The Dropout instantly transforms any space into a nonstop, explosive dance party.
The Orlando, Florida indie pop, post-EDM singer-songwriter and saxophonist employs fierce grooves, infectious hooks and lush soundscapes on his latest EP, Bubble Boy, to get fans moving.
“This (EP) has more of a dancey vibe, and it feels more like a pop EDM-like crossover. It has pop song structures, but EDM sort of tones underlining live instrumentation and my vocals. It feels like Dropout songs, but they have an energetic, live feeling,” said Ficker, who’s originally from metro Detroit.
The Dropout captures that contagious, hopeful spirit across six dazzling Bubble Boy tracks, which chronicle a highly personal journey filled with insightful tales of overcoming addiction, finding renewal and instilling vitality in others.
“I like to think by the time the songwriting happens, the learning is already done. It’s almost like the life experiences have been chewed on and now I’m fully digesting them. I definitely tried to be more intentional about the inspirational themes, but if I had to write about everything I learned this year, this might end up being a lot of text to read through,” said Ficker with a laugh.
As a follow-up to 2018’s magnetic, groove-filled Old Parts, New Beginning EP, The Dropout spent three years writing and recording Bubble Boy’s tracks in his home studio. He nailed the saxophone, guitar and vocal parts while collaborating remotely with longtime friend Bob Lemon, who provided the project’s hypnotic, spirited beats.
“We grew up in the same area and had mutual friends, but never really crossed paths. (Bob) reached out to me one day online with a remix of an older song I did (‘Old Parts, New Beginning’), and I was blown away. We immediately started working together on new music and haven’t stopped since,” Ficker said.