Friday marks the 25th anniversary of both 9/11 and Kitty Donohoe’s folk song, “There Are No Words,” which pays tribute to the fallen heroes, family members, and friends we lost that day.
Donohoe, an Ann Arbor, Michigan, singer-songwriter, wrote the song in response to the day’s tragic events.
On the song, Donohoe sings, “In one single hour in one single day / We were changed forever, something taken away / And there is no fire that can melt this heavy stone / That can bring back the voices and the spirits of our own.”
“I think it’s the hope of every artist to create something that affects people in a strong way, and I’m honored that ‘There Are No Words’ has played a part in the healing process of our country for so many people,” wrote Donohoe on her website.
OMO, aka Javan Cain, and Le Dawg, aka Evan Haywood, in Ann Arbor. Photo – DJ Cataclysmic, aka Jacoby Simmons.
Editor’s Note: For a related article, see the One Track Mind feature from Pulp.
OMO x Le Dawg’s self-titled album provides a brief respite from the outside world.
On their debut release, the Ann Arbor, Michigan, electronic duo creates different vibes and sonic spaces for people needing an escape.
“I want to get into that place where I’m no longer in my consciousness, but I am depersonalized completely into the music,” said Evan Haywood, aka Le Dawg.
“When you’re in that music, it frees you from all of the other things going on: all of the bills you have to pay, all the things you have to worry about, all the craziness in the world. It’s like a place of peace, and it can sound like anything.”
Featuring six tracks, the album is a collection of minimalist, ambient techno that explores a spectrum of sounds, ranging from meditative and percussive to dreamlike and intergalactic.
The music emerged over a series of jam sessions the duo had at Haywood’s home studio.
“We met once a week for a good couple of months,” said Javan Cain, aka OMO. “It turned into a lot of different jams, and there’s going to be a lot of different projects with different sounds. We were jamming together and growing within that, seeing what we could build because it’s endless if you really think about it.”
Those jam sessions quickly reflected the different roles the duo had while making the album: OMO as the creative force and Le Dawg as the editor and observer.
“It’s great because we both have so much going on musically, especially me with my studio work and Javan with all of his live performances that he’s been doing,” Haywood said. “It’s like we’re both bringing those skills and bringing those sensibilities into the process.”
To learn more, I spoke to OMO x Le Dawg about the creative process for the album.
Kayla, Cesca, and Trie of Checkered Lilies. Photo – John Garrod
Checkered Lilies understand the sinking feeling that comes with a breakup.
The Southwest Michigan band processes that disappointment, uncertainty, and frustration on their latest alt-pop single, “Abandon Ship.”
“It was very autobiographical just because of stuff that has happened very recently,” said Kayla, vocalist, bassist, and keyboardist for Checkered Lilies.
“I tried to reframe it into more of a relationship because relationships are super complicated, no matter the nature of the relationship.”
Backed by somber piano, electric guitar, and drums, Kayla sings, “I’m tossed by the current / Buried by the waves / I hope you got that escape you craved / So now you can go / And sail through your bright, clear skies / I’ll be where you left me behind.”
“I think that was my favorite part of the writing process: trying to take this situation, which I don’t think is very easily relatable, and extending it into something that’s more applicable to people wherever they are,” she said.
“Regardless of the type of relationship, any relationship has [its] ups and downs, so people can take it and apply it to their own lives.”
“Abandon Ship” also serves as the debut single for Checkered Lilies, which features oldest sister Kayla, 20, and her two younger sisters, drummer-vocalist Trie, 18, and guitarist-vocalist Cesca, 12.
“Personally, I think one of the biggest things that’s coming up for us is the release of Checkered Lilies in and of itself,” Trie said.
“We’ve done a few originals before, but Checkered Lilies is a whole new big project where we’re really writing songs that we connect with and songs that mean something to us. We’ve got a ton of them lined up starting [this] month and continuing on through the summer, and we’re all very excited about that.”
I recently spoke with the band about their background and latest single ahead of a June 27 show at The Stray in Grand Rapids.
The Tucson, Arizona, vocalist-bassist examines loss and love through a new lens on Weekend Lovers’ latest album.
“My mom’s passing away was a big deal,” said DeLeon, who fronts the indie-rock trio. “My dad, sister, and I had been estranged these last few years, but we’ve come back together recently. It’s processing a lot of the grief of losing my mom for all of us.”
She tackles that shared grief on “Not Chill,” which explores the need for acceptance and closure.
DeLeon sings, “But you were lucky to have found her at all / It ain’t my peace. Is it all my fault? / I was waiting in a different time / But we don’t feel this, and it’s almost gone / Cuz deep inside we don’t know.”
“The song, ‘Not Chill,’ is about that … and it was hard to finalize the lyrics for it because I wanted it to capture that emotion,” DeLeon said. “The night before I went into the studio, I was still [figuring] out the lyrics. I didn’t want them to be too simple or too repetitive.”
DeLeon features cathartic lyrics and ethereal vocals across nine tracks on In Your Dreams. Weekend Lovers bandmates Dane Velasquez (guitars, keys) and Rick Bailey (drums, percussion) help DeLeon build that sonic world through emotive instrumentation.
“There’s a lot more band collaboration because I started playing with Rick and Dane in mid-2021,” she said. “We had been playing out for two years, and then we went into the studio in 2023 to track the first half of the songs. Then, we tracked the other half in 2024.”
I recently spoke with DeLeon about the inspiration behind the album.
Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulpblog.
“One Track Mind” features a Washtenaw County artist or band discussing one song from their latest release.
Standout Track: No. 2, “Stand Up!”, from 3Steez aka Trés Styles. The Athletic Mic League MC’s latest album, The Lover & The Fighter: Ninja, is the first of three planned releases featuring a martial arts theme. The boom-bap hip-hop album revisits 3Steez’s past, including his time living in New York. On “Stand Up!”, 3Steez includes lyrical references to Athletic Mic League, Ann Arbor, Detroit, and other Michigan shout-outs. “I’m in New York talking about being from Michigan. I’m in ninja mode, killing everything as a member of my crew, representing Michigan everywhere I [go]. When I got home, I felt like that song needed to exist and be heard. I’d been in New York so long people thought I was from there—which made sense—but as a member of AML, I had to make sure Michigan was still being put on the map.”
Sonic Distance’s Connor Parent at The Blind Pig in August 2025. Photo taken from Sonic Distance’s Facebook page.
In eighth grade, Connor Parent had an epiphany.
The singer-songwriter and guitarist sat down at a middle school lunchroom table with friend Elliot Walker and pulled out his composition notebook.
“I said, ‘All right, we’re gonna make an album, and it’s gonna be called Everything Outward,’” said Parent, who hails from Walled Lake, Michigan. “It really just came to me.”
Parent spent the next eight years writing and recording 15 tracks for what would become his debut album, Everything Outward, under the artist moniker Sonic Distance.
“I started writing at the age of 14, going through high school, even a bit of college,” he said. “Those are the ages when your mind expands, and you’re learning a lot about the world. I’m still learning a lot, and I feel like I do have more to say.”
What resulted is an introspective alt-rock album that explores the quest for finding one’s purpose and understanding the world around us.
“When it comes to this collection of songs, the sequencing is very intentional. It tells the story from start to finish of a character who starts out angry at the world. The track, ‘Fire Trail,’ takes a spooky, haunting turn to the album,” Parent said.
“It has these mood swings to it, and then it goes into a silly [section] with ‘Chicken Fight,’ ‘Avenue,’ and ‘Jet Lag.’ Then, you get into the introspective meat of the album with the last three songs. It has this personal resolution at the end. A lot of it is fictitious, but a lot of it did come from [real life].”
I recently spoke with Parent about the inspiration behind Everything Outward.
The Clarkston musician and entrepreneur met through Wiltsie’s, a pop-up listening room that features live performances from Michigan musicians and doubles as a co-working space.
“I started doing shows for Brandon, both solo and then with One Ton Trolley,” said Arnold, who fronts the roots-rock band.
“Had it not been for Wiltsie’s, Brandon and I probably wouldn’t know each other. My whole network changed as a result of Wiltsie’s.”
Arnold and Still also witnessed the instant connections people started making while attending shows at Wiltsie’s.
“My career has morphed into helping small towns build co-working spaces [like Wiltsie’s],” said Still, who works in economic development and runs The Integrated Life Company.
“Our tagline that we’ve fallen into with Wiltsie’s has been transformational music experiences. It’s transforming the places, it’s transforming the people, and it’s transforming the artists in that they actually get to have a connection with people, too.”
That shared love of music, connection, and community struck a chord with Still and Arnold. By March 2024, they started laying the foundation for Echoes in the Iron, a multimedia project that supports small-town revitalization and builds community through music, storytelling, and entrepreneurship.
The project includes a series of YouTube videos spotlighting small business owners, musicians, and community advocates in Michigan.
“The music is obviously the main focal point for drawing people together and having the emotional spark to get people truly engaged,” Arnold said. “But we want to showcase their town, too, along with the businesses and the history. We want to combine everything … and foster community through all of that.”
I recently spoke with Arnold and Still to learn more about Echoes in the Iron.
The singer-songwriter and multi-instrumentalist delves into complex emotions, ranging from confusion to heartbreak to frustration, on his latest EP.
“In today’s world, these emotions will find you at some point,” said Perrone, who’s based in Livonia, Michigan. “I find it fascinating how people, including myself, deal with them in different ways.”
He also unearths the mental health struggles people face when they’re coping with change and searching for closure.
“Directly or indirectly, experiences from our past help us to cope,” Perrone said. “Finding a resolution in times of trouble is an interesting topic to me that I felt was worth exploring.”
Perrone’s baritone vocals evoke feelings of anticipation and longing in fans as they process their experiences while listening to Bend Until It Breaks. The EP’s five tracks feature contemplative lyrics, haunting instrumentation, and elements of indie rock, alt rock, shoegaze, and post-rock.
To learn more, I spoke with Perrone about the EP ahead of a November 15 show at the Ghost Light in Hamtramck.
Pat Deneau, Bob Zammit, and Megan Marcoux of The City Lines. Photo by Crista Deneau.
Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulpblog and has been expanded for this publication.
Pat Deneau sings about the adrenaline rush he gets from work and music on the song “Hits the Same.”
The musician-firefighter’s heart pounds as he climbs on a firetruck with the Ann Arbor Fire Department, or sets foot onstage with The City Lines and sings, “I don’t know what I’m doing here / But my heart is racing / Is this the price to feel so alive?”
“When I’m singing those lines, I’m almost picturing like I’ve got the hose line in my arm, and I’ve got my buddy on my back pushing me in and the fire’s pouring overhead,” said Deneau about the anthemic opener from the Ann Arbor trio’s new album, Prescribed Fires. “It feels exactly the same as flipping the standby switch on the amp, and the volume control is up and the cymbals wash.”
“Hits the Same” also sets the compelling narrative for The City Lines’ third album, which explores parenthood, career, mental health, heritage, and the environment.
Through that narrative, the alt-rock band shares cathartic experiences that confront the past and promote future growth. Metaphorically, it’s akin to a prescribed fire, an environmental stewardship practice that relies on controlled flames to restore health to ecosystems.
“And so we’re writing honest music about what this is like,” said Bob Zammit, drummer for The City Lines. “I accept that some people are not going to connect to it because it’s theoretical for them—they’re not in that space. But my sincere hope is that for some people who are, there’s not 100 records released in Southeast Michigan that cover the same topics.”
Prescribed Fires examines those topics through existential lyrics, heartfelt vocals, and bold instrumentation.
“We’re talking about some heavy stuff here, but the production on the record is so upbeat,” Deneau said. “It sounds kind of late ‘90s, early 2000s rock, and I think that’s a cool juxtaposition. I think that worked out really well for this collection of songs.”
Deneau, Zammit, and Megan Marcoux (bass, flute, vocals) will soon share that new collection of songs during an October 24 album release show at Ziggy’s in Ypsilanti.
I recently spoke to Deneau and Zammit about Prescribed Fires ahead of the band’s show.
At age 5 with my first record player, a Fisher-Price Change-A-Record Music Box Record Player
Editor’s Note: This is the first installment in a multipart series celebrating the 10th anniversary of The Stratton Setlist.
I never planned to be a music journalist, but I’ve been unknowingly training for it my whole life.
My parents and older brother, Steve, served as my coaches, offering me different educational resources along the way—ranging from albums, TV shows, and magazines to concerts and festivals.
Those resources helped shape my love of music, a desire to acquire more music knowledge, an obsession with live music and physical media, and an uncanny ability to remember all kinds of music facts and trivia. It was that lifetime of training that quietly prepared me to eventually seek a profession that combined my passion for music with writing.
Now, nearly 45 years later and a decade into running my own music blog, here’s how it all started.
The Stratton Setlist 