Folk Storytellers — Kate Hinote Trio Shares Vivid and Emotional Tales on “Stowaways” Album

Kate Hinote, Matthew Parmenter, and David Johnson of the Kate Hinote Trio. Photo – Greg Aubry of Aubry Photo

Whether fact or fiction, the Kate Hinote Trio uncovers buried emotions on Stowaways.

The Metro Detroit group explores everything from longing to disappointment to grief on its latest indie-folk album.

“These songs came out less like poetry than my typical lyrics because I was very focused on telling a story each time,” said Hinote, the trio’s vocalist and one of its songwriters.

“We wanted each one of these songs to be like a window into another world. We wanted the stories to be clear, and I didn’t want to be too vague about what I was saying.”

The 10 new original tracks featured on Stowaways are anything but vague. Many of the tracks include a vivid storyline about a protagonist examining the purpose of a relationship and the intense feelings that accompany it.

“One of the big differences in writing this record with Matthew is that he’s also a songwriter who’s been composing his own songs on his own for decades,” said Hinote, who co-wrote six of the album’s tracks with violinist Matthew Parmenter and one with guitarist David Johnson.

“The lyrics and story are very important to him, and we always talk about ‘What’s the story here? What does the song mean? What will it mean to others when they hear it?’”

The trio’s lyrics range from fictional to personal and encourage listeners to process their relationships alongside them. Those sonic experiences are further heightened by Hinote’s enchanting vocals and Parmenter and Johnson’s vibrant acoustic instrumentation.

To learn more, I spoke with Hinote about the inspiration behind the trio’s latest album.

Continue reading “Folk Storytellers — Kate Hinote Trio Shares Vivid and Emotional Tales on “Stowaways” Album”

Looking Inward — Night Sky Alumni Finds Gratitude and Growth on “Down the Rabbit Hole” EP

Night Sky Alumni’s Steve Lupinski, Al Ledford, Jason Longuski, and Joe Daksiewicz. Photo courtesy of the band.

Jason Longuski prefers to get personal with his songwriting.

The Night Sky Alumni frontman pulled from reflections, experiences, and relationships while penning tracks for the Metro Detroit band’s latest EP, Down the Rabbit Hole.

“It is a lot of personal experiences that led to those lyrics, the songs themselves, and the feeling behind them all,” said Longuski, Night Sky Alumni’s vocalist-guitarist. “There’s a story for every one of them and how they came to be.”

The EP’s six tracks serve as an introspective examination of gratitude, growth, and love for the indie-rock band. Longuski’s heartfelt lyrics document everything from valuable lessons to aspirational moments to newfound love.

“For a lot of my writing and lyrics, it could be something I flubbed on or a failure, or it could be something very happy that I started out with,” he said. “Even in the darkest of times or experiences, I’ve always had good people around me—my family, my friends, support groups—that have helped me get through some of the hardest moments of my life.”

On Down the Rabbit Hole, those moments not only soar lyrically but sonically as well. Night Sky Alumni bandmates Joe Daksiewicz (guitar, backing vocals), Steve Lupinski (bass), and Al Ledford (drums) bring fiery and upbeat instrumentation to their sophomore release.

“His lyrical content just complements the music I can write,” Daksiewicz said. “On ‘Let It Rip,’ there’s also an airplane noise, … and to me, it’s part of a story. I’m lucky these guys are willing to allow me to experiment. I feel like a mad scientist sometimes.”

To learn more, I spoke with Longuski and Daksiewicz about the band’s EP ahead of a June 20 release show at Parts and Labor Bar in Melvindale, Michigan.

Continue reading “Looking Inward — Night Sky Alumni Finds Gratitude and Growth on “Down the Rabbit Hole” EP”

Speaking Up — Amrit Kohli Advocates for Resistance and Survival on “Mama! I Can’t Breathe” Album

Amrit Kohli confronts sociopolitical issues on “Mama! I Can’t Breathe.” Courtesy photo

One year ago, Amrit Kohli released a sociopolitical album reflecting on resistance and survival.

Known as Mama! I Can’t Breathe, the album’s dozen tracks span almost three decades of songwriting and explore oppression, resilience, Black liberation, and queer identity.

“It’s more than just an album,” said Kohli, a queer folk singer-songwriter and activist from Ferndale, Michigan. “At a time when the world still grapples with the repercussions of George Floyd’s tragic death, I transform pain into art, using music as both a tribute and call-to-action.”

Kohli examines those themes through improvisational lyrics, emotive vocals, and atmospheric instrumentation. On a deeper level, the album helps Kohli confront identity politics and find refuge in authenticity.

“I feel like an imposter in almost every community that I’m in because I’m outside [almost] all of them,” said Kohli, who has Kenyan and Indian heritage.

“I’m either an immigrant or I’m this or that. The queer community is pretty diverse and different, and the queer community I feel like I belong to. I think culturally, ethnically, and all of those things, there’s a lot of fragmentation in my identity that way.”

I recently spoke with Kohli about their latest album ahead of a Stop Starving Gaza benefit show on June 20 at the Ghost Light in Hamtramck, Michigan.

Continue reading “Speaking Up — Amrit Kohli Advocates for Resistance and Survival on “Mama! I Can’t Breathe” Album”

Far and Away — Custard Flux Embraces New Worlds on “Enter Xenon” Album

Custard Flux’s Gregory Curvey, Timothy Prettyman, Nick Pruett, Andy Thompson, and Vito Greco. Courtesy photo

Custard Flux braves the elements and visits new worlds on Enter Xenon.

The Detroit band ventures to Arctic locales and distant fantasy realms on its latest prog-rock album.

“That’s what I like to create with my art,” said Gregory Curvey, Custard Flux’s vocalist, guitarist, and multi-instrumentalist. “I like everyone to look at it and see something different. I didn’t have anything in mind like that … but it all does flow that way artistically.”

Enter Xenon seamlessly flows through 10 tracks, which feature intriguing tales about aspiration, uncertainty, and loss alongside cinematic instrumentals.

“I’m not trying to guide anyone anywhere, but I’m working with themes,” Curvey said. “I’m putting together things that are cohesive. I’m not necessarily making a concept album with a thought-out story. I’ve always loved how Richard Butler and The Psychedelic Furs use the same lyrics in different songs, so I’m kinda doing that.”

For its sixth studio album, Custard Flux also seeks inspiration from the element xenon and the 1980 sci-fi pinball game Xenon.

“All of the albums, except for Echo, have been named after elements,” Curvey said. “I was gonna use xenon because I thought it was cool. In the pinball game, a female voice says, ‘Enter Xenon.’ Back then, my friends and I would go to the arcade and blow all of our money. I wanted to make it my own thing.”

To learn more, I spoke with Curvey about his background and the inspiration behind the album.

Continue reading “Far and Away — Custard Flux Embraces New Worlds on “Enter Xenon” Album”

True Identity — The Idiot Kids Reject Dichotomy, Embrace Authenticity on “Zeroes & Ones” Single

Jon-Mikal Bartee of The Idiot Kids. Courtesy photo

Jon-Mikal Bartee refuses to adopt a dichotomous mindset.

The Detroit vocalist, multi-instrumentalist, and producer dismisses society’s “us-versus-them” ideology and embraces their authentic self on “Zeroes & Ones.”

“I think there are people who can relate to this feeling,” said Bartee, who performs as The Idiot Kids, about their new garage-punk single. “I mean, releasing it during Pride Month definitely was not an accident. I know many other queer people who feel similar. Ultimately, I hope this track might act as a conduit for others to express how they may be feeling.”

While it’s an empowering queer anthem, “Zeroes & Ones” also takes inspiration from binary code and features defiant vocals and fiery instrumentation.

Bartee sings, “I’m not the either or / Not neither nor / Rigid dichotomy’s a bore / Or in other words / I’m not the this or that / I am a winding path / I write my odyssey / My score.”

“I liked the imagery of binary code and the fact that we use it every day in our digital lives,” they said. “Without realizing that we need both to communicate anything, I’ve always been frustrated by the lack of nuance in modern-day discourse. People seem to pick sides, stick to their guns, and do not want to engage with anything that may challenge what they already believe. Whether that’s politically, socially, or dealing with our own identities.”

I recently spoke with Bartee about The Idiot Kids’ single ahead of a June 7 show at Bell’s Back Room Kalamazoo, Michigan.

Continue reading “True Identity — The Idiot Kids Reject Dichotomy, Embrace Authenticity on “Zeroes & Ones” Single”