“I always try to do songs from all the records, at least one or two from every record. I’ll be playing a lot of stuff from ‘Edgeland,’” said Richey during a phone interview from Banff, Alberta. “It’s such a blast to sing with people who are great singers, so we have a lot of great harmony things going. Clare plays keyboards and percussion as well, Jordie plays electric guitar, and I play acoustic.”
On her latest album, “Edgeland,” Richey moves through the topography of life as a woman committed to following her music. She chronicles missed train rides, cautionary tales of dangerous love, potential new pathways and other self-discoveries on the 12-track Americana-infused project.
From the Buck Owens/Don Rich opening notes of “Red Line” to the Laurel Canyon lushness of “The Get Together” to the Dusty Springfield-inspired “Can’t Let You Go” to the somber “Black Trees,” Richey’s husky crystalline alto sweeps listeners up in a whirl along her heartfelt auditory journey.
“Once every few years, you pick a dozen songs or so for a new album,” said Richey, who’s also lived in Los Angeles and London. “I think those songs reflect where I was at the time while making the record, but I have a home now, so things have changed.”
On their melodic self-titled, full-length debut studio album, Chirp knows how to magically capture and beautifully deliver the sweet, groovy sounds of spring.
Today’s release of “Chirp” celebrates the Ann Arbor funk, prog rock and jazz fusion quartet’s creative migration from improvising on the stage to nesting in the studio.
“Those songs turned out how we really envisioned them because we were able to take a long time to plan everything out as well as record and mix,” said John Gorine, Chirp’s drummer. “When we play those songs live, we know what we want to do, but it’s different when we have a lot more time to plan certain things out and just get what we want out of those songs.”
Chirp does their share of genre-hopping by blending catching progressive rock, funk and jazz originals with majestic reinterpretations during the high-energy, dynamic shows. Though their music incorporates many technical, well-crafted elements, they’re committed to grooving with a solid, dedicated fan base.
For dedicated Chirp fans, the album is a direct sonic flight through their eclectic catalog without any layovers or turbulence. While hearing “Chirp,” listeners travel smoothly through a series of glistening grooves, riffs and beats eloquently condensed into a brilliant studio package.
“You want to trim the fat a little bit, even though most of the songs are on the longer side of what people are used to hearing. I’d say the average song length on the album is five and a half minutes while our average live song length is between eight and 10 minutes,” said Jay Frydenlund, Chirp’s guitarist and vocalist. “As a songwriter, for me, it’s always difficult figuring out what we want to cut down and how we want to cut down the length of a solo section or maybe take parts out.”
The Plymouth singer-songwriter, aka Matt Sauter, combines his down-to-earth indie folk rock roots with lush new alt-rock growth on his latest single, “Back to Normal,” which drops today.
Akin to Kings of Leon and Mumford and Sons, Sauter’s catchy 4.5-minute single features his signature raspy vocals backed by brightly-toned guitars and pulsating drum beats. “Back to Normal’s” clever lyrics include an infectious play on words ranging from “cooking dishes” to “growing lawns” to “breaking fences” to “painting songs.”
“It’s a concept song, first it was kind of like a joke, I was writing it and trying to sing everything backwards,” said Sauter, who wrote the track while attending the Detroit Institute of Music Education (DIME). “The chord progressions are churchy and powerful, and once we got a full band with it, it became this super, big and powerful song, and we’ve been playing it live for a year now, and it’s one of our fan favorites.”
That live fan favorite also features the talents of Dan Sauter (bass), Jon Staten (drums) and Jimmy Showers (guitar), who now serve as official band members for Adventures with Vultures. He also worked with Jake Rye of Social Recording Company in Adrian to produce and mix the track.
“We go in there with Jake, we plug in, and we play our shit loud,” said Sauter, who originally started as a hip-hop artist and honed his drumming skills while growing up in Plymouth. “We’re going for an early 2000s indie alt rock sound with these new songs.”
Originally, Adventures with Vultures started as an emerging indie folk solo act for Sauter, who released his brilliant, introspective four-song debut EP, “Junction,” in 2017 through Original 1265 Recordings, an independent label owned by CND America, DIME’s parent company.
Sauter expanded the project into a full band after playing a growing roster of live dates in Michigan and going on his first national headlining tour last year. He’s also transitioned from being part of Original 1265 Recordings to becoming an independent, do-it-yourself (DIY) artist.
As a DIY artist, Sauter recently launched a GoFundMe campaign to help support releasing new music as well as an upcoming tour. To date, he’s raised nearly $2,000, thanks to his burgeoning fan base, and sponsoring additional casino bus and golf outing fundraisers.
“Being a DIY artist is more community-based, and it feels more organic,” he said. “With the support of our fans, we’re going to release a new single every three months for the next year.”
As a next step, the band will release a new video soon for “Back to Normal” and return to the studio in April to record their next single.
Adventures with Vultures also will perform a series of upcoming live shows, including April 13 at The Blind Pig in Ann Arbor with LVRS and Jackamo, April 26 at New Way Bar as part of Ferndale Spring Fever and May 24 at Mac’s Bar in Lansing with Joshua Powell.
“We’re going to keep course, we’re going to do our thing, but we want to be part of SXSW’s Michigan House next year,” Sauter said. “We’re going to keep the name growing, and people keep telling us to come back down to Nashville and Milwaukee. Every year, more and more keeps happening, and as long as we stay on our path, we’ll be pretty fucking happy.”
“We’ve made a music video surrounding this song because we think it’s important to shed light on it,” said John Kay, the group’s lead vocalist and guitarist, in an interview the band released March 8 through their YouTube channel. “This is our opportunity to tell this type of story in a way that hopefully is impactful and makes people think.”
Kay thought twice about gun violence in schools after hearing about the mass shooting at Marjory Stoneman Douglas High School in Parkland, Fla., last year that killed 17 students. That tragic event quickly inspired Kay to write and release “Maybe (Armed to the Teeth),” an emotionally-charged track that calls for stronger gun control laws.
“It impacted me more than any other school shooting or mass shooting news that I’ve seen. It could be because of the resolve of the kids who survived,” Kay said. “I was touched by it and just really angered. I sat down with the guitar and started plucking the first notes of the song and just started singing the first things that came to mind, and the song poured out of me in five minutes.”
For the “Maybe (Armed to the Teeth)” video, Kay turned the creative reins over to videographers Joseph S. Quick and Bradford Clark and bandmate Tamara Marla Laflin (synthesizer, vocals, percussion) to develop the overall concept, which features several talented southeast Michigan teens as cast members.
“Tamara storyboarded the whole thing, and she was the artistic director for it while Joe and Brad were the camera operators and directors of photography,” Kay said. “It’s our first foray into a music video, and there’s a lot of learning involved with it. Joe and Tamara have learned how to work together and have a better idea of how they want to do the next music video.”
The teens featured in the video will attend Friday’s John Kay and Who’s To Say show to celebrate its premiere as well as the band’s one-year anniversary. Last year, Kay teamed up with Steve Lupinksi (bass, vocals), Brandon McNall (lead guitar), Jason Rauschenberger (rhythm guitar, percussion, vocals), Angelo Coppola (drums, vocals) and Laflin to form the band.
Together, Kay and his bandmates have been building a strong live music presence in Detroit and throughout the Midwest after performing their first sold-out show at PJ’s Lager House last March. They’ve also performed at Mulligan’s Pub in Grand Rapids, Howard’s Club H in Bowling Green, Ohio, The Elbo Room in Chicago and The Parliament Room at Otus Supply in Ferndale.
“It’s been a very interesting year for me being the leader of the team and seeing the team grow and develop,” said Kay, who’s influenced by Prince, David Bowie, Paul McCartney and Queens of the Stone Age. “Just watching everyone work toward the common goal is a pretty doggone good feeling.”
As the band’s frontman, Kay takes an unconventional approach to leading John Kay & Who’s To Say. He’s identified seven core values known as SMARTER – sacrifice, measurable growth, accountability, a reputation for excellence, time, energy and respect – for the group and teamed up with bandmates who share these values.
Kay also launched the band’s official club, Bullfighters, last year through a subscription-based content service called Patreon. For $5 a month, fans receive the band’s music in a digital format, updates and happenings, merchandise discounts, free U.S. shipping and two concert tickets per year to local shows. They also have access to new song demos and are encouraged to provide feedback directly to the band.
After Friday’s show, the band will develop a new video for another single and return to the studio to write and record new material. As a follow-up to “Dealing with People,” Kay said the band is focused on releasing a series of new singles and recording more video content for their YouTube channel.
“We’ve got a good group of people on this team, and they know where my loyalties lie,” Kay said. “They know that I’m working hard and doing my best to set the tone for what we need.”
A Plymouth-based Americana quartet will harvest their homegrown rootsy sound Friday night in Farmington.
Known as Cold Tone Harvest, the band will join Ypsilanti indie folk singer-songwriter Chris DuPont as part of the intimate “Friday Night Live” concert series at the Farmington Civic Theater, 33332 Grand River Ave. in Farmington, at 8 p.m. Friday.
“We’re excited to be in a new venue with new people,” said Brian Williams, Cold Tone Harvest’s drummer and banjo player. “We just hope to keep spreading the word, get a nice little turnout and have a great night together.”
Cold Tone Harvest will perform a headlining set with raw emotional tracks from their latest album, introduce some highly anticipated new tunes and covers and bring DuPont on stage to round out the night. The band also will join DuPont for part of his opening set to add a fresh take on his past, present and future music.
“Chris is going to join us on a bunch of our tunes, and then we’re going to support him when he joins us for a couple of his tunes and maybe mix in a little surprise here or there,” said Williams, who originally hails from Plymouth.
With their rich country-infused melodies, rhythms and instrumentations, Cold Tone Harvest’s Andrew Sigworth (vocals, acoustic guitar), Ozzie Andrews (acoustic bass, bass guitar, bass banjo), Anthony Pace (electric guitar, lap steel, dobro) and Williams will perform thoughtful, heartfelt tunes that poetically chronicle adversity and creatively demonstrate the inner strength to overcome it.
Whiskey songs, personal reflections and heartache anthems summarize Cold Tone Harvest’s magical 2018 debut album, “After You,” which sonically captures the feel of watching a piercing crimson sunset on a crisp autumn evening while freshly fallen leaves crunch beneath one’s feet.
Formed in 2008, Cold Tone Harvest originally featured soft-spoken singer-songwriter Sigworth in partnership with Williams. Together, the pair advocated for a sonic landscape built around Sigworth’s voice as a centerpiece against a percussive backdrop.
A special celebration of Ypsilanti’s emerging do-it-yourself (DIY) music culture will take place tonight at The Late Station.
Hosted by After Hours Radio, the 8 p.m. show will commemorate the DIY music venue’s one-year anniversary with a stacked lineup featuring Liquid Thickness, Varsity Letter, Dis Orda, Tequila Deer, and Vest and Tyler.
It’s the ultimate mixed genre show filled with funk, acoustic folk punk, hip hop, post-punk, EDM and chiptune. Eclectic lineups are one of The Late Station’s specialties – the venue accurately reflects the diversity of music, sounds, approaches and performance styles coming from one of Michigan’s brightest music scenes.
“There’s this aspect of community that organically happens here, and it’s been great over this past year seeing similar faces in the same location,” said Greg Hughes, bassist for After Hours Radio, an Ypsilanti-based progressive groove-heavy indie rock trio. “I love seeing so many people coming back to the same stage experiencing different lineups and shows and having so many different talented artists perform here as part of it all.”
Along with bandmates Nate Erickson (vocals, guitar) and Mark Dunne (drums), Hughes started The Late Station in 2018 after performing at University of Michigan co-op open mic nights as a college student and experiencing the Chicago DIY music scene.
“When I was living in Chicago, they have a very vibrant DIY scene there, and there are lots of venues like The Late Station there where they’re not necessarily big houses with students living in them,” Hughes said. “It’s musicians or artists who want to create their own art space specifically devoted to their craft. After I moved back here, I just wanted to recreate that.”
To date, After Hours Radio has hosted 24 shows at The Late Station. For each show, bandmates, friends and volunteers help book shows, promote events, run the door and assist with gear. The band also accepts donations from attendees at each show to help fund shows and other venue-related needs.
For tonight’s show at The Late Station, After Hours Radio is accepting $5 donations to help pay for venue repairs, including the iconic sign by the stage. Donations can be made through PayPal or at the door.
Tonight’s show also allows After Hours Radio fans to embrace the versatile artistry and musicianship of the show’s five special guests. Here’s a quick look at each artist and what they’ll be bringing to tonight’s performance.