Break the Ice – Au Gres Finds Instant Romantic Comfort on New ‘Nervous’ Single

Au Gres’ Josh Kemp celebrates a new relationship on “Nervous.”

Au Gres instantly creates the proverbial comfort zone.

The Fenton indie pop singer-songwriter quickly throws anxiety, hesitation and doubt aside in his latest warm, dreamy pro-soulmate single, “Nervous,” which dropped Oct. 16.

“The song was inspired by my girlfriend, and I don’t usually set out to write a song. Instead, I mess around with progressions until I get an idea of what I want it to be about, and the song kind of writes itself. But for this one, I just felt so comfortable with her, like right off the bat, and I wanted to write something that felt that way,” said Josh Kemp, aka Au Gres.

“I sat in my room for a long time, and I wrote that bendy hook and everything else around it because it felt perfect to me. It was just me with my laptop in my room. I think I wrote most of it in an afternoon, and then I came back to it quite some time later and added more and more to it.”

With glistening acoustic strums, whimsical electric guitars, vivid bass, pulsating drums and atmospheric synths, “Nervous” serves as the ideal romantic icebreaker that immediately puts apprehensive partners at ease. It’s the melodic, soaring anthem everyone longs to hear on a magical first date.

Throughout the Mac DeMarco-like track, Kemp reveals, “I think I overstayed my welcome/But I think you want me to/Stick around/To bring you coffee or a cigarette/I don’t think we’re done yet/Not for now.”

“It’s a reminder that the reward is worth it so to speak, and I’m talking about long-lasting, real relationships. It’s tough to make yourself vulnerable with people, and sometimes if you want to have that kind of relationship, then you have to be the one to take the plunge and let your walls come down,” said Kemp, who’s inspired by Passion Pit and Phoenix.

Eight months ago, Kemp shared bedroom laptop demos of “Nervous” with Jake Rye at Adrian’s Social Recording Company. Rye solidified the track’s final version while Noah de Leon (guitars, keys, synth) and Kemp (guitar, keys, synth) handled the arrangements and invited drummer Brodie Glaza.

“Noah and I had most of the arrangements filled out, but Jake would take a look at certain parts and help fill in the gaps a little bit. He gave things a lift where they needed and dove into those melancholic, indie feels. He was really good at drawing that part out,” Kemp said.

“I think it really grew into what I had in my head, like when I was in my bedroom. And to hear it come alive with real drums because I was just using samples, and even now listening to it and thinking about that experience, like COVID, and how strange it is to be back working on music, but also at the same time it felt very right and very good. It finally felt like a slice of something very nice.”

Last week, Kemp shared another slice of “Nervous” through a new lyric video recorded with Darity’s Linsley Hartenstein. The quirky video shows Kemp enthusiastically performing multiple parts on a flashy, portable ‘80s color TV (akin to Lindsey Buckingham’s 1981 “Trouble” video).

“It’s a little silly, and it’s my first go ever using a green screen,” said Kemp with a laugh. “We wanted to have fun with it.”

Continue reading “Break the Ice – Au Gres Finds Instant Romantic Comfort on New ‘Nervous’ Single”

Glimmer of Hope – Rags and Riches Shares Newfound Strength on ‘Tension of the Season’ Single

Rags and Riches’ Tanner Whitt and Peyton Whitt inspire listeners to overcome the “Tension of the Season.” Photo – Christian Campbell

Backed by resilience and gratitude, Rags and Riches beautifully infuses hope into the darkest of times.

The Lexington, Kentucky EDM pop-rock duo of brothers Tanner Whitt (vocals, guitar) and Peyton Whitt (drums) shares a newfound sense of personal strength on their powerful, uplifting latest single, “Tension of the Season,” now available on all streaming platforms. It’s the fifth track they’ve dropped this year in a series of refreshing, spirited singles designed to inspire and rejuvenate a growing fan base.

“‘Tension of the Season’ was actually inspired when our grandfather experienced a nearly fatal stroke. With COVID-19 striking, no one could be with him in the hospital during this period. There were so many unknowns in our life. That’s when we knew it was time to write,” Tanner Whitt said.

The glistening, illuminative track blends echoey, wailing synths, shiny piano, upbeat acoustic strums, soft and steady drums, bouncy bass and reflective electric guitars as Tanner Whitt hopefully sings, “Oh, what a time to be alive/A mad world, another sleepless night/Hold your breath/When the tide pulls you under/Never give up, never give up/No never.”

“The words, ‘Tomorrow’s a brand new day, any second is bound to change,’ was more relevant than ever. Originally, the doctor’s prognosis wasn’t the news we wanted to hear. But day by day, he beat the odds stacked against him. Family before everything and everyone else,” said Tanner Whitt.

“There is nothing more vital and important in your life than family. We have been continuously working and perfecting everything we’re doing as a band, but also as human beings. Our love for people and human interaction has grown tremendously.”

Tension of the Season” also features a fitting, socially-distanced video denoting the isolation, hopelessness and depravity people, businesses and communities face during the ongoing pandemic. Filmed in Elkhart, Indiana by director Christian Campbell, Rags and Riches strolls through empty high school football fields, vacant shopping malls and hidden parking lots while keeping a positive outlook.

“We started writing ‘Tension of the Season’ back in April when the stroke happened. We hope that everyone who hears this song will feel hopeful for the future, but also be inspired. Things can and will be rough at times, but tomorrow is the start of something brand new,” said Tanner Whitt, who worked with Peyton Whitt and Campbell to shoot the video.

“Christian is someone we’ve known for a few years now, and we knew he was the right person for this song. He actually took the full reigns and control of the concept and direction for this song. Right when he heard it, he knew where to go with it, and we loved the simplicity of it all.”

Continue reading “Glimmer of Hope – Rags and Riches Shares Newfound Strength on ‘Tension of the Season’ Single”

State of Mind – VK Lynne Smashes Self-Doubt on New Upbeat ‘Brain Waves’ Single

VK Lynne’s latest single, “Brain Waves,” encourages listeners to overcome self-doubt and anxiety.

For VK Lynne, it’s simply a case of mind over matter.

The Los Angeles alt rock singer-songwriter triumphantly tackles lingering self-doubt and paralyzing anxiety on her uplifting new pop-fueled anthem, “Brain Waves,” out now via all streaming platforms.

“I wrote this song several years ago, and finally, this seemed to be the time for it. There are perceptions, expectations and stereotypes about ourselves that we sometimes unknowingly give into and allow ourselves to be held down by other people’s rules. When you finally work out that realization in your mind, your ‘brain waves’ goodbye to the ideas that don’t serve us. There is hope in that departure and freedom,” she said.

Throughout “Brain Waves,” Lynne proudly shares her personal sense of freedom as intermittent vibrant piano, rhythmic finger snaps, humming synths, fuzzy electric guitars, bouncy bass and pounding drums bolster her growing confidence. She soulfully sings, “As it always is/Ain’t how it’s gotta be/Crumpling the page and I’m aiming/For the basket next to me/I’m as empty as the can/Baby can you deal with the drama/Can you fill me up again/And we’ll hold our fire.”

“I usually write my songs in a huge heart-vomiting purge, and this one was no exception. I attempted to put together a production; I played bass, guitar and programmed drums and made the world’s worst mix right after I wrote it. But when I pulled it out this year, I decided that it deserved better,” said Lynne, who plans to release a new video for “Brain Waves” soon.

“My idea was to try something totally different. I’ve done blues, rock, metal and prog, but this had a feel that was decidedly unique to my catalog. I contacted my friends Alexx Calise and Dennis Morehouse of Batfarm. They came on to produce, and we gave this song an upbeat, pop-rock treatment that it seemed to want.”

Continue reading “State of Mind – VK Lynne Smashes Self-Doubt on New Upbeat ‘Brain Waves’ Single”

Rewind Button – Jordan Silver Processes Past Relationship on Cinematic ‘Momentary Thrill’ Single

Jordan Silver revisits the untimely demise of a relationship on “Momentary Thrill.”

Jordan Silver openly reflects on past lives, loves and lessons.

The Brooklyn indie rock singer-songwriter revisits the untimely demise of a promising romantic relationship on his latest cinematic, introspective single, “Momentary Thrill,” now available via all streaming platforms.

“I was in a relationship where we jumped in really quickly, and I basically decided to trust my emotions to guide me through this relationship. Normally, I’m very held back, and maybe I’m typically more of the blocked one you could say emotionally, but at the time I felt very open, like I was diving in,” Silver said.

“It seemed like on the receiving end there were more walls that I was struggling to break through, and eventually when it ended, I just wanted to write a song to recap what had just happened.”

Silver magically tears down those “Momentary Thrill” walls as hypnotic, dreamy electric guitars, delicate cymbal taps, intermittent bass drum kicks, smooth bass and lo-fi, poignant vocals transport listeners to a pivotal break-up scene in a critically-acclaimed romantic dramedy.

He emotionally sings, “Well you’re running for the hills/But you put on quite a show of it/And everybody knows it/You chose it/Well the summer ended early/For the lover losing track of time/Without a reason why.”

“The lyrics are very straightforward; they’re not spiteful, hateful or disrespectful. It’s just very much a recounting of this happened, this happened, that happened. Typically, as an artist and as a person, I like to get the facts of the matter of things,” said Silver, who wrote “Momentary Thrill” last year.

Silver worked with Toledo, the Boston beach goth duo of Dan Alvarez and Jordan Dunn-Pilz, to record, arrange and produce the track in late 2019 as a follow-up to the wistful, yacht rock-esque love anthem, “After a Response Like That.”

“I’ll just come to them with a basic melody, lyric and chord, and then Dan will go, ‘Oh, so like this?’ He’ll play exactly what I was hearing and better. He brings arrangements to the table, where he’ll ask, ‘Do you want it to sound more like this or more like that?’” Silver said.

“He does it all; he does the drums, the bass and the guitar. He really forms all the music with what I brought to him, and sometimes he’ll workshop certain lyrics and verses. They’re definitely a big part of the process and the development of the songwriting.”

In June, Silver released a companion lyric video for “Momentary Thrill” featuring a series of animated, meaningful Polaroids depicting personal experiences and encounters in a simple beige scrapbook. Directed by Shannen Bamford, the video nicely complements the romantic, thoughtful aesthetic of Silver’s latest track.

Continue reading “Rewind Button – Jordan Silver Processes Past Relationship on Cinematic ‘Momentary Thrill’ Single”

Songs of Serenity – Monte Pride Creates Tranquil Escape on New ‘Even in Absence’ Album

Monte Pride stitches personal, transcendent moments on “Even in Absence. Artwork – Shaina Mahler

For Monte Pride, Michigan’s placid sights, sounds and scents invigorate and soothe the soul.

The Lansing folk singer-songwriter and fingerstyle guitarist beautifully encapsulates the state’s sonic sense of tranquility on his latest album, Even in Absence. With magical, pastoral references to the Grand River, Lake Superior, Pictured Rocks and other Great Lakes gems, Pride paints a seasonal, insightful canvas filled with introspective themes of loss, resilience, growth and change.

“I grew up spending a lot of time outdoors, and I’m still big into camping, fly-fishing, hiking and all that. Northern Michigan has always been a really special place for me, so it just kind of naturally makes its way in. Whether I know it or not, I process these experiences in nature and in different parts of Michigan. I think they just all kind of fall into place, and they relate to each other somehow,” he said.

Pride intricately stitches personal, transcendental moments through 10 serene Even in Absence tracks, including the calming title track. Twirling acoustic strums, glistening piano, peaceful violin and Pride’s warm vocals soothe listeners as they quietly reflect on a still September night, “Even in the ebb/The flow of going I pine/I strive to mend the losing/To know we won’t/Be parting then/Even in the changing/The fraying thread/In the almost lost/A sentiment sought/A golden friend.”

As Pride’s latest single and album title, “Even in Absence” establishes a timeless, acoustic-centered sonic quality that instantly appeals to folk music aficionados across all generations. Think hints of Simon & Garfunkel, The Tallest Man on Earth and Nick Drake fused with special musical seasonings from a Michigan-made singer-songwriter.

“When I wrote the songs and recorded them, I was only listening to old Simon & Garfunkel, Joni Mitchell and Nick Drake albums. I think their songwriting style and instrumentation came through in Even in Absence because I had been listening to them so much during that time,” Pride said.

Pride magically captures his vintage folk aesthetic through a contemplative, poignant “Even in Absence” video directed by Shaina Mahler, who also created the album’s artwork. The thoughtful video reflects Pride’s delicate performance as crystal sea-inspired ornaments and hand-held mirrors depict a quiet, dreamy world beyond the looking glass.

“She has an incredible, amazing eye and style. One day we were sitting outside in our backyard, and she decided to start taking some photos, and I just sang along to the song. She brought so much to the video and the album artwork and embroidered all of the writing on the album cover. It was really special that we were able to collaborate on both of those things,” he said.

Continue reading “Songs of Serenity – Monte Pride Creates Tranquil Escape on New ‘Even in Absence’ Album”

All Apologies – Brian Perrone Reveals Deep Regrets on Haunting New ‘Sorry’ Single

Brian Perrone quietly mourns lost time on his latest single, “Sorry.”

Brian Perrone truly understands the meaning of a heartfelt apology.

The Livonia indie folk singer-songwriter and multi-instrumentalist deeply regrets missed moments and milestones on his latest lovelorn single, “Sorry,” which dropped Aug. 28 via all streaming platforms.

“‘Sorry’ is rooted in that awakening; that time is a gift. I have a friend who has gotten sick, and it made me think about how a diagnosis can change your life as ‘regrets’ and ‘if onlys’ come into play. When we we’re young, it seems as though we’re invincible and will live forever. This sounds like a cliché, yet it’s so true,” said Perrone, whose latest track is featured on the August edition of The Stratton Playlist.

Perrone quietly mourns lost time as somber, sparkling piano, thumping drums, jazzy cymbals and melancholic bass open his emotional floodgates. He tearfully reveals, “All the life inside of me/Extinguished by reality/Shapeshifting into memory/Two plus two is on my mind/A simple place, a simple time/Everything I thought I knew/Was everything because of you.”

“I hope that a listener might take a moment to reflect and make a positive decision to take action on something they have been putting off. Maybe spend some time with someone who’s important to them. Life seems to have gotten too busy these days; heck, it is also a reminder for me,” he said.

Peppered with shadowy elements of Radiohead and The National, Perrone recorded his poignant vocals and sorrowful piano for “Sorry” in his metro Detroit living room at the start of the pandemic. He also programmed drums and added a wistful bassline from Ypsilanti guitarist Steve Somers to highlight the track’s dark emotional intensity.

“The song almost wrote itself. I sat down one Saturday night, and it just poured out. I could barely keep up writing the chords and lyrics as they came to me. I didn’t want to miss a thing because it felt important, almost urgent. No matter who you are, or where you are in life, I think in the end there is always so much more you want to do and maybe say,” he said.

“‘Sorry’ is a subtle introduction to a more experimental style. It blends a progressive jazz rhythm section and a haunting vocal narrative while being guided by some minor chords on the piano. It’s similar to the headlights you would watch from your windshield on a dark and winding road.”

Perrone visually depicts the dark, haunting moments of “Sorry” in an eloquent puppet-themed, stop-motion video directed by Shyam Talwar. Throughout the Tim Burton-esque video, the skeletal remains of two lovers lead separate lives and long for one another while working, cooking and cleaning. Foggy, barren rooms symbolize the growing emptiness and lingering isolation they face each day.

“As a fan of Brothers Quay, I decided to seek out someone who might work in a similar medium, yet different enough to be original. After searching high and low, I recruited Shyam Talwar, and I explained my basic framework and hopes for this video. The video took about a month to complete, and I was extremely pleased when I saw the final cut,” Perrone said.

Continue reading “All Apologies – Brian Perrone Reveals Deep Regrets on Haunting New ‘Sorry’ Single”

Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’

Angela Predhomme applauds long-term relationships on her latest single, “Changeless Sky.”

Angela Predhomme brilliantly shines in the late summer night sky.

The metro Detroit soulful pop singer-songwriter serves as an inspirational North Star for lifelong love on her latest poignant single, “Changeless Sky,” which dropped Aug. 28 via all streaming platforms.

“I’ve been married for a lot of years, and it’s really different than people who are popping in and out of relationships. If you’re in a long-term thing, then it’s the ups and downs of being there and sticking it out and growing together. Everything else changes around you, but you’re there for each other,” she said.

Throughout the glistening, peaceful monogamous track, Predhomme weaves soft piano with passionate, uplifting vocals as she sings, “No matter the sun and shade passing by/The world might be twisting, thrashing right outside/But I am your changeless sky.”

“I had the idea for the title and thought those were cool words, and it’s about this enduring, never-changing thing. I took that title and just made it a love song,” said Predomme, whose latest single is the lead track on The Stratton Playlist.

Predhomme wrote and recorded “Changeless Sky” late last year in her home studio after releasing her eloquent fifth album, Love. The tender track is the second in a series of new monthly singles from Predhomme’s uplifting, expansive multi-genre catalog, which dates back to her 2008 self-titled debut.

Finding Freedom

In July, Predhomme dropped her luminous, laid-back ode to authenticity, “So Good to Be Free,” which fuses jubilant acoustic strums, upbeat maracas, rhythmic bongos and vibrant electric guitars into an infectious Bo Diddley-inspired beat.

The shimmery single also beautifully showcases Predhomme’s signature optimistic outlook as she sings, “I don’t need the look or the trend/I’ll be the least cool of my friends/You can have all that/I won’t please the pack/‘Cause I’m free/To be whatever I choose to be.”

“It’s probably more ‘me’ than a lot of the other songs I’ve released. I used to worry about how I looked even when I went to the grocery store, and now I go in sweats and no makeup. It’s good to be free and not worry anymore about what people think,” said Predhomme, who collaborated with Nashville guitarist Cheyenne Medders on the track.

“It’s also freeing about the way I write music now. When I started, I was trying to send songs to Nashville, and I thought I was too old when I was in my 30s. I was sending songs thinking maybe some major artists would sing my songs, and I got no bites. When I started singing and releasing them myself, people started picking them up for licensing.”

Continue reading “Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’”

July ‘Stratton Playlist’ Spotlight – Melanie Pierce Uncovers ‘Illusions’ of Misunderstood Life Moments

Melanie Pierce reflects inward on her latest single, “Illusions.” Artwork – Jenya Po

Melanie Pierce magically travels to the other side of the mirror.

The Ann Arbor pop-rock singer-songwriter ventures beyond the looking glass and reflects on misunderstood life moments in “Illusions,” a spellbinding glimpse into vivid realizations and intense ruminations.

“I was in this relationship for a long time and had felt misunderstood on so many levels throughout that period of time. And not just by that person, but also by my family because they were not super on-board with music. I also lost some friends in a short amount of time due to music and that relationship,” Pierce said.

“I was really reflecting on that time, and I remember exactly what I was doing when that song came out of me. The first line that actually came out was, ‘Painted words on paper-thin walls,’ and I was watching this TV show, and I paused it and went to the piano. That song was written in like 40 minutes, and it was written very easily and clearly, like I knew in me what I wanted to say and what I wanted to get out.”

Featured as part of this month’s “The Stratton Playlist,” “Illusions” blends somber synths, sorrowful piano, shimming electric guitars, soaring electronic drums and throaty bass into a hypnotic, sonic head-trip.

Akin to Vanessa Carlton, Pierce’s soulful vocals implode her romantic mirage as she ponders, “I thought I’d figured it out/Wide-eyed, I mapped it out/But you say I’m too difficult/Honey I know, honey I know/I try to pull back/Quiet the noise inside my head/But you say it’s too difficult/Honey I know, honey I know/I’ll never let this go.”

Pierce recorded “Illusions” earlier this year with producer Jake Rye at Adrian’s Social Recording Company. He helped Pierce crystallize the track’s vision and added majestic arrangements to quickly transform it in the studio.

“We would go back and forth like, ‘What do you hear for this part?’ and he had a good direction of where the production was headed. He came up with an awesome, meaty bassline, and I can’t really say enough positive things about him,” said Pierce, who learned about Rye through his collaborations with Michigander.

Continue reading “July ‘Stratton Playlist’ Spotlight – Melanie Pierce Uncovers ‘Illusions’ of Misunderstood Life Moments”

Ship Ahoy – All At Once Navigates Pop-Punk Sea of Possibilities on New ‘Sailors’ Single

All At Once’s Pablo Gonzalez, Adrian Garth and Eduardo Guajardo. Photo – Diego Carrales at Voce Studio

All At Once proudly takes the helm while sailing toward a sea of new possibilities.

Throughout their latest uplifting single, “Sailors,” the Monterrey, Nuevo León pop-punk trio of Adrian Garth (vocals, guitar), Eduardo Guajardo (guitar) and Pablo Gonzalez (drums) energetically chronicles encountering rough waters en route to uncovering a buried musical treasure outside Mexico.

“The chorus says, ‘We are the sailors who don’t leave this ship.’ Well, the ship is the band and our dreams. I know for every band it’s super difficult to make it and have success, but I find it extremely more difficult to be in another country and try to make it in a scene that’s not in your country or in your hometown,” said Garth, who wrote “Sailors” in February and co-produced it with Mauricio Colunga.

“We were talking about that right before we got on the plane to LA for the music video for ‘Break Me.’ We were like, ‘Well, it doesn’t matter if it’s difficult, and it’s not going to get easier anytime soon, but it doesn’t matter because we want what we want, and we’re gonna get it no matter what.”

All At Once’s admirable determination surges throughout “Sailors” as reverby, crunchy electric guitars swirl amid echoey background vocals, exuberant bass, humming synths and pounding electronic drums. About 20 seconds into the track, the trio erupts into a Blink 182-esque, sea-faring fury as driving electric guitars, rhythmic bass and thumping drums bounce listeners from one sonic wave to another.

While moving full-speed ahead, Garth enthusiastically sings akin to Owl City, “The warmest lights are here right now/We’re shining bright up in the sky/Together we can touch the clouds/We’ll sail this boat until the end/We are the captains once again/Roller-coasting our way.”

“The ‘captains’ part is about us handling ourselves and not letting anyone else interfere with us, but I really like the lyric that says ‘Roller-coasting our way.’ I love roller coasters, and this was something that took me a long time to figure out – everything you do no matter what it is has its ups and downs, so that’s what I meant about it. It’s gonna be good, it’s gonna be sad, and I’m gonna be angry sometimes, and I’m gonna be super happy, but I’m going to be crying sometimes,” Garth said.

All At Once beautifully captures their optimistic outlook through a “Sailors” companion lyric video, which features an 18th century-inspired ship coasting along a pink turbulent ocean in a pastel neon dreamscape.

“We decided to include the lyrics on the screen with these really cool movements from side to side that mimic a ship on the water. My bandmates really liked it, and we couldn’t wait to release it,” said Garth, who created the lyric video.

Continue reading “Ship Ahoy – All At Once Navigates Pop-Punk Sea of Possibilities on New ‘Sailors’ Single”

Fall That Jazz – Steve Somers Offers Virtual Music Classes through Washtenaw Community College

Longtime guitarist Steve Somers performs live in Ypsilanti. Photo courtesy of Steve Somers

Steve Somers plans to jazz up fall classes in Washtenaw County.

The longtime Ypsilanti guitarist-composer will offer fall semester jazz, guitar and music courses virtually for aspiring musicians through Washtenaw Community College (WCC). Starting Aug. 31, Somers will teach jazz combo and improvisation I & II (MUS 105-106) along with beginning and intermediate guitar (MUS 133-134) to 20 students per class.

All 16-week classes will include a combination of online class meetings with individual virtual consultation and assistance with various recording projects. Students can now enroll for fall classes through WCC’s website.

“The virtual classes will be offered with Zoom meetings, and we will do recording projects online where people submit their parts or solos, and then I will mix it all down here at the studio at Alley Records,” said Somers, who also leads the Ypsilanti Youth Orchestra Jazz Ensemble.

Somers also will host a non-credit jazz orchestra class virtually through WCC starting in October. The class will feature a mix of online meetings and performances for all ages.

As an influential musician, creative entrepreneur and community leader, Somers has taught jazz guitar classes at WCC for nearly 20 years and performed in jazz, classical, blues, R&B and rock solo and group projects since relocating to the Ann Arbor-Ypsilanti area in 1979.

Somers relocated to Michigan after touring nationally and internationally with a California-based band in 1970s. They hosted mini-residencies five to six nights a week at clubs and hotels as far east as Minnesota before disbanding a few years later.

After that, Somers started studying classical guitar with Nelson Amos at Eastern Michigan University (EMU) and graduated with a bachelor’s degree in classical guitar music performance in 1984. Two years later, he studied with world-renowned composer and conductor Anthony Iannaccone while earning a master’s degree in music theory and composition from EMU.

“When I was still an undergraduate, he accepted me, and we worked for a couple of years and made some good progress writing music for piano, guitar and other instruments. Then, he accepted me in the master’s program, and I wrote a piece for the chamber orchestra that’s still in the library there,” Somers said.

Continue reading “Fall That Jazz – Steve Somers Offers Virtual Music Classes through Washtenaw Community College”