These days, Mike Ward takes life month by month.
The Detroit Americana folk singer-songwriter marks the passage of time in month-long increments, especially while hunkering down in quarantine.
Last month, Ward tested his creative prowess by writing and recording 31 new acoustic-based tracks at home as part of 30 Songs in 30 Days songwriting challenge with New York City folk rock singer-songwriter Paul Weinfield.
“When Paul set out the challenge, he put it in a post and said, ‘OK, who’s up for this? You have to write at least a verse and a chorus, and you have to record it and post it.’ At the time, I thought, ‘Yeah, I’m up for that.’ The very first one was the most daunting, and it was like, ‘Well, where do I start?’” said Ward, who released his last album, We Wonder, in 2018.
“I keep a lot of notes on my phone that I use to record audio notes and melodies, and I also keep a lot of typed notes of starts of songs. I’ve kept them compiled for years, and this gave me a reason to go back to a lot of those notes. I also began exploring feelings of what’s happening, and the very first thing that was recorded was ‘The New Normal.’”
For Ward, “The New Normal” serves as a prevailing folk anthem for staying optimistic during increasing times of uncertainty and unpredictability. The 4.5-minute poignant track features thoughtful, churning acoustic strums as Ward reflectively sings, “Got my love, got my faith/Only hope it’s enough to get us through these days/No human contract, touch of a hand/Six feet of distance across the land/Open skies and open hearts/As we close our doors, do our part.”
“The New Normal” also opened Ward’s creative floodgates and pushed him deeper into the songwriting trenches. A refreshing series of lyrics, melodies and chords flowed from Ward each day.
“The one thing I was cognizant of, but I didn’t go back day to day and say, ‘Oh, did I use those chords in that song? Does this song sound too much like this one?’” said Ward, who submitted an acoustic video of “The New Normal” for this year’s NPR Tiny Desk Contest.
“I honestly didn’t do that much because I felt like otherwise I wouldn’t finish, and if there was something I liked about one particular song, I could always go back and rework it if I needed to. At the same time, I tried to do some different things from a playing standpoint.”