Ongoing Evolution — Annie and Rod Capps Embrace Self-Improvement and Lessons Learned on “Never Done” Album

Rod Capps, Annie Capps, Ozzie Andrews, and Jason Dennie. Photo – Jen Prouty.

For Annie and Rod Capps, self-improvement is a lifelong process and commitment.

The Chelsea, Michigan, couple explores that concept and the lessons they’ve learned on their latest folk album, Never Done.

“I’m always trying to do better, be better,” said Annie Capps, who sings and plays guitar on the album. “I don’t always succeed, but the best kind of growth is that which creeps up on you after a long time of doing a lot of inner work.”

As part of that inner work, the duo examines the impact personal growth and wisdom have on them over time. They also reveal epiphanies about past behaviors, decisions, and actions that surfaced while writing the 10 tracks for Never Done.

“It’s almost as if a light bulb goes off and those self-improvements start to show themselves in real ways,” said Annie Capps. “I write what I’m feeling, and my lyrics often reflect a combination of reality—the kind of person I am—and the kind of person I want to be.”

Annie and Rod Capps share those self-reflections through lyrics that range from personal and anecdotal to conversational and humorous.

“Part of the healthier version of self-reflection is not to take myself so seriously, especially when lamenting the mistakes of my youth,” she said. “I guess I’m in the season of life where reflecting on the past is natural, but I’m also looking at it through a more compassionate lens.”

Through another lens, Annie and Rod Capps view Never Done as a milestone of sorts—it’s their 10th studio album.

They recorded the album in their Chelsea home studio and at Ann Arbor’s Big Sky Recording with bandmates Jason Dennie (mandolin, vocals), Dan “Ozzie” Andrews (bass), and Michael Shimmin (drums, percussion).

“Fast forward, I think we have gotten very comfortable with certain musicians and certain ways of recording,” said Rod Capps, who sings and plays guitar and viola on the album. “I think we’ve learned what we can do and what works and what doesn’t.”

To learn more, I spoke with Annie and Rod Capps about their album ahead of an August 27 show at The Ark in Ann Arbor.

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Community Climb — Big Sky Company Rallies to Unite People on “Walk Up This Hill” Single

Big Sky Company’s Mike Ward, Annie Bacon, Kristi Davis, and Dave Boutette. Not pictured: Neil Donato and Jim Latini. Photo courtesy of Mike Ward.

No mountain—or hill—is too big for Big Sky Company to climb.

The Ann Arbor-Detroit collective explores that notion on its new folk single, “Walk Up This Hill.”

Featuring singer-songwriters and musicians Mike Ward, Dave Boutette, Neil Donato, Annie Bacon, Kristi Davis, and Jim Latini, the hopeful song serves as a rallying call to unite people and build community in divisive times.

“There are plenty of songs out there that people are writing and singing that are calls to action, but then, the action to me is not always what I’m looking for,” said Dave Boutette, who co-wrote “Walk Up This Hill” with Mike Ward.

“Mike’s songs have a unifying air about them; they have a unifying core, and frankly, that’s why he’s part of this project is because he brings people together, and his songs do that, too.”

Eighteen months ago, Boutette recruited Ward to pen the single after Geoff Michael, the owner-engineer of Big Sky Recording Company, suggested writing a social-commentary song.

“In our local music community, he felt like something was missing,” Boutette said.

“Given the tone of our times, there wasn’t enough social commentary and protest stuff out on the airwaves to the level that he would like. He tapped me to make it happen, and I said, ‘Well, I know the guy who’s going to write the song—Mike Ward.’”

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Outside the Lines — Manchester’s Jonathan Doyle Follows His Own Creative Instincts and Is The GIG 2026 Featured Poster Artist

Jonathan Doyle with wife Brooke Doyle in 2022. Courtesy photo.

Editor’s Note: Lori Stratton is on the board of GIG: The Art of Michigan Music Foundation.

For one of his latest posters, Jonathan Doyle decided to step outside his musical realm.

The Manchester, Michigan, graphic designer and poster artist took an architectural approach and drew a picture of the Chelsea Clock Tower.

“I love that building, so I took a couple of pictures of it, and I just drew it,” said Doyle, who owns JK Doyle Art & Design and creates concert posters for the Manchester Underground Music and Art monthly concert series.

On the poster, he created a majestic blue-and-purple version of the clock tower against a light blue and white mandala background.

“I tried to keep it as fun as possible, and I didn’t want to go full psychedelic because it’s Chelsea,” Doyle said. “But at the same time, I didn’t want to go mayonnaise, so that’s where I ended up.”

Doyle’s artwork is the featured poster for GIG: The Art of Michigan Music, an annual event showcasing the creations of visual artists, graphic designers, and concert photographers who work in music.

This year’s edition of GIG takes place July 24-25 in Chelsea as part of the city’s Sounds & Sights Festival. Doyle is one of 20 artists featured at the event, which is spearheaded by Ann Arbor residents Chuck and Brenda Marshall.

“Being a musician and an artist, I have been in both realms, and it’s the only place I’ve ever seen where those two groups of people are brought together,” he said.

To support that community, GIG includes a gallery of artwork and photography by the featured artists, a music market filled with prints, photos, records, and merch, and workshops focused on mental health, websites, graphic design, and photography.

“I’m kind of a hermit, and a lot of my artist and musician friends are hermits, so there’s nowhere for us to go,” Doyle said. “The community inside the community [at GIG] is really big for me.”

I recently spoke with Doyle about his background and work as a graphic designer and poster artist.

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Adventure of a Lifetime — Dearborn’s Molly Kober Longs for a Past Trip on “Booking That Flight” Single

Molly Kober. Courtesy photo.

In 2023, Molly Kober went on the adventure of a lifetime.

The Dearborn, Michigan, singer-songwriter and her friend Trianna traveled to Australia on a whim the summer after their freshman year of college.

“We were not loving life; it was really difficult, and we needed something to look forward to,” Kober said. “We said, ‘Hey, we’ve got nothing to lose. Why don’t we do something we’ve always wanted to do and go to Australia?’ We were trying to think of the furthest possible place from home aside from going to the moon.”

The two friends ventured up and down Australia’s East Coast, visiting places like Sydney, Byron Bay, and Brisbane.

“We were there for a month,” Kober said. “It was the best decision I ever made. I had never left home before, so it was like being immersed in adulthood for the first time.”

A year later, that same trip fueled the inspiration for Kober’s debut single, “Booking That Flight.” The pop song explores reliving a memorable vacation and longing for that same sense of adventure.

Backed by cinematic instrumentation, Kober sings, “What a magical few hours that it was / My guiding hand around the city / Watch your step here, it’s not pretty / A prince among men bought a perfect stranger lunch / Swapping stories of our crushed dreams / Laughing hard until the tears streamed.”

“It truly was the best thing I ever did, and Australia is so beautiful,” said Kober, who graduated from the University of Michigan-Dearborn in 2025.

“We were staying in hostels, so we got to meet people from all over the world who really impacted us. Being able to be around that many people from that many different places and to find common ground with them really shook me.”

I recently spoke with Kober about getting started in music and writing her debut single.

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Ultimate Demise — Lost at Ease Deconstructs the End of a Relationship on “Stupid Human Games” Single

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Lost at Ease deconstructs the end of a relationship on “Stupid Human Games.”

The Grand Rapids, Michigan, collective captures the blunt verbal interplay of two people confronting each other on its latest indie-pop single.

“I think it kind of reflects lots of relationships, and I think it could be about friends or family,” said Burton Kroes, a songwriter, producer, vocalist, and multi-instrumentalist who formed Lost at Ease in 2024.

“I wouldn’t say it’s autobiographical, but those lyrics are very personal to me. It’s a little bit of how I see the world sometimes … like through a domination-submission [lens].”

Filled with shimmering synth and pounding drums, “Stupid Human Games” features a stellar collaboration with Grand Rapids singer-guitarist Wren Burns, who provides soulful vocals on the track.

Burns sings, “I know you say that you love me so / Reflections of your ego / They’re all you want, and they’re all you need / It’ll cost, you will see.”

“It’s definitely a good venting song,” they said. “I like how it applies to a lot of different relationships … especially when you’re noticing patterns of behavior instead of just continuing to deny those giant red flags because you don’t want to see them.”

Along with Burns, Kroes also collaborated with drummer Adam Hubbell, engineer and percussionist Logan Thierjung, and arranger Kiersten Quilliams on “Stupid Human Games.”

“The whole thing was a puzzle to piece together, and while I wrote and produced it all myself, I was lucky to have some great ears around me for feedback on specific elements, like the guitar solo, the strings, and the drum mix,” Kroes said.

To learn more, I spoke with Kroes and Burns about their backgrounds and the inspiration behind the song.

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Rite of Passage — Mark Jewett and Jackamo Make Their Ark Debut With July 9 Show

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Mark Jewett and Jackamo are eager to make their Ark debut on July 9.

For both acts, playing the Ann Arbor acoustic and folk music venue is a rite of passage, especially as seasoned live performers in Southeast Michigan.

“I hope about 400 people find that The Ark holds a special place in their heart—that would be nice,” said Jewett, an Americana singer-songwriter based in Plymouth. “I’m really glad that Jackamo was able to take on the show.”

Jewett and his band, The Strategic Advisors, are headlining the show while Jackamo is opening.

“We’ve been to The Ark many times to see many different acts, but we’re really excited about it,” said Alison Wiercioch, who performs in the Detroit indie-folk band with vocalist and sister Tessa Wiercioch and guitarist Jimmy Showers. “It holds a special place in our hearts.”

As a special show, both bands promise engaging, intimate performances with a variety of songs from their growing catalogs.

“You want to show it has some flow and dynamics,” Jewett said. “Typically, you open with something that wakes everybody up, then there’s a steady-state portion, and then things quiet down, and you ramp it up. Hopefully, you close with a bang.”

To learn more, I spoke with Jewett and Jackamo ahead of the show.

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One Track Mind — Jonathan Edwards, “A Fiction for Today”

Jonathan Edwards. Photo taken from the University of Michigan’s website.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

One Track Mind features a Washtenaw County-associated artist discussing a single song.

Standout Track: No. 5, “A Fiction for Today,” from Jonathan Edwards, an indie-folk singer-songwriter and guitarist from Ypsilanti. His latest release, The Sparrow EP, examines the emotional struggles people experience internally—vulnerability, desperation, fragility, and helplessness—as they live in a rapidly changing society.

On “A Fiction for Today,” Edwards sings about seeking refuge from society’s growing political and social tensions and finding the strength to persevere. While the track explores living in an oppressive world, it also functions as a contemplative and hopeful sendoff for the EP.

“Lyrically, this is one of my favorites from the EP,” Edwards wrote. “The song is dedicated to those who are up against the wall and struggling in a world that is so heavily positioned against them. … The cards are stacked against so many, and disturbing decisions are being made every day to push people further and further down. I hope this song is taken as a letter of optimism and compassion for those who have little say in the circumstances they may find themselves in.”

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Sinking Feeling — Checkered Lilies Process a Breakup and Its Aftermath on “Abandon Ship” Single

Kayla, Cesca, and Trie of Checkered Lilies. Photo – John Garrod

Checkered Lilies understand the sinking feeling that comes with a breakup.

The Southwest Michigan band processes that disappointment, uncertainty, and frustration on their latest alt-pop single, “Abandon Ship.”

“It was very autobiographical just because of stuff that has happened very recently,” said Kayla, vocalist, bassist, and keyboardist for Checkered Lilies.

“I tried to reframe it into more of a relationship because relationships are super complicated, no matter the nature of the relationship.”

Backed by somber piano, electric guitar, and drums, Kayla sings, “I’m tossed by the current / Buried by the waves / I hope you got that escape you craved / So now you can go / And sail through your bright, clear skies / I’ll be where you left me behind.”

“I think that was my favorite part of the writing process: trying to take this situation, which I don’t think is very easily relatable, and extending it into something that’s more applicable to people wherever they are,” she said.

“Regardless of the type of relationship, any relationship has [its] ups and downs, so people can take it and apply it to their own lives.”

“Abandon Ship” also serves as the debut single for Checkered Lilies, which features oldest sister Kayla, 20, and her two younger sisters, drummer-vocalist Trie, 18, and guitarist-vocalist Cesca, 12.

“Personally, I think one of the biggest things that’s coming up for us is the release of Checkered Lilies in and of itself,” Trie said.

“We’ve done a few originals before, but Checkered Lilies is a whole new big project where we’re really writing songs that we connect with and songs that mean something to us. We’ve got a ton of them lined up starting [this] month and continuing on through the summer, and we’re all very excited about that.”

I recently spoke with the band about their background and latest single ahead of a June 27 show at The Stray in Grand Rapids.

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Seize the Moment — “Lost in the Woods” Album Features Boisen | Öhman | Rogers Embarking on an Experimental Music Journey

“Lost in the Woods” album artwork courtesy of the artist.

Last summer, three friends got lost in a musical moment.

That moment featured musicians Myles Boisen, Martin Öhman, and Jill Rogers gathering together for a single studio session in Yrde, Sweden, to collaborate and see where their imagination would take them.

“The three of us had agreed to meet at Martin’s recording studio, [Skogen Studios], … but there was no plan, no agenda,” said Boisen, a guitarist, composer, improvisor, and recording engineer based in Oakland, California.

“We didn’t even know we were about to make a record. In a sense, we agreed to wander together, but that was really the extent of our preparation. Along the way, we challenged and revealed ourselves to each other in surprising ways, a real ‘getting-to-know-you’ thing.”

What resulted from that session is an experimental music album by the new U.S.-Sweden trio, Boisen | Öhman | Rogers.

Released on Mellanrum Records, Lost in the Woods, or Vilse i Skogen in Swedish, features three long-form improvisational tracks and one short vocal track.

“There was no discussion at all about what to play,” said Rogers, a musician, educator, and record label founder based in San Francisco.

“I was noodling around with … a song [that] my band, Ex-Juncos, had abandoned, and we were off! When that improvisation reached its end, we relaxed for a moment and started in again—no discussion or planning, just listening, playing, conversing.”

Sonically, Lost in the Woods provides a contemplative soundtrack for embarking on a journey of self-discovery and processing the emotions, changes, and challenges that accompany it.

“The woods and nature are a big part of our lives as Swedes,” said Öhman, a drummer, an electronics and multidisciplinary artist, and studio owner based in Yrde, Sweden.

“Roaming in the woods is something most Swedish kids do as a part of everyday life, especially in the more rural parts. Perhaps that’s what makes us a bit introverted, or in other, more positive words, thoughtful, or ‘eftertänksamma’ in Swedish. I think nature does that to you.”

To learn more, I did an email interview with the trio about their latest album.

Continue reading “Seize the Moment — “Lost in the Woods” Album Features Boisen | Öhman | Rogers Embarking on an Experimental Music Journey” →

One Track Mind — Annie and Rod Capps, “Pardon My Dust”

Rod and Annie Capps. Photo – Jen Prouty.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

One Track Mind features a Washtenaw County-associated artist or band discussing a single song.

Standout Track: No. 2, “Pardon My Dust,” from Annie and Rod Capps. The Chelsea couple’s latest folk album, Never Done, is about self-improvement and the lessons they’ve learned on their journey of personal growth.

On “Pardon My Dust,” Annie Capps sings about self-reinvention and uses construction-based metaphors to show that her work is never done. Those references come from driving back and forth to Chicago over the years. “I think this song in particular is more about how we need to be kinder to ourselves and others who are struggling with life and all the challenges and curve balls it throws us along the way,” Annie Capps wrote in an email interview. “Also, those who have done any kind of therapy will understand that you have to tear down stuff to rebuild something better. Thus, the self-destruction reference. Not all self-destruction is necessarily bad if it reveals what needs fixing.”

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