After the “Fallout” — Major Murphy Processes Past Struggles on New Indie-Rock Album

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Major Murphy’s Chad Houseman, Jacob Bullard, and Jacki Warren. Photo – Brett Carlson

For Major Murphy, the best life lessons come in retrospect.

The Grand Rapids, Michigan trio of Jacob Bullard (vocals, guitar), Jacki Warren (bass, vocals), and Chad Houseman (guitar, keys, drums, percussion) learns from past struggles and finds a way forward on Fallout.

“I think that was a conscious goal or intention of mine to create something realistic but wasn’t wallowing in despair,” said Bullard about the band’s new indie-rock album released via Winspear.

“There’s a quote in ‘The Water’ from the Tao Te Ching, and it says, ‘Nothing in the world is as soft and yielding as water. Yet for dissolving the hard and inflexible, nothing can surpass it.’ I read that when I couldn’t see a way out, and it was a difficult time and I didn’t know what to do.”

As part of that introspection, Major Murphy discovers a renewed sense of purpose and seeks clarity for the future.

“Thinking about that softness also being something that could dissolve rock was an idea for me that I found incredibly empowering in the sense that you don’t always need to meet resistance with more resistance,” Bullard said. “Sometimes you have to soften and flow.”

On Fallout, Bullard and his bandmates process change, uncertainty, and growth across eight reflective tracks. The album’s philosophical lyrics, soaring harmonies, and emotive instrumentation provide a cathartic and impactful listening experience.

“The album came together organically from a writing perspective, but at a certain point, those themes became evident to me as well. There are more songs than what ended up on this album, and I curated the selection to be super cohesive,” Bullard said.

“It’s a bit more stylized from a lyrical perspective, and it’s less prose and more poetry from my vantage point. I thought of the music, too, as being more contemporary compared to stuff we’ve done in the past. I wanted the lyrics to be more minimal.”

To learn more about Fallout, I spoke to Bullard about the album’s thematic elements and creative process.

Continue reading “After the “Fallout” — Major Murphy Processes Past Struggles on New Indie-Rock Album”

Feeling Seen and Validated — Moonwreckers Examines the Trajectory of Heartbreak and Grief on “Why Look Here?” Album

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Paul Stiem, Jamus Sumner, Matt Konkle, and Matt Galbraith of Moonwreckers. Photo by Chuck Marshall

After encountering heartbreak and grief, Moonwreckers understands the importance of feeling seen and validated.

The Metro Detroit quartet of Matt Galbraith (vocals, guitar), Matt Konkle (drums), Paul Stiem (guitar), and Jamus Sumner (bass, vocals) explores that emotional need and its evolution on the album, Why Look Here?

“It certainly is autobiographical. At the time, I was married, and we were having issues, and we did eventually divorce. A lot of these songs were written around the time when I was in my early 30s, so shit hit the fan between us and we had been together since we were 18 years old,” said Galbraith about the band’s indie-rock-meets-emo debut release.

“I didn’t know what a world looked like without that, so I was very lost, and it was scary to me what life looked like outside of that relationship. There’s some coming-of-age stuff in there, too, but a lot of it has to do with that relationship, the struggles and the attempts of trying to reconcile things, and then failing and rinse and repeat.”

Moonwreckers deeply examines that trajectory across 12 personal tracks on Why Look Here? The album’s honest lyrics, plaintive vocals, and evocative instrumentation prompt listeners to process their emotions and struggles alongside the band.

“There are so many universal themes here. Everyone’s gone through the experience of having a relationship that didn’t pan out to be what they wanted it to be,” Sumner said.

“Everyone’s gone through the frustration or the disappointment of misaligned expectations and incomplete communication and the moment someone passes or walks out of your life. There’s unfinished business and you have to work through that—except you won’t get an answer to everything.”

To learn more, I spoke with Moonwreckers about their latest album ahead of a July 26 show at Detroit’s Batch Brewing Company.

Continue reading “Feeling Seen and Validated — Moonwreckers Examines the Trajectory of Heartbreak and Grief on “Why Look Here?” Album”

Hip-Hop Hooray — New U-M Exhibit Looks Back at 50 Years of the Music and Culture

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Dani Williams stands next to the hip-hop divas section of U-M’s “Hip Hop @ 50” exhibit at Haven Hall’s GalleryDAAS. Photo – Lori Stratton.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

I remember the moment I fell in love with hip-hop.

It was 1985, and my older brother had rented VHS copies of the films Breakin’ and Breakin’ 2: Electric Boogaloo from our local video store.

Seeing the breakdancing prowess of Kelly, Ozone, and Turbo in the films instantly captured my attention and spurred nine-year-old me to experiment with some moves of my own.

While I couldn’t quite emulate the popping, up-rocking, down-rocking, or power moves of the films’ heroes, I embraced a love of dancing and developed my own quirky style over the years.

As I grew up, I danced to the music of Run-D.M.C., Beastie Boys, Salt-N-Pepa, LL Cool J, DJ Jazzy Jeff & the Fresh Prince, Rob Base & DJ E-Z Rock, Young MC, MC Hammer, and others.

By high school, I had started learning about three of the five elements of hip-hop—rapping, DJing, and breakdancing—and would encounter the other two—graffiti and historical knowledge—as an adult.

Today, these five elements provide the foundation for a hip-hop history exhibit curated by the University of Michigan’s Department of Afroamerican and African Studies and on display at Haven Hall’s GalleryDAAS through September 4.

Known as Hip Hop @ 50: Defs, Dates, Divas, Detroit & Dilla, the exhibit celebrates the 50th anniversary of the culture and explores its evolution across music, society, fashion, language, entertainment, and politics.

Continue reading “Hip-Hop Hooray — New U-M Exhibit Looks Back at 50 Years of the Music and Culture”

Missing You — Detroit’s Twin Deer Explores Loss and Grief on New ‘Underground’ Single

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Twin Deer’s Rob Duncan, Megan Marcoux, Bill Kahler, and Tom Skill explore missing a loved one on “Underground.” Photo – Cassie Pietron

When it comes to loss, Twin Deer deeply understands the grief that remains.

The Detroit quartet of Megan Marcoux (vocals, guitar), Tom Skill (guitar), Bill Kahler (bass, synth), and Rob Duncan (drums) explores that overwhelming emotion and the ongoing struggle to move forward on “Underground.”

“It is a pure description of missing someone immensely,” said Marcoux about the group’s new dream-pop single.

“Sometimes the clarity lies in simplicity, like the line, ‘It’s not right you’re not around.’ And in the second verse, we reference how life is fragile. I find that important to mention—not to cause distress—but to remember to value the time we have.”

Backed by cathartic electric guitar, bass, and drums, she sings, “It would be nice to hear the sound / Of your voice saying you were coming around / It would be nice / If I wasn’t exhaling ice / I’m standing on the frozen ground.”

“I hope others will see that there isn’t always some profound thing that needs to be said,” Marcoux said. “Missing someone is already a lot.”

Underground” also serves as an introspective B-side to Twin Deer’s “Fever Dream,” which was released in June.

To learn more, I spoke with Marcoux about Twin Deer’s latest singles and past releases ahead of a July 13 set at Alley Fest in Flint, Michigan.

Continue reading “Missing You — Detroit’s Twin Deer Explores Loss and Grief on New ‘Underground’ Single”

It’s ‘About Time’ — Dexter Singer-Songwriter Jim Bizer Releases First New Solo Album in 20 Years

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Jim Bizer features evocative lyrics and earnest folk instrumentation on “About Time.” Photo courtesy of Jim Bizer

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

After two decades, Jim Bizer realized it was time to release a new solo record.

The Dexter, Michigan singer-songwriter hadn’t focused on his own album since 2004’s Connected and had spent ample time working on several collaborative projects, including a duo with Jan Krist and groups The Yellow Room Gang, Diamonds in the Rust, and Floyd King and The Bushwackers.

“It’s crazy that I’ve taken that long,” said Bizer about his new folk album, About Time. “I’ve done things in between, and the thing I did the most was the duo with Jan, but I wound up in a few different bands and made records with some of them.”

Even as he worked on different projects, Bizer’s songs for About Time started brewing in 2005, and they began accumulating.

He eventually landed on 13 tracks for his third solo album and noticed a theme of time had emerged. On About Time, Bizer brings that theme to life through evocative lyrics and soundtracks it with earnest folk instrumentation.

“Not that every single song deals directly with time, but a fair number of them do. I got a kick out of writing ‘Going Nowhere’ about slowing time down and what that could mean and how that would work,” said Bizer, who produced About Time and played guitar, bass, and guitjo.

“There’s also the fact that it’s been so long since I put out my last record, and time played a piece of that. And I think of these songs as a time capsule of the last 20 years, so time was so much on my mind as I was putting the record together.”

To learn more, I spoke to Bizer about his latest album ahead of a July 7 show at Livonia’s Trinity House Theatre.

Continue reading “It’s ‘About Time’ — Dexter Singer-Songwriter Jim Bizer Releases First New Solo Album in 20 Years”

Keeping It Simple — Sunny State Revisits and Reimagines ‘Solutions’ Single With New Acoustic Version

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Sunny State’s Chris Reed is releasing a slew of new singles, including acoustic versions of several songs.

With a growing catalog, Sunny State prefers to keep things simple.

The reggae-fusion quartet of Chris Reed (vocals, ukulele, guitar, sax), Julian Perez (lead guitar), Freddie Vega (bass), and James Moreno (drums, percussion) is revisiting and reimagining past singles as acoustic versions—starting with “Solutions.”

“When we first did this song, it was our first single … and the band was split on their happiness of the song. Some said, ‘Oh, this doesn’t sound like the way we play it live,’ and I thought, ‘It does, but it also doesn’t,’” Reed said.

“It was also our first time working with [co-producer/engineer] Ryan Palma in the studio. We were getting to know each other and figuring out how things would sound in the studio.”

Originally released in 2019, “Solutions” captures the San Jose, California band’s vibrant sound and reiterates the importance of unity, gratitude, and freedom in today’s society.

Reed sings, “Your pure voice is on my mind / Through sleepless nights and red wine / We philosophize as we rhyme / Of what can be done in this precious time.”

“This song itself was unique because it was a crowdsourced-lyric song. I was asking people, ‘Give me words that you want to hear, and I’m gonna write a song about it,’ and I did,” he said.

“In the second verse, we talk about family, and the meaning of that over time evolves. The third verse is more unique to an individual woman and so forth.”
Continue reading “Keeping It Simple — Sunny State Revisits and Reimagines ‘Solutions’ Single With New Acoustic Version”