“My daughter Alyson is off to the University of North Carolina School of the Arts next month, and I’ve been weeping big dad tears on and off all summer,” said the Dexter singer-songwriter and multi-instrumentalist.
Alyson is a singer, and she’ll join her dad for a special show at The Ark on August 8 along with bandmates Chris DuPont, Drew De Four, Brennan Andes, Keith Billik, and Mike Shea.
Brad has also been busy as a lecturer at the University of Michigan, a resident artist at The Purple Rose Theatre Company, touring with actress and singer Patti LuPone, and featuring on her new album, A Life in Notes, playing violin, mandolin, guitar, octave mandolin, and U-bass.
“Patti is an icon and it’s no accident. She’s a legend for a reason and to be on stage with her in front of her adoring fans is electric,” Phillips said. “Summer has been both chaotic, emotional, and wonderful all at the same time! It’s been a big year around here.”
To learn more, I spoke with Phillips about his work and tour with Patti LuPone and his family’s artistic accomplishments.
Paul Stiem, Jamus Sumner, Matt Konkle, and Matt Galbraith of Moonwreckers. Photo by Chuck Marshall
After encountering heartbreak and grief, Moonwreckers understands the importance of feeling seen and validated.
The Metro Detroit quartet of Matt Galbraith (vocals, guitar), Matt Konkle (drums), Paul Stiem (guitar), and Jamus Sumner (bass, vocals) explores that emotional need and its evolution on the album, Why Look Here?
“It certainly is autobiographical. At the time, I was married, and we were having issues, and we did eventually divorce. A lot of these songs were written around the time when I was in my early 30s, so shit hit the fan between us and we had been together since we were 18 years old,” said Galbraith about the band’s indie-rock-meets-emo debut release.
“I didn’t know what a world looked like without that, so I was very lost, and it was scary to me what life looked like outside of that relationship. There’s some coming-of-age stuff in there, too, but a lot of it has to do with that relationship, the struggles and the attempts of trying to reconcile things, and then failing and rinse and repeat.”
Moonwreckers deeply examines that trajectory across 12 personal tracks on Why Look Here? The album’s honest lyrics, plaintive vocals, and evocative instrumentation prompt listeners to process their emotions and struggles alongside the band.
“There are so many universal themes here. Everyone’s gone through the experience of having a relationship that didn’t pan out to be what they wanted it to be,” Sumner said.
“Everyone’s gone through the frustration or the disappointment of misaligned expectations and incomplete communication and the moment someone passes or walks out of your life. There’s unfinished business and you have to work through that—except you won’t get an answer to everything.”
To learn more, I spoke with Moonwreckers about their latest album ahead of a July 26 show at Detroit’s Batch Brewing Company.
Twin Deer’s Rob Duncan, Megan Marcoux, Bill Kahler, and Tom Skill explore missing a loved one on “Underground.” Photo – Cassie Pietron
When it comes to loss, Twin Deer deeply understands the grief that remains.
The Detroit quartet of Megan Marcoux (vocals, guitar), Tom Skill (guitar), Bill Kahler (bass, synth), and Rob Duncan (drums) explores that overwhelming emotion and the ongoing struggle to move forward on “Underground.”
“It is a pure description of missing someone immensely,” said Marcoux about the group’s new dream-pop single.
“Sometimes the clarity lies in simplicity, like the line, ‘It’s not right you’re not around.’ And in the second verse, we reference how life is fragile. I find that important to mention—not to cause distress—but to remember to value the time we have.”
Backed by cathartic electric guitar, bass, and drums, she sings, “It would be nice to hear the sound / Of your voice saying you were coming around / It would be nice / If I wasn’t exhaling ice / I’m standing on the frozen ground.”
“I hope others will see that there isn’t always some profound thing that needs to be said,” Marcoux said. “Missing someone is already a lot.”
“Underground” also serves as an introspective B-side to Twin Deer’s “Fever Dream,” which was released in June.
To learn more, I spoke with Marcoux about Twin Deer’s latest singles and past releases ahead of a July 13 set at Alley Fest in Flint, Michigan.
“It’s crazy that I’ve taken that long,” said Bizer about his new folk album,About Time. “I’ve done things in between, and the thing I did the most was the duo with Jan, but I wound up in a few different bands and made records with some of them.”
Even as he worked on different projects, Bizer’s songs forAbout Time started brewing in 2005, and they began accumulating.
He eventually landed on 13 tracks for his third solo album and noticed a theme of time had emerged. OnAbout Time, Bizer brings that theme to life through evocative lyrics and soundtracks it with earnest folk instrumentation.
“Not that every single song deals directly with time, but a fair number of them do. I got a kick out of writing ‘Going Nowhere’ about slowing time down and what that could mean and how that would work,” said Bizer, who producedAbout Time and played guitar, bass, and guitjo.
“There’s also the fact that it’s been so long since I put out my last record, and time played a piece of that. And I think of these songs as a time capsule of the last 20 years, so time was so much on my mind as I was putting the record together.”
To learn more, I spoke to Bizer about his latest album ahead of a July 7 show at Livonia’s Trinity House Theatre.
Sunny State’s Chris Reed is releasing a slew of new singles, including acoustic versions of several songs.
With a growing catalog, Sunny State prefers to keep things simple.
The reggae-fusion quartet of Chris Reed (vocals, ukulele, guitar, sax), Julian Perez (lead guitar), Freddie Vega (bass), and James Moreno (drums, percussion) is revisiting and reimagining past singles as acoustic versions—starting with “Solutions.”
“When we first did this song, it was our first single … and the band was split on their happiness of the song. Some said, ‘Oh, this doesn’t sound like the way we play it live,’ and I thought, ‘It does, but it also doesn’t,’” Reed said.
“It was also our first time working with [co-producer/engineer] Ryan Palma in the studio. We were getting to know each other and figuring out how things would sound in the studio.”
Originally released in 2019, “Solutions” captures the San Jose, California band’s vibrant sound and reiterates the importance of unity, gratitude, and freedom in today’s society.
Reed sings, “Your pure voice is on my mind / Through sleepless nights and red wine / We philosophize as we rhyme / Of what can be done in this precious time.”
“This song itself was unique because it was a crowdsourced-lyric song. I was asking people, ‘Give me words that you want to hear, and I’m gonna write a song about it,’ and I did,” he said.
Annie Bacon explores grief in all its forms on Storm. Photo – Cybelle Codish
Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.
When it comes to grief, Annie Bacon doesn’t want people to feel alone.
The Ann Arbor, Michigan singer-songwriter and guitarist views it as a shared emotion that fosters connection and growth with others.
“Something that I’ve done with my art and that I feel like is important is to take on this role and say, ‘I don’t know if anybody understands me, but I’m going to explain what I’m going through in a way that hopefully other people can feel seen and understood,’” said Bacon, who performs under the moniker Annie Bacon & Her Oshen.
“I try to find the places where my experience might be universal and create these little bridges into my experience. That’s one of my philosophical approaches to songwriting: I want to as accurately as possible describe the experience I’m going through in the hopes that it creates a witness for somebody else.”
Bacon masters that honest songwriting approach and explores grief in all its forms on her new folk-rock album,Storm. The record’s 14 poignant tracks take listeners on an emotional odyssey through death, divorce, job changes, the pandemic, and a loss of identity.
Ursa Day’s Matt Drew, Cormac Egan, Ryan Haley, and Ryan Drew. Photo courtesy of Ursa Day
When it comes to music, Ursa Day has an insatiable appetite.
The Hazel Park, Michigan indie-rock quartet is eager to write, record, and release a growing catalog of new material, including their latest EP, Hyperphagia.
“The big thing that we had as a direction concept-wise for the record was Hyperphagiabeing a state of hunger. What we learned in the name selection process, and we picked this name quite a while ago, is that it happens to bears right before they go into hibernation,” said Ryan Haley, Ursa Day’s vocalist-guitarist.
“After we came out of Habitat, we were excited by that process … and we were hungry to share more projects with everybody else. That direction, whether it was musically or artistically, was a strong driving force behind a lot of the lyrics and what we can do to pepper the feeling of those lyrics throughout a tune.”
Haley and his bandmates Matt Drew (guitar, engineering, production), Ryan Drew (bass), and Cormac Egan (drums) effortlessly achieve that goal on Hyperphagia. The EP’s profound lyrics, fantasy-versus-reality themes, and mighty blues rock-inspired instrumentation entice listeners with six savory tracks and leave them wanting more.
“We’re all different people, and our musical influences are varied. Ryan has a strong allegiance to the pop bass player; he likes James Jamerson and has a feel similar to those happy, melodic solo-ish basslines. Matt is eclectic and has a wealth of knowledge about the indie scene,” said Haley, who’s influenced by Peter Green, Jeff Beck, and Larry Carlton.
“He mixes well with the influence that I have with the British guitar players and Ryan’s pop influence to put us on more of a unique, alternative-based sound. Cormac is one of the most interesting musicians I have ever met as far as tastes go. When I walk into a rehearsal and ask Cormac what he’s been listening to, he’ll talk to you about movie scores and large, elaborate instrumentation … and then he’ll be playing Metallica double-kick-style drums really well.”
Carolyn Striho performs at Scuderie Aldobrandini in Frascati, Italy. Photo courtesy of Carolyn Striho
For Carolyn Striho, a clear, wintry night sky evokes feelings of enchantment.
The Detroit singer-songwriter captures that spellbinding sensation on her latest instrumental single, “Piano Moon.”
“There’s something about playing in A minor on the piano; it’s just one of my favorite ways to write songs. It’s what I was doing with a 3/4 time signature, and I was starting to write that as I heard the melody line,” said Striho, who penned her single in Detroit and Fiuggi, Italy.
“I liked it so much as an instrumental. I had it written out, and it needed something, so this winter I came up with that dramatic middle part. It was also during the holiday season, and I was thinking of Trans-Siberian Orchestra and that dramatic, dark classical feel.”
On “Piano Moon,” she brings that symphonic piano to life alongside wistful cello, haunting electric guitar, and glistening percussion. Part of the song’s inspiration also comes from “Bear Dance” by Béla Bartók.
“I used to play it, and it’s amazing and super avant-garde. It’s a difficult piece, and my mom loved it, too,” Striho said. “She would hear me play it, and I worked hard on that.”
Striho wanted to recapture that magical feeling while recording “Piano Moon” at Inner Door Music with Jason Charboneau (cello), husband Scott Dailey (electric guitar), and Ron Wolf (percussion).
“We had talked about putting violin on it, but when Jason came over and was doing the cello, it was just this moment of inspiration,” she said.
“‘Piano Moon’ is a fierce, yet soft song with a melody line that is memorable, and it unfolds with desire and raw strength,” said Striho, who’s shared a new video for the single. “It will be released later in a second version with vocals.”
Striho is also performing her new music at several live shows with Dailey, including June 8 at the Nor-East’r Music & Art Festival in Mio, Michigan, June 23 with The Orbitsuns at Cadieux Café in Detroit, and July 21 with the Don Was Detroit All Star Revue for the Concert of Colors at the Detroit Institute of Arts.
“We have some great summer shows bringing our eclectic blend of new music,” she said. “We’re excited for Nor-East’r this weekend; for our full-band matinee show with Jason, John Barron, and Todd Glass and The Orbitsuns; and at the amazing Concert of Colors with the wonderful Don Was Detroit All Star Revue.”
Bart Moore features storied lyrics and charged folk instrumentation on “Wild Flora.” Photo – Jena McShane of McShane Photography
When it comes to music, Bart Moore possesses a lively, adventurous spirit.
The Grand Ledge, Michigan singer-songwriter and guitarist infectiously captures that essence and beckons listeners to come along for a rollicking-filled quest on Wild Flora.
“In the vast majority of the songs, there is something happening, a story of sorts,” said Moore about his latest alt-folk album. “My previous album, Graveyards Wind & War, was unconsciously dark. I wanted Wild Florato be different— funnier with more movement and more adventures.”
OnWild Flora, Moore features storied lyrics and charged folk instrumentation across nine insightful tracks. Each song explores compelling characters at various points in time and captures the excitement, fear, and disappointment they encounter along the way.
“I like that the more I think about it,” Moore said. “There’s certainly more color than Graveyards—hence the title, Wild Flora, with the cover shot of the woman in my wildflower meadow.”
To learn more, I spoke with Moore ahead of a June 2 album release show at EagleMonk Pub and Brewery in Lansing, Michigan.
Dylan Dunbar’s “Free Candy” features eight short stories exploring everything from classic battles of good and evil to zombie outbreaks.
Dylan Dunbar is ready to bring some scary good stories to light.
The Detroit guitarist for Jennifer Westwood and the Handsome Devils has released a new book of strange and terrifying short stories called Free Candy: A Horror Story Collection.
It’s the first published work for Dunbar, who discovered a love for writing in 2020 upon tackling an addiction to alcohol.
“I’m now more than three years sober and couldn’t have imagined when I started writing how much of a positive impact it would make in my life—or that I’d be publishing,” he said.
Inspired by The Twilight Zone, Black Mirror, Creepshow, and Tales from the Crypt, Free Candy includes eight intriguing short stories exploring everything from classic battles of good and evil to zombie outbreaks.
Dunbar is celebrating the release of his book on May 9 with a signing at Belle’s Lounge at Valentine Distilling in Ferndale, Michigan. Copies of Free Candy will be available for sale at the event.
The Stratton Setlist 