One Track Mind — Jonathan Edwards, “A Fiction for Today”

Jonathan Edwards. Photo taken from the University of Michigan’s website.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

One Track Mind features a Washtenaw County-associated artist discussing a single song.

Standout Track: No. 5, “A Fiction for Today,” from Jonathan Edwards, an indie-folk singer-songwriter and guitarist from Ypsilanti. His latest release, The Sparrow EP, examines the emotional struggles people experience internally—vulnerability, desperation, fragility, and helplessness—as they live in a rapidly changing society.

On “A Fiction for Today,” Edwards sings about seeking refuge from society’s growing political and social tensions and finding the strength to persevere. While the track explores living in an oppressive world, it also functions as a contemplative and hopeful sendoff for the EP.

“Lyrically, this is one of my favorites from the EP,” Edwards wrote. “The song is dedicated to those who are up against the wall and struggling in a world that is so heavily positioned against them. … The cards are stacked against so many, and disturbing decisions are being made every day to push people further and further down. I hope this song is taken as a letter of optimism and compassion for those who have little say in the circumstances they may find themselves in.”

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Sinking Feeling — Checkered Lilies Process a Breakup and Its Aftermath on “Abandon Ship” Single

Kayla, Cesca, and Trie of Checkered Lilies. Photo – John Garrod

Checkered Lilies understand the sinking feeling that comes with a breakup.

The Southwest Michigan band processes that disappointment, uncertainty, and frustration on their latest alt-pop single, “Abandon Ship.”

“It was very autobiographical just because of stuff that has happened very recently,” said Kayla, vocalist, bassist, and keyboardist for Checkered Lilies.

“I tried to reframe it into more of a relationship because relationships are super complicated, no matter the nature of the relationship.”

Backed by somber piano, electric guitar, and drums, Kayla sings, “I’m tossed by the current / Buried by the waves / I hope you got that escape you craved / So now you can go / And sail through your bright, clear skies / I’ll be where you left me behind.”

“I think that was my favorite part of the writing process: trying to take this situation, which I don’t think is very easily relatable, and extending it into something that’s more applicable to people wherever they are,” she said.

“Regardless of the type of relationship, any relationship has [its] ups and downs, so people can take it and apply it to their own lives.”

“Abandon Ship” also serves as the debut single for Checkered Lilies, which features oldest sister Kayla, 20, and her two younger sisters, drummer-vocalist Trie, 18, and guitarist-vocalist Cesca, 12.

“Personally, I think one of the biggest things that’s coming up for us is the release of Checkered Lilies in and of itself,” Trie said.

“We’ve done a few originals before, but Checkered Lilies is a whole new big project where we’re really writing songs that we connect with and songs that mean something to us. We’ve got a ton of them lined up starting [this] month and continuing on through the summer, and we’re all very excited about that.”

I recently spoke with the band about their background and latest single ahead of a June 27 show at The Stray in Grand Rapids.

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Seize the Moment — “Lost in the Woods” Album Features Boisen | Öhman | Rogers Embarking on an Experimental Music Journey

“Lost in the Woods” album artwork courtesy of the artist.

Last summer, three friends got lost in a musical moment.

That moment featured musicians Myles Boisen, Martin Öhman, and Jill Rogers gathering together for a single studio session in Yrde, Sweden, to collaborate and see where their imagination would take them.

“The three of us had agreed to meet at Martin’s recording studio, [Skogen Studios], … but there was no plan, no agenda,” said Boisen, a guitarist, composer, improvisor, and recording engineer based in Oakland, California.

“We didn’t even know we were about to make a record. In a sense, we agreed to wander together, but that was really the extent of our preparation. Along the way, we challenged and revealed ourselves to each other in surprising ways, a real ‘getting-to-know-you’ thing.”

What resulted from that session is an experimental music album by the new U.S.-Sweden trio, Boisen | Öhman | Rogers.

Released on Mellanrum Records, Lost in the Woods, or Vilse i Skogen in Swedish, features three long-form improvisational tracks and one short vocal track.

“There was no discussion at all about what to play,” said Rogers, a musician, educator, and record label founder based in San Francisco.

“I was noodling around with … a song [that] my band, Ex-Juncos, had abandoned, and we were off! When that improvisation reached its end, we relaxed for a moment and started in again—no discussion or planning, just listening, playing, conversing.”

Sonically, Lost in the Woods provides a contemplative soundtrack for embarking on a journey of self-discovery and processing the emotions, changes, and challenges that accompany it.

“The woods and nature are a big part of our lives as Swedes,” said Öhman, a drummer, an electronics and multidisciplinary artist, and studio owner based in Yrde, Sweden.

“Roaming in the woods is something most Swedish kids do as a part of everyday life, especially in the more rural parts. Perhaps that’s what makes us a bit introverted, or in other, more positive words, thoughtful, or ‘eftertänksamma’ in Swedish. I think nature does that to you.”

To learn more, I did an email interview with the trio about their latest album.

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One Track Mind — Annie and Rod Capps, “Pardon My Dust”

Rod and Annie Capps. Photo – Jen Prouty.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

One Track Mind features a Washtenaw County-associated artist or band discussing a single song.

Standout Track: No. 2, “Pardon My Dust,” from Annie and Rod Capps. The Chelsea couple’s latest folk album, Never Done, is about self-improvement and the lessons they’ve learned on their journey of personal growth.

On “Pardon My Dust,” Annie Capps sings about self-reinvention and uses construction-based metaphors to show that her work is never done. Those references come from driving back and forth to Chicago over the years. “I think this song in particular is more about how we need to be kinder to ourselves and others who are struggling with life and all the challenges and curve balls it throws us along the way,” Annie Capps wrote in an email interview. “Also, those who have done any kind of therapy will understand that you have to tear down stuff to rebuild something better. Thus, the self-destruction reference. Not all self-destruction is necessarily bad if it reveals what needs fixing.”

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Starting a New Chapter — The City Lines Have a Fresh Lineup and Roster of Summer Shows

Victoria Horne, Johnny Scott, Bob Zammit, and Pat Deneau of The City Lines. Photo – Danny Burton.

Victoria Horne, Johnny Scott, Bob Zammit, and Pat Deneau of The City Lines. Photo – Danny Burton.

The City Lines are starting a new chapter.

The Ann Arbor-based alt-rock band recently added two new members, lead guitarist Johnny Scott and bassist Victoria Horne, to their lineup. They join vocalist-guitarist Pat Deneau and drummer Bob Zammit.

“There is a total synergy on the stage now,” Deneau said. “It’s really fun playing these songs closer to the way that we recorded them, with the lead guitar parts and some basslines that are moving a little bit. Victoria and Johnny are bringing energy to the stage that I really feed off.”

The band also recently announced three shows for this summer, including May 30 with Joe Jordan at The Blind Pig in Ann Arbor, June 25 with Cracked & Hooked and Pillow Princess at Ziggy’s in Ypsilanti, and August 6 with A Thousand Horses at Lager House in Detroit.

The City Lines will perform songs from their growing catalog, which includes last year’s Prescribed Fires album and two prior releases.

“We’re a new band to a lot of people who are maybe going to wonder how we got three records out under their nose and why there are as many listenable songs,” Zammit said. “It’s because we’ve been working really hard on that end of it, and now, through the support of the community, we can support folks and be helpful.”

To learn more, I spoke with the band about their new members and live shows.

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Visible Recognition — Sammie Hershock Honors Diligent Women on “Gold Sticker” Single

Sammie Hershock. Courtesy photo.

Sammie Hershock recognizes diligent women whose valuable contributions often go unnoticed on “Gold Sticker.”

The Marshall, Michigan, singer-songwriter and pianist pays tribute to women who support family, friends, and community behind the scenes on her new indie-folk single.

“That’s really where the song came from, and originally when I wrote it, I was thinking about my mom,” said Hershock, who’s also a mother of three children. “It just put it all in perspective for me, and it came from realizing how much she actually did.”

On “Gold Sticker,” she sings, “But can she get a gold sticker / Can she get a prize / Or maybe a metal around her neck to reflect the light in her eyes / It took me long enough to see / That in the race of humanity / There is no winner / But can we get a gold sticker.”

“When I play this for people, I can’t even tell you how many people come up afterward and say, ‘I needed to hear that,’” Hershock said. “I almost always play that song, and at the end, I have free gold stickers.”

“Gold Sticker” features an A-list roster of musicians, including Dominic Davis on bass, Mike Shimmin on drums, Spencer LaJoye on violin and background vocals, Kyle Joe on background vocals, and producer Chris DuPont on guitar.

“When I started working with Chris DuPont, I already had amazing musicians on it, and the skeleton of the record was perfect,” said Hershock, whose new single will appear on her upcoming album, Wings. “I loved it, but I just knew that I wanted it to be filled out a little bit more.”

Hershock also recently entered “Gold Sticker” in the Grassy Hill New Folk Competition for Emerging Songwriters, which is affiliated with the Kerrville Folk Festival in Kerrville, Texas.

She placed as one of 24 semi-finalists for the competition and is traveling to Kerrville this weekend to perform at the festival on May 24.

I recently spoke with Hershock about her background, new material, and upcoming plans.

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Time of the “Seasons” — OUT Ensemble’s Debut Album Celebrates Winter, Spring, Summer, and Fall With LGBTQ+ Composers

The members of OUT Ensemble stand on stage and hold their instruments in an empty auditorium.
Abby Bracken, David Michael, Alan Cook, Jenna Stokes, and Sophie Bracken of OUT Ensemble. Photo – Da Ping Luo.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Now that she’s finished graduate school, Sophie Bracken finds herself longing for past springs.

The University of Michigan alum and Ann Arbor clarinetist channels that feeling when she performs “I cannot meet the Spring unmoved” with OUT Ensemble, a wind quintet composed of LGBTQ+ musicians performing and commissioning the works of queer classical composers.

“I know that I myself am kind of nostalgic in spring for my high school days and some of the things we would do together in high school band,” said Bracken, who recently graduated with a master’s degree in chamber music. “I think it’s just a really interesting way to reflect on spring.”

Composed by U-M alum Nora Farley, “I cannot meet the Spring unmoved” is titled after and inspired by the Emily Dickinson poem of the same name.

“I really like Nora’s interpretation of spring,” Bracken said. “The Emily Dickinson poem, as well, that she’s drawing from has a lot of nostalgia and longing, which isn’t necessarily what you associate with spring—it’s usually a season of renewal and hope.”

The piece also serves as the opening track from OUT Ensemble’s debut album, Seasons of Change, which comes out May 22.

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Ypsilanti Hip-Hop Artist Diont’e Visible Has Raised His Profile With a String of Philosophical Singles and Collaborations

Diont’e Visible. Photo courtesy of Diont’e Visible.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Diont’e Visible wants to purge some negativity from the world.

The Ypsilanti, Michigan, hip-hop artist unloads that emotional burden and finds relief on his latest single, “Just Throw It All in the Air.”

“When I wrote this song, I was inspired by the state of the world, or the lack thereof,” said Visible, aka Paris Diont’e Horgrow, about the hip-hop track.

“People need something to be happy about and to look forward to. It’s saying, ‘Let’s get rid of this whole system and just throw it all in the air.’”

Visible adopts that refreshing mindset and then expands “Just Throw It All in the Air” into a springtime anthem while rapping over jazzy beats.

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Trust and Believe — Nick Behnan Follows His Heart on “When It’s Right, It’s Right” Single

Nick Behnan. Photo taken from Nick Behnan’s Facebook page.

Nick Behnan knows when to trust his intuition.

The Detroit artist and guitarist sings about finding his purpose and following his own path on “When It’s Right, It’s Right.”

“I’ve always had the most success in life and in my career when I follow my own nose, so to speak,” said Behnan about his latest garage rock-funk single.

“I guess ‘following your heart’ is a better way to put it, but it’s focusing on what I know I’m good at and was put on this planet to do.”

Backed by fiery electric guitar and thunderous drums, he sings, “I said go ahead and squeeze me / I tell you, when it’s right, it’s right / But you won’t get nothin’ outta me / I tell you, when it’s right, it’s right.”

“The song was definitely inspired by that mentality that I have, but also I thought the lyrics were fitting for these days with so much left-versus-right division between everyone,” Behnan said. “There does come a point where regardless of your political views, what is right is right. It kinda started there and then moved closer to [the song’s overall theme].”

To learn more, I spoke with Behnan about his latest projects and upcoming plans.

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One Track Mind — Kelsey., “Our Eyes”

Kelsey. Photo taken from Kelsey.’s Facebook page.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

One Track Mind features a Washtenaw County-associated artist or band discussing a single song.

Standout Track: “Our Eyes” from Kelsey., aka Kelsey Detering, an Ann Arbor singer-songwriter, bassist, and pianist. Her latest single examines a new relationship between two people and their shared sense of connection, while also exploring themes of authenticity and validation. “That’s really the core of it, knowing that someone sees you almost chillingly well, that they understand the core of you, and in this case, your music,” wrote Kelsey. in an email interview.

“It’s almost too good to be true, just the connection itself. And what this song is really about is wanting to be the person they see, that they love and believe in. And also the reverse, which is how you see deep inside of them, and how all that is conveyed in just one look. You feel like you’ve truly known this person your entire life.”
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