Rule of Three — Frank White, Newburgh, and P.T.’s Revenge Join Forces for “Triple Threat” Album

Triple Threat features original tracks and covers from three Detroit punk-rock bands.

Ben Wixson is a longtime fan of split albums.

The vocalist-bassist remembers listening to classic splits by bands like Bottomed Out/Before I Go, Wafflehouse/Foredirelifesake, and Rancid/NOFX.

“I’ve always loved split releases,” said Wixson, who performs in Frank White, a punk-rock band from Detroit. “When I was younger, bands put them out all the time, both locally and nationally.”

It wasn’t a big surprise when Wixson pitched the idea of a split album to three other local punk-rock bands: P.T.’s Revenge, Newburgh, and Middle-Out.

“The idea for the Triple Threat LP came from P.T.’s [Revenge] booking their holiday show far in advance,” Wixson said.

A few months before the holiday show, three of the four bands recorded 12 songs for Triple Threat with drummer-engineer-producer John Kowaleski at Stu Stu Studio in Livonia.

“It felt like a great way to revive that tradition,” Wixson said. “Originally, it may have even been a ‘quadruple threat,’ since Middle-Out was invited, but their schedule didn’t allow it this time. Hopefully, that’s something we can revisit in the future.”

On Triple Threat, P.T.’s Revenge, Frank White, and Newburgh each contributed three original tracks and one cover.

“We said, ‘We’re going to produce it, and we’re going to put it on vinyl,’ and it’s a lot easier when you have three bands splitting the bill,” said Kowaleski, who’s also the drummer for Frank White and P.T.’s Revenge.

All three bands appreciated the guidance and expertise Kowaleski provided during the recording process for Triple Threat.

“He played to our strengths as musicians, boosted our confidence in ourselves, and with his years of experience as a songwriter, he really helped us dial in our sound,” said Nic Engler, a vocalist-guitarist with Newburgh.

I recently spoke to Wixson, Kowaleski, and Engler about the album.

Continue reading “Rule of Three — Frank White, Newburgh, and P.T.’s Revenge Join Forces for “Triple Threat” Album” →

Detroit Music Collective and Portfolio Medics Seek Feedback About Local Music Ecosystem Through Census

A promotional graphic for the Greater Detroit Music Census.

Editor’s Note: The Stratton Setlist is a community partner for the Greater Detroit Music Census.

Two organizations are seeking feedback from the community about the Detroit music ecosystem.

The Detroit Music Collective and Portfolio Medics are conducting the Greater Detroit Music Census, a survey designed to gain a deeper understanding of the current state and future needs of the local music ecosystem.

“The questions for the census are tailored to give us an idea, collectively and comprehensively, what the local ecosystem looks like,” said Kevin Kay, founder and CEO of the Detroit Music Collective.

“It’s never been done here before, but the response from everyone so far has been: ‘Wow! This is something that we need.’ Everyone seems to be rallying together for an initiative like this.”

Launched earlier this month, the census is being administered by Sound Music Cities. It’s free to take and open to people 18 and older working in music within a 75-mile radius of the city.

“This is your chance to use your voice,” Kay said. “If there’s something bad, say it. If there’s something good, say it. Please don’t candy-coat it to think that you need to answer everything in a positive way. The only way we make change is if we know there are problems, and that’s what’s happened in all the other cities that have done the census so far.”

Sound Music Cities has previously administered censuses for Cleveland, Nashville, Charlotte, Austin, and Columbus, Ohio.

“Nashville did their census last year, and one of the things coming out of there from the creative sector and the artists were big complaints about how there are no loading or unloading parking spaces at venues, especially if they’re playing downtown,” said Kay, who once worked for Sony Music Nashville.

“They’re parking four or five blocks away sometimes, and if it’s summertime, they’re hauling gear, and they’re sweating. The organization that helped create the census for Nashville took the data, sat down with the city and the mayor’s office, and presented it to them. The city is now working on designating [parking] spots.”

The census is also receiving support from three lead partners, including Detroit Techno Militia, D.Cipher, and Detroit Nightlife United, and several community partners.

I recently spoke with Kay about the census, which is open until March 3.

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Coming Full Circle — Detroit’s Jackamo Returns to The Shelter for February 21 Headlining Show

Jimmy Showers, Alison Wiercioch, and Tessa Wiercioch of Jackamo. Photo taken from Jackamo’s Facebook page.

Jackamo remembers their first show at The Shelter.

It was December 2019, and the indie-folk band had played an opening set at the Detroit music venue.

“We opened for Brother Elsey just right before COVID,” said Alison Wiercioch, one of the band’s vocalists. “That was one of our first times playing as a full band.”

At the time, Wiercioch had performed with sister and vocalist Tessa Wiercioch, guitarist Jimmy Showers, bassist Steve Lehane, keyboardist John Raleeh, and drummer Steve Stetson.

“There’s something special, too, I think about a venue like The Shelter,” said Showers, who makes up the core of the band with the Wiercioch sisters. “I feel like the best place to see a band is at a small club show.”

Now, seven years later, it’s a full-circle moment for Jackamo: they’re gearing up for a February 21 headlining show at The Shelter.

“We said, ‘OK, we want to do a headlining show,’” said Alison Wiercioch. “We want to see what we can do and what type of room we can try to fill.”

The show will feature new music and old favorites from Jackamo, who’s been diligently working on their debut album at Royal Oak’s Rustbelt Studios.

“With the album coming out [later this year], we’re trying to find our sound and what we want to sound like,” said Tessa Wiercioch. “I feel like we almost went back to the basics. We thought, “Well, what are our biggest inspirations, and who are our influences?”

Those influences range from Lucinda Williams and The Staves to The Milk Carton Kids and The Lumineers.

“I was really inspired by The Lumineers’ album, III,” said Alison Wiercioch. “There were all of these music videos with stories, and I was following the storyline—I was enthralled. I looked forward to every time they would release a new music video for the songs. I think we have that idea of interweaving these songs together.”

To learn more, I spoke with Jackamo about their music ahead of the show.

Continue reading “Coming Full Circle — Detroit’s Jackamo Returns to The Shelter for February 21 Headlining Show” →

Looking Back — The Idiot Kids Process Past Trauma and Life Lessons on “Instants” Album

Jon-Mikal Bartee of The Idiot Kids. Photo – Kasper Ray

On Instants, Jon-Mikal Bartee didn’t plan to write from a deeply personal perspective.

Initially, the Detroit vocalist, songwriter, and multi-instrumentalist wanted to take a fun and intuitive approach to writing and recording The Idiot Kids’ latest album.

“As I was working on this record, I was running with the initial ideas for the music and the riffs,” said Bartee, who fronts the punk/garage-rock band.

“I thought, ‘Just keep going. Take the demo and run with it,’ but the songwriting ended up being just as introspective and autobiographical as anything else I’ve written. I was trying to have fun with [the album], and then all of a sudden, I was writing more songs about addiction, suicide, and super heavy topics.”

What resulted is a cathartic album that explores acceptance, authenticity, and recovery. The nine tracks on Instants serve as a finite point in time for Bartee to process and heal from past trauma.

“These songs are about … what’s happening with me, or it’s me addressing old feelings, but from the perspective of [last] year. I can look back at it as a time capsule,” he said.

“It was all written here, and everything was finished in [that] year. Almost all of it was recorded in my apartment, and then it was mixed and mastered by me [there as well]. It’s an unintentional, very personal album.”

Outside of his home studio, Bartee brings the songs from Instants to life on stage with Andrew Maslowsky (drums, backing vocals), Jarrett Koral (bass, backing vocals), and Carmel Liburdi (bass, backing vocals). Together, they make up the live edition of The Idiot Kids.

“The Idiot Kids is still a band and not just a solo project,” he said. “Andrew Maslowsky has been with the band since 2017, and the other members rotate live, including Jarrett Koral, Carmel Liburdi, and other guests.”

I recently spoke with Bartee about the album and its creative process.

Continue reading “Looking Back — The Idiot Kids Process Past Trauma and Life Lessons on “Instants” Album” →

One Track Mind: 3Steez, “Stand Up!”

3Steez. Photo taken from 3Steez’s Facebook page.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

“One Track Mind” features a Washtenaw County artist or band discussing one song from their latest release.

Standout Track: No. 2, “Stand Up!”, from 3Steez aka Trés Styles. The Athletic Mic League MC’s latest album, The Lover & The Fighter: Ninja, is the first of three planned releases featuring a martial arts theme. The boom-bap hip-hop album revisits 3Steez’s past, including his time living in New York. On “Stand Up!”, 3Steez includes lyrical references to Athletic Mic League, Ann Arbor, Detroit, and other Michigan shout-outs. “I’m in New York talking about being from Michigan. I’m in ninja mode, killing everything as a member of my crew, representing Michigan everywhere I [go]. When I got home, I felt like that song needed to exist and be heard. I’d been in New York so long people thought I was from there—which made sense—but as a member of AML, I had to make sure Michigan was still being put on the map.”

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Round and Round — The Dangling Participles Find a New Direction on “Carousel” Single

Austin Kaufmann, Tamiko May, and Tim Patterson of The Dangling Participles. Not pictured: Noah Cameron. Courtesy photo.

The Dangling Participles embrace change and find a new direction on “Carousel.”

“Sometimes, when we try to make changes in our lives, we feel stuck, helpless,” said Tamiko May about the Lansing band’s new indie-folk single.

“‘Carousel’ explores this idea of how—consciously or unconsciously—we sometimes find ourselves going ‘round and round’ in circles, in a pattern that doesn’t allow for change.”

Backed by contemplative instrumentation, May sings, “Face the fear of losing out / On some dream that’s preprepared / I’m not used to loose reins / And I’m feeling kind of scared / To leave the organ music and / The brass sleeves behind / As we gallop towards a future / That we ourselves define.”

“I wrote ‘Carousel’ a month after my mom died in 2023,” said May, who also plays ukulele on the song. “I had just joined an online songwriting community and had been given a prompt word, which was supposed to be the focus for writing a new song. However, the ‘Carousel’ song kept nudging me to come back to it, and I wasn’t able to focus on the ‘prompt’ song until ‘Carousel’ was finished.”

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Gaining Perspective — Jan Krist Gets Candid About the Past and Present on “Since You Asked Me” Album

Jan Krist. Photo taken from Jan Krist’s Facebook page.

Jan Krist doesn’t mind sharing different perspectives.

The folk singer-songwriter gets candid about religion, politics, history, and relationships on Since You Asked Me.

“It does feel cathartic to be able to go ahead and say some of this stuff,” said Krist about her latest album. “It feels a little scary, too, to say what you’re thinking.”

The album’s title track explores having an honest conversation with an acquaintance about being banished from a church.

“I said, ‘Tell me about your experience with the church,’ and he said, ‘Well, since you asked me …,’” said Krist, who had the conversation at a writers’ retreat in Washington.

“And then he launched into this story about when he was young, he had a relationship with a young woman there in the church, and they both made mistakes. But he ended up getting banished, and he lived in Alaska in a little town. It really was hurtful for him to feel this heavy judgment every time he walked into a local place.”

Backed by somber acoustic guitar and cello, Krist sings, “You can’t claim the higher ground / When you’re pushing people down / And barring mercy’s door / And what are we thinking?”

“I have not had that experience, but I’ve had many experiences being in churches,” said Krist, who recently relocated to South Lyon from Fort Wayne, Indiana. “I’ve been Christian since I was 16, and I was a worship director at a church. And I’ve been to all kinds of churches, from high church to evangelical.”

The title track is one of 17 songs on Since You Asked Me, which features emotive instrumentation, narrative lyrics, and serene vocals. Each track immerses listeners in a different time period and provides compelling characters against a rich backdrop of folk music.

To learn more, I spoke with Krist about select tracks from the album and the creative process behind it.

Continue reading “Gaining Perspective — Jan Krist Gets Candid About the Past and Present on “Since You Asked Me” Album” →

One Track Mind — North Ingalls, “North Ingalls Street”

From left: SC Klein, Em Spencer, Elena Bressler, Liam Charron, Jack Harris, Corazon Szell, and Andres Soto of North Ingalls. Photo taken from North Ingalls’ Bandcamp page.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

“One Track Mind” features a Washtenaw County artist or band discussing one song from their latest release.

Standout Track: No. 1, “North Ingalls Street,” from North Ingalls. The seven-piece band’s debut release, To Be Loved Back, is about finding love through different relationships. On “North Ingalls Street,” singer-songwriter Corazon Szell finds refuge and community at a house on 213 North Ingalls Street in Ann Arbor. A U-M alumna and a player for the women’s rugby team, she lived there with the team for two years before graduating in 2025. “Before I even lived there, it was a place that always had its doors open. A place where I could go to escape my dorm and hang out with my friends that I had made on the team. And when I moved in, I wanted to continue the idea that all are welcome. ‘North Ingalls Street’ was inspired by that idea. The idea that no matter what is going on in your life—good, bad, happy, sad—there will always be a place for you to come and share, and to feel safe doing so. The memories that I have in that house with my roommates, my friends, and my family, hosting potlucks, board game nights, movie nights, bonfires, and more, are some I will never forget.”
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Meaning of Life — Sonic Distance Finds Purpose and Hope on “Everything Outward” Album

Sonic Distance’s Connor Parent at The Blind Pig in August 2025. Photo taken from Sonic Distance’s Facebook page.

In eighth grade, Connor Parent had an epiphany.

The singer-songwriter and guitarist sat down at a middle school lunchroom table with friend Elliot Walker and pulled out his composition notebook.

“I said, ‘All right, we’re gonna make an album, and it’s gonna be called Everything Outward,’” said Parent, who hails from Walled Lake, Michigan. “It really just came to me.”

Parent spent the next eight years writing and recording 15 tracks for what would become his debut album, Everything Outward, under the artist moniker Sonic Distance.

“I started writing at the age of 14, going through high school, even a bit of college,” he said. “Those are the ages when your mind expands, and you’re learning a lot about the world. I’m still learning a lot, and I feel like I do have more to say.”

What resulted is an introspective alt-rock album that explores the quest for finding one’s purpose and understanding the world around us.

“When it comes to this collection of songs, the sequencing is very intentional. It tells the story from start to finish of a character who starts out angry at the world. The track, ‘Fire Trail,’ takes a spooky, haunting turn to the album,” Parent said.

“It has these mood swings to it, and then it goes into a silly [section] with ‘Chicken Fight,’ ‘Avenue,’ and ‘Jet Lag.’ Then, you get into the introspective meat of the album with the last three songs. It has this personal resolution at the end. A lot of it is fictitious, but a lot of it did come from [real life].”

I recently spoke with Parent about the inspiration behind Everything Outward.

Continue reading “Meaning of Life — Sonic Distance Finds Purpose and Hope on “Everything Outward” Album” →

One Track Mind — Rik Strange, “West Park”

Rik Strange. Photo taken from Rik Strange’s Bandcamp page.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

“One Track Mind” features a Washtenaw County artist or band discussing one song from their latest release.

Standout Track: No. 3, “West Park,” from Rik Strange, aka Erika Marlisa. The Ann Arbor singer-songwriter’s debut release, Angelclown, is a five-track EP that explores relationships. On “West Park,” Strange feels hopeful about a new partner and contemplates the direction of her life. At the time, she was living in a house on Huron [Street] that borders the park. Strange often took morning walks in West Park during the fall to process her fear and self-doubt. “This song was my attempt to instead lean into abundance, and yes, to attempt to approach a new love from that same place, instead of getting caught up in what it might become or what might go wrong. Ultimately, at the time, I wasn’t very good at that, and the relationship didn’t last, but that’s another song! That’s what I love about songwriting, the archival effect. Things change, but West Park preserves the whimsical feeling, place, and time—it’s nice there!”

Continue reading “One Track Mind — Rik Strange, “West Park”” →