High Times – Stormy Chromer Celebrates ‘420’ Blind Pig Show with Pajamas, Earth Radio

Stormy Chromer performs at The Blind Pig during a New Year’s Eve 2018 show in Ann Arbor. Photo by Evan Greig

Ann Arbor area music fans will inhale good tunes and times Saturday night at The Blind Pig.

Ypsilanti’s Stormy Chromer will host a “420” show with Pajamas and Earth Radio to celebrate a fluid night of live music on the infamous Mary Jane-centric holiday.

“We have a fun lineup, and we haven’t played with Pajamas in Ann Arbor in a couple of years. We’re really happy with how they’ve been progressing as well, and every time we see them, we want to share a bill with them,” said Amin Lanseur, Stormy Chromer’s drummer and vocalist.

“As for Earth Radio, we found them through Purchase Productions, who manage our friends Chirp. They brought Earth Radio to Club Above six months ago, and they really made an impression on some friends of mine.”

It will be the homegrown progressive jam band’s first appearance at The Blind Pig since their New Year’s Eve show. Together, Stormy Chromer will mix elements of rock, jazz, heavy metal, ska and hip hop to perform a danceable set with Pajamas, a Tree Town improvisational rock, funk and fusion trio, and Earth Radio, a Grand Rapids future soul quintet.

“The energy in the room is very loving and fun, and we’re blessed to have the people who come out and see us,” Lanseur said. “We’re striving for that same type of energy for ‘420’ as well, so obviously it will be the whole pot thing.”

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Active Duty – Major Murphy Plays Easter Weekend Shows to Grow Eastside Musical Troops

Major Murphy’s Jacki Warren, Jacob Bullard and Brian “Bud” Voortman will play shows Friday and Sunday in Hamtramck and Lansing.

For Major Murphy, Easter weekend means active duty on Michigan’s east side.

The Grand Rapids nostalgic rock trio will perform eastside shows Friday and Sunday to grow their musical troops in Hamtramck and Lansing.

Friday’s show will take place at Ghost Light Hamtramck with Carriers and Katy Kirby while Sunday’s show will occur as part of the Capital City Film Festival at Mac’s Bar with Lily Talmers & Monte Pride and Composetheway.

“We haven’t played at Ghost Light before, but we’re excited to play there and in Hamtramck for the first time. We’ll be able to get some new ‘Lafayette’ EP stuff into our set as well as songs from our ‘No. 1’ album,” said Jacob Bullard, Major Murphy’s vocalist and guitarist. “In Lansing, there’s going to be bands playing all weekend, and it’s in conjunction with the film fest.”

Bullard will join bandmates Jacki Warren (bass) and Brian “Bud” Voortman (drums) to share their 1970s-inspired radio rock with Hamtramck and Lansing crowds. They’ll perform hypnotic, mellow tracks from their latest EP, “Lafayette,” which dropped in February on Winspear, and last year’s full-length debut, “No. 1” as well as a cover of The Beatles “Revolver” classic, “She Said She Said.”

Recorded as demos in Bullard’s Grand Rapids-based house on Lafayette Avenue, the “Lafayette” EP features six songs that chronicle the creative evolution of Major Murphy from a stripped-down solo project to a three-piece rock band.

“I think it’s an extension or a companion to ‘No. 1,’ and we wanted to share stuff that we felt was interesting,” said Bullard, who formed Major Murphy with Warren and Voortman in 2015. “If people listened to ‘No. 1,’ then they might find ‘Lafayette’ extra fun because it’s where the songs started, and it gives them a behind-the-scenes perspective.”

Lafayette EP

For three tracks on “Lafayette,” each band member plants a promising sonic seed for the growth of “No. 1.” Bullard writes about an open-hearted expression that’s nostalgic and forward-thinking on “Come By Sunday” while Warren provides enchanting harmonies on “When I Go Out.” Meanwhile, Voortman jams for the first time on the initial demo for “No. 1.”

“They were recorded well before we went to Russian Recording, and they were mostly for my own benefit of being able to sketch the songs out,” said Bullard, who’s inspired by The Beatles, Paul McCartney and Wings, and Patti Smith. “I anticipated being able to record them again since they were very lo-fi, and the production was done in my bedroom.”

By 2017, Major Murphy ventured to Russian Recording in Bloomington, Ind., to record 10 nostalgic tracks for “No. 1.” The album’s jangly guitars, shimmering riffs, synth grooves, and dreamy, commanding vocals gently hook and draw listeners into a vintage, yacht rock world.

Together, Major Murphy hones a retro sound filled with harmonic structures, melodic progressions and emotional shifts that rely heavily on concert-like, energetic recordings. A year after “No 1.’s” release, the album stills sounds as refreshing and inspiring as its initial spin.

“I feel really proud of that record, and that’s never happened before. When I’ve made music in the past, I think about how we could have done this differently,” Bullard said. “I think this album is different because we were collaborative by working with Mike Bridavsky at Russian, and we brought in Ben and Aaron in addition to Bud and Jackie.”

With “No. 1” and “Lafayette” under their belt, Major Murphy will return to Russian Recording in July to record their next album. They also plan to release a new single soon.

“I’m super excited to put this next record together and share it with people,” Bullard said. “I’ve written the new songs precisely with all of us in mind and with the knowledge of what a dynamic life is like along with the strengths and weaknesses of that. It feels like it’s been a long time since we’ve been able to put out some new music.”

Show Details:

Major Murphy with Carriers and Katy Kirby

9 p.m. Friday

Ghost Light Hamtramck

2314 Caniff in Hamtramck

Tickets: $8

Major Murphy with Lily Talmers & Monte Pride and Composetheway

7 p.m. Sunday

Mac’s Bar

2700 E. Michigan Ave. in Lansing

Tickets: $10

‘Still Creatures’ – Desmond Jones Gets Philosophical on Funky New Single from Upcoming ‘Hello, Helou’ Album

Desmond Jones has released “Still Creatures,” a funky new single from their upcoming “Hello, Helou” album.

With their infectious new single, “Still Creatures,” Desmond Jones keeps the bigger picture of life in perspective.

The Grand Rapids funk-rock-jazz fusion quintet abandons daily trivial nonsense to live a more purposeful existence.

“When I wrote that song, that feeling was weighing heavy on me. There is so much that goes on every day in our lives, some of it important, and some of it only seems important,” said Isaac Berkowitz, Desmond Jones guitarist, drummer and vocalist.

“There’s a lot of trivial nonsense that we let get in the way of living happy and meaningful lives. When that nonsense piles up on us, it can be hard to see through it to what really matters. Some people like to look at the stars and feel small as a way to get perspective, and in the same sense, I think remembering the idea that we are all animals, or that we are all ‘still creatures’ on this planet just trying to survive, can give us that same perspective and peace of mind.”

Together, Berkowitz and his Desmond Jones bandmates – Chris Bota (guitar, vocals), George Falk (saxophone, vocals), John Loria (guitar, vocals) and John Nowak (drums, guitar, vocals) – beautifully capture this personal philosophy in lighthearted, funkified way.

Still Creatures single artwork

On “Still Creatures,” a fun, groovy wah-wah guitar riff opens the four-minute track and mimics the sound of a chicken while jazzy alto and baritone sax solos and rhythmic bass and drums bring a smooth, melodic feel.

“Even though it’s a new release, it’s something we’ve been working on for over a year in our live shows, and we’ve had it recorded for a while,” said Nowak, who formed Desmond Jones with his bandmates in 2012 at Michigan State University. “When we first started playing that song and Isaac showed it to us, we actually were just calling it, ‘Chicken Fingies,’ for a long time. At some point, Isaac said, ‘Actually, it’s called Still Creatures.’”

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Jazzed Up – Resonance Records Releases Newly Discovered Wes Montgomery, Bill Evans Recordings for Record Store Day

 

Resonance Records is unearthing two hidden jazz music gems for Record Store Day tomorrow.

The Los Angeles-based independent jazz label is releasing two newly discovered Wes Montgomery and Bill Evans recordings, “Back on Indiana Avenue: The Carroll DeCamp Recordings” and “Evans in England,” on limited-edition 180-gram 2LP for Record Store Day and deluxe 2 CD/digital on April 19.

“Back on Indiana Avenue” surveys the early music of Montgomery, a jazz guitarist, made in his hometown of Indianapolis during the years before he rocketed to fame after signing with Riverside Records in 1959. The 22-track album features studio and live recordings of Montgomery’s music along with Indianapolis pianist and arranger Carroll DeCamp.

It’s the sixth archival release of Montgomery’s from Resonance Records and includes an essay by jazz scholar Lewis Porter and jazz guitar giants George Benson and John Scofield. On the DeCamp recordings, Montgomery is heard in full flight in a variety of settings – piano quartets, organ trios, sextets and drummer-less Nat “King” Cole-style trios, including “Round Midnight,” “Jingles,” “Whisper Not” and others.

“‘Back on Indiana Avenue’ is a very important release of previously unissued material from guitarist Wes Montgomery, and it’s not music, it’s 2LPs, 2CDs worth of unissued material and nearly a 50-page book with all sorts of different people who have a story to talk about, a narrative of these recordings in provenance and where they came from,” said Zev Feldman, Resonance Records co-president and independent producer.

“We tell these stories, and we put out these projects, and George Klabin, God bless him, my co-president and the founder and owner of Resonance Records, he is so generous allowing this to happen. This is like fantasy land, and every day, I wake up in this different dimension and wonder, ‘Is this really my life?’”

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Nashtown – 5 Nashville Singer-Songwriters Perform at Farmington Civic Theater Friday Night

The Nashtown Songwriters Round will feature Wil Nance, Danika & The Jeb, Rob Taube and Mark Barnowski at the Farmington Civic Theater for Friday Night Live.

Five singer-songwriters will bring their Nashville sound to Detroit Friday night.

Wil Nance, Danika Holmes, Jeb Hart, Rob Taube and Mark Barnowski will share their Americana, country, folk and pop sounds through the Nashtown Songwriters Round at the Farmington Civic Theater as part of the “Friday Night Live” concert series.

As the final show in the concert series’ winter season, “Nashtown” will allow the singer-songwriters to mix elements of Music City with Motown through their live performances and musical storytelling.

“It’s going to be a great show at the Nashtown Songwriters Round,” Wil Nance said. “I hope people will be moved, laugh and cry some, have a good time and hear some great stories behind the songs.”

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Kim Richey Returns to Her Midwestern Roots for Tonight’s 20 Front Street Show

Kim Richey will perform tonight at 20 Front Street in Lake Orion with Jordie Lane and Clare Reynolds.

For Kim Richey, tonight will serve as a Midwestern musical homecoming of sorts.

The Nashville roots singer-songwriter, who originally hails from Dayton, Ohio, will perform tonight at 20 Front Street in Lake Orion with Australian singer-songwriters Jordie Lane and Clare Reynolds. It will be Richey’s second time performing at the 100-seat intimate acoustic music venue.

“I always try to do songs from all the records, at least one or two from every record. I’ll be playing a lot of stuff from ‘Edgeland,’” said Richey during a phone interview from Banff, Alberta. “It’s such a blast to sing with people who are great singers, so we have a lot of great harmony things going. Clare plays keyboards and percussion as well, Jordie plays electric guitar, and I play acoustic.”

Edgeland album artwork

On her latest album, “Edgeland,” Richey moves through the topography of life as a woman committed to following her music. She chronicles missed train rides, cautionary tales of dangerous love, potential new pathways and other self-discoveries on the 12-track Americana-infused project.

From the Buck Owens/Don Rich opening notes of “Red Line” to the Laurel Canyon lushness of “The Get Together” to the Dusty Springfield-inspired “Can’t Let You Go” to the somber “Black Trees,” Richey’s husky crystalline alto sweeps listeners up in a whirl along her heartfelt auditory journey.

“Once every few years, you pick a dozen songs or so for a new album,” said Richey, who’s also lived in Los Angeles and London. “I think those songs reflect where I was at the time while making the record, but I have a home now, so things have changed.”

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Spring Migration – Chirp Moves from Stage to Studio for Self-titled Debut Album, Hosts Release Party Tonight at The Blind Pig

Chirp has released their self-titled, full-length studio debut album today.

On their melodic self-titled, full-length debut studio album, Chirp knows how to magically capture and beautifully deliver the sweet, groovy sounds of spring.

Today’s release of “Chirp” celebrates the Ann Arbor funk, prog rock and jazz fusion quartet’s creative migration from improvising on the stage to nesting in the studio.

“Those songs turned out how we really envisioned them because we were able to take a long time to plan everything out as well as record and mix,” said John Gorine, Chirp’s drummer. “When we play those songs live, we know what we want to do, but it’s different when we have a lot more time to plan certain things out and just get what we want out of those songs.”

As a follow-up to last year’s “Live at Ann Arbor Summer Festival” release, the new studio album’s nine genre-hopping tracks take listeners on fleeting sonic journey filled with upbeat, danceable mind trips to “Dickerville,” “Greener,” “Planet Groove,” “Cozy,” “Pig Beach” and other joyful auditory destinations.

Chirp does their share of genre-hopping by blending catching progressive rock, funk and jazz originals with majestic reinterpretations during the high-energy, dynamic shows. Though their music incorporates many technical, well-crafted elements, they’re committed to grooving with a solid, dedicated fan base.

For dedicated Chirp fans, the album is a direct sonic flight through their eclectic catalog without any layovers or turbulence. While hearing “Chirp,” listeners travel smoothly through a series of glistening grooves, riffs and beats eloquently condensed into a brilliant studio package.

“You want to trim the fat a little bit, even though most of the songs are on the longer side of what people are used to hearing. I’d say the average song length on the album is five and a half minutes while our average live song length is between eight and 10 minutes,” said Jay Frydenlund, Chirp’s guitarist and vocalist. “As a songwriter, for me, it’s always difficult figuring out what we want to cut down and how we want to cut down the length of a solo section or maybe take parts out.”

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