Moving Forward – Allye Gaietto Searches for Closure on ‘I Guess I Don’t’

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Allye Gaietto processes a familial relationship on “I Guess I Don’t.” Photo – Rolando Ybarra

While mining past voice memos from her phone, Allye Gaietto discovered a future sense of closure.

The Detroit indie folk singer-songwriter’s surprise finding included the first verse of her latest cathartic single, “I Guess I Don’t.”

“I thought, ‘What is this?’ And then it made me cry listening back to it, and I was like, ‘Oh no, I have to finish it. I have to write the rest of this,’” said Gaietto, who started writing “I Guess I Don’t” in 2017.

“It’s about my relationship with my dad … I was processing this relationship in therapy and in life, and I was able to bring this song into it to push forward that conversation and express some things that were hard for me to bring up verbally. It’s like being able to open up your journal, and say, ‘Here, read it.’ You feel a little weird, but you also hope maybe someone will understand.”

Throughout “I Guess I Don’t,” Gaietto’s raw vulnerability and tender revelation instantly strike a chord with people experiencing family estrangement. Crashing cymbals, thunderous drums, tearful pedal steel, forlorn piano, hopeful electric guitar and melancholic bass unlock tightly bound emotional floodgates.

A spectrum of emotions quickly flow as Gaietto sings, “I’ve been writing the same song for years/And I’m not sick of it yet /I’ve been crying the same kind of tears/Don’t think I could forget.”

“A lot of parent-child relationships are estranged now. And it looks like for a lot of those people, there’s an active connection that they’re severing, like a lot of children are saying, ‘Do not contact me,’” Gaietto said.

“That was never my experience, which was more my parents got divorced, and after I moved away after college, we just stopped talking. Every once in a while one of us would call to check in on a holiday or birthday, and then it would just fall away.”

Gaietto continues to process those poignant experiences while singing, “Pretty sure you still have my number somewhere/Pretty sure you know how to dial/I’m not sure how much time I can bear/Not sure if you’ll still call me your child.”

“We just talked for the first time in a long time the other day,” she said. “The concept of closure … it’s never gonna be exactly what you think it is. I was getting to a point of just letting it go, and right as the song was gonna come out, I was like, ‘Oh no, we’re gonna kind of open this back up again.’”

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Perfectly Imperfect – Rin Tarsy Celebrates Life’s Contradictions on ‘Paradox’

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Rin Tarsy embarks on an emotional and spiritual quest of self-discovery on “Paradox.” Photo – Justin Snavely

For Rin Tarsy, life is filled with beautiful contradictions and imperfections.

The Grand Rapids folk singer-songwriter and guitarist embraces authenticity, yet re-examines her purpose on the aptly titled album, Paradox.

“For a while, people would ask, ‘What’s the theme of Paradox?’ And for a while, I didn’t know. Finally, it dawned on me one time when I was listening through all the tracks – it’s about self-trust and self-discovery,” said Tarsy, who grew up in Portland and started singing in church.

“I hope all these songs make sense together, and I really like them, but I wasn’t sure if they did. It’s comforting and scary at the same time. Are these thoughts ever gonna go away? Am I always gonna be questioning everything? Maybe I will.”

Tarsy’s lingering questions slowly spark an emotional and spiritual quest of self-discovery on Paradox that spans several years. Each poetic track celebrates intuition and explores emotion.

“The first songs I wrote for this album – ‘Stay,’ ‘Dear Heart’ and ‘Suitcase’ – were in the summer of 2016 after I got back from Africa. It was the first time I had examined who I was when I took away all of the pursuits that I had and the things I had wanted to go after,” said Tarsy, who visited Tanzania, Zambia and Namibia.

“At the time, I had asked myself, ‘Who am I if those things don’t go exactly the way I want? Or if my idealisms of what they could be don’t match up with the reality of what they actually are?’”

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