The Long Run – Brian Perrone Adopts a Broader Perspective on Life and Love for ‘Alive’ Album

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Brian Perrone shares a raw, vulnerable and wise perspective on “Alive.” Photo courtesy of Brian Perrone

When it comes to life and love, Brian Perrone prefers to focus on the long run.

The Livonia, Michigan singer-songwriter adopts that broader perspective on his latest pop-rock album, Alive.

“I try to remind myself to be present as much as possible, [but] admittedly I often forget. A lot of times it seems easy to get caught up in the daily hustle,” said Perrone, who also plays piano and drums on the album.

“Everyday rushing around can almost create white noise if you’re not careful. When writing this album, it really made me think about life and its experiences—all the ups and downs.”

As part of that mindset, Perrone searches for a balance between acceptance and gratitude, which flows throughout Alive’s eight reflective tracks.

“People are very similar in many ways. We encounter a lot of the same emotions, highs and lows, and of course, those insecurities that sometimes find a way to creep in,” he said. “Now is the time to recognize who and what is important in your life.”

On Alive, Perrone deeply conveys that sentiment through introspective lyrics, earnest vocals and spirited pop-rock and alt-rock instrumentation.

“This type of album was written from a more raw and vulnerable perspective,” he said. “I hope that these songs will resonate with the listener. Certain songs will probably hit harder than others depending on the circumstance.”

I recently spoke with Perrone about releasing two new albums this year, sharing select tracks from Alive, collaborating with Tony Hamera at the Rayburn Room and Tempermill Studio and preparing for 2024 as a solo artist and drummer for the Detroit hard-rock band Gangway.

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Going Stateside – New Zealand’s Maggie Cocco Returns to Michigan for Science for Sociopaths Show and Girls Rock Detroit Benefit Concert

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Maggie Cocco performs at Aretha’s Jazz Cafe in Detroit on Dec. 12. Photo – Micky Nogher Photography

After four years of living out of state and abroad, Maggie Cocco is back in Metro Detroit making some new musical memories.

The pop singer-songwriter is visiting her home state during the holidays and playing two live shows: Dec. 18 at The Ark in Ann Arbor with Joanna Sterling and Dec. 22 at Tin Roof Detroit for the Music Mavens of Michigan, a fundraising concert to benefit Girls Rock Detroit featuring a lineup of local femme artists.

“The Ark will be a very special show for me. It’s my only show on the Michigan leg of the Analog tour where I’ll play through the entire song cycle as it is on [my new] album, [Like a Moth],” said Cocco, who now resides in Whangārei, New Zealand and performs under the moniker Science for Sociopaths.

“I’m [also] ridiculously stoked about this [Music Mavens of Michigan] lineup. Tin Roof Detroit has a capacity of 400 people, and we’re hoping to reach it! With a lineup like this, I think we can. We’ll be holding what’s called round robins with each artist offering two self-accompanied songs and sharing the stage with three to four artists at a time.”

For the Music Mavens of Michigan show, Cocco will be performing alongside Audra KubatCarolyn StrihoJulianne AnkleyCoko ButtafliFay BurnsGwenyth HayesJulia Rose PagacJacki Daniels and others.

“Even if you’ve seen any or all of these artists live, this will be a truly unique and collaborative experience,” said Cocco, who grew up in Sterling Heights. “We’ll also have a couple of youth performers to open the show and a finale featuring all participating artists, plus an open jam to end.”

I recently spoke to Cocco about living in New Zealand, visiting the U.S., working with Girls Rock Detroit, preparing for The Ark and Music Mavens of Michigan shows, writing and recording her Like a Moth album and looking ahead to 2024.

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OK for Now – Jeff Scott Reconciles the Passage of Time on ‘I’m Alright With This World’ Single

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Jeff Scott addresses being present and grateful on “I’m Alright With This World.” Photo courtesy of Jeff Scott

For Jeff Scott, the passage of time brings much reflection and acknowledgment.

It’s a matter of finding comfort in the present moment, making peace with the past and focusing on the future.

“Like many have felt the past few years, I finally became very conscious of the fact that I had been living with a constant sense of unease. It’s been caused by a few things: the hangover from the pandemic, clearly growing older, losing many people and [witnessing] world events,” said Scott, a Troy, Michigan singer-songwriter, about his new single, “I’m Alright With This World.”

“I wanted and needed to let it all go and to return to the living. It’s not meant to be Pollyannaish; the lyrics are very direct and honest, I believe. It’s meant to be a mantra for myself to stop the noise, acknowledge the present and take stock of all I have to be grateful for. And I’m hoping it provides that to others as well.”

On “I’m Alright With This World,” Scott beautifully expresses those notions through perceptive lyrics and serene, jazzy soft-rock instrumentation.

He sings, “So I made my peace, and I made amends / Made my mistakes and I’m bound to again / But I surely will not worry about that ‘til then / Cause right now, I’m alright with this world.”

“I fully acknowledge the world isn’t that great of a place right now for many reasons, but I believe it’s really important to ground ourselves in what we may be lucky enough to personally experience and accept the grace of that,” Scott said.

I recently spoke with Scott about wrapping up 2023, finding inspiration in life, looking back at other releases, writing and recording “I’m Alright With This World” and making plans for the new year.

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Feeling Stranded – Linen Ray Reclaim Their Sense of Hope on ‘By a Thread’ Single

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Linen Ray find catharsis and renewal on “By a Thread.” Photo – Mike Frieseman

Despite feeling overwhelmed and heartbroken, Linen Ray refused to give up hope.

The married folk-rock duo of Rebekah Craft (vocals) and Gabriel Craft (drums, backing vocals) tried to stay positive and calm while helping a loved one navigate a mental health crisis.

But over time, it felt like they were carrying the weight of the world on their shoulders. There were moments when caring for another became too much to handle alone.

“Trauma will sometimes cause a person to bury their pain and live in denial. For us, it felt so completely overwhelming,” said Rebekah Craft, who hails from Ypsilanti, Michigan, but is based in Nashville, Tennessee with Gabriel Craft and their family.

“We weren’t exactly living in denial, but when life comes down on you so hard and you feel helpless, you sometimes lose the ability and energy to express your thoughts and feelings. We were grieving and in a dark place.”

In that dark place, Linen Ray reclaimed their sense of hope and channeled their emotions into songwriting. What resulted is “By a Thread,” a vulnerable new ballad that serves as a plea for help and understanding.

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This is Your Song – Jeff Tweedy’s New Book Makes Us Think About How We Connect With Our Favorite Music

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Jeff Tweedy hangs out with April Baer of Michigan Radio’s Stateside. Baer spoke with Tweedy about his latest book, “World Within a Song: Music That Changed My Life and Life That Changed My Music,” last month at U-M’s Rackham Auditorium in partnership with Literati Bookstore. Photo taken from Jeff Tweedy’s Facebook page.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Back in 2009, I actually heard Wilco for the first time.

It’s not that I didn’t know the band’s music, but it was the first time I had developed an emotional connection to one of their songs.

It was “You and I,” a heartwarming duet with Feist from the band’s self-titled album. The track addresses two lovers trying to preserve a relationship as Wilco frontman Jeff Tweedy sings, “You and I, we might be strangers / However close we get sometimes / It’s like we never met.”

While I’ve never met Tweedy and or any of the other Wilco members, “You and I” emanates a comforting familiarity in terms of its memorable lyrics, bittersweet harmonies, and smooth bassline.

There’s an unexplainable pull I feel to it, and it’s something Tweedy easily masters after nearly three decades of writing Wilco songs.

“I’m much more fascinated by the blurry area between a song and the mind that receives it, puts it back together in a shape that fits their own life, and allows the heart to take ownership,” writes Tweedy in his latest book, World Within a Song: Music That Changed My Life and Life That Changed My Music.

That statement nicely encapsulates the key takeaway from Tweedy’s third book, which highlights the memorable connections—both positive and negative—he’s made with 50 different songs throughout his life.

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Dig Out – The Idiot Kids Mine Past Struggles and Make Room for the Future on ‘Chapels’ Album

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The Idiot Kids’ Nicholas Zambeck, Jon-Mikal Bartee and Andrew Maslowsky search for acceptance on “Chapels.” Photo – Jackleen Diana Eve

For Jon-Mikal Bartee, a new album with The Idiot Kids allows for a deep exploration of the past and a clear pathway for the future.

The lead vocalist-guitarist of the Detroit garage-punk trio mines personal experiences, thoughts and emotions related to sex, identity, addiction and trauma on Chapels. In turn, those excavations create more space for relief and renewal.

“That’s kind of what the whole album is about. Through trauma and addiction and all of that, trying to find acceptance. That’s just what it kind of turned into. It’s not like we sat down and said, ‘I want to write an album about my childhood,’” Bartee said.

“For me, listening to artists like Elliott Smith, Thom Yorke, Bob Dylan and people who talked about very personal things—sometimes in a more abstract way and sometimes a little more literally—that’s what I connected to. Just from hearing people talk about what they’re dealing with didn’t resonate in the same way as like putting it to a melody or a rhythm.”

Alongside bandmates Nicholas Zambeck (bass) and Andrew Maslowsky (drums, vocals), Bartee adopts that refreshing approach on Chapels, which features a dozen tracks filled with candid lyrics, earworm choruses and turbocharged punk-rock instrumentation.

“This is the kind of stuff, as a kid and as a teenager, I didn’t hear anyone talking about. Luckily, the world has come a long way in the last 20 years. But, at the same time, with more visibility, there’s also more hatred, so it’s kind of like this battling force back and forth,” said Bartee, who grew up in a religious family and came out as an adult.

“These are the songs I wish I had heard as a teenager or a young adult, and I was dealing with that internalized homophobia and religious trauma and whatnot. That’s why I ended up calling it Chapels because it all kind of went down to that.”

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