Category: Artists

Back in Time — “Experience the Music of 1971” Show Pays Tribute to Songs From a Definitive Year

In high school, Billy Harrington started compiling iTunes playlists of his favorite music.

Those playlists included music recorded at Motown and Stax Records as well as songs and albums released in 1971.

“I became someone who was really interested in the liner notes, and I was making my own custom columns of [music] being done in [different] studios,” said Harrington, a drummer-producer based in Ann Arbor, Michigan.

“I also had playlists based on different years, and I kept noticing all of these great records that were happening in 1971. [That year] kept popping up, and it wasn’t just albums that I knew were famous and popular, but they happened to be my favorite albums. They were my cherished recordings, and they all kept coming out in 1971.”

Years later, Harrington and his brother, guitarist Michael Harrington, met Mark Jay, owner-engineer of Ann Arbor-based Immerisfi Recording Services. They would often discuss music while hanging out at the bar, and many of those conversations led to a love of music from the 1970s.

“We’re air-drumming to all of these songs, and it became a laughable inside joke,” said Harrington, who’s produced several artists and performed and toured nationally with different tribute shows. “We’d say ‘This is ’71 again.’ It kept coming up, and Mark was one of the inspirations to push it into the show world.”

What resulted is “Experience the Music of 1971,” a revue-style show that takes place October 11 at the Canton Village Theater and pays tribute to music recorded and released that year. 

It’s a time when Carole King, James Taylor, Led Zeppelin, The Who, Marvin Gaye, David Bowie, and others released era-defining music.

“We had done a James Taylor show, and we had done a Beatles-themed show,” said Harrington, who’s co-producing Experience the Music of 1971 with Michael Harrington and working with Jay as one of the show’s sponsors.

“Both of those shows were at the Canton Village Theater, and we thought, ‘Maybe it’s time to do something new.’ And 1971 was highly requested by Mark, and I thought, ‘There’s so much great music that I want to play on stage with people.’”

I recently spoke to Billy Harrington, Michael Harrington, and Mark Jay about the show ahead of its debut at the Canton Village Theater.

Continue reading “Back in Time — “Experience the Music of 1971” Show Pays Tribute to Songs From a Definitive Year” →

Living the Dream — Jennifer Hudson-Prenkert Builds Community Through Kalamazoo’s Sounds of the Zoo Music Festival

Jennifer Hudson-Prenkert, founder, curator, and director of Sounds of the Zoo. Courtesy photo.

When it comes to curating a music festival, Jennifer Hudson-Prenkert looks to Willie Nelson.

She remembers watching Nelson and other artists perform during Farm Aid when it aired on TV while she was growing up.

“I never went to it, but somehow, through the TV, it made me feel like there were legitimate people running it,” said Hudson-Prenkert, who’s based in Kalamazoo and is the founder, curator, and director of the Sounds of the Zoo music festival.

“There was something different about Farm Aid from a regular trying-to-make-money music festival. Obviously, we know it’s for farming, but it’s about quality. You get good artists to come in, and the artists want to be there.”

She took that inspiration and ran with it for planning, organizing, and spearheading the inaugural Sounds of the Zoo festival in 2022. The festival was the perfect antidote for reinvigorating local live music coming out of the pandemic.

“I feel like the Farm Aid mentality, to me, was given a mission and had the right people in play. It was the curated invite and not the mentality of saying, ‘You’re not worthy,’” Hudson-Prenkert said.

What resulted is a free-admission festival filled with 50-plus acts performing at eight locations over a week. It also includes music industry workshops and documentary screenings.

“I have different genres of music, and this is a community,” Hudson-Prenkert said. “It’s a mission-driven music festival, so it means all things.”

Hudson-Prenkert is gearing up for the fourth Sounds of the Zoo festival, which runs September 22-28, and features performances from Hannah Laine, Super Dre, Jordan Hamilton, Luke Winslow-King, Louie Lee, Jennifer Westwood and The Handsome Devils, Yolonda Lavender, The Go Rounds, and others.

There’s also a “Push the City Cypher” competition, the premiere of the Kalamazoo Gals documentary, busking stations, and workshops by Maggie Heeren and Chris Simpson.

To learn more, I recently spoke with Hudson-Prenkert about her background and the festival.

Continue reading “Living the Dream — Jennifer Hudson-Prenkert Builds Community Through Kalamazoo’s Sounds of the Zoo Music Festival” →

Fighting Fires with “Fires” — The City Lines’ New Album Explores Heritage, Mental Health, and The Environment

Pat Deneau, Bob Zammit, and Megan Marcoux of The City Lines. Photo by Crista Deneau.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog and has been expanded for this publication.

Pat Deneau sings about the adrenaline rush he gets from work and music on the song “Hits the Same.”

The musician-firefighter’s heart pounds as he climbs on a firetruck with the Ann Arbor Fire Department, or sets foot onstage with The City Lines and sings, “I don’t know what I’m doing here / But my heart is racing / Is this the price to feel so alive?”

“When I’m singing those lines, I’m almost picturing like I’ve got the hose line in my arm, and I’ve got my buddy on my back pushing me in and the fire’s pouring overhead,” said Deneau about the anthemic opener from the Ann Arbor trio’s new album, Prescribed Fires. “It feels exactly the same as flipping the standby switch on the amp, and the volume control is up and the cymbals wash.”

“Hits the Same” also sets the compelling narrative for The City Lines’ third album, which explores parenthood, career, mental health, heritage, and the environment.

Through that narrative, the alt-rock band shares cathartic experiences that confront the past and promote future growth. Metaphorically, it’s akin to a prescribed fire, an environmental stewardship practice that relies on controlled flames to restore health to ecosystems.

“And so we’re writing honest music about what this is like,” said Bob Zammit, drummer for The City Lines. “I accept that some people are not going to connect to it because it’s theoretical for them—they’re not in that space. But my sincere hope is that for some people who are, there’s not 100 records released in Southeast Michigan that cover the same topics.”

Prescribed Fires examines those topics through existential lyrics, heartfelt vocals, and bold instrumentation.

“We’re talking about some heavy stuff here, but the production on the record is so upbeat,” Deneau said. “It sounds kind of late ‘90s, early 2000s rock, and I think that’s a cool juxtaposition. I think that worked out really well for this collection of songs.”

Deneau, Zammit, and Megan Marcoux (bass, flute, vocals) will soon share that new collection of songs during an October 24 album release show at Ziggy’s in Ypsilanti.

I recently spoke to Deneau and Zammit about Prescribed Fires ahead of the band’s show.

Continue reading “Fighting Fires with “Fires” — The City Lines’ New Album Explores Heritage, Mental Health, and The Environment” →

Origin Story — Studying Popular Music and Preparing for The Stratton Setlist

At age 5 with my first record player, a Fisher-Price Change-A-Record Music Box Record Player

Editor’s Note: This is the first installment in a multipart series celebrating the 10th anniversary of The Stratton Setlist.

I never planned to be a music journalist, but I’ve been unknowingly training for it my whole life.

My parents and older brother, Steve, served as my coaches, offering me different educational resources along the way—ranging from albums, TV shows, and magazines to concerts and festivals.

Those resources helped shape my love of music, a desire to acquire more music knowledge, an obsession with live music and physical media, and an uncanny ability to remember all kinds of music facts and trivia. It was that lifetime of training that quietly prepared me to eventually seek a profession that combined my passion for music with writing.

Now, nearly 45 years later and a decade into running my own music blog, here’s how it all started.

Continue reading “Origin Story — Studying Popular Music and Preparing for The Stratton Setlist” →

Three of a Kind — Triana Makes Live Debut September 13 at Livonia’s Trinity House Theatre

Triana’s GlenBrooke, Julianne Ankley, and Michelle Chenard. Courtesy photo.

Last fall, three friends decided to create a new project.

Michigan singer-songwriters Julianne Ankley, Michelle Chenard, and GlenBrooke formed the group Triana after doing a songwriter round at Lake Orion’s 20 Front Street.

“It was well-received, and we had so much fun performing together that we decided to turn it into something,” Ankley said. “I suggested the name Triana, which means ‘three rivers.’ Since we are three different women with three different styles, it seemed fitting.”

Nearly a year later, Ankley, Chenard, and GlenBrooke are fusing their country, Americana, blues, and rock influences together for Triana’s rich, harmony-driven sound. The trio will share that sound during a September 13 performance at Trinity House Theatre in Livonia.

“We all come from different musical directions, which seem to blend together,” Ankley said.

To learn more, I did an email interview with Ankley about Triana ahead of the show.

Continue reading “Three of a Kind — Triana Makes Live Debut September 13 at Livonia’s Trinity House Theatre” →

Heartbreak and Healing — Trey Simon Explores the Grief of a Miscarriage on “Jesus Hold My Baby” Single

Trey Simon works through heartbreak on “Jesus Hold My Baby.” Photo – Noah “Santo” Juuhl

Trey Simon understands the grief that comes from a miscarriage.

The Rochester Hills, Michigan, singer-songwriter and guitarist processes that emotion and mourns that loss as a father on “Jesus Hold My Baby.”

“Ignorantly, you think you’re invincible,” said Simon about his latest Christian Americana single. “Everything with [our first son] Wisdom went so smoothly and perfectly, so we said, ‘Let’s do it again.’ We were expecting the same thing, and then seeing my wife go through that was one of the hardest things I’ve ever walked through.”

Two months into their second pregnancy, Simon and his wife, Lindsey, lost the baby and struggled with how to move forward.

On “Jesus Hold My Baby,” Simon sings, “I don’t know how we can move on / How do we ever try again? / I never wanna relive the heartbreak / Can there be a second chance?”

“When you love somebody and something’s wrong, you want to fix it with everything,” he said. “This is one of those things that I felt like I had to endure with her, and it was something I couldn’t fix. The thing that amazed me was that [roughly] one in [four] pregnancies, a miscarriage happens. I never knew that, I never dreamed of this happening—I never thought it would ever happen to me.”

Fortunately, Simon and Lindsey worked through their heartbreak and were able to conceive again. Their second son, Canaan, was born in July.

“We decided to go for it, and we had a healthy pregnancy,” Simon said. “It’s been beautiful, but it gave me a whole new perspective and a real heart for people who experience child loss and experience miscarriage. I really want to be a champion of those things and a supporter. Hopefully, this song can be a source of healing for many.”

I recently spoke with Simon about his latest single ahead of a September 19 show at The Apostolic Church of Auburn Hills in Auburn Hills, Michigan.

Continue reading “Heartbreak and Healing — Trey Simon Explores the Grief of a Miscarriage on “Jesus Hold My Baby” Single” →

Everything Will Be OK — Blockhouse Valley Learns From Life’s Disappointments on “It’s Alright” Album

Blockhouse Valley’s Danny Steinkopf, Cody Cooper, Ashleigh Glass-Cooper, and Jon Howard. Photo – Kyla Preissner

Blockhouse Valley finds a silver lining in life’s disappointments.

The Americana band embraces the growth and wisdom that comes from personal and professional challenges on It’s Alright.

“A lot of it was the decompression of our days and things that were weighing on us,” said Ashleigh Glass-Cooper, Blockhouse Valley’s vocalist, about the Metro Detroit band’s latest album.

“It also was thoughts we were having and things that were racing through our minds that we were able to capture in those times and hold onto for moments where we could make something better out of them.”

Glass-Cooper traded those thoughts and feelings with husband, musical partner, and mandolinist-guitarist Cody Cooper during their daily commutes home from work.

“It wasn’t that we sat down and said, ‘Let’s write songs about this,’” she said. “We tend to talk about [things] on our commutes, and our brains get a chance to decompress in ways that we don’t always set time apart for otherwise.”

Those conversations laid the groundwork for It’s Alright, which features eight tracks filled with soulful vocals, clever lyrics, and infectious instrumentation.

“We gave them a structure, a context, a musical home that we could potentially share with other people,” Glass-Cooper said. “And we think [the songs] are really relatable because we don’t want to dwell on all of the negativity. We don’t want to give it more power through what we’ve done, but we do want to provide that release.”

To learn more, I spoke with Glass-Cooper and Cooper about the album, its themes, and the creative process behind it.

Continue reading “Everything Will Be OK — Blockhouse Valley Learns From Life’s Disappointments on “It’s Alright” Album” →

Begin Again — Anne Domini Processes Growth and Independence on “Summer Snows” Album

Anne Domini. Photo – Aaron Glen

Anne Domini embraces a growth mindset on Summer Snows.

The Metro Detroit singer-songwriter and multi-instrumentalist confronts past struggles and rediscovers a sense of purpose on her latest folk album.

“Summer Snows is the story of me growing up,” Domini said. “The first song, ‘Jello,’ starts with how the world feels like Jello, how everything is terrible, and I’m scared. It’s [about] that first year of growing up and what does that look like and me processing that.”

On her second full-length album, Domini processes the growth that comes from tackling mental health challenges and gaining independence.

“There was a lot that happened that was big and heavy, and I couldn’t process it on my own,” she said. “My goal is to write [music] in a way that other people can listen to the songs and see themselves in it. They can see it address their situation, they can gain comfort, and they can gain wisdom through the songs and interpret them in their own way.”

Domini’s poetic lyrics, warm vocals, and emotive instrumentation quickly invite listeners into Summer Snows. The album’s 11 tracks elicit a wealth of emotions while exploring existential and spiritual themes.

“I do think God gave me the love of music, or he just made me in a way that I loved music,” she said. “That is definitely an outlet that I have found.”

I recently spoke with Domini about the inspiration behind her album.

Continue reading “Begin Again — Anne Domini Processes Growth and Independence on “Summer Snows” Album” →

The Navigator — Discipline Explores Life in the Digital and Physical Worlds on “Breadcrumbs” Album

Discipline’s Chris Herin, Mathew Kennedy, Henry Parmenter, and Matthew Parmenter. Photo – Bryant Stuckey

Discipline understands the struggles of navigating the online world.

The prog-rock band weighs the permanency of having a digital footprint with the instant gratification of using new technology on “Breadcrumbs.”

“In my mind, the origin of it was also this notion that when we look at ourselves, we change during our lifetimes,” said Matthew Parmenter, Discipline’s frontman and multi-instrumentalist, about the title track from Breadcrumbs.

“And here we are in this age where so much of what we do is captured, and now, how do we each get to have that luxury that I had as a person growing up, which is to make mistakes and to learn a little from them and to change as we grow. How do we do that when everything we do or utter is recorded forever online?”

Discipline explores that thought as Parmenter sings, “Should we have known / Might we have chosen for ourselves / Now it’s the platform decides / What survives archives our lives.”

“I fear that it leads us to having to become like extreme versions of ourselves, because once you say it, you gotta live up to it,” said Parmenter, who’s based in Metro Detroit. “You can’t let it go. You can’t wake up the next day and say, ‘I probably shouldn’t have said that.’ It’s gone, it’s there. So these were some of the thoughts that generated that particular song.”

In addition to the title track, Parmenter and his Discipline bandmates—guitarist Chris Herin, bassist Mathew Kennedy, and drummer Henry Parmenter—shine on their latest album, Breadcrumbs.

Parmenter’s haunting vocals and philosophical lyrics, along with the band’s spellbinding instrumentation, take listeners on a contemplative journey across five tracks.

To learn more, I spoke with Parmenter about his background, the band, and the album.

Continue reading “The Navigator — Discipline Explores Life in the Digital and Physical Worlds on “Breadcrumbs” Album” →