Dream Theater – Weekend Lovers Creates Psychotropic Realm on Vibrant ‘Baby’ Video

Weekend Lovers delightfully brings the vivid, hallucinogenic dream world of REM sleep to life.

The Tucson, Arizona dream pop-post rock collective unveils a kaleidoscopic collage of masked fashionable friends, trippy desert adventures and vintage landline phones on their latest video for “Baby.”

“I wanted a nonlinear narrative, and the song is told in bites as a tale of emotions. I think our brains also remember things not necessarily in order, and I wanted some of the best visuals I took over the course of some time,” said Marta DeLeon, Weekend Lovers’ vocalist-bassist.

“It’s basically a day in the life of my life in Tucson, and the city is one of the characters too representing the southwest and its beauty. Thrift and dollar store finds and the Halloween section at Target brought the fantasy mood and props to help my cast be funny or interpretive.”

As the video’s director, DeLeon intricately stitched together a series of brief psychedelic vignettes through a Videoleap app on her iPhone. Together, those colorful scenes created the carefree, experimental world depicted in “Baby” along with additional footage from Luke Ralston.

“I carry my iPhone everywhere, so there were more opportunities to shoot things I’d run into daily in my life that might be cool little visuals. Videoleap is a more developed aka Instagram venture with abilities like timing, speed, filters and mixers that allowed me to overlay the double exposure you see,” she said.

“That really helped me pull together all the 2-second to 4-second videos I was strewing together and gave the overall video some seamless pace and movement. I already had some random quirky storyboard images, and I love movies and write lyrics cinematically.”

DeLeon also recruited a fun cast of bandmates and friends to reside within her psychotropic realm. Along with Jungle Jazzy and Laura Eliason, Weekend Lovers’ Brandon Douglas (keys, guitars, backup vocals), Danny Perez (guitar) and Gabriela Lisk (drums, guitars) join DeLeon throughout “Baby.”

“I can’t really say the song wouldn’t soar as well or hit as much without Gaby Lisk or Danny Perez. I wrote the song with this Portishead bassline and vocal phrasing, but Gaby’s hard joyous drum downbeat propelled the opening ‘ooh-ahhs.’ Danny’s guitar is a creepy, crawling beauty, but then his smacking, slinky strumming hits you in the face,” said DeLeon, who’s inspired by shadows and murals in Tucson’s Barrio Viejo neighborhood.

“My engineer Matt Rendon came up with the backup vocals, which give the chorus its tension musically and emotional necessary angst. They were all open to my preconceived ideas with the props or locations. Some moments were just great mistakes.”

Continue reading “Dream Theater – Weekend Lovers Creates Psychotropic Realm on Vibrant ‘Baby’ Video”

Days of Future Past – Major Murphy Reaches Personal Crossroads on New ‘Access’ Album

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Major Murphy’s Jacki Warren, Brian Voortman, Chad Houseman and Jacob Bullard revisit personal struggles and explore newfound intrinsic possibilities on “Access.” Photo – New Archive

With Access, Major Murphy beautifully arrives at the emotive intersection of past and future.

The Grand Rapids indie rock quartet of Jacob Bullard (vocals, guitar), Jacki Warren (bass, vocals), Brian Voortman (drums) and Chad Houseman (guitar, keys, percussion) seamlessly navigates undiscovered internal roads filled with uncertainty, contemplation and growth on their boundless sophomore album.

“You have to go rock bottom to be able to adequately move forward. At times, it can be a little dark, scary or intense, but ultimately if you don’t face some of those things, then you’ll be missing the point. Anxiety and stress are definitely fused into the record, but it’s for the purpose of being able to identify things and put them to rest,” Bullard said.

Major Murphy deeply revisits personal struggles and explores newfound intrinsic possibilities across nine introspective, cinematic and experimental tracks on Access, which arrived April 2 via Winspear on all streaming platforms.

Each thoughtful, captivating track weaves a reflective, relatable tale about arriving at an unexpected crossroads and grappling with the amount of control one has in life. Layered with choose-your-own-adventure insights, Access prompts listeners to decide the direction of their next fateful turn.

“I was going through a lot of big changes, and I started writing songs in 2017. Part of the optimism is saying even when everything around you shifts and you don’t really recognize it, the old way of being doesn’t need to hold precedent. You have the find the strength within yourself to accept the new reality and adapt,” Bullard said.

Continue reading “Days of Future Past – Major Murphy Reaches Personal Crossroads on New ‘Access’ Album”

New Chapter – Blank Tape Tax Shares Mental Health Struggles on ‘My Book’ Single

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Blank Tape Tax raises mental health awareness on “My Book.” Photo – Colleen Rose

Editor’s Note: According to John Hopkins Medicine, 26 percent of adults in the U.S. suffer from mental illness. That means for every 100 people you meet, 26 of them are struggling with mental illness. NAMI research also shows roughly 5 percent of adults in the U.S. struggle with serious mental illness, and 1 percent of Americans suffer from psychotic disorders.

Blank Tape Tax openly shares a personal chapter of past struggles.

The Detroit experimental group and rotating collective boldly recounts the internal anguish associated with lingering mental illness battles on “My Book,” which is now available on all streaming platforms.

“It’s a story about living with bipolar 1 disorder and what recovering from a psychotic break and subsequent hospitalization has been like in a recovery process that has lasted four years. Only recently has mental illness become something that is seen as less stigmatized to talk about in certain circles,” said Ben Yost, Blank Tape Tax’s drummer-vocalist.

“However, in most places, there is still a misunderstanding surrounding mental illness, especially with a disorder like bipolar psychosis, which affects 1 percent of all Americans. Although it was not written with this intention, ‘My Book’ has come to start a dialogue about mental illness and remind people that feelings are mentionable and manageable. Getting help is not a sign of weakness, but rather one of strength.”

Throughout “My Book’s” lo-fi home demo, Blank Tape Tax beautifully reveals that inner strength with Emily Parrish (vocals) and Kavon Williams (piano). Surrounded by somber piano, Parrish poignantly sings, “The words for me are hard to say/I suffer through them every day/And I just want you to hear my pain and to relate/I want to say some old cliché/But oh what the fuck/Here it goes anyway.”

“That being said, I feel conflicted about the lyrics of ‘My Book’ because I felt initially when I wrote them that they were too negative and self-pitying, but after hearing Emily perform it, I’ve come to think that the song is ultimately a positive thing,” Yost said.

“‘My Book’ was written in a few minutes as a stream-of-consciousness poem. I often write this way using free association. I recorded Logan Gaval’s first full-length, Number One, on Flesh and Bone Records, and I was listening to that at the time. I liked the way he sounded like Elliott Smith, and I wanted to write a song in that style (sort of like ‘Needle in the Hay’).”

Yost initially wrote “My Book” as a waltz on his guitar and recorded a demo. The track later blossomed once Parrish added her thoughtful vocals and Williams performed his haunting piano part in Wayne State University’s Old Main Guitar Room.

“I had always planned on re-releasing ‘My Book’ as a single. It took this long primarily because we were still forming a lineup while it was recorded, and then the pandemic hit. When Emily first sang it for us, it was awesome. It reminded me of Janis Ian, but more emotive. Emily really made the song her own while Kavon’s piano was perfect for the song,” Yost said.

Blank Tape Tax also filmed a VHS camcorder-inspired video for “My Book,” which features warm snippets of home movie style footage interspersed with a live performance of Yost, Parrish and Williams. Yost developed the raw, vintage concept for the video after watching two seminal early ‘90s skateboard videos, Blind Skateboards’ “Video Days” and Alien Workshop’s “Memory Screen.”

“The Blind video was a major influence on me as a young kid, and later in life when I saw ‘Memory Screen,’ my imagination had totally been captured by that style of filmmaking. I had also been a fan of Larry Clark and Harmony Korine, and the first two Blank Tape Tax videos for ‘Baby’ and ‘Peachy’ had been done in a similar style by visual artist Genevieve Kuzak,” said Yost, who worked with Ethan Long and Nathan Wilkey to edit the “My Book” video.

“I actually ended up being the one behind the camera while filming ‘My Book’ just out of necessity. The footage fits the audio nicely because they were both captured on tape, which gives it a warm home movie quality. All but the editing and mastering were done using analog technology and magnetic tape.”

My Book” serves as Blank Tape Tax’s latest compelling single after releasing the pithy hardcore punk-bebop jazz track, “Hey Donnie” and the jazzy hip-hop B-side, “Positive Force and the Discipline of Non-Violence pt. 2” earlier this year. They also dropped a refreshing modal jazz-based cover of Minor Threat’s “Filler” in October.

Looking ahead, Yost and his current Blank Tape Tax lineup of Michael King (upright bass), William Marshall Bennett (piano), Mark Royzenblat (guitar), Isaac Burgess (guitar) and Parrish (vocals) will release additional new material soon.

“We have no previews of anything other than lo-fi home demos. We’re trying to do more stuff in high fidelity, and we plan on a single and an EP. We’re also debating doing a full-length since there’s no touring,” Yost said.

Soulful Path – ANA Explores Self-Love, Personal Growth on ‘Fall With Me’ Single

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ANA shares her deepest emotional reflections and vulnerabilities on “Fall With Me.” Photo – Miles Marie

Filled with sensual, soulful grooves and mellow, jazzy soundscapes, ANA beautifully embarks on a newfound path of self-discovery and intimacy.

Along her transformative journey, the Detroit neo-soul singer-songwriter shares her deepest emotional reflections and vulnerabilities while poignantly embracing personal growth and exhilaration on “Fall With Me.”

“This song is a trifecta of things. A lot of it is about exploring intimacy and being open to that. But self-love was a big one, especially during the pandemic because we have spent so much time being isolated from each other. I feel like a lot of the things we desire become a lot more physical and manifest in a way of self-care while deepening the expectations we have for ourselves and the things that we love to do,” said Ana Gomulka, aka ANA.

Now available on all streaming platforms, “Fall With Me” magically transports listeners to a carefree, breezy spring day that provides instant relief and ample time to recharge. Thoughtful, enduring trumpet, delicate drums, mellifluous bass, fluttering synth and vivid electric guitar provide a mesmerizing escape into ANA’s dreamy world.

Gomulka beautifully sings, “Cause when you show up at my place/And ring my bell/I’ve been feelin’ for ya/You know very well/But if this is too much for you, yeah/We can just kick it like we used to.”

“I decided to put this song out first because I’ve been working on a lot of music that’s going to be coming out in 2021. I also wanted to make this a love song to my audience and the people who have supported me throughout the whole time I’ve been making music,” said Gomulka, who also fronts the jazz-fusion group Honey Monsoon.

“I’ve been writing songs since I was 13 years old, and this is the first time I’ve ever officially put out a single myself as a solo artist. I wanted to make this single to invite people to follow me into the joy of what I’ll be sharing. I’ve always been a really sensual, vulnerable person, and I think a lot of authenticity lies there.”

Fall With Me” also serves as ANA’s first new material since releasing Honey Monsoon’s 2019 enchanting album, Opal Soul. She invited an all-star team of collaborators to join her on the track, including Haruki Hakoyama (bass, trumpet), Sasha Kashperko (guitar), Todd Watts (drums) and Barry Chambliss (keys), and meld captivating R&B grooves with jazzy, hip-hop beats.

“This song was actually something that just came to me. I had studio time booked already for different songs, but this song was the newest and the freshest one. I had just laid down the guitar part first for the demo,” said Gomulka, who recorded the track at Fundamental Sound Co.

“I did the instrumental, and then the vocals came while the lyrics came afterward. I just reflected and manifested in feeling what I really wanted people to get out of this song. I’ve also been making a lot of electronic music, but I thought it was important to have actual instrumentation on it. I think that comes with the realness of my music, and it’s a reflection of my musical spirit.”

Continue reading “Soulful Path – ANA Explores Self-Love, Personal Growth on ‘Fall With Me’ Single”

On Course – Madelyn Grant Finds Motown-Inspired ‘Purpose’ on Debut EP

Madelyn Grant’s “Purpose” EP explores the challenges of reaching self-actualization during a personal transformation. Artwork – Sebi White and Quinn Faylor

Madelyn Grant elegantly charts a new creative course.

The Detroit neo-soul singer-songwriter opted for a classic Motown-inspired sound on her debut EP, Purpose, after forging an initial electronic, trip-hop pathway.

“I love the sound of Emancipator and FKJ, but after touring and performing with them, I realized I wanted to capture more of that Amy Winehouse-Sade vibe. At that moment with electronic music, I wanted to go more in an organic direction of being live with everyone in the studio, and I think these songs lend themselves to that,” Grant said.

“I’ve got this combination of songs, and they sound like Motown, Al Green, Bill Withers and Stevie Wonder. They don’t sound like sound like trip-hop, FKJ or Emancipator. The people who helped arrange these songs with me were U-M jazz school alumni, and they added some jazz influences in there.”

Grant beautifully jazzes up her nostalgic, soulful project across five introspective, fervent tracks. Out today via all streaming platforms, Purpose delves beneath the surface and explores the challenges of reaching self-actualization during a personal transformation.

“After listening back to these songs and realizing this intense process I went through creating this EP, I had this image of a butterfly that kept coming into my mind. When moths and butterflies go through this transformation and reach their final stage, they have to go through this intense cycle. It’s not always pretty, but in the end you’re left with something that’s worth waiting and being patient for,” she said.

Continue reading “On Course – Madelyn Grant Finds Motown-Inspired ‘Purpose’ on Debut EP”

High Level – Jackamo Adds Solid Layer to New ‘Foundations’ Video

A new contemplative video beautifully takes Jackamo’sFoundations” to the next level.

Released today, the video adds an emotive, solid layer to the Hamtramck indie folk sibling duo’s wistful debut single, which dropped Feb. 19. It features sisters Alison Wiercioch and Tessa Wiercioch firmly planted in the middle of a sparsely furnished living room while people and objects move around them.

“We’re going to give our roommate Molly a shout-out. We were sitting together back in October, and we said, ‘Gosh, we really want to do a video for this song, but we have no idea what we should do.’ We were shooting off ideas, and Molly said, ‘How cool would it be if you two were in a room and things were moving around you, but you remained at a standstill,” said Alison Wiercioch.

With an initial video blueprint in mind, Jackamo contacted high school friend and director Zach Noonan to bring the “Foundations” concept to life. The Wiercioch sisters developed the video’s storyline and creative approach with Noonan over multiple Zoom calls until he emerged with a script.

“Zach drove around listening to the song, and that’s how he found his creative juices. The song really resonated with him, and when we got his script idea, we were enamored. Zach was the one who had the idea of having different sets,” said Tessa Wiercioch.

Throughout the “Foundations” video, Jackamo and Noonan seamlessly showcase three visual scenes to bring the track’s raw vulnerability to life. The initial living room scene features the Wiercioch sisters singing next to each other as a large stone fireplace provides additional emotional support.

Next, it quickly transitions to the gallery scene as Jackamo kneels together singing on the floor while extras move pieces of their mother’s artwork in and out of the room. The camera continues to circle around the duo into the “nothing scene” as they strongly embrace one another while the extras struggle to pry them apart.

“Zach brought his friend Liam Adams in as the videographer. The entire video is one shot, and they made that light themselves. We told Zach we wanted it to look like the golden hour, and he said, ‘I can definitely make that happen.’ They had their lights fixed up, and that’s the light that’s showing in the camera,” said Alison Wiercioch.

Along with Noonan, Adams and a cast of extras, the Wiercioch sisters filmed the “Foundations” video inside their Howell childhood home. One of the video’s most eye-catching objects includes a white two-story birdhouse that’s shifted throughout the living room. In a sense, the birdhouse captures the structural spirit of the larger home and encapsulates the essence of the track.

“That was Zach’s idea, and he clung on to the fact that we want our song to be taken however the listener takes it. The birdhouse was another object that we could move, but the table it sits on is still there. Somebody moves the table at one point, and that spoke to me. The house is already gone, but the table or the foundation is still there,” said Tessa Wiercioch.

Jackamo keeps their “Foundations” intact as they lie together on the home’s hardwood floor at the video’s close. It’s a subtle reminder the Wiercioch sisters are ready to build additional levels throughout their evolving musical framework.

“We hope it doesn’t make anybody think too much of what they’re supposed to feel in the song. We’ve had a couple of people who have said and thought different things about the video. It’s fun and exciting for us to hear people’s new perspectives,” said Tessa Wiercioch.

Root System – Tree No Leaves Plants Lush Conceptual World on ‘The Eyes of Xylem’ Album

Tree No Leaves plants a vivid, lush conceptual world that challenges widely held notions about the cycle of life on “The Eyes of Xylem.” Artwork – Andy Thomas of Ando Illustration

Last year, Dustin Galish instantly took root in a new adventure.

The Bowling Green, Ohio-based Tree No Leaves vocalist and multi-instrumentalist planted a vivid, lush conceptual world that challenges widely held notions about the cycle of life.

“I had a dream one night, and there was a narrative that showed up and made sense. I wrote it down in the morning and went into work that day, but continued to scribble on this piece of paper that was very small and kept cramming everything on it,” he said.

Galish showed his initial scribbles to artist Andy Thomas of Ando Illustration, and the two carefully cultivated an alternate universe for Tree No Leaves’ new thought-provoking concept album, graphic novel and multimedia experience, The Eyes of Xylem.

“The real raw theme is perception and the cycle of life. At the end of the day, all of us have a very different perception of what that cycle of life is, and it can be religious, spiritual or atheistic. We all deal with that cycle of life, and we’re all trying to come to terms with what it is. Some of us have a very cool explanation for it while others have a sad, barbaric or magical one,” Galish said.

Along with Tree No Leaves bandmates Steven Guerrero (bass, f/x, EBow), Garrett Tanner (sax, recorder), J.P. Stebal IV (drums, electronics) and Billy Gruber (congas, percussion), Galish magically chronicles a condensed life cycle across eight compelling, multi-genre tracks on The Eyes of Xylem, which is now available via all streaming platforms.

Also available as a four-track, clear 7-inch vinyl on Bandcamp, the insightful concept album lyrically and visually depicts the story of anthropomorphic tree characters, Willow and Elder, who rapidly experience a series of life-changing situations in a haunted town. Each track features an accompanying mystical illustration by Thomas that sets the scene for listeners as they join The Eyes of Xylem journey.

“My goal is to have two characters that experience the full cycle of life and death in a short period of time, but in an amazing way. They’re both experiencing things simultaneously while their perspectives of what they’re experiencing are different,” Galish said.

“I researched symbolism relative to trees and what they represented in different cultures. Willow and Elder represent the duality of the world in any place and in anything that exists. I think it’s important to understand people’s perspectives and how we’re all different, but we’re experiencing things together as part of the same cycle. ”

Continue reading “Root System – Tree No Leaves Plants Lush Conceptual World on ‘The Eyes of Xylem’ Album”

Buried Pop Treasure – The Mommyheads Unearth Experimental ‘Coming Into Beauty’ Album

The Mommyheads travel back to 1992 for the reissue of “Coming Into Beauty.” Photo – Tina Lane

For The Mommyheads, it’s time to unbury a past sonic treasure.

The New York City indie pop quartet of Adam Elk (vocals, guitar), Michael Holt (vocals, keys), Dan Fisherman (drums, percussion, vocals) and Jason McNair (bass) recently excavated and restored their experimental sophomore album, Coming Into Beauty, after nearly three decades.

“It’s a trip reintroducing this lost record. In all honesty, I’ve always been embarrassed by the recording quality and artwork of the original version. Most people who knew about it called it the quietest record in their collection. It was the closest thing to looking at those horrible pictures of yourself in high school before shoving them back into the attic,” said Elk, who co-founded the band in 1987.

“It was such a relief to commission new artwork. Marc Strömberg in Stockholm has done an amazing job coming up with designs for the last batch of records. On this one, he fused five different songs into the cover image. In this day and age, when everything is so accessible, it just didn’t make any sense to keep having this gem off the radar any longer.”

Now available on all streaming platforms, Coming Into Beauty features a refreshing, remastered sound across 15 quirky, inventive tracks from The Mommyheads’ formative years. Originally released in 1992 via Small Machines, Elk co-wrote and recorded the project across two cities with two iterations of the band, including then-bassist Matt Patrick and then-drummer Jan Kotik as well as Fisherman and Holt.

“It’s the closest thing to stepping into a time machine and hitting one of those big brass Victorian H.G. Wells buttons for us. This really is an album about pushing the boundaries. It also helps to know that we were only 18-20 years of age at the time and didn’t know why boundaries and formulas even existed,” Elk said.

The Mommyheads push those creative boundaries through zippy electric guitars, spirited acoustic strums, bouncy bass, pulsating drums and flavorful keys while exploring timeless pop sensibilities and unconventional storytelling.

Originally recorded at New York City’s 6/8 Studios and Cloud 9 Studios in Chico, California, Coming Into Beauty eloquently depicts growth, relationships, self-worth and animal symbolism through the lenses of five eclectic musicians ripe for early adulthood.

Coming Into Beauty’s whole purpose is about taking chances, and it really makes it a fun listen all these years later. There were so many studios and environments involved that it’s really developed a sonic patchwork of sorts. Even the engineers all had extremely different styles of recording, ranging from experimental to conservative,” Elk said.

“Matt (Patrick) and I had very different approaches to songwriting. Matt was more of an emotionally intuitive writer, where I had a more quirky, mental and angular approach to songsmithing.”

Continue reading “Buried Pop Treasure – The Mommyheads Unearth Experimental ‘Coming Into Beauty’ Album”

‘Tuesdays’ with Ania – New Single, Video Celebrate Escaping Manic Mondays

Every Tuesday, Ania breathes a sigh of relief.

The Los Angeles heavy metal singer-songwriter and guitar virtuoso slowly exhales after getting through another manic Monday.

“I’ve found that most people are tired and angry on a Monday. By Tuesday, they seem lost and ready to procrastinate again. I make it a point each Tuesday to escape a bit and visit a local hiking spot to get through the rest of the week,” said Ania Thomas, aka Ania.

Ania appropriately celebrates her favorite workday and weekly nature jaunt through a thrash-tastic new single, “Tuesdays,” now available on all streaming platforms.

Boisterous Black Sabbath-esque electric guitars, galvanic bass, propulsive drums, crashing cymbals, fuzzy synths and delicate strings instantly release inner workplace tensions and rejuvenate weary minds throughout the 4.5-minute therapeutic banger.

Ania calmly sings, “And the road, and you climb some more/To find that one path about you/Still shines down on you/Are you forgetting it?/Climb, climb to get to the road you once knew/Where it shines down on you/Stairs are up the way, you know.”

“I think ‘Tuesdays’ bring a sense of relief by sharing a positive message, especially through the lyric, ‘You’re gonna find a way.’ It’s all about wanting to see a light at the end of the tunnel and staying positive while living through our current times. For me, nature has always brought a sense of healing both physically and mentally,” Ania said.

“Romantic and transcendentalist poets created a movement in which freedom and emotion were favored over intellectual growth. True inspiration is beyond our human reasoning and intelligence can only take us so far as people. There is more to life than just intelligence, including freedom of self-expression, intuition, inspiration and the pursuit of truth. It’s really a matter of taking care of ourselves in a spiritual way.”

Along with director Joseph Cordova, Ania beautifully conveys the spiritual power of nature in a compelling video for “Tuesdays,” which features breathtaking overhead shots of Los Angeles’ Runyon Canyon Park against a hazy city backdrop. A gold pocket watch slowly dangles in the video’s opening sequence to symbolize the gradual passage of time in an isolated world.

“Joseph and I went to one of my favorite places that I regularly visit whenever I feel down or need a break from the world. It’s my favorite hiking spot in Los Angeles,” said Ania, who climbs throughout the hills while shredding her green Ibanez.

“We used a pocket watch because I wanted to show the concept of time and how it’s always running away from us as creative people. At the same time, it’s also a social construct. It took us a year and a half to finish the video due to complications from the pandemic, but finishing this project proved to me that you have to keep going in spite of what else is happening around you.”

Continue reading “‘Tuesdays’ with Ania – New Single, Video Celebrate Escaping Manic Mondays”

The Darkness and The Light – Mike Ward Balances Past, Future on Contemplative New Album

Mike Ward uncovers the delicate midpoint between two opposing forces in time and emotion on “The Darkness and The Light.” Photo – Mark Stevens of Blue H2O

Mike Ward eloquently strikes a balance between the past and the future.

The Detroit Americana singer-songwriter thoughtfully uncovers the delicate midpoint between two opposing forces in time and emotion on his reflective third album, The Darkness and The Light.

“I think it has a lot to do with my age; I got started in this late. I think it comes from a lot of experience and examination of that. I come from a really big family; we’ve had some losses and struggles over the last 10 years. These songs were all written well before the pandemic, but they tee up the emotions that people have,” Ward said.

“Since my dad passed and my mom died almost 10 years before that, I’ve been on that path of examining life as it is, life as it was and life after I go. I archived about 10,000 slides and photographs from my dad’s collection because he was an amateur photographer, and you can’t do that without diving into the faces, the eyes, the smiles and the tears. All those stories ruminate around, and I think for me as a writer I’ve realized that’s the way things have to happen for me.”

Ward’s initial ruminations unfold into 10 insightful tales about wisdom, gratitude, reality and altruism throughout The Darkness and The Light. As a majestic successor to 2018’s We Wonder, each Darkness and Light track sashays from shadows of struggle to flashes of hope as listeners travel from one experience to the next.

“I’m not trying to sugarcoat anything, and I’m not trying to be Pollyanna. Even when I sing ‘Our Turn to Shine,’ it’s done in a way that suggests taking it upon yourself. When one of us shines, we can all shine, and bringing a little light to the world is a good thing even as messed up as it is. That’s what I hope people will get from it. I’ve been told by a number of people who’ve listened to it that it’s calming and gives them a sense of relaxation,” Ward said.

Continue reading “The Darkness and The Light – Mike Ward Balances Past, Future on Contemplative New Album”