High Spirits – Magenta Moody Pairs Favorite Morning Substances on ‘Coffee and Reefer’

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Magenta Moody, right, and James Miller bring a rock feel to the alternate version of “Coffee and Reefer.” Photo – Dominic Smalls

For Magenta Moody, each day starts with a chill morning routine.

The Roseville EDM-dream pop artist combines java and Mary Jane to soothe the senses and calm the mind on her latest carefree, reggae-inspired single, “Coffee and Reefer.”

“I love to make a nice cup of hazelnut coffee, pack a raw cone and head to my balcony to start my day. I have a beautiful balcony, and the trees are so dense that you can’t see the surrounding neighbors or anything for that matter,” said Mercedes Jefferson, aka Magenta Moody.

“It’s just trees, sunlight and a couple of very vocal birdies. Coffee picks me up and warms my soul while smoking soothes my nerves and clears my mind, so the combination is magical.”

Moody quickly creates a magical three-minute “Coffee and Reefer” escape for listeners as stormy beats, jingling tambourine, placid synths, light hand claps and breezy bass seep into the body and mind.

She shares, “I know I’ve been really sketchy/Bad decisions seem so tempting/I’m just you, and you’re my best me/You’re my best me/I’d like to meet ya/Coffee and reefer/Hot like a fever/I’d like to meet ya.”

“The song is meant to be a light, feel-good song, and I want people to start their day on a bright and chill note. I wrote ‘Coffee and Reefer’ on the aforementioned balcony, of course. Besides my car, it’s my favorite place to write,” Jefferson said.

Moody also released an alternate version of “Coffee and Reefer,” which features guitarist James Miller playing thoughtful, deep-tone electric strums alongside her echoey vocals.

“I was looking for a guitarist to a do a show with me, and James responded to an inquiry I posted. We’ve been jamming ever since. As we practiced in my living room, I showed him my version of the song,” Jefferson said.

“His interpretation of the song that he played in response to hearing it was so beautiful. He asked if I had recorded yet and insisted on being part of it. I think he adds a groovy, yet alternative vibe, and his instrumentation fits perfectly with the lyrics.”

Moody recorded both versions of the track at Parallel Sounds Studio in Sterling Heights with engineer Tony Boguth. The original version features production by SYBLYNG and mixing by Mark Ringold Jr., aka Krypto Divine, while the alternate version is mixed and mastered by Boguth.

With both versions of “Coffee and Reefer” out, Moody wants to record a video with a “That ‘70s Show” concept and feel.

“It could be some friends and me sitting in a circle getting a smoke session in like they do in every episode. I’d love to work with Joe Hendo again or Tiffadelic Media to make the vision come to life. They both are great with creative direction and execution,” she said.

Continue reading “High Spirits – Magenta Moody Pairs Favorite Morning Substances on ‘Coffee and Reefer’”

Homegrown – Tom Alter Returns to Old Stomping Grounds Friday for Hamtramck Music Fest

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Tom Alter will perform an assortment of tracks Friday at Hamtramck Music Fest. Courtesy photo

For Tom Alter, this weekend’s Hamtramck Music Fest provides a welcome homecoming.

The Fraser folk rock singer-songwriter and guitarist will return to his family’s old stomping grounds to perform Friday night at the Polish Village Café.

“It feels pretty nostalgic to be playing in Hamtramck since my mother was raised there. She graduated from St. Florian High School. My grandparents lived in Hamtramck until they reached their 80s, and I have memories of visiting there when I was a child,” Alter said.

“Some of those memories are captured in my song, ‘Hamtramck.’ I grew up in suburban East Detroit, which was a very different environment. When visiting Hamtramck, my siblings and I were exposed to a very different culture, even with my grandparents speaking another language through much of our visit.”

Alter quickly revisits his childhood on 2018’s “Hamtramck” as sentimental acoustic strums, sunny electric guitars and ruminative bass repaint loving scenes from the past. He reflects, “Visit from suburbia/Dropped into this urban dream/It’s a new diversity/In the streets with rising steam/I feel this city claiming me.”

“I think that experience gave me an appreciation for the many cultures that make up our nation. I released the song, ‘Hamtramck,’ on Bandcamp a few years ago. Since then, I have played it as an acoustic piece, and I plan to release a new version similar to my live performance on a new album I’m working on now,” said Alter, who also performs as part of the soul-jazz-rock duo After Blue with Katie Williamson.

For Friday’s Hamtramck Music Fest set, Alter will share tracks from his thought-provoking 2020 EP, Songs for an American Hero, which pays tribute to the late U.S. Rep. and civil rights activist John Lewis.

“It’s been just about a year since John Lewis passed. I think the impact of the equal justice protests of 2020 still resonate today, but unfortunately at a somewhat lower volume. I want to continue to put a light on John Lewis’ life and that cause in my own way,” he said.

Continue reading “Homegrown – Tom Alter Returns to Old Stomping Grounds Friday for Hamtramck Music Fest”

Instant Connection – The Soods Fuse Hopeful Tales on ‘A Ray Rewired Vol. 1’ EP

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The Soods’ “A Ray Rewired Vol. 1” EP serves as the quintessential companion for a short summer sonic getaway. Artwork – Tansy Harris

As a Grand Rapids musical connector, Jason Roy seamlessly wires together hopeful vignettes for the unknown days ahead.

The Soods frontman and multi-instrumentalist solders brief mesmerizing, impactful tales of renewal and release on the collective’s latest electrifying indie rock EP, A Ray Rewired Vol. 1, via GTG Records.

“I think the overall feel of these songs has an upbeat rhythm of life to it. At the root of it, there’s an emotion of love, and music is meant to uplift,” said Roy, who co-produced the project and named it after a lyric in The Soods’ single, “Symbiotic Mono Band.”

“Even with the saddest stuff there should be some connective tissue of ‘Hey, it’s not always gonna be this bad, or shit’s gonna get better.’”

Along with a talented cast of Soods collaborators, Roy elaborately threads seven thoughtful tracks into an emotive, cohesive 15-minute listen. A Ray Rewired Vol. 1 serves as the quintessential companion for a short summer sonic getaway during a hectic, stressful day.

“I approach it like an art project in a sense. Let me start it, and I’m gonna use my palette to paint as good of a picture as I can to set you up to put on the finishing touches,” Roy said.

“Sometimes, I’ll get a vocal back, or I’ll be recording one with Steven (Meltzer), and be like, ‘Oh OK, we need to change direction.’ Not that it’s a bad thing, but it’s more of a ‘Ooh, I never thought to approach it that way.’”

Continue reading “Instant Connection – The Soods Fuse Hopeful Tales on ‘A Ray Rewired Vol. 1’ EP”

Grit ‘N Glam – Jeremy Porter and The Tucos Release New ‘Put You on Hold’ Video

Jeremy Porter and The Tucos elegantly bring grit and glam to their stylish new video for Candy Coated Cannonball’sPut You on Hold” single.

The Detroit rock trio of Jeremy Porter (guitar, vocals), Gabriel Doman (drums, vocals) and Bob Moulton (bass, vocals) seamlessly fuse energetic live performance footage with colorful animation to illustrate “Put You on Hold’s” storyline about a girl becoming captivated with city life.

“I wanted to go for a bit of a throwback to the Aerosmith videos with Alicia Silverstone – sort of a very loose plot about a party girl that maybe worked with the song, but didn’t necessarily follow the song’s lyrics to a tee,” said Porter, who worked with director-photographer David Kellogg on the video.

“There are nods to the lyrics here and there, and in general, like the song, it’s about a crazy night out for a not-so-crazy girl, but the concept and its tie-in to the lyrics aren’t overthought. We glammed the look of the band up a bit for shits ‘n giggles to do something different, get out of our comfort zone and have some fun.”

Porter and The Tucos demonstrate that glamorous fun while dressing head-to-toe in white or black and adorning sunglasses and scarves, thanks to stylist Alessandra Lipman. They proudly sport those hip stage fashions in a darkened gym located at the Plymouth Arts & Recreation Complex (PARC).

“PARC is an old high school here in Plymouth that’s been converted into an art space with studios that local artists can rent and stuff like that. I wanted something big like a high school gym, and it just seemed perfect,” said Porter, who’s partnering with Ghettoblaster Magazine to premiere the video today.

“I also like to keep my money in my community when possible and support the arts when I can. David and I met the manager there, and she showed us around, and we agreed it was our spot. The gym has the feel of the ‘Smells Like Teen Spirit’ video a bit, which I liked.”

In tandem with the band’s live performance footage, the “Put You on Hold” video includes compelling animated characters and background scenery by Jones William. It explores the main character’s social outings with friends as well as her dating life and city adventures.

“(Jones) answered a Craigslist ad and was honestly one of the very few worth following up with. We never talked, just through email, a language barrier was an issue, and I wasn’t sure what I was gonna get. In the end, he delivered, and I was pleased with the work he did,” Porter said.

The band’s “Put You on Hold” video ultimately came together with Kellogg, who brought a “youthful, enthusiastic energy” to the camera.

“I met David through Instagram when we were recording. His work caught my eye, and he ended up doing all of the photography, including the cover, for the record. And even though he’s younger, he still gets the ‘70s/‘80s references we were throwing out – he’s well-traveled, so to speak,” Porter said.

“He didn’t have much to do with the concept or animation part, but he was very involved in scouting and choosing the location and everything that went into the performance part – lighting, setup, direction and all that. He and I also edited it together.”

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Fun Fest – Fundamental Sound Co. Hosts Local Music Festival Aug. 7 in Ypsilanti

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Fun Fest will spotlight local artists who have recorded with Taylor Greenshields’ Fundamental Sound Co.

For Taylor Greenshields, a recent conversation quickly morphed into hosting a local music festival.

The Ypsilanti audio engineer, producer and drummer chatted with Ma Baker guitarist Guy Williams about putting on a daylong music event at Frog Island Park.

“Both of us have talked about how cool it would be to have something on the stage at Frog Island. We were sitting on the grass, and I said, ‘I’m done talking about it. Let’s do it for real. I’m going to follow through on this idea,’” said Greenshields, who owns and operates Ypsi-based recording studio Fundamental Sound Co.

“This year, I invested in a bigger PA system. After that, I thought, ‘We have to do this because I don’t want to have all this stuff and not use it. It’s meant to be used for the people and the community. I’m so lucky to work with so many amazing, dope artists that it’s like, ‘Well, why not?’”

That epiphanous “why not” quickly led to Fundamental Sound Co.’s Fun Fest, a one-day Ypsi music festival showcasing a star-studded lineup of local artists at Frog Island Park on Saturday, Aug. 7. The festival will feature ANA, Al Bettis, Ma Baker, Travis Aukerman, Jesse Clayton, Dani Darling, The DayNites and a secret set with some special guests, plus visual artists and vendors.

“It’s so eclectic with Travis and Al each bringing their own jazz vibes for you to bask in. Jesse’s set is going to be more electronic, and he’s going to take you on a roller coaster of all sorts of dynamics. They each will bring something different,” said Greenshields, who’s previously recorded, produced and performed with all the artists on the Fun Fest lineup.

“I’ll be playing with Dani, Jesse and the secret set, which will include some familiar faces. People might get called up from the audience to jam during the secret set.”

Continue reading “Fun Fest – Fundamental Sound Co. Hosts Local Music Festival Aug. 7 in Ypsilanti”

Suburban Stories – Matthew Milia Revisits Metro Detroit Memories on ‘Keego Harbor’

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Matthew Milia’s “Keego Harbor” captures a beautiful legacy of life unchanged in the metro Detroit suburbs. Photo – John Hanson

For Matthew Milia, Keego Harbor represents a nostalgic, metro Detroit road trip from youth to adulthood and back again.

The Detroit indie folk singer-songwriter and Frontier Ruckus frontman eloquently drifts through deep childhood recollections, gritty suburban landmarks and dichotomous neighborhood adventures on his well-crafted second solo album.

“This has been a lifelong obsession, especially with the suburban world. It’s inspired by the fact that the suburban experience is not monolithic. It’s all these mingling beautiful dualities and contradictions of the human experience that live in this space,” said Milia, who grew up in Keego Harbor.

“I’m juxtaposing Pontiac and Bloomfield Hills because those places are contiguous, and they couldn’t be more different. That’s a hard thing for people that don’t live in this area to understand. My endless personal quest is to give as much vivid description and detail of these contradictions that I’ve experienced.”

Throughout Keego Harbor, Milia intricately constructs snapshots of mundane Michigan experiences – junk mail, rotten mulch and phone chargers – and static places – party stores, drive-thru lanes and nail salons – across 10 introspective tracks to capture a beautiful legacy of life unchanged.

“I think this record is a bit more about generational inheritance. My parents met in Keego Harbor at a place called the Back Seat Saloon that’s no longer there, and the first placed they lived together was in a little loft above a house. The age I am now is when they were doing all that. It’s a bit of time travel while seeing myself as my parents and all the things that entails,” he said.

While much of Keego Harbor remains in the rear-view mirror of the mind’s eye, another portion welcomes the uncertain future with outstretched arms. It’s a matter of looking toward the past to better understand who you’ve become and where you’re headed, whether that’s in a city or a suburb.

“I’m also thinking on another level about my experience in the music industry. It’s such a weird commerce to toil in, and my life since 2006 has been writing these songs and making these records with my friends and putting them out into the world and seeing where they take me,” Milia said.

“I think that a major trope of this record is the recalibration of one’s dreams and expectations. And knowing that immense beauty and surprise can be hiding there. Once you recalibrate what you think you wanted or were working toward, you might just find something even more rewarding.”

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Beacon of Hope – The Legal Matters Bring Power Pop Shine to ‘Chapter Three’

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The Legal Matters’ Andy Reed, Chris Richards and Keith Klingensmith chronicle the pandemic, politics and personal struggles on “Chapter Three.” Courtesy photo

The Legal Matters brilliantly shine a light during a lingering time of uncertainty.

The mid-Michigan and metro Detroit power pop trio of Andy Reed, Chris Richards and Keith Klingensmith combines sunny melodies, lush harmonies and spirited instrumentation over a dozen contemplative tracks chronicling the pandemic, politics and personal struggles on Chapter Three.

“Music lovers value music even more now than they did before the pandemic. We hope people enjoy this record, and that it’s another decent thing that’s come out of this crappy time. We want people to put their ears on it and give it a chance, and we think there’s a little bit of something there for everybody,” Reed said.

Now available via Klingensmith’s Futureman Records, Chapter Three serves as The Legal Matters’ third infectious, compelling release since 2014. Each track provides an intimate, thoughtful perspective about moving forward in today’s ambivalent, precarious world.

“This record was mentally one of the most helpful things through all of this because it gave the three of us a chance to work on something that we really enjoy doing. We’re ridiculously pleased with the results,” Reed said.

Continue reading “Beacon of Hope – The Legal Matters Bring Power Pop Shine to ‘Chapter Three’”

In Season – Chain of Lakes Debuts Intimate Live Video of ‘Next Few Winters’ EP on Sunday

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Chain of Lakes’ “Next Few Winters” EP commemorates the all-weather experiences of home, relationships and family. Courtesy photo

Chain of Lakes beautifully recreates the cozy, peaceful feel of winter in the midst of summer.

The Alto indie folk singer-songwriter brings a relaxed, reflective mood to a new live virtual performance of his latest EP, Next Few Winters, premiering 8 p.m. Sunday via The Stratton Setlist’s Facebook page and newly launched YouTube channel.

“We went in there with the idea of recreating the tracks. It’s a cool way to revisit the songs and get together with the boys. There are only three people that can play ‘Next Few Winters,’ ‘Black Ice’ and ‘Where It Starts,’ and it’s us recreating that space sonically while being in the same room together,” said Kyle Rasche, aka Chain of Lakes.

Rasche (vocals, guitar) teamed up with Jeffrey Niemeier (violin) and Kyle VanderVeen (ambient guitar) to record the intimate live show at Grand Rapids’ Second Story Sound in June. Mixed and mastered by Greg Baxter and filmed and edited by Drew VanderVeen, the video features Chain of Lakes performing inside a dimly lit, wood-paneled, red-walled studio.

“I was not envisioning sweating in shorts and a tank top while I was practicing for Next Few Winters. We had to dress a little warmer for the video so people might actually believe it was recorded back in the winter,” said Rasche with a laugh.

Continue reading “In Season – Chain of Lakes Debuts Intimate Live Video of ‘Next Few Winters’ EP on Sunday”

Time Machine – Dani Darling Unites Past with ‘The Future’ on Latest Psychedelic EP

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Dani Darling transports listeners to a boundless cosmic frontier filled with vintage-neo soundscapes on “The Future.”

Drenched in psychedelic sensibilities, space-age rhythms and funky prog-jazz fusions, Dani Darling vividly constructs an insightful time machine that revisits past reflections and welcomes future possibilities.

The Ann Arbor chanteuse-guitarist instantly transports listeners to a boundless cosmic frontier filled with vintage-neo soundscapes and never-ending stories on The Future EP, which dropped June 25.

“The kind of energy we need is that kind of New Year’s Eve vibe, like having a fresh start, feeling adventurous and wanting to see what’s out there. When it comes to these current times, I think it’s about being hopeful for the future and the energy that people have when they’re anticipating it and feeling positive about it,” said Danielle Davis, aka Dani Darling.

“That’s why New Year’s Eve is my favorite holiday; that whole energy is unmatched when everyone is hoping for something greater and looking forward to letting go of what’s in the past.”

Darling initially envisioned The Future during a winter solstice 2020 recording session at Ypsilanti’s Grove Studios. At the time, she recorded the album’s astral, improvisational jam, “The Age,” and embraced the hypnotic, psychedelic sound that emerged.

“After we all finished playing it, we stopped and looked at each other and said, ‘Whoa that was exactly it.’ Then we were like, ‘Let’s do it again,’ and the New Year’s Eve session was the one heard around the whole project. It was a seven-hour lock-in, and most of it came out of that,” said Davis about her third release and follow-up to 2020’s mystical Mage EP.

“I was also thinking about the next phase of Dani Darling coming from a very lo-fi, toned-down sound where I’m pretty limited with my resources to suddenly having this ability to bring my friends and people I really respect in musically. That really changed the game.”

Continue reading “Time Machine – Dani Darling Unites Past with ‘The Future’ on Latest Psychedelic EP”

Pathfinder – Athens Creek Discovers Strength, Inspiration on ‘The Road Home’

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Athens Creek’s Taylor Haring and Nate Jones address growth, divorce, nostalgia and sobriety on their debut EP, “The Road Home.”

For Athens Creek, The Road Home represents a poignant, personal mile-marker in a lifelong journey to overcome adversity and find redemption.

The metro Detroit Americana duo of Taylor Haring (vocals) and Nate Jones (vocals, guitar) proudly reflects on that introspective odyssey nearly a year after releasing their debut EP.

“Our original plan was to write a full album, and we wrote down on paper the ideas we had for it. The ideas that were there mostly came from that paper, which captured what we wanted to write over the next year. Unknowingly, we didn’t realize other things were going to come up,” Jones said.

“Right now, we still have a sense of pride about it. We’re glad we got through it and did it, despite the fact that it took a year and half for us to release it. It was worth it.”

Released last August, The Road Home beautifully documents Athens Creek’s original destinations of professional and spiritual growth, yet refreshingly chronicles the unexpected detours of divorce, nostalgia and sobriety across six tracks. It’s a realistic, relatable portrayal of life’s ups and downs zigzagging from one point of uncertainty to the next, especially in a pandemic.

“When everything first started to happen, we didn’t know how long it was going to last. First, it was only going to be a couple of weeks, and now it’s been nearly a year and a half later. We all had our own struggles and learning curves, but it allowed us to create and share in ways that we didn’t before as far as recording and having live meetings with each other,” Haring said.

Continue reading “Pathfinder – Athens Creek Discovers Strength, Inspiration on ‘The Road Home’”