Inside Out – Kylee Phillips Gets Vulnerable and Introspective on New “Long Time Coming” EP

kylee-phillips-800 — Kylee Phillips shares a spectrum of emotions on “Long Time Coming.” Photo – Kris Herrmann

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Kylee Phillips deliberately steps outside herself and looks inward on Long Time Coming.

The indie-pop singer-songwriter and keyboardist examines past vulnerabilities and realizations through a wiser lens on her new EP.

“It’s very autobiographical. Honestly, writing them was less about sharing them with other people and more about admitting things to myself,” said Phillips, who lives in Ypsilanti, Michigan.

“In the writing process, I struggle sometimes to be vulnerable or to process my own feelings in real life. I joke that sometimes you could ask me how I feel about a situation and I would say, ‘I don’t know,’ and then I would write a song and go, ‘I guess that’s how I feel about it.’”

On Long Time Coming, Phillips shares a spectrum of emotions—ranging from disappointment to anticipation to relief—across five introspective tracks. The EP’s cathartic lyrics and atmospheric pop instrumentation allow listeners to instantly grasp and connect with Phillips’ perspective.

“A lot of these songs were things that I was describing, especially ‘Long Time Coming,’ and are like the closets in your house where you put stuff and you’re like, ‘I’m not going to think about it; I’m going to pretend that all that crap has been in there,’” Phillips said. “Then at a certain point, you say, ‘I’m gonna have to look in that closet.’”

Continue reading “Inside Out – Kylee Phillips Gets Vulnerable and Introspective on New “Long Time Coming” EP” →

Until Now – Bill Edwards Shares Personal Tales of Life and Love on ‘So Far’ Album

Editor’s Note: This article also appears on the Ann Arbor District Library’s Pulp blog.

As an accomplished songwriter, Bill Edwards often tells stories from multiple perspectives across an astonishing catalog of songs.

This time, the prolific Ann Arbor singer-songwriter and multi-instrumentalist opted to share his own stories on his new Americana album, So Far.

“The songs are all, without exception, autobiographical, making this the most personal record I’ve ever released. I’ve reached an age where it seemed like it was time to look both backward and forward,” Edwards said.

“The future is never guaranteed, and I wanted some of these feelings captured. There’s a lot of emotional territory covered on the album, and it all feels true to me.”

On So Far, Edwards features 14 tracks that collectively reflect on a life filled with optimism, love, gratitude, loss, wisdom and nostalgia. The album’s honest sentiment, introspective lyrics and earnest instrumentation invite listeners to contemplate their own lives alongside Edwards.

“I wrote probably 50 songs that may have been candidates for this record over the past year or so,” he said. “I’m always writing, and these tunes got swapped in and out as new material came to be.”

I recently spoke with Edwards about opening for Rodney Crowell, writing tracks for So Far, recording his new album, hosting an album release show at The Ark and working on new material.

Continue reading “Until Now – Bill Edwards Shares Personal Tales of Life and Love on ‘So Far’ Album” →

In Harmony – Metro Detroit’s Voxanna Forms During Pandemic and Releases Compelling Self-Titled Debut Album

voxanna-1 — Voxanna’s Billy Brandt, Elaine Schoendorf, Raquel Salaysay and Kerry Gluckman share rich harmonies and a timeless acoustic folk-rock sound on their self-titled debut album. Photo courtesy of Voxanna

When the pandemic first hit, Billy Brandt, Elaine Schoendorf, Kerry Gluckman and Raquel Salaysay unexpectedly found a silver lining during a dark time.

The two couples and musical collaborators experienced a burst of creativity and formed Voxanna, a new acoustic folk-rock band from Metro Detroit.

“It’s something amazingly positive to do,” said Brandt, one of the band’s vocalists and a guitarist, banjoist and autoharpist.

“It started with Kerry, Raquel and me—though I had met Elaine right before the pandemic. We trusted each other, and for some reason, we had an instinctual feeling that we’d be OK if we gathered to play music, so we did.”

At the outset, Brandt gathered with Gluckman (percussion) and Salaysay (bass, vocals) to jam outside the couple’s house and started recording their performances.

“We videotaped everything, so everything was a performance … and that worked very well in our favor. People really enjoyed seeing us from their lockdown homes or whatever apartment they were living in,” Brandt said.

“This live music seemed to get 100, 300, 500 and 1,000 likes every time we posted, so we built a small online community that’s very different from an in-person community. We had good responses, and it kept us going.”

That momentum prompted Brandt to bring Schoendorf (tenor guitar, vocals) into the fold after the two had started singing and harmonizing together in 2019.

“We had been working our thing concurrently with Kerry, Raquel and I working out this trio—this rhythm section thing,” Brandt said. “But we were missing one thing and that was three-part harmonies, so we eventually put it all together.”

Continue reading “In Harmony – Metro Detroit’s Voxanna Forms During Pandemic and Releases Compelling Self-Titled Debut Album” →

Major Release – Melanie Pierce Confronts Dark Feelings of the Past on ‘Stir Crazy’ Single

melanie-pierce-750 — Melanie Pierce takes a fearless approach on “Stir Crazy.” Photo – Hannah McWhorter

Melanie Pierce doesn’t hesitate to confront the dark feelings of the past.

The Detroit pop-rock singer-songwriter exposes deep frustration and disappointment from a former relationship on her confessional new single, “Stir Crazy.”

“This song was a huge release … it’s delicate, and one of those feelings was coercion,” Pierce said. “It brought closure by allowing me to get it all out as well as adding a little poetry to the mix.”

Alongside fearless electric guitar, bass and drums, she sings, “It hasn’t been seven years yet but who’s counting / It won’t be long until I’m a different person / And I’m comforted in brand new skin / A place I know your hands have never been.”

“I had been processing feelings from this song for a long time and being able to write about it a bit poetically was very cathartic,” Pierce said.

Pierce captured “Stir Crazy’s” cathartic and courageous feel with co-producer John Katona, co-producer/guitarist/bassist Tom Mihalis’ and drummer/percussionist Dalton Thomas at Shelby Township’s JK (Not Kidding) Studios.

“John, Tom and Dalton took the song to the next level,” she said. “This one specifically felt very dialed in from the start, meaning that it truly was an amazing experience to have Dalton come in and immediately be on the same page about where the song was headed stylistically.”

Continue reading “Major Release – Melanie Pierce Confronts Dark Feelings of the Past on ‘Stir Crazy’ Single” →

Local Roots – The JR Band Shares Down-Home Stories of Love and Adventure on ‘Heart Street’ Album

the-jr-band-750 — The JR Band’s John Patrick and Randy Juhl share rich elements of bluegrass, folk and country on “Heart Street.” Photo courtesy of The JR Band

The JR Band fondly remembers the early days of jamming at a local coffee shop.

The Bay City, Michigan duo of John Patrick (vocals, guitar) and Randy Juhl (vocals, guitar, bass, violin) revisits the camaraderie and creativity that arose from those caffeinated bluegrass sessions on “Heart Street.”

“It was called Brewtopia, and we played there for many years. I have a DVD where we started at two o’clock and ended at eight o’clock; it was six hours of bluegrass,” said Juhl about the title track from the Americana duo’s latest album, Heart Street.

“I hooked up with Rusty [Beyer], who was one of my friends, and he directed me toward the coffeehouse where we played in the bluegrass band for many years … and that’s where I met John.”

While the bluegrass band eventually dissolved, Juhl and Patrick continued performing together and became a duo about three years ago. Today, The JR Band celebrates their longtime musical partnership and the spirit of community on “Heart Street.”

Sentimental banjo transports Patrick to the past as he sings, “There’s a place we go / Where the music plays / A cup of coffee, an old café / Banjo strings ringing / Ring me back to life.”

“It’s about getting out of our weekly routines, too, because everybody works,” Juhl said. “It’s like, ‘Let’s go play some music.’”

Continue reading “Local Roots – The JR Band Shares Down-Home Stories of Love and Adventure on ‘Heart Street’ Album” →

Nonlinear Tales – Eliza Thorp’s ‘Stories We Told Along the Way’ Album Ebbs and Flows With Life Experiences

eliza-thorp-750 — Eliza Thorp shares wise tales of contemplation, strength and growth on “Stories We Told Along the Way.” Photo courtesy of Eliza Thorp

For Eliza Thorp, life doesn’t always travel in a straight line.

The Petoskey, Michigan indie-folk singer-songwriter and pianist’s personal experiences ebb and flow with the passage of time on Stories We Told Along the Way.

“It’s 99 percent autobiographical, and I never really set out to write for other people,” said Thorp about her latest album.

“Songwriting has always been this thing for helping me to make sense of things in my life. It also puts a different lens on it to understand it a little bit better or to hold it in a different way.”

Those different perspectives allow Thorp to process and share wise tales of contemplation, strength and growth across a dozen cathartic tracks.

“It’s definitely cathartic, and it’s really interesting as a songwriter to see which themes keep coming back to you. It’s like, ‘Well, maybe I haven’t really fully unearthed that, whether it be an emotion or that theme yet,’” she said.

“That was the idea or that concept with the title Stories We Told Along the Way, and with it being about life experiences that some people might be able to relate to.”

Thorp’s intimate “stories” feature vulnerable lyrics, soft vocals and earnest acoustic instrumentation set against a backdrop of northern Michigan imagery.

Vivid references to seasons, landscapes, creatures, the cosmos and weather patterns allow listeners to better visualize Thorp’s picturesque world in their mind’s eye.

“Nature has such a huge impact on everything in my life, particularly my overall well-being. I often find comfort in nature, and I feel like it’s where I can slow down a little bit,” she said. “And then I feel like lyrics might come to me in those quieter moments while I’m out on the trail somewhere.”

Continue reading “Nonlinear Tales – Eliza Thorp’s ‘Stories We Told Along the Way’ Album Ebbs and Flows With Life Experiences” →

Sobering Thought – Erin Zindle & The Ragbirds Remember a Late Friend’s Determination to Overcome Alcoholism on “Liquor Store” Single

ragbirds-750 — Erin Zindle & The Ragbirds honor a late friend’s memory and his determination to overcome addiction on the new single, “Liquor Store.” It’s the latest release in a series of new singles from the band, which includes Shannon Wade, Erin Zindle, Loren Kranz, and TJ Zindle. Photo courtesy of Erin Zindle & The Ragbirds

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Erin Zindle & The Ragbirds remember a late friend’s strength and determination to overcome alcoholism on “Liquor Store.”

The bluesy new single from the Ann Arbor folk-rock band addresses the daily struggle Nelson Whitehorse faced while trying to fight addiction and follow a path to recovery.

“He was from St. Louis actually and moved to Ann Arbor to be in a band with me, and we lived together for a year,” said Zindle about Whitehorse, who passed away several years ago. “We lived on the west side of Ann Arbor and he had been an alcoholic since childhood.”

Throughout “Liquor Store,” Erin Zindle and bandmates TJ Zindle (electric and acoustic guitar, vocals), Loren Kranz (drums, vocals), and Shannon Wade (bass, vocals) chronicle Whitehorse’s ongoing challenge of having to walk past a liquor store each day to visit the local Alano Club.

Ominous keys and drums follow Zindle as she sings, “You said ‘Grace is new every morning’ / As you stared into your black coffee cup / Today you’re gonna make it past the liquor store / To get to the Alano Club.”

“I saw that battle play out over and over every day, and sometimes he made it, and sometimes he didn’t,” she said. “The daily work is just getting there every day.”

The band opted to release “Liquor Store” on September 14, which coincides with National Sober Day, to celebrate sobriety and raise awareness about addiction.

The track also helps Whitehorse’s family and friends to take comfort in his memory as a “hilarious, loyal, giant-hearted friend” as Zindle noted in a Ragbirds’ Facebook post.

“The message I hope people will take away is that today you’re going to make it,” Zindle said. “It literally is just that one day at a time. I’m so grateful that the song came to me, and it came with that wisdom to know not to add any message to it.”

We recently spoke to Zindle about the band’s new single, its strategy for releasing new songs and an upcoming album, the inspiration behind several tracks, the creative process for writing and recording them, a Halloween show at The Ark, and additional plans for new material.

Continue reading “Sobering Thought – Erin Zindle & The Ragbirds Remember a Late Friend’s Determination to Overcome Alcoholism on “Liquor Store” Single” →

The Soundcheck – Jennifer Westwood and The Handsome Devils, Brian Perrone, Hard Luck Pete & The Wrong Way Streets, Marty Kohn, Grooblen and Johanna Beekman & Ben Leinbach

For the September “Soundcheck,” I assembled a collage of new releases that represent a season of change. Whether it’s being resilient, overcoming heartbreak, reflecting on the past or entering a new dimension, each release introduces a different chapter and the possibilities that come with it. I invite you to explore these sonic offerings and see how they relate to your own experiences.

Jennifer Westwood and The Handsome Devils, “Bullet Proof”

Detroit’s Jennifer Westwood and The Handsome Devils acknowledge the power of resiliency on their latest single, “Bullet Proof.” The soulful, bluesy ballad celebrates being yourself, standing your ground and moving forward despite receiving negative feedback from others.

Alongside bold electric guitar from Dylan Dunbar, Westwood sings, “I’ve heard it all before / I’ve given my best and more / Been locked out / But I just beat down the door / It’s not like me to fade away / Oh baby, I’m bullet proof.”

Those strong words inspire us all to regain our self-confidence and deflect criticism from our detractors. I can’t think of a better song to play when I need some extra encouragement after a tough day. (Plus, Westwood offers strong words of wisdom and support daily for Detroit musicians through the Playing in the Detroit Area Tonight – Music News Facebook group.)

Westwood and husband Dunbar truly shine with top-notch bandmates Chuck Bartels (bass), David Below (drums) and Evan Mercer (piano) on the first track from their forthcoming album. They’re working with Royal Oak producer Bunky Hunt of WhistlePig Music Group and recently completed some additional recording sessions at Memphis Magnetic Recording.

Continue reading “The Soundcheck – Jennifer Westwood and The Handsome Devils, Brian Perrone, Hard Luck Pete & The Wrong Way Streets, Marty Kohn, Grooblen and Johanna Beekman & Ben Leinbach” →

In Hindsight – Ohly Recounts Memorable Tales of the Past on ‘Miracle’ Album

ohly-750-landscape — Christian Ohly weaves vivid recollections of people, places and experiences on “Miracle.” Photo – Alexis Backus

For Ohly, life’s most impactful moments are more visible in hindsight.

Through that lens, the Detroit indie-folk singer-songwriter recounts memorable tales of loss, love and growth on his latest album, Miracle.

“There’s a lot of introspection on different relationships—family, friends and some romance in there. A lot of it covers loss and the songs poured out of me after I experienced that loss. There are also some more playful and happier songs that were crafted,” said Christian Ohly about his third release via Bird Fight Records.

“Somebody asked me if the songs were more recent or if they cover most of my life, and I realized some of those songs talk about when I was five and six, then 12 and 13 and stuff that happened last year.”

Each track on Miracle transcends space and time as Ohly weaves vivid recollections of people, places and experiences. Whether it’s spending time with Annie, Julia or a sibling or venturing to Paris, Colorado or California, the album functions as an emotive travelogue that instantly connects with listeners.

“The last few years, I’ve really wanted to travel, and I thought about being able to do it when I was in high school … and then having a job and having some time off and also wanting to play music in some different places,” said Ohly, who’s inspired by James Taylor and Christian Lee Hutson.

“So many of the songwriters that I listen to and have been inspired by use very specific places, details and people. While listening to the whole thing and doing more introspection on the final project I was like, ‘Man, there sure are a lot of names and places in here I did not realize when I was recording [it].’”

Continue reading “In Hindsight – Ohly Recounts Memorable Tales of the Past on ‘Miracle’ Album” →

Nocturnal Tendencies – Catriona Sturton Honors Coming Alive After Dark on ‘We Bloom at Night’

catriona-sturton-750 — Catriona Sturton celebrates being a night owl on her new song, “We Bloom at Night.” Courtesy photo

Catriona Sturton believes authenticity blooms at night.

The Ottawa, Ontario blues singer-songwriter and multi-instrumentalist spotlights the honesty and vulnerability people share after dark on “We Bloom at Night.”

“For years, I had wanted to write a song around an idea that Eniid Goodman, a great Canadian songwriter and interpreter of Joni Mitchell’s music, had shared with me,” said Sturton about her new track, which will be included part of the upcoming Night Bell 12-inch vinyl single via J.M.I. Recordings.

“It was about how there are times in life when we can be wide open to who another person is, but that it can also be stressful if [that experience] is [later] followed by them pulling back.”

At the start of “We Bloom at Night,” Sturton sings, “I see the moon / And the moon sees me / I’m used to hiding / Comes so easily / But the moon’s gentle light / Keeps shining on me / Patient and kind / Shining on what I want to be.”

“[Eniid] shared that she had learned … there are cycles in nature of [flowers] opening and closing. When I had mentioned to [another] friend about how flowers open during the day and close at night, he said, ‘What about the evening primrose?’” Sturton said.

“And in that moment, I got the idea of how to express the song I had struggled with for years. It did kind of change my life and is one of my favorites.”

The track also celebrates Sturton’s love of the nighttime and the tranquility that comes with it.

“I am most definitely a night owl and always have been since I was a child,” she said. “I like how people open up when it gets dark. When I’m myself, I feel like I can hear my thoughts better when the town is sleeping.”

I recently spoke with Sturton about her background, time in Plumtree, current recordings, new song and upcoming 12-inch vinyl single, this week’s shows with Detroit folk singer-songwriter Mike Ward and future plans.

Continue reading “Nocturnal Tendencies – Catriona Sturton Honors Coming Alive After Dark on ‘We Bloom at Night’” →

The Stratton Setlist

Catch the opener. Stay for the encore.

Category: Concerts