Barebones Music Festival – Old Main Records Hosts Two-Day Virtual Showcase for Detroit Artists

Old Main Records Barebones
The Barebones Music Festival will feature two nights of virtual recorded performances from Emma Guzman, ATMIG, Jackamo and others. Courtesy photo – Old Main Records

For Wayne State University’s Old Main Records label, this week’s Barebones Music Festival will showcase the creativity and ingenuity of emerging Detroit artists from the other side of the screen.

The two-day virtual music festival will spotlight a compilation of smartphone-recorded video performances from 23 artists on Wednesday and Thursday starting at 7 p.m. via Old Main Records’ Facebook page and YouTube channel.

Featured festival artists will include Emma Guzman, ATMIG, Jackamo, Of House, Ohly, C3, Darcy Moran, Weeknight Motion and 14 other rising local acts.

“We decided to create the Barebones Music Festival with the intention of leveling the playing field for local artists. The pandemic has put a hold on in-person events, and we have been trying to come up with new ways to virtually bring artists together,” said Joseph Corless, Old Main Records’ incoming president.

“A common problem we came across was that many artists did not possess the recording equipment necessary to perform virtually. We decided to embrace this and set the criteria for submissions to utilize only a cell phone with audio and video recording capabilities.”

In response, interested artists submitted individual performance videos for consideration regardless of genre. Next, the Old Main Records team assembled artist submissions into two cohesive virtual music showcases.

“This allows the songs themselves to shine and not be filtered by editing techniques and mixing. Artists had to be creative in their spacing to have a sonic balance between instruments. These limitations forced artists to think outside the box when choosing the song’s instrumentation and performance location,” Corless said.

“We chose artists whose songs could easily flow into one another while still utilizing various genres. Their choices of lighting and filming locations added to the ambiance of their individual styles.”

The Barebones Music Festival is one of several recent virtual events hosted by Old Main Records since the pandemic hit last year. With the shutdown of in-person live music events, the WSU student-run record label has flourished with a series of online artist shows and conversations, music industry panels, songwriter summits, and jazz and dance performances.

“It’s a nice way to bring together many of our past collaborators in a platform showcasing them all individually. I would personally love to see this festival grow into an in-person event in the future, but some changes may need to be made to its format,” said Corless, a WSU business management and music technology student and drummer for Detroit metal band Passing Thought.

“With venues and in-person events opening back up, I would love to start setting up more live shows. I also would like to see us branching out into different genres. Detroit has some phenomenal punk, hardcore and metal scenes that we have barely tapped into.”

Old Main Records hasn’t hosted an in-person live event since their multimedia launch party in January 2020. The party showcased a series of local artists who expressed interest in signing with the label, which is named after the iconic 19th century WSU academic building at Cass and Warren avenues.

“Chris Simpson, our departing president, has taken the lead in getting Old Main Records back up and running despite the pandemic. Darcy Moran, Calder Laidlaw, Anna George and several others have taken the lead in various other projects for the label,” Corless said.

“Wayne State is also slowly opening up again, and it would be great to utilize our recording studio. Old Main Records has been recruiting new members, and their enthusiasm to be more involved in our organization has truly been inspiring.”

Show details:

Barebones Music Festival | 7 p.m. Wednesday, June 16 and 7 p.m. Thursday, June 17

Old Main Records Facebook page & YouTube channel

Moment of Truth – London Beck Unearths Deep Vulnerabilities on ‘The Black Satin Sessions’

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London Beck confronts dark emotional terrain on “The Black Satin Sessions.” Photo – E. (Liz) Keller

London Beck beautifully reveals the earnestness and empowerment of being vulnerable.

The Ann Arbor R&B vocalist-instrumentalist-producer and Amplify fellow openly shares a personal, emotive journey of defeating inner demons and embracing newfound strength on their latest album, The Black Satin Sessions.

“This project really showed me that it’s OK to be vulnerable and ask for help. It’s OK to use the resources that are available to you if you feel like you’re giving it your all and nothing’s really working. Even though there’s this outspoken, loud and formidable essence of London, I want people to understand there’s a softer, more thoughtful side of me,” Beck said.

“In that vulnerability, it’s OK to move toward a path of healing, and it’s OK to heal with people who have your best interests at heart. I can still encourage people and open doors for them while making space for me to have my needs met.”

Beck openly chronicles confronting dark emotional terrain while uncovering an enlightened path of self-redemption across 13 passionate, metamorphic tracks on The Black Satin Sessions. Each multi-genre track shifts, shimmies and soars over introspective lyrics, exquisite instrumentation and fiery vocals.

With Beck at the helm, listeners seamlessly absorb enchanting sonic snippets of R&B, electro pop, dance, Motown, rock, classical and folk rolled into a refreshing auditory experience.

“I had initially intended to put out two smaller EPs, one that was rock, acoustic-focused and one that had the electro vibes that people typically know me for. As we were working through this project and with the Amplify fellows, I was really thinking about my journey, and it all came together in the most beautiful, unexpected way,” said Beck, who’s also a classically trained violist.

“I decided to write and make music that’s on my heart and my mind. Once I had finished all of the music, and I listened to it, I was like ‘Wow, this really tells my story.’”

Continue reading “Moment of Truth – London Beck Unearths Deep Vulnerabilities on ‘The Black Satin Sessions’”

Sand Down – Easy Beach Uncovers Personal Losses, Struggles on ‘Selena Gomez/Blurry’

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Easy Beach’s new single “Selena Gomez” is a two-minute, rage-filled banger in response to losing a best friend. Photo – Sean Tarolli

Easy Beach didn’t intend to share a song title with Selena Gomez.

The Detroit emo-punk rock trio of Ian Cruz (guitar, vocals), Bradley “Beau” Stone (bass, backing vocals) and Sean Tarolli (drums, backing vocals) originally called their latest single “Forget Forever,” but quickly learned the track duplicated the name of the pop singer’s 2013 song.

“It became a joke at practice to call the song ‘Selena Gomez,’ and it stuck. The song took a couple practices to finish; it’s probably the only song we have that took less than a month to write. The song is about giving up my dog for someone who didn’t love me,” Cruz said.

Officially called “Selena Gomez (Took the Name of This Song),” the Easy Beach track fuses buzzy, roaring guitars, clobbering drums and propulsive bass into a two-minute, rage-filled banger in response to losing a best friend. Cruz sadly reflects, “You left last holiday/Without you I’m all dead/Now I can’t see my friend/Without him ever again.”

“I was doing some workshopping with Dylan Baldi of Cloud Nothings when I was writing this song, and he had a few ideas for the guitar parts that I used – particularly the lead guitar in the second chorus,” said Cruz, who co-produced the track with Tyler Floyd.

Selena Gomez” also features a dark, gritty basement jam video filmed by Mark Larsen of Static Screen Productions. Easy Beach cathartically processes their frustration while rehearsing, hanging out and eating pizza together.

“When I saw Mark’s video for ERODERS’Lose My Mind,’ I knew I wanted to do a video with him. Originally, the video was going to be us playing at a house party, but that’s exactly what the ERODERS video was, and Mark didn’t want to make the same video again,” Cruz said.

“He came to us with the idea of doing a video reminiscent of old emo/punk videos where the band is playing in a basement and just hanging out doing weird stuff. The video is just a peak into a regular practice for us, except we don’t usually eat pizza. It was shot in April at Bradley’s house/practice space.”

Continue reading “Sand Down – Easy Beach Uncovers Personal Losses, Struggles on ‘Selena Gomez/Blurry’”