State of Mind – VK Lynne Smashes Self-Doubt on New Upbeat ‘Brain Waves’ Single

VK Lynne’s latest single, “Brain Waves,” encourages listeners to overcome self-doubt and anxiety.

For VK Lynne, it’s simply a case of mind over matter.

The Los Angeles alt rock singer-songwriter triumphantly tackles lingering self-doubt and paralyzing anxiety on her uplifting new pop-fueled anthem, “Brain Waves,” out now via all streaming platforms.

“I wrote this song several years ago, and finally, this seemed to be the time for it. There are perceptions, expectations and stereotypes about ourselves that we sometimes unknowingly give into and allow ourselves to be held down by other people’s rules. When you finally work out that realization in your mind, your ‘brain waves’ goodbye to the ideas that don’t serve us. There is hope in that departure and freedom,” she said.

Throughout “Brain Waves,” Lynne proudly shares her personal sense of freedom as intermittent vibrant piano, rhythmic finger snaps, humming synths, fuzzy electric guitars, bouncy bass and pounding drums bolster her growing confidence. She soulfully sings, “As it always is/Ain’t how it’s gotta be/Crumpling the page and I’m aiming/For the basket next to me/I’m as empty as the can/Baby can you deal with the drama/Can you fill me up again/And we’ll hold our fire.”

“I usually write my songs in a huge heart-vomiting purge, and this one was no exception. I attempted to put together a production; I played bass, guitar and programmed drums and made the world’s worst mix right after I wrote it. But when I pulled it out this year, I decided that it deserved better,” said Lynne, who plans to release a new video for “Brain Waves” soon.

“My idea was to try something totally different. I’ve done blues, rock, metal and prog, but this had a feel that was decidedly unique to my catalog. I contacted my friends Alexx Calise and Dennis Morehouse of Batfarm. They came on to produce, and we gave this song an upbeat, pop-rock treatment that it seemed to want.”

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Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album

Bourgeoisie Paper Jam infuses timeless, addictive funk across 15 rhythmic tracks on “Sugar Fit.”

Bourgeoisie Paper Jam delectably satisfies longtime funky cravings.

The Belleville soulful funk duo of Bruce Henderson (bass, guitar, vocals) and Victoria “Vox” Henderson (vocals) sprinkles delicious basslines, tasty grooves and flavorful harmonies throughout their new album, Sugar Fit, now available via Bandcamp.

“We just took all the things that we thought were centered on funk and put them together because we were seeing a gap. People say funk is dead, and we don’t believe that. We just believe they haven’t heard something new,” said Victoria Henderson, who serves as the duo’s primary lyricist.

“Whenever we would join those funk groups, they would put old songs in there, and we were tired of hearing the same songs over and over. We can take all our different funk songs, put them together, and for somebody who likes that older funk, they might actually like this. That’s a different approach for us.”

Throughout Sugar Fit, Bourgeoisie Paper infuses timeless, addictive funk across 15 rhythmic tracks about authenticity, self-actualization, balance, lifelong love, and political and social unrest. The husband-and-wife duo eloquently adds refreshing layers of R&B, soul, disco and rock to their solid foundation of funk on their 11^th release, which was written and recorded last year in their home studio.

The album’s infectious title track blends bright, bouncy electric guitars with thumping bass, buzzy and dancey synths and honeyed harmonies for five jam-filled minutes. Together, the Hendersons reveal in Prince-like fashion, “Wanting to lose/This weight that’s holding me down/Shaking this blues/And repping my space now/It takes a challenge/For me to roar into action/But I’m just not that savage/Soooo prone to distraction.”

“The idea behind the title is that we’re all kind of having a little bit of a fit in this pandemic. We’re locked in and wearing masks and then not wearing masks and then there’s the civil unrest. We’re all having some kind of fit,” said Victoria Henderson.

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In Full Flow – Rob Crozier Jazz Ensemble Captures Improvisational Spirit on New Live Album

The Rob Crozier Jazz Ensemble Live album features tracks recorded over four nights at the Dirty Dog Jazz Cafe.

With lush instrumentation and fearless improvisation, the Rob Crozier Jazz Ensemble instantly captivates live audiences at intimate metro Detroit jazz hot spots.

The Ann Arbor jazz quartet melds spellbinding pieces of modern swing, funky soul and atmospheric world music right before an enthralled Dirty Dog Jazz Café crowd.

“That’s the heart of it and what I want people to experience at my shows. I want them to have a sense of knowing this is being created right now, and that they’re a part of it,” said Crozier, who plays bass, didgeridoo and thumb piano.

Crozier and bandmates Rafael Statin (sax, bass clarinet), Keaton Royer (piano, keys) and Rob Avsharian (drums) beautifully capture that magical live essence on their latest album, Rob Crozier Jazz Ensemble Live, which is now available on all streaming platforms.

Recorded live Feb. 6-9, 2019 at the Dirty Dog Jazz Café in Grosse Pointe Farms, the album features four jazzy Crozier classics combined with two new transformative tracks, “Leafar” and “Surrender.”

“I try to let the tracks develop with the band organically live and not over-direct it so they end up sounding fresher. When Rafael would start going off on something, the band could just follow and not have a particular set of instructions. It just really drew on the band’s ability to be spontaneous and organized in the moment,” Crozier said.

“You hear that in the little hookups rhythmically and the stuff the band does together. It’s just listening, which is what I always encourage in my group. It’s the heart of jazz. You’re playing what you’re playing, and you’re listening to make sure that you’re connecting and communicating with the rest of the band.”

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Fall Fusion – Chirp Leads Stellar Equinox Party Lineup at Grove Studios Saturday

Chirp’s Jay Frydenlund and Sam Naples groove at Danfest in August. Photo – Mark Samano

Filled with progtastic, funkified fusion, Chirp will bring upbeat, dancy grooves to celebrate autumn’s upcoming arrival Saturday at Ypsilanti’s Grove Studios.

The Ann Arbor prog-funk-jazz jam quartet will headline the Ypsi rehearsal and recording space’s annual fall-themed Equinox Party before intimate in-person studio and virtual livestream audiences.

“Ypsi audiences are always some of our favorites to play for, so we are extremely excited to play our first show at Grove Studios. It has a great music/arts scene, and my favorite part of playing for Ypsi audiences is all the creative folks we get to bump shoulders with at our shows there,” said Jay Frydenlund, Chirp’s vocalist and guitarist.

Frydenlund and his Chirp bandmates Brian Long (bass), Sam Naples (guitar) and Gastón Reggio (drums) will share the Grove Studios stage with some of the area’s most talented musical acts, including Violet Sol, Edison Hollow, Las Drogas, Fernando Silverio Solis, Jackamo, the Steve Somers Band, Ki5 Loops, Diont’e Visible and DJ Nitro.

The Equinox Party will feature seven hours of live music across three mini concerts in a small, socially distanced gathering as well as livestream sets from each artist. Attendees can purchase limited in-studio VIP tickets for afternoon, evening and night shows as well as tickets for individual artist livestream performances to watch at home.

“The Equinox Party is our annual anniversary celebration and largest event of the year where we showcase a diverse collection of artists, many of whom we’ve worked with or met throughout the year,” said Erich Friebel, Grove Studios co-founder and director of community engagement.

“We’ve decided to really blow it up with the Equinox Party this year. We’ll be hosting three, two-and-a-half-hour shows with three to four artists each and an hour of transition in between shows to cycle the artists and audiences in and out to follow the 25-person gathering rule Ypsi is currently under.”

Grove Studios has flourished in the virtual music space since launching Grove Sessions, a regular livestream performance and interview series, in March. The sessions spotlight a range of emerging and established artists and musicians in Washtenaw County and metro Detroit.

“We’re already six months into our third year on Railroad Street in Ypsilanti, which is super dope considering we’re still weathering the effects of a global pandemic and a previous three-month shutdown,” Friebel said.

“That reality, along with social distancing and gathering restrictions, encouraged us to rethink how we support the music community by moving our events to a virtual format and becoming a burgeoning media production company. We also activated our outdoor courtyard stage in May with audio and video production, which has evolved into a high-tech livestream performance format with small in-studio audiences.”

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Songs of Serenity – Monte Pride Creates Tranquil Escape on New ‘Even in Absence’ Album

Monte Pride stitches personal, transcendent moments on “Even in Absence. Artwork – Shaina Mahler

For Monte Pride, Michigan’s placid sights, sounds and scents invigorate and soothe the soul.

The Lansing folk singer-songwriter and fingerstyle guitarist beautifully encapsulates the state’s sonic sense of tranquility on his latest album, Even in Absence. With magical, pastoral references to the Grand River, Lake Superior, Pictured Rocks and other Great Lakes gems, Pride paints a seasonal, insightful canvas filled with introspective themes of loss, resilience, growth and change.

“I grew up spending a lot of time outdoors, and I’m still big into camping, fly-fishing, hiking and all that. Northern Michigan has always been a really special place for me, so it just kind of naturally makes its way in. Whether I know it or not, I process these experiences in nature and in different parts of Michigan. I think they just all kind of fall into place, and they relate to each other somehow,” he said.

Pride intricately stitches personal, transcendental moments through 10 serene Even in Absence tracks, including the calming title track. Twirling acoustic strums, glistening piano, peaceful violin and Pride’s warm vocals soothe listeners as they quietly reflect on a still September night, “Even in the ebb/The flow of going I pine/I strive to mend the losing/To know we won’t/Be parting then/Even in the changing/The fraying thread/In the almost lost/A sentiment sought/A golden friend.”

As Pride’s latest single and album title, “Even in Absence” establishes a timeless, acoustic-centered sonic quality that instantly appeals to folk music aficionados across all generations. Think hints of Simon & Garfunkel, The Tallest Man on Earth and Nick Drake fused with special musical seasonings from a Michigan-made singer-songwriter.

“When I wrote the songs and recorded them, I was only listening to old Simon & Garfunkel, Joni Mitchell and Nick Drake albums. I think their songwriting style and instrumentation came through in Even in Absence because I had been listening to them so much during that time,” Pride said.

Pride magically captures his vintage folk aesthetic through a contemplative, poignant “Even in Absence” video directed by Shaina Mahler, who also created the album’s artwork. The thoughtful video reflects Pride’s delicate performance as crystal sea-inspired ornaments and hand-held mirrors depict a quiet, dreamy world beyond the looking glass.

“She has an incredible, amazing eye and style. One day we were sitting outside in our backyard, and she decided to start taking some photos, and I just sang along to the song. She brought so much to the video and the album artwork and embroidered all of the writing on the album cover. It was really special that we were able to collaborate on both of those things,” he said.

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Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’

Angela Predhomme applauds long-term relationships on her latest single, “Changeless Sky.”

Angela Predhomme brilliantly shines in the late summer night sky.

The metro Detroit soulful pop singer-songwriter serves as an inspirational North Star for lifelong love on her latest poignant single, “Changeless Sky,” which dropped Aug. 28 via all streaming platforms.

“I’ve been married for a lot of years, and it’s really different than people who are popping in and out of relationships. If you’re in a long-term thing, then it’s the ups and downs of being there and sticking it out and growing together. Everything else changes around you, but you’re there for each other,” she said.

Throughout the glistening, peaceful monogamous track, Predhomme weaves soft piano with passionate, uplifting vocals as she sings, “No matter the sun and shade passing by/The world might be twisting, thrashing right outside/But I am your changeless sky.”

“I had the idea for the title and thought those were cool words, and it’s about this enduring, never-changing thing. I took that title and just made it a love song,” said Predomme, whose latest single is the lead track on The Stratton Playlist.

Predhomme wrote and recorded “Changeless Sky” late last year in her home studio after releasing her eloquent fifth album, Love. The tender track is the second in a series of new monthly singles from Predhomme’s uplifting, expansive multi-genre catalog, which dates back to her 2008 self-titled debut.

Finding Freedom

In July, Predhomme dropped her luminous, laid-back ode to authenticity, “So Good to Be Free,” which fuses jubilant acoustic strums, upbeat maracas, rhythmic bongos and vibrant electric guitars into an infectious Bo Diddley-inspired beat.

The shimmery single also beautifully showcases Predhomme’s signature optimistic outlook as she sings, “I don’t need the look or the trend/I’ll be the least cool of my friends/You can have all that/I won’t please the pack/‘Cause I’m free/To be whatever I choose to be.”

“It’s probably more ‘me’ than a lot of the other songs I’ve released. I used to worry about how I looked even when I went to the grocery store, and now I go in sweats and no makeup. It’s good to be free and not worry anymore about what people think,” said Predhomme, who collaborated with Nashville guitarist Cheyenne Medders on the track.

“It’s also freeing about the way I write music now. When I started, I was trying to send songs to Nashville, and I thought I was too old when I was in my 30s. I was sending songs thinking maybe some major artists would sing my songs, and I got no bites. When I started singing and releasing them myself, people started picking them up for licensing.”

Continue reading “Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’” →

Sea Change – LovelyOcean Makes Refreshing Hip-Hop Waves on New ‘Forever’ Album

LovelyOcean gets introspective on her debut album, “Forever.” Photo courtesy of Golden Poppy

For LovelyOcean, the right words bring a welcome songwriting sea change.

The Los Angeles hip-hop singer-songwriter poetically shares her innermost thoughts about authenticity, self-awareness, passion and growth on her vintage-inspired debut album, LovelyOcean Forever, which dropped Aug. 14 via all streaming platforms.

“Forever started off with the idea of manifesting how I wanted my 2020 to go. I wanted to speak my wishes into existence through music. Words are some of our most powerful forms of manifestation. The themes in this album just came naturally since they’re real experiences,” she said.

LovelyOcean beautifully turns the hip-hop tide through eight reflective tracks infused with shiny synths, slow jams, catchy rhymes, euphoric beats and palpitating electronic percussion. Forever serves as a modern underground mixtape to inspire emerging and established female hip-hop artists looking for a new musical shoreline.

It’s the type of cassette artists would pass back and forth to create a stronger sense of camaraderie, collaboration and community. The exquisite “Forever (Intro)” sets an ideal old-school tone as the mixtape instantly clicks into a worn boombox and compelling skits from “The Maury Povich Show” are interspersed throughout the brief track.

Quiet, thoughtful piano echoes LovelyOcean’s introversion and peaceful presence as she reflects, “I could try to be louder or extroverted, but there’s beauty in my silence. From my silence comes observation, awareness, a story, a song, a forever.”

“I want to say that I started writing in February of this year, but once quarantine started I put everything on pause because I was super uninspired. One day I woke up, listened to two beats and then just started writing. All in all, it took three months to get everything written, recorded and edited. We converted a closet in the living room into our studio so every track recorded was in the closet,” LovelyOcean said.

Continue reading “Sea Change – LovelyOcean Makes Refreshing Hip-Hop Waves on New ‘Forever’ Album” →

Pieces of the Puzzle – Marcio Hendrik Makes Sonic Connections for Film Scores, Soundtracks

As a longtime musician, Marcio Hendrik composes film scores and soundtracks through Artigo Audio in Rio. Photo courtesy of Marcio Hendrik

Marcio Hendrik relishes solving complex sonic puzzles.

The Rio de Janeiro guitarist-bassist-producer strategically connects discrete audio pieces to create captivating film scores and soundtracks through Artigo Audio.

Together, those emerging instrumentals unfold a hidden classic-meets-alt-rock world filled with enticing people, places and experiences. With limitless possibilities and choose-your-own-adventure storylines, listeners travel to an undiscovered, intergalactic dimension, a drug-infested Edinburgh and a nocturnal-inspired Hollywood.

“I like to dismantle all the pieces that I put together, like a puzzle, and then dismantle them again to make the music neat and clear,” Hendrik said.

For his latest score, the forceful, driving “Russian Dance” jumps to hyperspace as charging, vibrant electric guitars, booming drums, throbbing bass and crashing cymbals provide a Black Sabbath-esque space jam.

Next, listeners instantly shift to Scotland as “Skag Boys” propels into an alt-punk rock frenzy with swift, crunchy electric guitars, pounding drums, banging cymbals and driving bass in an Irvine Welsh-like heroine culture.

After sonically leaving the U.K., a third Hendrik stop includes a late-night stroll down Sunset Boulevard on “Hollywood Moon” as bluesy, fuzzy electric guitars, shimmering cymbals, delicate drums and thoughtful bass echo along the concrete jungle.

“I have an inclination for making soundtracks, especially because Hollywood has this feel of a classic place. If you see the buildings, it looks like you’re in the ‘50s, and the people you see on the street are totally different. It’s like you’re in a time warp,” said Hendrik, who studied audio engineering abroad at Los Angeles’ Musicians Institute in 2016.

“I put myself in the shoes of somebody who’s delusional walking around Hollywood searching for something that may fulfill their delusion. Sometimes I would go to Jameson’s Irish Pub, and if I got loaded, I would leave the whiskey bar and start walking around Hollywood to talk to everybody.”

“Hollywood Moon” also features Hendrik’s mesmerizing instrumental collaboration with Ania, a Los Angeles heavy metal singer-songwriter and guitar virtuoso, who beautifully shreds throughout the haunting psych rock track.

“I found her online during social isolation. I was building my website for my production company, and I started reaching out to people saying, ‘Hey, do you want to produce or record something?’” he said.

“I was on Facebook, and I added Ania because I saw she attended the same school I that did in Hollywood. After we had a conversation, I realized she was just like me, a musician who wanted to record. It was amazing because she brought me results within a week.”

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Hip-Hop Hope – Formula 734 Brings Sense of Community to Washtenaw County Men of Color

Formula 734 brings intergenerational men of color together to create hip-hop anthems about overcoming struggles and sharing successes. Artwork – CW Creatyv for Be Creative Studios

As a fresh community-based hip-hop album, Formula 734 poetically encapsulates shared stories of struggles and successes for men of color in Washtenaw County.

“I feel as though we’ve created a historical document for this particular time in history for Washtenaw County that people can refer to, or they can gain some primary source analysis of what it was like to be in Washtenaw County during the COVID-19 pandemic and the unrest related to the death of George Floyd,” said Rod Wallace, who co-executive produced the project with Jamall Bufford.

In partnership with Washtenaw County My Brother’s Keeper (WMBK), the Ann Arbor Area Community Foundation and the Washtenaw Intermediate School District, Wallace and Bufford assembled an intergenerational group of disparate male creatives to write, record and release a compelling 12-track album with emerging hip-hop artists, producers and engineers.

“Jamall and I started to talk about our desire to engage young people with hip-hop in a positive way that taught a number of different skills. We started planning for the project, and our first meeting was in November,” Wallace said.

From November to February, Wallace and Bufford hosted Formula 734 meetings and recording sessions every two weeks with male creatives and hip-hop collaborators to build trust, teamwork and camaraderie at Grove Studios, The Workshop and The Neutral Zone’s Orpheum Studio.

Each gathering included a meal and a huddle to enrich, energize and inspire participants before they wrote and recorded music with Louis Picasso, Tru Klassick, Sam Watson, Beretta Shells, Konphlict, King Ogundipe and Approachable Minorities’ Drew Denton and TJ Greggs.

“One of the intentions of WMBK is to engage in discussions with men across generations as opposed to only focusing on young men. There are men across the spectrum of color who need support and who need positive experiences, so we try to bridge that gap, and through this project, we were able to do so,” Wallace said.

Concocting Formula 734

With Wallace and Bufford at the hip-hop helm, Formula 734 weaves introspective rhymes, thoughtful monologues, crisp beats, old-school jams and deep grooves while authentically amplifying the voices of local men of color. All 12 tracks challenge false narratives about men of color and raise awareness about the underlying causes of systemic racism.

“We want change to happen in our communities, in our neighborhoods and in our schools. One album probably won’t accomplish that, but we want this to be a stepping stone in the right direction to some of the systemic changes that we want to see for black men and young men of color in our community and around the country. We want this to hopefully be a catalyst for the conversation that needs to take place about what’s happening in our communities,” said Bufford, who’s a WMBK project specialist and Formula 734 co-executive producer.

Continue reading “Hip-Hop Hope – Formula 734 Brings Sense of Community to Washtenaw County Men of Color” →

Ship Ahoy – All At Once Navigates Pop-Punk Sea of Possibilities on New ‘Sailors’ Single

All At Once’s Pablo Gonzalez, Adrian Garth and Eduardo Guajardo. Photo – Diego Carrales at Voce Studio

Throughout their latest uplifting single, “Sailors,” the Monterrey, Nuevo León pop-punk trio of Adrian Garth (vocals, guitar), Eduardo Guajardo (guitar) and Pablo Gonzalez (drums) energetically chronicles encountering rough waters en route to uncovering a buried musical treasure outside Mexico.

“The chorus says, ‘We are the sailors who don’t leave this ship.’ Well, the ship is the band and our dreams. I know for every band it’s super difficult to make it and have success, but I find it extremely more difficult to be in another country and try to make it in a scene that’s not in your country or in your hometown,” said Garth, who wrote “Sailors” in February and co-produced it with Mauricio Colunga.

“We were talking about that right before we got on the plane to LA for the music video for ‘Break Me.’ We were like, ‘Well, it doesn’t matter if it’s difficult, and it’s not going to get easier anytime soon, but it doesn’t matter because we want what we want, and we’re gonna get it no matter what.”

All At Once’s admirable determination surges throughout “Sailors” as reverby, crunchy electric guitars swirl amid echoey background vocals, exuberant bass, humming synths and pounding electronic drums. About 20 seconds into the track, the trio erupts into a Blink 182-esque, sea-faring fury as driving electric guitars, rhythmic bass and thumping drums bounce listeners from one sonic wave to another.

While moving full-speed ahead, Garth enthusiastically sings akin to Owl City, “The warmest lights are here right now/We’re shining bright up in the sky/Together we can touch the clouds/We’ll sail this boat until the end/We are the captains once again/Roller-coasting our way.”

“The ‘captains’ part is about us handling ourselves and not letting anyone else interfere with us, but I really like the lyric that says ‘Roller-coasting our way.’ I love roller coasters, and this was something that took me a long time to figure out – everything you do no matter what it is has its ups and downs, so that’s what I meant about it. It’s gonna be good, it’s gonna be sad, and I’m gonna be angry sometimes, and I’m gonna be super happy, but I’m going to be crying sometimes,” Garth said.

All At Once beautifully captures their optimistic outlook through a “Sailors” companion lyric video, which features an 18^th century-inspired ship coasting along a pink turbulent ocean in a pastel neon dreamscape.

“We decided to include the lyrics on the screen with these really cool movements from side to side that mimic a ship on the water. My bandmates really liked it, and we couldn’t wait to release it,” said Garth, who created the lyric video.

Continue reading “Ship Ahoy – All At Once Navigates Pop-Punk Sea of Possibilities on New ‘Sailors’ Single” →

The Stratton Setlist

Catch the opener. Stay for the encore.

Category: Albums