’s nine contemplative tracks instantly invite listeners to accompany Ripper on his introspective, cathartic odyssey.

“Traveling is a big part of my inspiration as well as having good and bad life experiences. All elements toward this album have been therapeutic: writing, producing, recording and releasing – all of it,” he said.

“I feel as if I’m sharing a big side of me with others on this release, and I just hope people can hear the work and dedication put into it. Everyone is growing as a person … they all have their own direction. I’m riding this wavelength, and I hope others can hear their purpose and find themselves.”

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Southern Gothic – The Prickly Pair’s ‘The Long Parade’ Single Celebrates Tennessee Williams and ‘A Streetcar Named Desire’

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The Prickly Pair channels the heartbreak and betrayal of “A Streetcar Named Desire” on “The Long Parade.” Photo – Caity Krone & Artwork – Spencer Shapeero

For The Prickly Pair, a pandemic-induced film immersion provided an instant gateway to 1950s-era New Orleans.

The Nashville, Tennessee alt-country duo of Mason Summit (vocals, guitars, keys) and Irene Greene (vocals) landed in the throes of “A Streetcar Named Desire” and penned their latest Southern Gothic single, “The Long Parade,” as an ode to Tennessee Williams.

“We actually wrote that song for a Tennessee Williams tribute my mom was putting on as part of her literary series, Library Girl,” said Summit about the 1951 film based on Williams’ 1947 Pulitzer Prize-winning play.

“We often get inspired by dialogue or visuals in movies, and we were taking notes while watching the film adaptation of ‘Streetcar.’”

Throughout “The Long Parade,” The Prickly Pair become entangled in the heartbreak and betrayal of Blanche, Stanley, Stella and Mitch. Twangy lap steel, nonchalant acoustic guitar, strolling bass, somber keys, steady drums and glistening cymbals plead for serenity and closure.

Summit and Greene sing, “Pearls before swine/Pull the wool over my eyes/‘Cause I can’t tell the truth/From my own lies.”

“It’s more of an attempt to capture the overall vibe, but I think people see themselves in these characters,” Summit said. “I hope people can relate to the song in a similar way. I personally find the chorus very cathartic to play.”

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