WSU’s Old Main Records Hosts Multimedia Launch Party Friday at St. Andrew’s Church

A new Detroit-based record label will celebrate fresh sights and sounds Friday night.

Old Main Records, a Wayne State University (WSU) student-run record label and organization, will host a multimedia launch party at St. Andrew’s Church in partnership with Nice Place Detroit. It will feature live music and visual art from some of the Motor City’s most promising artists and creatives.

“We want to help connect people who are interested in all forms of art under one roof and further develop a sense of community. People attending can expect to meet incredible people in the city and to enjoy a night that includes visuals and high-energy music,” said Patrick Norton, Old Main Records creative director, Nice Place director and a WSU music technology senior.

“The goal for this event for the artists and volunteers involved is to give a platform to show the city what we are made of. The ability to utilize the university has opened so many doors for connections to press and other music industry and art world contacts.”

Launch event attendees will encounter a broad spectrum of Detroit-based experimental, blues-punk-garage and indie rock from Dirt Room, The Stools, Mac Saturn and Craig Garwood. This emerging lineup represents the first round of artists who have expressed interest in signing with Old Main Records.

Old Main Records also has compiled “Nice Plays: Local Detroit Underground,” a Spotify playlist that features dozens of artists across a multitude of genres. All artists included on the playlist have submitted their music for consideration to the label.

To complement the music, nearly a dozen visual artists will display their creative vision and prowess throughout the night. They will include Sleepyboness | Sarah Brazeau, Caitlin C. Harvey, MLE, Anastasiya Metesheva, RELYDETROIT, Max Jurcak, Erin Theroux, Shelby Say, Synefeld, Kristal Michal-Brasseur and Tyler Sykes.

“We feel this particular lineup is cohesive in reflecting the high energy that we want for our organization to kick off. In terms of the overall aesthetic, we plan to make each event unique and make our selection of music as eclectic as possible while also maintaining a theme,” Norton said.

“We also want to bridge some gaps within the art world of metro Detroit. We wanted to include students from Wayne State, the College for Creative Studies, Eastern Michigan University and artists from Detroit to help expand the art community. We wanted visual artists for the event to help cross-pollinate between different scenes that don’t always work alongside one another.”

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‘80s Glitz, Glam – Whiskey A Go Go to Open for Enuff Z’Nuff Friday at The Token Lounge

Kyle Mikolajczyk and Guy Williams with Whiskey A Go Go at Toledo’s Civic Music Hall. Photo by Dazz Lee Photography

Metro Detroit will relive the glitz and glory of ‘80s hard rock Friday night.

Whiskey A Go Go, a Michigan-Kentucky ‘80s hard rock era tribute band, will pay homage to Quiet Riot, Motley Crüe, Ratt, Poison and other iconic glam metal bands while opening for Enuff Z’Nuff at The Token Lounge.

“The bassist/singer/founder Chip Z’Nuff is a major inspiration to very much of what I do. His style, approach, couth and constant love for his audience is astounding to me,” said Kyle Mikolajczyk, the band’s bassist who named the act after the legendary West Hollywood rock club.

“I cherish learning as much as I can from the legends in rock and roll that have already been where I wish to be. He is a fountain of knowledge and that alone gives me a lot to forward to on Friday.”

Along with infamous Detroit legend Guy Williams (vocals), Brandon Fields (guitar) and Garrett Ramsden (drums), Mikolajczyk will shred his way through collection of timeless hard rock hits. In a sense, the tribute quartet brings the look, feel and sound of the late ‘80s Sunset Boulevard rock and roll lifestyle to the Motor City.

“Individually, each member embodies and fits the style we’re attempting to pay tribute to perfectly. We’re all major ‘80s sleaze rock fanatics, so we take a lot of pride in the small details within each song to properly display them to our audience,” said Mikolajczyk, who also will celebrate Ramsden’s birthday with the band Friday.

“Some call it a blast from the past, but we’re just paying homage to our favorite artists and era, and we’re having a fun time recreating the atmosphere of one of the greatest eras in live entertainment history.”

After discovering their shared love of the music and era, Mikolajczyk and Williams formed Whiskey A Go Go five years ago and later brought Fields and Ramsden into the fold. Mikolajczyk and Fields also share a mutual admiration for Izzy Stradlin and Slash as members of Pretty Tied Up, a Guns N’ Roses tribute band that performs regularly in Michigan, Kentucky and Tennessee.

“I built the backing band that has evolved over the years, and we recently put Brandon in the lead guitar position,” Mikolajczyk said. “It’s really helped take us to the next level.”

As a prominent fixture in Detroit’s hard rock and metal scene, Mikolajczyk developed a deep appreciation for the genre while growing up in Canton. At age 12, he picked up his first axe, a Guitar Hero game controller, and later sold merch and volunteered as a roadie for the Motor City metal band Kro-Magnon as a teenager.

After becoming Kro-Magnon’s bassist, Mikolajczyk quickly became a well-respected musical mainstay in Detroit and later formed HazardHead, a band influenced by ‘80s hard rock and GNR, in 2011.

Today, Mikolajczyk plays in several other tribute projects, including Bloodstone (Judas Priest) and Little Liars (Joan Jett), as well as Black Feather, Sever It All, Seven Story Fall, Swizzille Trip, the Kyle Mikolajczyk Blues Revue, Detroit Trouble and The Johnny Fangers Band.

He also performs as a solo artist and books, manages and promotes local and national pop, rock and blues acts through MetalAfro Management & Promotions. Mikolajczyk books acts regularly through the Diesel Concert Lounge in New Baltimore, including the Jan. 25 Ultimate Tribute Fest!, and other hard rock and metal shows.

With a myriad of projects, Mikolajczyk relishes sharing The Token Lounge stage with an impressive roster ‘80s hard rock icons, including Winger, Slaughter, Faster Pussycat and Enuff Z’Nuff.

“Enuff Z’Nuff might not be the biggest chart-topping act, but their music is very cutting-edge. Their last album, ‘Diamond Boy,’ has many musical masterpieces on it for being released only a year or two ago as well as the rest of their discography. They are definitely one of my favorite bands that’s still touring,” Mikolajczyk said.

Show details:

Enuff Z’Nuff with The Missiles, Whiskey A Go Go and Most Wanted

Friday | Doors 7 p.m. | Show 7:30 p.m.

The Token Lounge, 28949 Joy Road in Westland

Tickets: $15, ages 18 and up

Light Up – Detroit’s Mike Ward Shines on Reflective, Poignant Americana Folk Tales

Mike Ward performs regularly solo and with other artists in metro Detroit. Photo by Scott Kraus

Mike Ward believes in light-bulb moments.

The Detroit Americana folk singer-songwriter discovered a recent songwriting prompt illuminated a bright idea – a new track called “Our Turn to Shine.”

“That song actually began as a song prompt from John Lamb’s songwriting retreat. His songwriters’ retreat, which I did last year and then I just got back from, I can’t say enough about it,” Ward said. “It just sort of jumpstarted me last year, and he does these really long involved prompts, and it was about changing out incandescent bulbs for LED bulbs.”

As one of Ward’s newest tracks, “Our Turn to Shine” features fast acoustic strums intertwined with a nostalgic, hopeful feel – “I’m a dinosaur made of glass and tin/Take a new one out and screw a new one in/But for now, I’ll light the way/Brighten up your everyday/If only for a short time/It’s still my turn to shine.”

“It had all these specifics in it. I’ve kept most of them, and I have reworked it since I got back from the camp to try and make it more of a universal appeal. It basically has become a metaphor for even if you’re old, there are parts of you that are still usable, you can still shine,” he said. “It’s sort of like let’s all celebrate that aspect in ourselves. A lot of the songs I’ve been writing over the last year I think as I look at my experience and my life, it has crept into a lot of songs.”

Ward also shines on his other latest single, “Content,” which he submitted for NPR’s 2019 Tiny Desk Contest. The pensive track includes a beautiful acoustic guitar as its sonic centerpiece – “It’s a simple life in a complex world/ I want what’s mine and you want what’s yours/But when you’re all by yourself and the money is all spent/Are you gonna leave this world completely content?”

“It’s really about what do you regret, what don’t you regret, what will you be content with when you leave this earth, and how do you want to be remembered – that’s sort of the gist of it. I do write some fairly downer songs, but usually when I have a song that I’m trying to make a point with, or it has a serious undertone, I try and find ways to keep levity involved in it. From the influence of John Prine, Steve Earle and Warren Zevon, songwriters like that who always seem to have a way of not taking it too seriously, those are songwriters who I really admire,” Ward said.

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Guiding Light – Mason Summit Illuminates Dark Wintry Days with Latest ‘Round January’ Single

Mason Summit will release his fifth album, “Negative Space,” on April 3. Photo by Spencer Shapeero

Mason Summit brilliantly shines on the darkest January days.

The Los Angeles indie folk rock singer-songwriter thaws the winter blues with his latest magical single, “‘Round January,” which drops today via all streaming platforms.

Summit’s track fuses sorrowful acoustic guitar strums and delicate drum taps with vibrant electric and slide guitars – “I hope one day I can tell you this won’t last/And be right/Cuz I know how you get when the sun sets early/But there’s a better way/There must be surely/But maybe you’ll make it out alive/Maybe you’ll just survive.” It’s also ideally suited for a fruitful collaboration with Wilco’s Jeff Tweedy and Nels Cline.

“‘Round January” single artwork – Cover by Spencer Shapeero

In a sense, Summit’s exquisite combination of acoustic, electric and slide guitars represent the warring emotional factions within us. Deep inside, there’s a hope that wants burst through, but the darkness fights back with a vengeance.

“It’s specifically the month my dad died, and it’s also when I introduce the song now, and what makes it more broadly applicable to different people’s lives is seasonal depression. I probably experienced that unknowingly since before my dad died, you know the melancholy of those months, especially like the line, ‘when the sun sets early,’” said Summit, who also struggles with the lack of daylight in winter.

“It was just instant depression for me. It made me tired all the time, and I didn’t want to get out of bed. I don’t have it as bad as a lot of people, but it definitely influences my mood in a disproportionate way.”

Two years ago, Summit penned “‘Round January” as a response to a songwriting class prompt at the University of Southern California (USC).  The prompt required students to write a song to their eighth-grade selves.

“And that was a week when a lot of people brought in some heavy stuff,” said Summit, a songwriting senior who will graduate in May. “It was just so provocative, and so I was thinking back to eighth grade, and middle school in general is when people tend to be struggling and trying to find out who they are.”

For Summit, the track also advocates the importance of therapy in tackling seasonal depression and other mental health challenges. He came from a family that believed in its long-term healing power.

“When I got to school, I met a lot of people who didn’t come from that and ended up having a lot of undiagnosed issues. They just didn’t know how to deal with it, and it took them so long to have the courage to go to therapy or go to a psychiatrist and start treating their illness with therapy and medication,” Summit said. “Whereas I had already started to sort that out by that time, there were actually specific people in my life I was writing it for as well as myself.”

Continue reading “Guiding Light – Mason Summit Illuminates Dark Wintry Days with Latest ‘Round January’ Single”

Northern Exposure – Joanna & The Jaywalkers to Share New Tracks, Open for Judy Banker at The Ark Thursday

Anthony Marchese, Joanna Ransdell and Phil Rinke will perform with Joanna & The Jaywalkers Thursday at The Ark. Photo courtesy of Joanna Ransdell

These days, Joanna Ransdell hears the call of the wild.

The Ann Arbor folk pop singer-songwriter and frontwoman for The Jaywalkers is weaving a wilderness theme throughout her upcoming second album, a follow-up to 2018’s oceanic predecessor, “The Open Sea Before Me.”

“The story starts with a song about being in Alaska in the middle of the wilderness because I lived in Alaska for six months in my early 20s. I think the element is earth, and it’s all about navigating the wilderness and going into the deep wells of hurt and heartbreak, investigating it and pulling out what’s causing you hurt and heartache,” said Ransdell, who also plays keys and guitar with The Jaywalkers.

“It ends with somebody embracing their healing. I’m a therapist, so it’s all about emotional healing and vulnerability. I think this one is more about facing your demons head-on, the acknowledgement of it and the healing that comes from that acknowledgement.”

Joanna & The Jaywalkers’ new tracks will form the setlist for Thursday’s show at The Ark in Ann Arbor. Along with Anthony Marchese (cello), Phil Rinke (double bass), Shane Harrell (drums), Mel Clark (vocals) and Lauren Pulcipher (vocals, violin), Ransdell will open for Judy Banker and help celebrate the release of Banker’s new “Buffalo Motel” album.

“Judy’s been very supportive of us, and I really enjoy her music as well,” Ransdell said. “I got the chance to see her play a lot of these new songs on her album, and they’re fantastic. We’re very honored to be playing with her.”

After Thursday’s show, Ransdell and her Jaywalkers bandmates will rehearse before entering the studio in February to record their next album, which will drop later this year. They will take time to craft beautiful new tracks focused on life, love and growth at Solid Sound Recording Co.

Continue reading “Northern Exposure – Joanna & The Jaywalkers to Share New Tracks, Open for Judy Banker at The Ark Thursday”

Early Check-in – Judy Banker Creates Welcoming Stay on New ‘Buffalo Motel’ Album, Hosts Release Show Thursday at The Ark

Judy Banker, center, will celebrate the release of her latest album, “Buffalo Motel,” at The Ark Thursday. Photo by Robin Scully

With “Buffalo Motel,” Judy Banker creates a welcoming extended stay throughout album’s dozen heartfelt, transformative tracks.

The Americana singer-songwriter shares an expansive, layered and atmospheric sound that transcends her traditional acoustic country and folk roots. Driving drum and bass tracks, hook-driven instrumental intros and breaks, and innovative arrangements push Banker toward a countrified indie rock territory that lies somewhere between Ann Arbor, Mich., and Kalispell, Mont.

Out Thursday, “Buffalo Motel” allows Banker to flex her raw, gritty songwriting muscle and weather a series of intense emotions through different relationships and life events. She poetically chronicles love’s rise and decline at several points in time throughout her third album’s intimate tales.

“There’s something about this being the beginning of a new year and new decade that adds a sense of importance to it all. This album turned out bigger and better than I could have imagined. I think it feels that way for the members of the project – the band and David Roof and Ben Sayler as producers and creative directors,” said Banker, who took creative inspiration from Beck, The National and Sharon Van Etten while recording her latest album.

“We didn’t know where all of our experimentation in the pre-production sessions was going to take the music. There were so many moving parts and different ways we approached recording each of the songs. ”

Banker collaborated with a roster of talented Michigan musicians on “Buffalo Motel” to make it bigger than the sum of its parts. Tony Pace (electric guitar, dobro), John Sperendi (electric and upright bass), Brian Williams (drums), Alan Pagliere (pedal steel) and Roof (multi-instrumentalist, Rooftop Recording engineer) added new elements to realize the potential of each song. They spent most of last year steeped in fireplace bourbon sessions while creating “Buffalo Motel’s” exquisite, multi-genre tracks.

“I hope that the sound of the album, this collection of songs and how they are presented, excites people and engages them. The playing on it blows me away – this band is over-the-top talented,” Banker said. “They pushed themselves and tried new approaches on this album to bring out the heart of each song. I hope people can feel that, and it moves them.”

Continue reading “Early Check-in – Judy Banker Creates Welcoming Stay on New ‘Buffalo Motel’ Album, Hosts Release Show Thursday at The Ark”