Olivia Millerschin Performs Holiday Show Tonight in Howell, Hosts ‘Cactus on a Ledge’ Book Signing in Saline Saturday

Olivia Millerschin performs at the Detroit Mason Temple’s Chapel theater in November.

Olivia Millerschin will perform a holiday-themed show in Howell tonight and sign copies of her new children’s book, “Cactus on a Ledge,” in Saline Saturday afternoon at McPherson Local.

The Auburn Hills indie folk singer-songwriter will share her renditions of holiday and jazz standards while playing selections from her own catalog at 7 p.m. tonight inside the Howell Opera House, 123 W. Grand River in Howell.

Built in 1881, the Howell Opera House is a historic landmark in the city’s downtown, and the iconic venue’s first floor was renovated in 2006 for live shows and events.

For her Howell show, Millerschin will be joined by musicians James Pyne (trombone), Brian Riley (guitar) and Bob Mervak (keys).

“I have a couple of original songs and others that have been done by some of my favorite artists that are lesser known,” said Millerschin, who’s performed at the Howell Opera House twice before. “We’ll have some holiday classics by The Carpenters, and then we’ll play some of my own stuff.”

Olivia Millerschin’s “Cactus on a Ledge” book

Millerschin also will celebrate the release of her new children’s book, “Cactus on a Ledge,” with a free signing, meet and greet, and performance at McPherson Local, 105 N. Ann Arbor St. in Saline, from 1 p.m. to 4 p.m. Saturday. Guests will be able to purchase the book at the gift shop.

“This is the first official store that’s going to be carrying the book, and it’s owned by these incredible people,” Millerschin said. “It’s all Michigan made products, so we just thought, ‘What better place is there to do this?’”

Millerschin didn’t initially plan to write a children’s book. Instead, she wrote an introspective ballad of the same name about a cactus who wants to become a tree, but soon realizes it’s cooler to be herself. After writing the song, family, friends and fans encouraged Millerschin to turn it into a children’s book.

She teamed up with a Matter of Fiction Publishing and artist Kathrin Honesta to compile and illustrate the book, which also includes a companion CD of the “Cactus on a Ledge” song. Honesta also did the cover art for Millerschin’s critically-acclaimed 2016 album, “Look Both Ways.”

To promote the book and song, Millerschin plans to visit local independent book stores, libraries and elementary schools in the coming months. The book will be sold in local shops, at shows and through Millerschin’s website.

“I just wanted to have something really organic and show the people who have supported me from the beginning first,” she said. “I sold almost an entire box of books at The Scarab Club in Detroit last Saturday during Noel Night.”

In addition to her upcoming book tour, Millerschin plans to record and release a live album soon.

“I’ve had a lot of frustration with making new music, and I’ve always had trouble with getting the right production down,” she said. “I’m at a point where we should just sing live with the full band, get right in the studio and release it that way. We’re going to be releasing a lot of new stuff, but just the live versions of it.”

The End – Black Sabbath Tour Returns to the Beginning before Bidding Adieu

Editor’s Note: My husband Brian writes his first Stratton Setlist blog post about Black Sabbath’s final Detroit area show in Clarkston, Mich. Wednesday night.

Black Sabbath displays “The End” tour logo.

“Is it the end, my friend?” sang Ozzy Osbourne during the opening song of Black Sabbath’s final show in metro Detroit.

Sadly, it was the end, but it’s hard to say goodbye, especially to old friends. Six years ago, I had to say goodbye to Ronnie James Dio, and last year, I most likely said goodbye to Rush. And now it was time to say goodbye to Black Sabbath.

I’ve been a fan of Black Sabbath since middle school. My brother had introduced me to Led Zeppelin and Rush, and I loved them both, but Black Sabbath was the first band I had claimed as my own.

They felt like a secret that my friends and I shared, and we had fun exploring and debating the different lineups. Was Ozzy era Sabbath better, or the Dio material? What about the Tony Martin incarnation of the band?

The truth was I loved all the lineups. Black Sabbath was like a saga that kept going on and changing over time, and they never disappointed.

Continue reading “The End – Black Sabbath Tour Returns to the Beginning before Bidding Adieu”