Double Up – Mark Jewett Releases ‘Saint Clair’s Promise/The Lucky One’ from Forthcoming Third Album

Mark Jewett is working on a follow-up album to 2016’s “Tending the Fire.” Photo by Tom Sorensen

One late August night Mark Jewett stumbled upon an enigmatic vision while heading home from a show in Port Huron.

That vision illuminated the night sky while its reflection danced on the water and beckoned Jewett to stop and observe.

“As I drove south out of Port Huron on Military Street, which runs close and parallel to the St. Clair River, I looked out my side window, and I could see the Canadian shoreline, south of Sarnia,” Jewett said. “I saw a spectacle that lit up like something from a sci-fi movie. All I could think was, ‘What was that?’ I was stunned.”

Jewett turned his car around, drove up to the river’s shoreline and saw the “industrial monstrosity” known as “Chemical Valley,” which is home to more than 60 refineries and chemical plants in Sarnia, Ontario.

“The vibe I got standing alone on a dark river bank in very peaceful quiet was very calming,” said Jewett, a Plymouth-based Americana singer-songwriter. “I thought to myself, ‘Wow, in spite of this hideous pollution-spewing industrial megaplex in very close proximity to a population of people, everything will be all right.’”

Jewett captured that peaceful, nocturnal moment in his latest single, “Saint Clair’s Promise,” a twangy, torchy ode to beauty, mystery, faith and hope that’s available  via Bandcamp. Billy Harrington (drums, percussion), Michael Harrington (pedal steel, electric guitar), Ken Pesick (bass) and Dale Grisa (piano) accompany Hewett on the track.

The track features a driving bassline and a mellow slide guitar beautifully intertwined with Jewett’s Johnny Cash-inspired vocals while Amy Petty provides soothing harmonies – “It might have been the water/It might have been the light/It might have been a silent voice calling out to me that night.”

Saint Clair’s Promise” is one of two new tracks that will be featured on Jewett’s untitled third album, which will drop in spring 2020 and serve as the follow-up to 2016’s “Tending the Fire.” Produced by Billy Harrington, Jewett’s new album will sonically immerse listeners in personal tales about different moods, feelings and experiences.

“When Billy heard my demos, he said he could imagine taking these tunes down a sonic road similar to Robert Plant and Alison Krauss’ ‘Raising Sand,’” Jewett said. “Ironically, I see my sound growing by getting simpler. With exceptions, I feel like music that I write for a conscious purpose needs room to breathe.”

Continue reading “Double Up – Mark Jewett Releases ‘Saint Clair’s Promise/The Lucky One’ from Forthcoming Third Album”

Sounds Like Love – Bill Edwards Chronicles Relationships Gained, Lost on Latest Album

Bill Edwards released his latest album, “Sounds Like Love,” in October. Photo by Chasing Light Photos

These days, Bill Edwards views love as the soundtrack of his life.

The Ann Arbor country singer-songwriter eloquently chronicles his evolving thoughts about love on his latest album, “Sounds Like Love,” which dropped in October on Regaltone Records.

“A year ago I decided I wanted to do an album of love songs. It seems like the times we’re going through right now we can use as much love as we can get,” Edwards said. “They’re not all songs that say ‘I love you.’ Some are about the complications and the darker side of some love relationships. I think they’re at least loosely related to the concept of love.”

Sounds Like Love” features 13 stellar tracks highlighting the ups and downs of love from different perspectives and moments in time – new love, lost love, lifelong love, past love and unrequited love. On each track, Edwards gently moves listeners from one soundbite of love to the next along a fascinating emotional path that includes paint, hurricanes and boxcars.

“I write about a song a week, and it’s just my creative outlet. I had accumulated quite a number of songs to choose from, and I just picked those 13 for the record,” he said. “I’ve long wanted to do an album all by myself in my own home studio, and I’ve accumulated an embarrassing amount of recording gear.”

Continue reading “Sounds Like Love – Bill Edwards Chronicles Relationships Gained, Lost on Latest Album”

Warm Welcome – Judy Banker Band, Mike Gentry Bring Refreshing Folk Rock to Farmington Friday

The Judy Banker Band and Mike Gentry will close out the fall series of Friday Night Live Nov. 8 in Farmington.

Farmington Civic Theater’s musical guests will receive an early check-in at the “Buffalo Motel” Friday.

Upon arrival, they’ll hear the refreshing and comforting indie country rock sounds of the Judy Banker Band with special guest Mike Gentry.

The Ann Arbor quintet of Judy Banker (vocals, guitar), David Roof (drums), Tony Pace (guitar), John Sperendi (bass) and Alan Pagliere (pedal steel guitar) will headline “Friday Night Live” at the historic theater and preview new material from Banker’s forthcoming “Buffalo Motel” album.

“It’s our last band show before the end of the year, so we want to introduce people to the new album,” said Banker, who will release “Buffalo Motel” in January. “We’ll also be playing some cuts from other albums, and Tony and John are going to take the lead on a song. Playing in a band with five of us can be really intimate, and we just have this creative energy all around us.”

Banker will share that creative energy with the Farmington Civic Theater audience and include flavors of Americana, roots, country and rock music throughout the band’s eclectic set. For “Buffalo Motel,” Banker has evolved into a country rock sound with heavier electric guitars and driving drum beats compared to her acoustic-oriented predecessors, “Devils Never Cry” (2016) and “Without You” (2014).

“The sound we’ve created for ‘Buffalo Motel’ is more layered and complex, and it’s a bigger sound with a higher volume that has more percussion and is bass-driven,” said Banker, who teamed up with son Ben Sayler to produce the album. “It’s nice to play the new album in segments, and a theater feels perfect for that.”

Banker is putting the finishing touches on “Buffalo Motel” with Roof, who will master the album at his Rooftop Recording studio in Grand Blanc. Along with Roof Sayler and her band, Banker has created a strong sonic signature for each track on “Buffalo Motel” and taken creative inspiration from established indie rock acts like Beck and The National.

“You have the same instruments and the same band playing on the songs, but each song has such a clear identity – more confidence, more integration,” she said. “I like my old songs and albums, but there’s a more confident and sophisticated approach with this one.”

Continue reading “Warm Welcome – Judy Banker Band, Mike Gentry Bring Refreshing Folk Rock to Farmington Friday”

Skies The Limit – Erin Zindle & The Ragbirds Soar with New Band Name, New Music

Erin Zindle is releasing new music under the new band moniker, Erin Zindle & The Ragbirds. Photo by Joe Gall

Erin Zindle & The Ragbirds are ready to soar above the clouds.

The Ann Arbor infectious global groove group has taken flight with a new band moniker and migrated toward new music wrapped in breathtaking melodies, vocal harmonies and improvisational elements.

Previously known as The Ragbirds, the quartet of Erin Zindle (vocals, violin, mandolin, accordion, banjo), TJ Zindle (electric/acoustic guitar, vocals), Shannon Wade (bass, vocals) and Loren Kranz (drums, vocals) is now Erin Zindle & The Ragbirds.

“The name change sends a very clear message that this is different from what we’ve done before. This is different enough that we feel like it needs a new name,” said Zindle, who formed the band in 2005. “Also, there’s the sense of me stepping up and really taking ownership of the role that I have played in the band this whole time. My bandmates are just so amazing. I’m so proud of my band right now, and they’re the best guys I could possibly ask to work with.”

Throughout the band’s 14-year history, Erin Zindle & The Ragbirds have maintained a passionate grassroots fan base by continually reinventing themselves with an evolving sound while remaining rooted in the high-energy sphere of world-based folk rock. Today, they’ve shifted their sound to include more melodic components along with uplifting vocals, edgy guitars and groovy rhythms.

“We have less going on in the percussive world, and in the rhythm section, it’s a little less busy. And it’s interesting how that happened at the same time as I was having this natural shift toward developing my voice and stepping forward as a singer and writing songs with stronger melodies as I improve as a songwriter,” Zindle said. “I’m just getting much more honed in my craft so that I can write songs that are more vocal forward and focus on the melodic elements.”

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Cosmic Odyssey – Torus Eyes Blends Space, Mythology for Introspective ‘Pythia’ Debut EP

Torus Eyes will celebrate the release of their debut EP, “Pythia,” tonight at UFO Factory.

For their debut EP, Torus Eyes enters a new sonic orbit toward another mythological dimension.

That dimension blends ethereal synthscapes, intergalactic drumbeats and Greek myths to form “Pythia,” an otherworldly, prophetical release from the Detroit-based electronic music duo of Rho Solomon and Gwendolyn Dot.

“Pythia was a Delphic oracle back in the day, and she was really respected and someone who we consider as a person of deep intuition and wisdom,” Dot said. “That’s something we both value in a person, but also in a woman, so we’re talking about the goddess within us all like this intuition and free spirit that we all have within us that guides us.”

Together, Dot and Solomon serve as wise, spiritual EDM leaders throughout their introspective four-track journey filled with intuition, chance and growth. On “Pythia,” they effortlessly move through a spectrum of new sonic boundaries ranging from darkwave to synth and goth pop to Italo disco.

Their musical journey encompasses heady, uplifting lyrical content aimed at evoking a soulful, calm intensity. At first listen, “Pythia,” which drops Friday, results in a space odyssey of the mind filled with endless possibilities and seeks creative inspiration from Enya, I Break Horses and Chairlift.

“I think in general we have a healing philosophy, it’s something that is in our personal lives. It’s like health and wellness, but it’s not so catchy like that. It’s a deep, spiritual aspect to both of our lives independent even of each other that we bring through to our creative work,” said Dot about the EP’s overall inspiration and creative direction.

“We don’t journal lyrics, we’re not diary lyricists. We’re both into concepts and big ideas and working with the collective unconscious and archetypes. I think mythology is something we’re both influenced by, and we both read a lot. Carl Jung is an inspiration for us.”

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Three’s Company – Stephen Clark, Steve Taylor and Steve Acho to Join ‘Even Steven Songwriters Round’ in Farmington Friday

The Even Steven Songwriters Round will feature Steve Acho, Stephen Clark and Steve Taylor in Farmington Friday.

A metro Detroit crowd will experience the live music of “Three’s Company” Friday night in Farmington.

While it won’t involve Jack, Janet or Chrissy, it will spotlight three “Steves” who’ve made a lasting sonic impression on the Motor City and Music City.

Stephen Clark, Steve Taylor and Steve Acho will bring their catchy acoustic country, Americana roots and pop-rock classics to the “Friday Night Live – Even Steven Songwriters Round” at the Farmington Civic Theater. It will be an intimate evening filled with live music and laughter all round.

Let’s take a closer look at each “Steve” and how they will even up the musical score Friday night in Farmington.

Continue reading “Three’s Company – Stephen Clark, Steve Taylor and Steve Acho to Join ‘Even Steven Songwriters Round’ in Farmington Friday”

Groove On – Stormy Chromer Hosts Jam-tastic Blind Pig Show Tonight with Biomassive, RADO

Stormy Chromer will host a fall hometown show tonight in Ann Arbor.

Ann Arbor will groove three times over tonight with Stormy Chromer at the musical helm.

The Ypsilanti progressive jam quartet will host a fall hometown show at The Blind Pig with Biomassive and RADO filled with danceable improvisational rock, jazz, funk and electronica.

“We have a long list of covers that’s somewhere near 80 or 100 total. Every time we perform one, we log it into an Excel sheet. We’ve been going back over this past summer and looking at it to see which ones we can let fall by the wayside, so we have a few things up our sleeve in terms of things you haven’t heard us play in a long time,” said Ryan King, Stormy Chromer’s bassist.

“In terms of originals, we might have some new stuff for you. We’re not entirely sure if we’re going to be playing some of it live yet, but we have new material in the works.”

Along with bandmates Brendan Collins (lead guitar), Spencer Hanson (lead guitar) and Amin Lanseur (drums), King has grown his improvisational chops during a month-long mini-residency at the Tip Top Deluxe Bar & Grill in Grand Rapids as well as several Michigan-based festivals and a tour out west.

“The goal for a long time was just to be comfortable enough doing it in front of a crowd and to be not doing it where they don’t stop moving,” said King, who’s racked up more than 30 original songs with Stormy Chromer. “I think that’s going to be the direction the band is headed in right now and trying to do something live that’s really unique and special at every show in terms of creating something that’s only gonna be there for that night.”

Together, Stormy Chromer started cutting their improvisational teeth after forming in 2014. Named after an accidental tribute to the legendary Michigan cap company, the band blends complex songwriting with real-time compositions to create a unique live experience. In true jam-style fashion, Stormy Chromer has performed a growing roster of live shows locally and nationally with unique nightly setlists for a dedicated fan base.

Continue reading “Groove On – Stormy Chromer Hosts Jam-tastic Blind Pig Show Tonight with Biomassive, RADO”