Pushing Back – Widetrack Challenges Rigid Societies and Mindsets on ‘Monoliths’ Album

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Widetrack shares insightful tales of conflict, change and determination across eight bold tracks on “Monoliths.” Photo courtesy of Widetrack

Filled with defiance and courage, Widetrack openly challenges the static perspectives and cultures of rigid societies on Monoliths.

The Waterford, Michigan father-son duo of Ron Tippin (drums, vocals) and Zach Tippin (guitar, bass) exposes the toxicity of groupthink, coercion and betrayal on their latest alt-prog album.

“It’s the general idea of things being very homogenized … and in terms of something that’s very difficult to change, but very huge and imposing—like monolithic societies,” said Ron Tippin.

“But it can also represent hope like [challenging] the monoliths in the film The Matrix, which represents the possibility of escape from a simulated reality. That was very much the idea of ‘Illumination,’ the opening track, and a lot of the songs that we started with were very dark, negative and heavy.”

As that realization came to light, Widetrack decided to include another hopeful track on their fifth album. “And then we came up with ‘Unlived,’ and I thought, ‘OK, there’s some positivity here,’ which is kind of a first for us,” Ron Tippin said.

Along with that new thematic development, Widetrack shares insightful tales of conflict, change and determination across eight bold tracks on Monoliths.

The band’s philosophical lyrics, emotive vocals and driving hard-rock, prog-rock and metal instrumentation instantly transport listeners to a contentious world that’s overdue for a revolt.

“I spend a lot of time on social media, as a lot of people do, as an observer and see objective reality and objective truth becoming relics,” Ron Tippin said.

“Some people just can hone in on a narrative—that’s the reality for them—and they get siloed in that. It’s made the divisions more pronounced than ever.”

Continue reading “Pushing Back – Widetrack Challenges Rigid Societies and Mindsets on ‘Monoliths’ Album”

Inside Out – Kylee Phillips Gets Vulnerable and Introspective on New “Long Time Coming” EP

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Kylee Phillips shares a spectrum of emotions on “Long Time Coming.” Photo – Kris Herrmann

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Kylee Phillips deliberately steps outside herself and looks inward on Long Time Coming.

The indie-pop singer-songwriter and keyboardist examines past vulnerabilities and realizations through a wiser lens on her new EP.

“It’s very autobiographical. Honestly, writing them was less about sharing them with other people and more about admitting things to myself,” said Phillips, who lives in Ypsilanti, Michigan.

“In the writing process, I struggle sometimes to be vulnerable or to process my own feelings in real life. I joke that sometimes you could ask me how I feel about a situation and I would say, ‘I don’t know,’ and then I would write a song and go, ‘I guess that’s how I feel about it.’”

On Long Time Coming, Phillips shares a spectrum of emotions—ranging from disappointment to anticipation to relief—across five introspective tracks. The EP’s cathartic lyrics and atmospheric pop instrumentation allow listeners to instantly grasp and connect with Phillips’ perspective.

“A lot of these songs were things that I was describing, especially ‘Long Time Coming,’ and are like the closets in your house where you put stuff and you’re like, ‘I’m not going to think about it; I’m going to pretend that all that crap has been in there,’” Phillips said. “Then at a certain point, you say, ‘I’m gonna have to look in that closet.’” 

Continue reading “Inside Out – Kylee Phillips Gets Vulnerable and Introspective on New “Long Time Coming” EP”

Against All Odds – Knoxville’s Jake Gray Grabs Life by the Horns on ‘Rode Hard’ Album

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Jake Gray walks listeners through life experiences on “Rode Hard.” Photo – Jamie Gray Photography

Jake Gray knows how to defy the odds.

The Knoxville, Tennessee singer-songwriter and multi-instrumentalist witnessed that feat firsthand from his brother and penned a song about it.

“When I wrote ‘Rode Hard,’ it comes from a saying, ‘Rode and put away wet.’ It was a saying back on the farm, and I wrote that song about my brother. And when I wrote it, I thought, ‘This is gonna be the title track,’” said Gray about the song from his latest Americana album of the same name.

“Some of those lines are right out of his life, so when I go, ‘Let me tell you about a tale / Of a man whose life didn’t go so well.’ That’s how that track opens up.”

Throughout “Rode Hard,” Gray highlights how his brother overcame divorce, past mistakes and health challenges to emerge as a stronger and wiser person on the other side.

Alongside determined acoustic guitar, violin and drums, Gray sings, “He finally thinks he’s made enough mistakes / But he’s come a long, long, long way / So I ask him what’s he gonna do / He says take some time, forget my pride and switch out my point of view.”

“I did try to leave [the song] on a positive note on the bridge and the outro, ‘It doesn’t matter what’s gone before / Just pick yourself right off that floor’ and then off you go. You don’t have to be married to what happened to you before,” he said.

“He does like [the song], and he recognized himself straightaway. Last year, he had open heart surgery, which is a culmination of a lifetime of bad choices of how [he was] treating [his] body. He survived that, and then a few months later, he had acute pancreatitis. He quit drinking, and he works out like an animal; he’s still working to get his head right.”

Continue reading “Against All Odds – Knoxville’s Jake Gray Grabs Life by the Horns on ‘Rode Hard’ Album”

Until Now – Bill Edwards Shares Personal Tales of Life and Love on ‘So Far’ Album

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Bill Edwards reflects on a life filled with optimism, love, gratitude, loss, wisdom and nostalgia on “So Far.” Photo – Chasing Light Photos

Editor’s Note: This article also appears on the Ann Arbor District Library’s Pulp blog.

As an accomplished songwriter, Bill Edwards often tells stories from multiple perspectives across an astonishing catalog of songs.

This time, the prolific Ann Arbor singer-songwriter and multi-instrumentalist opted to share his own stories on his new Americana album, So Far.

“The songs are all, without exception, autobiographical, making this the most personal record I’ve ever released. I’ve reached an age where it seemed like it was time to look both backward and forward,” Edwards said.

“The future is never guaranteed, and I wanted some of these feelings captured. There’s a lot of emotional territory covered on the album, and it all feels true to me.”

On So Far, Edwards features 14 tracks that collectively reflect on a life filled with optimism, love, gratitude, loss, wisdom and nostalgia. The album’s honest sentiment, introspective lyrics and earnest instrumentation invite listeners to contemplate their own lives alongside Edwards.

“I wrote probably 50 songs that may have been candidates for this record over the past year or so,” he said. “I’m always writing, and these tunes got swapped in and out as new material came to be.”

I recently spoke with Edwards about opening for Rodney Crowell, writing tracks for So Far, recording his new album, hosting an album release show at The Ark and working on new material.

Continue reading “Until Now – Bill Edwards Shares Personal Tales of Life and Love on ‘So Far’ Album”

In Harmony – Metro Detroit’s Voxanna Forms During Pandemic and Releases Compelling Self-Titled Debut Album

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Voxanna’s Billy Brandt, Elaine Schoendorf, Raquel Salaysay and Kerry Gluckman share rich harmonies and a timeless acoustic folk-rock sound on their self-titled debut album. Photo courtesy of Voxanna

When the pandemic first hit, Billy Brandt, Elaine Schoendorf, Kerry Gluckman and Raquel Salaysay unexpectedly found a silver lining during a dark time.

The two couples and musical collaborators experienced a burst of creativity and formed Voxanna, a new acoustic folk-rock band from Metro Detroit.

“It’s something amazingly positive to do,” said Brandt, one of the band’s vocalists and a guitarist, banjoist and autoharpist.

“It started with Kerry, Raquel and me—though I had met Elaine right before the pandemic. We trusted each other, and for some reason, we had an instinctual feeling that we’d be OK if we gathered to play music, so we did.”

At the outset, Brandt gathered with Gluckman (percussion) and Salaysay (bass, vocals) to jam outside the couple’s house and started recording their performances

“We videotaped everything, so everything was a performance … and that worked very well in our favor. People really enjoyed seeing us from their lockdown homes or whatever apartment they were living in,” Brandt said.

“This live music seemed to get 100, 300, 500 and 1,000 likes every time we posted, so we built a small online community that’s very different from an in-person community. We had good responses, and it kept us going.”

That momentum prompted Brandt to bring Schoendorf (tenor guitar, vocals) into the fold after the two had started singing and harmonizing together in 2019.

“We had been working our thing concurrently with Kerry, Raquel and I working out this trio—this rhythm section thing,” Brandt said. “But we were missing one thing and that was three-part harmonies, so we eventually put it all together.”

Continue reading “In Harmony – Metro Detroit’s Voxanna Forms During Pandemic and Releases Compelling Self-Titled Debut Album”

Crack the Case – Tom Curless & The 46% Decipher Everyday Interactions on ‘Speaking in Code’ Album

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Tom Curless & The 46%’s Ron Vensko, Chip Saam, Lenny Grassa and Tom Curless explore and decipher different situations on “Speaking in Code.” Photo – Madeline Curless

For Tom Curless & The 46%, actions speak louder than words.

The Detroit power-pop quartet of Tom Curless (vocals, guitar, keys), Chip Saam (bass), Ron Vensko (drums, percussion) and Lenny Grassa (guitar), extracts the hidden meaning from everyday interactions with people on Speaking in Code.

“There’s a lot of that theme going through the record; some songs aren’t based on personal relationships and some are,” said Curless about the band’s latest album.

“The first single, ‘Sorry for You,’ is when you’re trying to comfort someone and they’re laying down a lot of issues and problems. You’re happy to do it … but nobody has it all figured out. Everybody has their own problems, too, and it’s the theme of ‘I’m sorry for you, but I’m sorry for me, too.’”

On Speaking in Code, the band explores and deciphers different situations across 11 tracks that range from revelation to confrontation to determination. Those emotive stories resonate with listeners against a backdrop of spirited pop-rock instrumentation, vivid lyrics, melodic vocals and lush harmonies.

Continue reading “Crack the Case – Tom Curless & The 46% Decipher Everyday Interactions on ‘Speaking in Code’ Album”