Genesis Revisited – Steve Hackett Brings ‘Selling England by the Pound,’ Solo Gems to 20 Monroe Live Thursday

Steve Hackett will perform Genesis and solo classics at 20 Monroe Live Thursday in Grand Rapids.

Steve Hackett will breathe new life into a beloved Genesis album Thursday in Grand Rapids, Mich.

The legendary former Genesis guitarist will perform the band’s 1973 prog rock classic, “Selling England by the Pound,” in its entirety at 20 Monroe Live, a 2,600-seat music venue located in the heart of Furniture City.

“It happens to be my favorite Genesis album. That setting was 1973, and just as we were leaving New York desperately trying to find a gig anywhere else in the States, we heard that John Lennon gave an interview and said Genesis was one of the bands he was listening to, so I assumed he liked that album at the time, and we were all very proud of it,” said Hackett, who performed with Genesis from 1971-1977.

“I get to do it again in its entirety, which wasn’t possible with the technology we had back in the day, plus an extra track included like a deleted scene. Something that Peter Gabriel introduced to the band as an unfinished song. I finished it years later with his blessing, and we shared credits on it.”

That “deleted scene” of a song is “Déjà Vu,” a quiet, emotional track filled with deep synths, exquisite classical guitar strums and a haunting extended electric guitar solo. This time, Hackett will perform it live with singer-songwriter and musician Nad Sylvan, keyboardist Roger King, bassist Jonas Reingold, saxophonist/flautist Rob Townsend and drummer Craig Blundell.

Together, the prog rock sextet is embarking on a 27-date North American “Genesis Revisited” tour through Oct. 20 and playing eight other influential tracks from “Pound” as well as highlights from Hackett’s popular 1979 album, “Spectral Mornings,” and his latest release, “At the Edge of Light.”

The band previously performed a series of “Genesis Revisited” tour dates in 18 countries in seven weeks and will head back to Europe and the U.S. as well as Australia and New Zealand next year. Their next Michigan date will take place March 4 at The Fillmore Detroit.

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Running Down a Dream – Nashville’s Jeremy Ivey Makes Blind Pig Debut Saturday

Jeremy Ivey will open for Ian Noe at The Blind Pig tomorrow night. Photo by Cal & Aly

As the everyday person’s troubadour, Jeremy Ivey will share thoughtful tales of the nation’s turbulent political climate mixed with personal diaspora and societal struggles at The Blind Pig tomorrow night.

The Nashville, Tenn., singer-songwriter will make his live debut at the legendary Ann Arbor rock club and open for Ian Noe, a Beattyville, Ky., singer-songwriter.

“It will be me and a harmonica and a guitar, and I’m looking forward to it. I’ve been on enough hectic production tours that I’m ready to be by myself for a little bit,” said Ivey, who kicked off his tour Sept. 12 at Nashville’s AMERICANAFEST. “I’ll definitely play some songs from the record, but I’ve already recorded a second record and have the third one already written.”

Interpreting ‘The Dream and the Dreamer’

For his intimate Saturday night set, the prolific Ivey will feature homespun, deeply introspective tracks from his brilliant nine-track debut, “The Dream and the Dreamer,” which dropped earlier this month on Anti-Records.

Recorded in a small Nashville home studio with producer and wife Margo Price, Ivey’s album beautifully weaves elements of classic folk and gently-frayed psychedelia with Southern rock and Americana pop-tinged sensibilities. Price encouraged Ivey to write and record a batch of his own songs during a brief tour break.

“I co-write a lot with her, but I had been writing stuff that I was pretty sure she wasn’t going to sing. It only took me a couple of weeks, maybe a month tops, to write the whole thing,” said Ivey, who initially played with Price in the country-soul group Buffalo Cover as well as Secret Handshake.

“Everyone always says you take your whole life to write your first album, and I’ve been writing since I was 15, so that’s not necessarily true for me. I went in to record, it was supposed be demos, and it turned out pretty good. Anti had heard them, and then it all started to happen. I never really planned for it to be a record.”

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Jam-packed – Desmond Jones Mixes Multiples Genres for Latest ‘Hello, Helou’ Album

Desmond Jones’ “Hello, Helou” album features longtime friend and fan Antoine Helou on the cover.

For their latest release, Desmond Jones has fans at “Hello, Helou.”

The Grand Rapids funk-rock-jazz fusion quintet masterfully mixes multiple genres across seven tracks on their second full-length and latest album, “Hello, Helou,” which dropped in July. It includes an eclectic batch of captivating tracks from Desmond Jones’ expansive catalog of more than 40 original songs.

“These songs were already written before we went into the studio, so it wasn’t a collective effort to write all of the music for an album,” said John Nowak, drummer, guitarist and vocalist for Desmond Jones. “Since all of the songs already existed, it was really a matter of choosing which ones we wanted to go on the next album.”

Nowak and bandmates Chris Bota (guitar, vocals), George Falk (saxophone, vocals), Isaac Berkowitz (guitar, drums, vocals) and John Loria (bass, vocals) spent eight months recording “Hello, Helou’s” tracks with manager Kevin McKay of Innovative Music Solutions in Webberville. The band also recorded a few tracks in the band room at East Grand Rapids High School where Nowak and Berkowitz attended.

In typical Desmond Jones fashion, all the tracks from “Hello, Helou” received initial live improvisational treatment before being reimagined as studio versions. With a fun, upbeat sound, the album features a collection of shorter songs compared to tracks from the band’s 2017 self-titled, full-length debut.

Four of the five band members also penned tracks for the album, which include spatial, culinary, relational, existential and fantastical themes. Listeners encounter a dynamic sonic journey while venturing from one track to another.

“In our live shows, we definitely take the liberty to extend songs as long as we want. Some songs are a better platform for that, but songs like ‘Split Again,’ ‘Sylvia’ or ‘Instructional Dance Song’ are similar to how we play them live,” said Nowak, who formed the band in 2012 while attending Michigan State University. “With streaming and attention spans, we want songs that are easily digestible for people to listen to before they come see us.”

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Medicinal Music – Nikki and The Human Element Cure Everyday Struggles on Debut Album ‘Elemental’

Nikki Neretin of Nikki and The Human Element

For Nikki Neretin, music is the best medicine for coping with daily life.

The New York City indie rock singer-songwriter and frontwoman for Nikki and The Human Element eloquently depicts relatable themes about everyday life on her catchy debut album, “Elemental,” which dropped in June.

“For me, it’s really writing about the daily stuff I see. I’m not writing about love and love lost because I’m not falling in love every day. I’ve got two kids, and I think people just want to hear about life and things they can relate to,” said Neretin, who’s also a physician with the Institute for Child and Family Health in New York City.

“I don’t think they want to hear about the tumultuous relationship that went awry. I’m just writing about the people that I meet, the experiences that I have and the experiences that they have.”

Through “Elemental,” Neretin has become a modern-day troubadour for women, especially mothers raising a family, dealing with aging and working to improve local communities. In a sense, it’s a deep look into the thoughts, feelings and struggles of a fiftysomething wife and mother who balances personal and professional ambitions.

“I’m looking to speak to women in that way, and there’s group that still goes out, sees music and loves rock and roll are my age if not older,” said Neretin, 54, who grew up in The Bronx and cited her opera singer-actor father as her biggest musical influence. “I’m a new rock and roller coming out at this age as opposed to somebody who started in their 20s and worked their way up. This shows that I can still do this.”

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Remnose to Open for Josiah Johnson at Detroit’s Creaky House Sunday

Marlon Morton and Remnose will open for Josiah Johnson at Detroit’s Creaky House Sunday.

Remnose will share their haunting indie folk with an intimate Detroit crowd Sunday night.

The Motor City indie folk-rock quartet will perform an opening set for Josiah Johnson, co-founder and former member of The Head and the Heart, at Creaky House, a Woodbridge neighborhood do-it-yourself (DIY) music space.

“It’s a really cool old house with a beautiful backyard and an old fireplace. We played a release show there when we put out our EP, ‘What We See in Our Sleep,’ so it’s been one of our favorite DIY venues in Detroit,” said Marlon Morton, Remnose’s vocalist and rhythm guitarist. “It’s really nice for Sunday nights because you don’t have to ask everybody to go out to a bar.”

During their Sunday night set, Remnose will include introspective tracks from their latest album, “Waiting on the Wind,” which dropped in June, as well as past gems from previous releases.

“We’ll do a full band show because the majority of our sets are pretty laid back, and they suit that sort of setting like a backyard show. There will be a sound system there, too,” Morton said. “They bring over a pretty nice sound system, at least they have for shows we’ve played there in the past. It gives it a real venue sound in a backyard, so you get the best of both worlds.”

Remnose has played a growing roster of local, regional and national shows since forming in 2013. Led by Morton and his older brother Carson Morton (drums, banjo, backup vocals), the band includes Sam Sparling (lap steel guitar, synth, keys) and Alex Wildner (bass, cello, violin, piano) and features a breathtaking sound built around inspirational melodies and highly-personal lyrics.

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Danika & The Jeb Bring Fresh Americana Tonight to Ann Arbor’s Black Crystal Cafe

Danika Holmes and Jeb Hart will perform tonight at Ann Arbor’s Black Crystal Cafe.

Editor’s Note: This is repost of an earlier interview with Danika Holmes and Jeb Hart of Danika & The Jeb. Tonight, they’ll be performing at Ann Arbor’s Black Crystal Cafe.

A Nashville acoustic pop and Americana duo, Danika Holmes and Jeb Hart, aka Danika & The Jeb, bring a dynamic, uplifting and fun sound that includes a combination of artfully written songs and powerful musical phrasing.

Together, Danika & The Jeb have performed more than 1,200 shows in the U.S., U.K. and Europe since forming in 2010. They’ve also opened for Lyle Lovett, Dierks Bentley, Phil Vassar and Tracy Lawrence.

Holmes believes that a well-written song can embody all emotions of the human existence, and she articulates that beautifully with her slightly raspy, yet warm voice and truthful lyrics.

“I learned how to play the guitar from Jeb. It’s been so fun playing together all these years now because our musical style has grown together,” said Holmes, who grew up listening to church music. “As a vocalist, every artist wishes they had a guitar player like Jeb, someone who knows when to hang back and knows when to step up to the front of the stage and give a killer solo as well.”

Grand-nephew to country artist Clyde Moody, Hart can craft a story with six strings. Despite a car accident that left him unable to play for several years, Hart’s determination to overcome prevailed.

“I started on sax when I was nine and then on guitar at 14. When I was young, I’d go to work with my mom and was told to be quiet,” Hart said. “I’d hang out next to her desk with a pair of headphones on and record mixed tapes from the radio onto this little boombox she bought me.”

The duo’s latest project, “Day #2349, Danika & The Jeb – Live at Campbell Steele Gallery,” is a live double album that was recorded in Marion, Iowa last year. They recorded it 2,349 days after the release of their first album, “Second Chances,” in 2010. Their latest studio album, “Balance, Vol. 1” was released in 2014.

“Our goal was to capture one of our 1,200 live performances in a way that made people feel like they were right there listening to it,” Holmes said. “We didn’t want it to be a ‘best of’ album where you get the best version of 20 live shows. Our double-disc album is a complete show, beginning to end.”

Danika & The Jeb will capture that same live spirit during their performance tonight at Ann Arbor’s Black Crystal Cafe.

“We never tell exactly what we are preparing, but we choose our set from about six hours of rehearsed material,” Holmes said. “We like to read our audience and the other writers we’ll be playing for and with.”

Later this year, Danika & The Jeb will launch a Patreon page to share more live adventures with their fans. Each month, they will release two pieces of content that will include audio or live video projects. Danika & The Jeb also will be playing 80 more shows throughout the U.S. and Europe this year.

Equinox Party – Grove Studios Hosts Fall-Themed Celebration for Ypsilanti Creative Community

Grove Studios provides a 24/7/365 rehearsal and recording space for local artists and musicians. Photo courtesy of Grove Studios

For Grove Studios, fall’s arrival calls for an annual celebration of music, creativity and community.

The Ypsilanti rehearsal and recording space will host an “Equinox Party” Saturday to bring artists, musicians, creatives and community leaders together for an evening of networking and performances.

“We had a similar event last year, and it’s like an anniversary party for us. It’s also a back-to-school event celebrating the fall intermixed with networking and performances,” said Erich Friebel, Grove Studios partner and director of operations and community. “We’re going to have people from different support organizations and service providers and feature performances from a variety of rock bands, hip-hop artists and DJs.”

The “Equinox Party” will feature presentations from Grove Studios, Alexis Ford from the Music and Arts Guild, Ypsilanti Mayor Beth Bashert, Dan McPherson from Leaders Must Lead, Leo Casares with Issa Wrap Productions, E-Man Bates with Beats and Brews podcast, Rod Wallace from Double Negative People and RW Consulting, and Taylor Greenshields of Fundamental Sound Co.

“I just want people to take away how welcoming and opening the vibe is and how it’s a place where artists can come and they can create, and it’s not just about coming into a studio space with 55 racks on the wall that are never being used,” said Wallace, who serves as the studio’s lead engineer.

“It’s really a place where true collaboration and true artistic freedom can happen, and there’s a great deal of trust that the owners have in allowing people to come into this space 24/7/365.”

The “Equinox Party” also will include performances from Steve Somers and Friends, Painted Friends, Still in Denial, DJ Nitro, Graham Rockwood and Rockwell Music Therapy artists, Louis Picasso and The Gallery, and Wallace as well as live painting from Doradiaspora and Holly Schoenfield.

“These presentations and performances are from people who use our space and patronize our growth. We’re about a year and a half in at the current location, and prior to that, we had been doing events at Riverside Arts Center,” Friebel said. “Before that, when we were at the Michigan Avenue location, Alexis Ford from the Music and Arts Guild was doing a lot of the booking for us for events there.”

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