Motor City Homecoming – Science for Sociopaths Returns for Feb. 13 RAW Detroit Reflect Show at Saint Andrew’s Hall

Science for Sociopaths artwork by Taylor Ruffin

Science for Sociopaths will return to Detroit Feb. 13 for a one-night only show at Saint Andrew’s Hall.

The San Francisco indie pop-rock singer-songwriter, aka Maggie Cocco, will perform during RAW Detroit’s Reflect along with Honeybabe, Farrah Mechael and Dmack313rd for the event, which also will feature fashion, photography, and visual and performance art.

“Saint Andrew’s is a great venue, and I couldn’t pass up this opportunity,” said Cocco, who originally hails from Sterling Heights. “It’s a fun homecoming for me, and what I like about RAW is that it’s not just about music. I’ve always thought of Science for Sociopaths since its conception as a multimedia project. For each project that I’ve done, I’ve worked very closely with an artist.”

Hosted by RAW Detroit, an international artist collective, Reflect will be the first show Cocco has played in the Motor City since relocating to the Bay area in September. She will reunite with Detroit bandmates Neil Eby (guitar), Alex Marshall (bass) and J Durrell Gibbs (drums) for her set.

“I’m bowled over by their willingness to play with me,” Cocco said. “I’m going to do some of the favorites from ‘Love & Life,’ and then I’m going to do a new song, ‘Where I Belong,’ that I’m going to release right before the show.”

“Where I Belong” will be Cocco’s first new Science for Sociopaths single since releasing her double EP “Love & Life” in June and the first of 10 new tunes she’ll be sharing throughout 2019 to her Patreon supporters. All 10 tracks will be released as part of an official album later this year.

“It’s a love song, just like ‘Love & Life,’ which I felt was very aptly named. My music compulsions are divided between philosophical shit that I’m figuring out in my brain for myself with how life works with boundaries and then my romantic life,” said Cocco, who’s influenced by Carole King, Brandi Carlile and Sheryl Crow. “I’m a very romantic person, it sort of overflows, and it’s always about half and half.”

Cocco recorded the untitled pop-rock project with Benjamin Warsaw, a Nashville-based producer and sound engineer, over four days in Ohio. She also worked with Warsaw on “Love & Life,” her heartfelt nine-song ode to the trials and tribulations of life and love.

Throughout 2018, Cocco released a new Science for Sociopaths song each week through Patreon, an online platform that allows artists to receive funds directly from their fans.

Her songs included covers of Rhiannon Gidden’s “Love (That) We Almost Had” and “City of Stars” and “Audition Song (The Fools Who Dream)” from “La La Land” as well as new tracks “Hey Sunshine” and “Hey Friend.”

“It was a very prolific year for me,” she said. “I think I grew a lot as a musician, but this year I’m trying to dedicate more time and resources to getting the music I already have in front of more people.”

Show Details:

RAW Detroit Reflect presents Science for Sociopaths

Wednesday, Feb. 13

Saint Andrew’s Hall, 431 E. Congress St. in Detroit

Event: 7 p.m. to 10 p.m.

Tickets: $22.50 for presale general admission

Three Times A Lady – Angela Predhomme, Kathy Wieland and Judy Banker Host Songwriters in the Round Show Saturday Night at Crazy Wisdom

Angela Predhomme, Kathy Wieland and Judy Banker will perform a “Songwriters in the Round” show Saturday night at Crazy Wisdom in Ann Arbor.

Angela Predhomme, Kathy Wieland and Judy Banker will perform as part of the “Songwriters in the Round” series and take listeners on an intimate musical journey filled with creative lyrics, catchy melodies and compelling stories.

“It’s a really cool venue because it’s a listening room, almost like a mini Ark, where people come and pay attention,” Predhomme said. “It’s very appropriate for us to tell stories about the songs, talk between the songs and really interact with the people.”

As part of the show, each singer-songwriter will perform her own material, provide insights into her music and collaborate with one another. Together, they’ll offer an invigorating blend of Americana, country, folk, soft rock and pop to uplift the musical spirit on a warm winter’s night.

“It’s fun to be able to share the stories behind our songs with people who care about them,” said Predhomme, who performs regularly at Crazy Wisdom. “I’ll be doing a lot of newer songs, and we may do a song together at the end.”

Continue reading “Three Times A Lady – Angela Predhomme, Kathy Wieland and Judy Banker Host Songwriters in the Round Show Saturday Night at Crazy Wisdom” →

‘The New Normal’ – Kane Roberts Steps Out of the Dark with Latest Cinematic Heavy Metal Solo Album

For Kane Roberts, writing and recording “The New Normal,” his first new solo album in seven years, felt like taking a step in the dark.

“It was one of those situations where I’ve been off the grid for quite a while. I hadn’t been in the public jet stream of rock and roll and recording and playing live. I played it for my friend Kip Winger, and he said, ‘I can run this by Frontiers to see if they’re interested,’ and Serafino and Mario agreed to it,” Roberts said.

“It was like walking into a completely dark room because I hadn’t been in the studio and doing this exact type of thing, writing, guitar, making a record and singing so that I had to do stuff that was up to the proper standard.”

Out today on Frontiers Music, “The New Normal” more than surpasses the heavy metal standard with a bold cinematic, atmospheric sound filled with electrifying guitar solos, majestic drum beats and mesmerizing bass lines. In a sense, it’s akin to hearing Roberts’ personal soundtrack as his life plays out before listeners’ eyes.

Roberts, an iconic heavy metal singer and guitarist who’s worked with Alice Cooper, KISS, Guns N’ Roses, Rod Stewart and a host of other renowned artists, spent three years writing and recording 10 tracks for “The New Normal” with producer Alex Track. He opted to record “The New Normal” at Track’s studio and bust out of his comfort zone after releasing “Unsung Radio” in 2012.

“I ended up recording at his place from about 9 a.m. to four or five in the morning, five nights a week. It was a matter of discovery, I wasn’t sure how it would go, I knew that I wouldn’t quit until I got it done properly,” said Roberts, who’s also famous for his ‘80s machine-gun guitar and body-builder image.

“As time went on, the writing was really good, we started recording, and it sounded all great and everything. I would reinspect a vocal, and I would go, ‘I’m singing better now, so I should do some different choices with my guitar playing,’ even though I never stopped, it started to get more focused, and we started developing the cinematic approach to this whole project.”

Roberts built his robust cinematic sound with the help of several powerhouse heavy metal artists and musicians, including Alice Cooper, Kip Winger, Arch Enemy’s Alissa White-Gluz, Paul Taylor, Ken Mary, Nita Strauss, Babymetal’s Aoyama Hidecki, Shinedown’s Brent Smith and Halestorm’s Lzzy Hale.

Continue reading “‘The New Normal’ – Kane Roberts Steps Out of the Dark with Latest Cinematic Heavy Metal Solo Album” →

Indoor Campfire – The Secret Emchy Society Celebrates ‘Mark’s Yard’ Release with Thursday’s Sing-Along Show at The Lost Church

The Secret Emchy Society will host an intimate night of acoustic country music, sing-alongs and fellowship Thursday night at San Francisco’s The Lost Church.

The Lost Church show will double as a “Mark’s Yard: The Campfire Covers” album release party for the Oakland, Calif., queer country music collective and feature Americana legends The Muddy Roses as a special guest.

During the show, The Secret Emchy Society will provide “hymnals,” or booklets with lyrics, to audience members so they can sing along to songs from “Mark’s Yard,” a new covers album the band released in December.

“This room has wonderful acoustics, and we’re actually not going to amplify, but we’re definitely going to do most of the album,” said Cindy Emch, frontwoman, guitarist and accordionist for The Secret Emchy Society. “This album was made with the intention of serving up a community experience. There will be swaying, stomping, laughter, dorkery and stories about songs that will surely go off on tangents.”

Dubbed as the “First Lady of Queer Country,” Emch leads a rotating old school country music collective that appeals to fans of June Carter Cash, Lydia Loveless, Neko Case, Dolly Parton and Porter Wagoner. She’s been sharing her dark, sexy, boozy ballads, off-kilter anthems and cowboy songs with the Bay area queer country music scene for more than a decade.

As a follow-up to 2017’s “The Stars Fell Shooting into Twangsville,” Emch’s latest release, “Mark’s Yard,” includes her own renditions of esteemed country classics from Rhubarb Whiskey, Hank Williams Jr., Tom Waits, Tolan McNeil, Johnny Cash, Carolyn Mark and more.

The album allows Emch to come full circle with her love of country music after hearing the likes of Willie Nelson and Crystal Gayle as a child and watching her mother play the accordion.

For the album, Emch teamed up with Hans Winold (upright bass, harmonica), Michele Kappel (percussion), Mya Byrne (lap steel, mandolin), Nick Foley (backing lead guitar) and Deleina Mae (backing electric bass) and recorded it over three hours one August Sunday night in her neighbor’s backyard.

Continue reading “Indoor Campfire – The Secret Emchy Society Celebrates ‘Mark’s Yard’ Release with Thursday’s Sing-Along Show at The Lost Church” →

Deep Roots – Shari Kane & Dave Steele, Red Tail Ring Celebrate Original Folk, Acoustic Blues Music Sunday at The Ark

Shari Kane and Dave Steele will bring their acoustic blues to The Ark Sunday night in a dual headlining show with Red Tail Ring. Photo courtesy of Shari Kane and Dave Steele

Red Tail Ring’s Michael Beauchamp-Cohen and Laurel Premo will share their folk music and traditional ballads at The Ark Sunday night. Photo by David Birkam

Two Michigan-based duos will bring deeply-rooted music, innovative instrumental work and lush harmonies to The Ark for a Sunday show.

Shari Kane & Dave Steele and Red Tail Ring’s Laurel Premo and Michael Beauchamp-Cohen will co-headline the show and share a bevy of original folk music, traditional ballads and acoustic blues.

“We will do some of our own songs and play as a fourpiece with them,” Steele said. “They put a whole new dimension on what we play.”

For Sunday’s show, Kane & Steele will throw a four-handed acoustic party filled with street swing, stomp blues and mountain twang, including tracks from their 2015 album, “Feels Like Home.”

Together, the husband-and-wife acoustic blues duo recorded 12 covers from blues guitar legends Robert Johnson, Reverend Gary Davis, Blind Blake, Robert Lockwood Jr., and Mississippi John Hurt and two original songs, “If I Don’t Jump” and “The Last Day of Summer,” in their Ann Arbor area home studio.

“I didn’t know initially that Dave loved Blind Blake or Blind Willie McTell or all of these people who were like home to me,” said Kane, who originally met Steele in summer 1991. “When I saw him on the street busking at the art fair, really what I was saying was I didn’t know you loved the same music that I love. That’s become home for us, and that’s really where we come from.”

Their love of acoustic blues led Kane & Steele to a fruitful 30-year musical partnership after performing previously with Peter “Madcat” Ruth and Big Dave & the Ultrasonics. Steele’s smoky vocals, percussive rhythm and innovative lead lines blend magically with Kane’s crisp finger-picking style, rootsy leads and stinging slide work.

Continue reading “Deep Roots – Shari Kane & Dave Steele, Red Tail Ring Celebrate Original Folk, Acoustic Blues Music Sunday at The Ark” →

Detroit’s Nice Place Hosts ‘Punx ‘N Funx’ Show with Emerging Music, Visual Art Tonight

Nice Place will host a bevy of “Punx ‘N Funx” music along with emerging art in Detroit at 6:30 p.m. tonight.

Located at 70 Glynn Ct., the Motor City creative workspace will feature the music of Ape Not Kill Ape, Summer Like The Season, Space Trash, Jemmi Hazeman & The Honey Riders and Bryni Makiko as well as pop-up visual art from Jacob Waymaster (aka Synefeld), Zach Wendt, Isabel Leader and Sam Welsing of Blueberry Thrift.

“I want every musical act, every artist to work off each other’s creative synergies and styles. I’m excited about the eclectic nature of the show and believe the performers will complement one another in a unique way,” said Patrick Norton, organizer and manager at Nice Place and guitarist for Dirt Room. “I’m eager to see the different scenes from around the city come out of the woodwork and step outside of their social circles.”

For the “Punx” side of music, Ape Not Kill Ape, a Grand Rapids post-punk trio, will perform raw fist-pumping tracks from their 2017 full-length debut, “Bushman.” Adis Kaltak, (vocals, bass), Brett Dame (guitar) and Allen McAllister (drums) will bring an introspective, primal feel to connect with the crowd at Nice Place.

“We’re pretty confident about a lot of the ‘Bushman’ material,” said Kaltak, who was born in Slovenia and grew up listening to Bosnian music, ABBA and The Beatles. “We’re going to do the bulk of some new stuff for our 30-minute set along with two or three older songs.”

Continue reading “Detroit’s Nice Place Hosts ‘Punx ‘N Funx’ Show with Emerging Music, Visual Art Tonight” →

Five Alive – After Hours Radio Reflects on Band Anniversary, Hosts Show Tonight at Club Above

Five years ago, the University of Michigan’s co-op scene led to the formation of an emerging Ypsilanti band.

U-M’s Nakamura and Luther Buchele co-ops introduced Greg Hughes and Nate Erickson, co-founders of After Hours Radio, to a burgeoning underground, do-it-yourself (DIY) music community in the heart of downtown Ann Arbor.

Together, Hughes and Erickson cut their growing musical teeth performing at co-op open mic nights and formed After Hours Radio, a progressive, groove-heavy indie rock band, in 2014.

“The high energy and large crowds at co-op parties drove the band to write catchy grooves and riffs that co-oppers could dance to,” said Hughes, bassist for After Hours Radio. “This funk-inspired element flavored our initial indie-alternative style, which was influenced by open mic nights during the band’s infancy.”

Hughes also sought inspiration for the band while working as a late-night college DJ at WCBN-FM (88.3), a U-M student-run radio station. He used a “freeform” approach for the station’s programming and believed a similar philosophy could be applied to After Hours Radio’s musical approach.

After Hours Radio co-founders Greg Hughes (left) and Nate Erickson (center)

“‘Freeform’ describes a perspective that doesn’t conform to a traditional setlist structure restricted by genre and embraces mixing different musical styles,” he said. “We’ve gained a strong sense of improvisation that has translated to the way we find influences for our original songs.”

That fluid musical approach resulted in the band’s self-titled debut EP in 2015 and the “What Happened?” EP in 2017. With Hughes and Erickson (vocals, guitar) at the helm, After Hours Radio went through several lineup changes, including several drummers, and expanded their sound to encompass keys, synths and other electronic effects.

Last year, the band launched their own DIY music venue, The Late Station, in Ypsilanti to showcase local emerging artists and musicians across a variety of genres. Bandmates and friends help promote events, run the door and assist with gear at The Late Station.

“I got acquainted with the whole DIY culture in Chicago, and I was so enamored with the scene there that I wanted to become more involved in it,” Hughes said. “That’s where the direct inspiration for The Late Station came, and we all decided we were going to move to the same location and start our own space.”

Today, Hughes and Erickson will celebrate the band’s evolution with a five-year anniversary show at Club Above, 215 N. Main St. in Ann Arbor, and feature special guests Stop Watch, Approachable Minorities and Summer Like The Season.

“We decided to celebrate the band’s anniversary with a special show because we thought five years for any band was a big milestone,” Hughes said. “Almost none of the local bands existing when we started are around anymore, and most lasted just one or two years.”

For the show, After Hours Radio will play an extended setlist that encompasses the band’s entire career and feature visuals from GSW Art & Design, a southeast Michigan-based visual art, web and graphic design firm. It’s also a valuable opportunity for After Hours Radio fans to embrace the artistry and musicianship of the show’s three special guests.

Continue reading “Five Alive – After Hours Radio Reflects on Band Anniversary, Hosts Show Tonight at Club Above” →

Friday Night Live – Dave Boutette, Kristi Lynn Davis Kick Off Farmington Civic Theater Winter Concert Series Jan. 11

Kristi Lynn Davis and Dave Boutette will play Friday night at the Farmington Civic Theater.

The Dexter singer-songwriters will kick off the four-part “Friday Night Live” concert series at the Farmington Civic Theater, 33332 Grand River Ave. in Farmington, at 8 p.m. Friday with special guest Scott Martin.

A husband-and-wife folk music duo, Boutette and Davis will perform catchy acoustic anthems from “Easy as Pie,” their 2018 album, along with a slew of old favorites during their 90-minute set.

“We have a couple of new songs and one new cover,” Boutette said. “As it’s become a tradition, Kristi goes into my back catalog to find things we haven’t done before.”

Boutette’s celebrated songwriting paired with Davis’ lush harmonies is where attendees will find onstage magic at the Farmington Civic Theater.

Close, comforting and warm, Davis’ voice slips in easily beside Boutette’s creating a beautiful sound. Her stage presence and quick wit are a perfect match for Boutette’s songs.

Boutette and Davis discovered their musical magic while singing together on their back porch six years ago. Those at-home singing sessions quickly turned into a growing series of shows and festival dates.

Coincidentally, their musical partnership dates back 35 years when the pair starred in musicals together while attending high school in metro Detroit.

After graduation, they went their separate ways while Boutette played in the Detroit alternative rock band The Junk Monkeys and later became a folk music solo artist.

Davis became a singer-dancer, Radio City Rockette and author of the 2015 comic memoir, “Long Legs and Tall Tales.” She reunited with Boutette in 2012, and they married the following year.

Today, Boutette and Davis continue to perform as part of a strong singer-songwriter movement locally, statewide and throughout the Midwest at a variety of venues, especially listening rooms like the Farmington Civic Theater.

“I think it’s nice to have more of a listening room environment where people can really focus in on Dave’s lyrics, which are so clever, meaningful and heartfelt,” Davis said. “They make you feel good if you really listen to them. I’m glad that we get a chance to do that.”

Continue reading “Friday Night Live – Dave Boutette, Kristi Lynn Davis Kick Off Farmington Civic Theater Winter Concert Series Jan. 11” →

Knock, Knock – The Sneeks Drop New ‘Sneekin’ Out the Back Door’ EP Today

The Sneeks have released their fun-filled “Sneekin’ Out the Back Door” EP today.

For The Sneeks, opportunity knocks with a new five-song EP.

The East Lansing alt rock quartet has delivered their latest release, “Sneekin’ Out the Back Door,” today via streaming services as a fun, breezy follow-up to their eight-track 2017 debut album, “Sneek Attack.”

Through “Sneekin’ Out the Back Door,” Niko Matsamakis (vocals, guitar), Kevin Neumann (vocals, bass), Alex Olivero (vocals, guitar) and Houston Smith (drums) create a laid-back summer sound filled with shimmery Mac DeMarco-inspired guitars and wrapped in personal tales of fleeting relationships.

It’s the musical alter ego to “Sneek Attack,” which follows a “rad rock and troll” sound born out of the band’s Michigan State University (MSU) party days and garage punk rock shows with Twin Peaks at The Loft in Lansing.

“The different approach for ‘Sneekin’ Out the Back Door’ is definitely the songwriting and recording style,” Matsamakis said. “We recorded it in my house upstairs in four different rooms at the same time, and we tracked it all together. Houston was in one bedroom, I was in another, Kevin was in the other bedroom and Alex was in the bathroom.”

Neumann and Olivero also contributed tracks to the “Sneekin’ Out the Back Door” while Matsamakis wrote the material for “Sneek Attack” – his personal journey through post-breakup single life.

“We used some different effects on our guitars that we don’t normally use, and some of those ‘Sneek Attack’ sounds are harder in general, but ‘Sneekin’ Out the Back Door’ is definitely a softer sound,” Matsamakis said. “I wrote a few of the songs, showed them to Kevin, and Kevin put his touch on them, and then vice versa. I would say Kevin’s songs are definitely the softer ones.”

Continue reading “Knock, Knock – The Sneeks Drop New ‘Sneekin’ Out the Back Door’ EP Today” →

Electronic Orbit – Biomassive Brings Celestial Beats to New Year’s Eve Show with Stormy Chromer, Chirp at The Blind Pig

This is the third installment in a three-part series profiling Michigan bands for a New Year’s Eve show at The Blind Pig in Ann Arbor.

Biomassive will share their deep, intelligent beats with an energetic New Year’s Eve crowd in Ann Arbor tonight.

The Traverse City rock electronica sextet will join Stormy Chromer and Chirp for a night filled with guitar-driven funk and jazz tunes fused with improvisational jams at The Blind Pig, 208 S. First St.

“We’re definitely going to be bringing our new stuff as well as some of the songs we’ve been playing for a while,” said Chris Burhop, a guitarist for Biomassive. “We’re also going to be unleashing a cover we’ve only done once in the past.”

This isn’t the first time Biomassive has played with Stormy Chromer, a Ypsilanti-based homegrown progressive jam band. However, it will be the first time they’ve shared the stage with Chirp, a Tree Town progressive rock, funk and jazz fusion quartet.

“Stormy Chromer definitely brings a rockier side. They bring a lot of energy, and we’ve always considered them to be our closest band buddies as far as mentality goes and stylistically,” Burhop said. “We played at the same Sacred Vibrations festival as Chirp earlier this year, but not at an actual personal show with them until now.”

Formed in 2012, Biomassive blends catchy electronic beats with ground-shaking, sub-bass mechanics and features the talented musicianship of Connor Lindsay (synth, keys), Randall Erno (bass), Ben Wyler (synth, keys), Shandon Williams (percussion), Matt Zimmerman (drums) and Burhop.

Reminiscent of their Umphrey’s McGee and Sound Tribe Sector 9 (STS9) influence, Biomassive fuses funk and progressive rock to arrive at an unparalleled sound. This anomalous Northern Michigan band redefines the sound of the electronic genre and plays distinctive covers and mash-ups ranging from The Grateful Dead to Gorillaz.

“The different guitar players that we’ve had have definitely influenced different sounds that are incorporated with songs like that,” said Burhop, who grew up in Petoskey and started playing guitar in middle school. “Now that I’m playing the guitar instead of bass, we’re trying to go back to our roots and get back into the electronic side of music more.”

Biomassive’s latest single, “Earth Girls Are Easy,” brings ethereal elements of rock, electronica and hip hop together into a mesmerizing musical orbit. Named after the 1989 Geena Davis and Jeff Goldblum romantic comedy, science fiction film, it’s the perfect tune for an out-of-this-world sonic escape.

Burhop credits Lindsay’s fascination with bizarre ‘80s pop culture for inspiring the tune’s musical direction. “We’ve been playing that song for the past four or five years now, and it was always just one of those songs that we never really finalized and put into a recording,” Burhop said. “The recording that you hear now is going to be off our new album, which is about to be released.”

While Biomassive’s upcoming album will be released this spring, Burhop and his bandmates are already writing and recording more material for the next project. The band has previously released several other albums and EPs, including “Biomassive” (2013), “Instinct” (2013), “Certified Organic” (2013) and “Spiritbound” (2014).

“We’re going to focus on writing some more new material and getting myself and our new member, Randall, up to speed on the parts on the songs that we already have in our repertoire,” Burhop said. “We also have some of our biggest festival announcements that we’re sitting on right now.”

Show details:

Stormy Chromer with Chirp and Biomassive

Tonight at The Blind Pig, 208 S. First St. in Ann Arbor

Doors at 8 p.m.

Tickets $15 and event info

The Stratton Setlist

Catch the opener. Stay for the encore.

Author: Lori Stratton