Math Rock – Nate Erickson Drops New 310AM Solo Track ‘Expectations of a Failed Equation’

Former After Hours Radio member Nate Erickson has launched a new indie rock solo project called 310AM.

A new 310AM track poetically proves not all problems have a right answer.

Written and recorded by Ypsilanti indie rock vocalist/guitarist Nate Erickson, “Expectations of a Failed Equation” explores the twists and turns personal relationships take when they’ve reached a breaking point. At times, the best solution may include moving forward without questioning why certain life chapters end.

“It’s one I held onto for a while and reworked bits and pieces for a couple of months before it ever got put into record format,” said Erickson, former lead vocalist and guitarist of the indie rock trio After Hours Radio. “I wasn’t really consciously thinking about where I wanted to take it lyrically. I think it ended up being the experiences of what my house situation and the band situation were like at the time.”

In August, Erickson and his After Hours Radio bandmates Greg Hughes and Mark Dunne ended their five-year run as one of Ypsilanti’s most notable do-it-yourself (DIY) bands. Together, they released two EPs, performed regularly throughout southeast Michigan and northwest Ohio and ran their own Ypsilanti-based DIY venue, The Late Station, to showcase emerging artists across a multitude of genres.

Earlier this year, After Hours Radio celebrated their five-year anniversary and briefly reunited with original lead singer Calum Galt for a special one-off performance. Together, Erickson and his bandmates decide to pursue their own solo projects instead of forging ahead.

“I think at the time we were still trying to make things work the best we could,” said Erickson, who co-founded After Hours Radio with Hughes at the University of Michigan in 2014. “This track is kind of like a what-if scenario, that’s how I wrote it, and things kind of went where they did.”

Expectations of a Failed Equation single artwork

Released today, Erickson’s 310AM debut track, “Expectations of a Failed Equation,” opens with slow progressive guitar chords channeling disappointment and wonder – “You can hear everything that I think/Even though I blocked you out of this place we live in/They say actions make stronger statements that complement apologies/Or all those good intentions you claim.”

“I went through a couple of different iterations once I started adding other instruments to it because either way I felt like the parts I was writing were either too dark or way too bright, and none of it felt right,” said Erickson, who’s inspired by pop-punk emo bands Taking Back Sunday, My Chemical Romance and Jimmy Eat World. “I had to go through a couple of iterations until I felt like everything meshed.”

Halfway through the track, Erickson’s guitar erupts into a firestorm mixed with thunderous bass and drums to mirror the building frustration – “Never said I’m right/And I’m not sure what more to say here/I’m not sure where to be/What to say/Or how to play this to avoid giving life the futures I fear.”

“Everything on there is me, and when I was working on this, it was meant to be like a side project from After Hours Radio,” said Erickson, who played all the instruments on the track and mixed it himself. “I didn’t take it to a nice studio or anything. It was just seeing what would happen if I just let myself run with the ideas I had in my head.”

After the release of “Expectations of a Failed Equation,” Erickson plans to drop two other new tracks in the next three to six months and continues to mix and engineer projects for local indie bands Stop Watch, Any Island, Forest Warren and Tryancareagain.

“I would like to start playing out again. For 310AM, the solo project stuff, I don’t want to do it unless I get the right group of people together to make it work like the recording,” Erickson said. “If I can get that to happen, then I would love to, but I’m not necessarily pushing for it. I’m waiting for the right fit.”

Sounds Like Love – Bill Edwards Chronicles Relationships Gained, Lost on Latest Album

Bill Edwards released his latest album, “Sounds Like Love,” in October. Photo by Chasing Light Photos

These days, Bill Edwards views love as the soundtrack of his life.

The Ann Arbor country singer-songwriter eloquently chronicles his evolving thoughts about love on his latest album, “Sounds Like Love,” which dropped in October on Regaltone Records.

“A year ago I decided I wanted to do an album of love songs. It seems like the times we’re going through right now we can use as much love as we can get,” Edwards said. “They’re not all songs that say ‘I love you.’ Some are about the complications and the darker side of some love relationships. I think they’re at least loosely related to the concept of love.”

Sounds Like Love” features 13 stellar tracks highlighting the ups and downs of love from different perspectives and moments in time – new love, lost love, lifelong love, past love and unrequited love. On each track, Edwards gently moves listeners from one soundbite of love to the next along a fascinating emotional path that includes paint, hurricanes and boxcars.

“I write about a song a week, and it’s just my creative outlet. I had accumulated quite a number of songs to choose from, and I just picked those 13 for the record,” he said. “I’ve long wanted to do an album all by myself in my own home studio, and I’ve accumulated an embarrassing amount of recording gear.”

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Favorite Worst Enemy – Grass Bat Tackles Inner Demons on Latest Synth Pop Single

Grass Bat’s Noel Herbert has released three synth pop singles in 2019.

For Grass Bat, the biggest victory includes defeating the powerful Demogorgon lingering within his own version of the Upside Down.

The Los Angeles synth pop singer-songwriter obliterates his inner demons on his latest infectious ‘80s-inspired single, “Favorite Worst Enemy,” or “FWE,” which dropped Oct. 25.

The track features soaring synths mixed with echoey vocals as Grass Bat prepares for an epic 3.5-minute battle of the mind – “It’s rushing through my blood like you’re my only friend/My heart’s beating fast like you’re the only one/You’re the only one/I know you’re my favorite worst enemy.”

“I felt like I was holding on to these demons, and I was dealing with depression. It’s a lot of what I’m talking about in the song, and I don’t know if I knew that upon writing it,” said Noel Herbert, aka Grass Bat. “After listening to it and realizing this is what was going on in my head at the time, I was holding on to things I should be able to let go. The only times I felt free from it was going out and dancing and getting my head out of the negative space.”

Influenced by Detroit techno and new wave, synth pop icons The Cure and Depeche Mode, “Favorite Worst Enemy” serves as a cathartic mechanism for tackling personal struggles and eliminating the stigma of mental health.

“This is something I haven’t been talking about. I haven’t been open until very recently. I’m going through avenues like therapy, and I just want people to know this is a normal thing,” said Herbert, who relocated to Los Angeles last year after growing up in metro Detroit. “It’s super important that I feel like I let not just my audience know, but as many people as possible who are dealing with this kind of stuff.”

Continue reading “Favorite Worst Enemy – Grass Bat Tackles Inner Demons on Latest Synth Pop Single”

Skies The Limit – Erin Zindle & The Ragbirds Soar with New Band Name, New Music

Erin Zindle is releasing new music under the new band moniker, Erin Zindle & The Ragbirds. Photo by Joe Gall

Erin Zindle & The Ragbirds are ready to soar above the clouds.

The Ann Arbor infectious global groove group has taken flight with a new band moniker and migrated toward new music wrapped in breathtaking melodies, vocal harmonies and improvisational elements.

Previously known as The Ragbirds, the quartet of Erin Zindle (vocals, violin, mandolin, accordion, banjo), TJ Zindle (electric/acoustic guitar, vocals), Shannon Wade (bass, vocals) and Loren Kranz (drums, vocals) is now Erin Zindle & The Ragbirds.

“The name change sends a very clear message that this is different from what we’ve done before. This is different enough that we feel like it needs a new name,” said Zindle, who formed the band in 2005. “Also, there’s the sense of me stepping up and really taking ownership of the role that I have played in the band this whole time. My bandmates are just so amazing. I’m so proud of my band right now, and they’re the best guys I could possibly ask to work with.”

Throughout the band’s 14-year history, Erin Zindle & The Ragbirds have maintained a passionate grassroots fan base by continually reinventing themselves with an evolving sound while remaining rooted in the high-energy sphere of world-based folk rock. Today, they’ve shifted their sound to include more melodic components along with uplifting vocals, edgy guitars and groovy rhythms.

“We have less going on in the percussive world, and in the rhythm section, it’s a little less busy. And it’s interesting how that happened at the same time as I was having this natural shift toward developing my voice and stepping forward as a singer and writing songs with stronger melodies as I improve as a songwriter,” Zindle said. “I’m just getting much more honed in my craft so that I can write songs that are more vocal forward and focus on the melodic elements.”

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Magic Touch – Emilie Rivard Brings Enchanting Indie Folk to Crazy Wisdom Friday

Emilie Rivard will bring her intimate acoustic indie folk to Crazy Wisdom Friday night. Photo by Kent Koller

Emilie Rivard will forge a deep musical connection with Tree Town Friday night.

The Royal Oak indie folk singer-songwriter will share her highly personal, reflective songs with an intimate Ann Arbor crowd at Crazy Wisdom Bookstore and Tearoom.

“This one’s just going to be on my own. I want to give myself some time and space to focus on my own work,” said Rivard, who will perform two 45-minute acoustic sets. “I am working on some new songs that I will be performing, and I will be doing some covers. It will mostly be original music, but the covers will be my interpretation of the songs.”

Throughout her mesmerizing sets, Rivard will showcase raw emotional vocals with a heartfelt wall of acoustic sound. Her relatable sonic tales of love, travel and growth will resonate with crowds of all ages and musical interests.

“There’s the spiritual element of letting go and letting music flow through you. The best music that I’ve created is what just comes out of me,” Rivard said. “I’m not trying to manipulate it, I’m not trying to do anything – it just comes. I’m committed to it, and I’m going to keep on going because there’s so much to learn from it.”

Rivard spent the last three and half years honing her guitar chops after studying with Detroit singer-songwriter Joel Palmer. She later added guitar to her repertoire after playing drums, piano, banjo and autoharp while growing up in Royal Oak with several musical siblings. That instrumental prowess also led to a deep musical appreciation for Simon & Garfunkel, Gillian Welch, Lauren Hill and Scott Joplin.

“I discovered when I was younger the soundtrack for the movie, ‘Amelie,’ by Yann Tiersen,” she said. “It’s instrumental stuff that’s kind of playful and whimsical, so I think that played a part in the kind of music that I play.”

Continue reading “Magic Touch – Emilie Rivard Brings Enchanting Indie Folk to Crazy Wisdom Friday”

Cosmic Odyssey – Torus Eyes Blends Space, Mythology for Introspective ‘Pythia’ Debut EP

Torus Eyes will celebrate the release of their debut EP, “Pythia,” tonight at UFO Factory.

For their debut EP, Torus Eyes enters a new sonic orbit toward another mythological dimension.

That dimension blends ethereal synthscapes, intergalactic drumbeats and Greek myths to form “Pythia,” an otherworldly, prophetical release from the Detroit-based electronic music duo of Rho Solomon and Gwendolyn Dot.

“Pythia was a Delphic oracle back in the day, and she was really respected and someone who we consider as a person of deep intuition and wisdom,” Dot said. “That’s something we both value in a person, but also in a woman, so we’re talking about the goddess within us all like this intuition and free spirit that we all have within us that guides us.”

Together, Dot and Solomon serve as wise, spiritual EDM leaders throughout their introspective four-track journey filled with intuition, chance and growth. On “Pythia,” they effortlessly move through a spectrum of new sonic boundaries ranging from darkwave to synth and goth pop to Italo disco.

Their musical journey encompasses heady, uplifting lyrical content aimed at evoking a soulful, calm intensity. At first listen, “Pythia,” which drops Friday, results in a space odyssey of the mind filled with endless possibilities and seeks creative inspiration from Enya, I Break Horses and Chairlift.

“I think in general we have a healing philosophy, it’s something that is in our personal lives. It’s like health and wellness, but it’s not so catchy like that. It’s a deep, spiritual aspect to both of our lives independent even of each other that we bring through to our creative work,” said Dot about the EP’s overall inspiration and creative direction.

“We don’t journal lyrics, we’re not diary lyricists. We’re both into concepts and big ideas and working with the collective unconscious and archetypes. I think mythology is something we’re both influenced by, and we both read a lot. Carl Jung is an inspiration for us.”

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Come Together – John Lennon’s Political Impact, Creative Legacy Still Rings True Today

John Lennon continues to be an advocate for peace nearly 40 years after his death. Illustration by Nick Fewings

By Nicole Bouwkamp

John Lennon is often remembered for his time as an enigmatic member of The Beatles, the smart and witty frontman who could charm crowds and gain their animosity alike. He is also remembered for his strong political stances, namely for causes of justice and the promotion of peace.

Ann Arbor recently saw one of these promotions for peace in memory of John Lennon. On Oct. 10, the Veterans for Peace John Lennon Birthday Concert at The Ark saw local musicians come together, performing both Lennon’s own songs and other peace and protest songs. Proceeds went to the local chapter of Veterans for Peace to fund their Peace Scholarship Program.

Lennon was always leery about the politicians whose influences steeped into the lives of everyday citizens. In 1968 at The National Theatre, believing that “…our society is run by insane people for insane objectives, and I think that’s what I sussed when I was 16 and 12, way down the line.”

He also stated that “If anybody can put on paper what our government, and the American government and the Russian, Chinese, what they are actually trying to do and what they think they’re doing… I’d be very pleased to know what they think they’re doing, I think they’re all insane!”

These sentiments can be heard through his song, “Gimme Some Truth,” a song where Lennon sings that he is tired of hearing the things spread by “neurotic, psychotic, pig-headed politicians.” As Lennon’s political voice demanded to be heard, so did his music grow to become the tool to spread it to the world.

His voice was also spread by the support and influence of Yoko Ono. As a contemporary multimedia artist and peace activist herself, Ono helped Lennon find ways to voice his own thoughts about the world around them, from government corruption to the Vietnam War and everything in-between.

Continue reading “Come Together – John Lennon’s Political Impact, Creative Legacy Still Rings True Today”