Ann Arbor will groove three times over tonight with Stormy Chromer at the musical helm.
The Ypsilanti progressive jam quartet will host a fall hometown show at The Blind Pig with Biomassive and RADO filled with danceable improvisational rock, jazz, funk and electronica.
“We have a long list of covers that’s somewhere near 80 or 100 total. Every time we perform one, we log it into an Excel sheet. We’ve been going back over this past summer and looking at it to see which ones we can let fall by the wayside, so we have a few things up our sleeve in terms of things you haven’t heard us play in a long time,” said Ryan King, Stormy Chromer’s bassist.
“In terms of originals, we might have some new stuff for you. We’re not entirely sure if we’re going to be playing some of it live yet, but we have new material in the works.”
Along with bandmates Brendan Collins (lead guitar), Spencer Hanson (lead guitar) and Amin Lanseur (drums), King has grown his improvisational chops during a month-long mini-residency at the Tip Top Deluxe Bar & Grill in Grand Rapids as well as several Michigan-based festivals and a tour out west.
“The goal for a long time was just to be comfortable enough doing it in front of a crowd and to be not doing it where they don’t stop moving,” said King, who’s racked up more than 30 original songs with Stormy Chromer. “I think that’s going to be the direction the band is headed in right now and trying to do something live that’s really unique and special at every show in terms of creating something that’s only gonna be there for that night.”
Together, Stormy Chromer started cutting their improvisational teeth after forming in 2014. Named after an accidental tribute to the legendary Michigan cap company, the band blends complex songwriting with real-time compositions to create a unique live experience. In true jam-style fashion, Stormy Chromer has performed a growing roster of live shows locally and nationally with unique nightly setlists for a dedicated fan base.
They will step inside the 20 Monroe Live “time machine” and sonically travel back to October 1973, when Genesis released their definitive prog rock album, “Selling England by the Pound.”
During their sonic travels, the audience will receive Nad Sylvan as their exquisite, effervescent and enchanting musical tour guide. Dressed lavishly in dark ruffled shirts, dark velvety capes and cloaks, slim riding pants, and tall black boots, Sylvan, a “vampirate,” will magically perform “Pound” in its entirety alongside legendary former Genesis guitarist Steve Hackett, keyboardist Roger King, bassist Jonas Reingold, saxophonist/flautist Rob Townsend and drummer Craig Blundell.
“I’ve done more than 500 shows with Steve now, and this is my seventh year with him. But I felt that this tour has been perhaps the most successful tour because people love ‘Selling England by the Pound.’ We go out and do the whole album without any words in between songs,” said Sylvan, a U.S.-born Swedish prog rock singer-songwriter and musician.
“We just play it like you play the record, and I take on these characters, and I do it in my own way. I’m not mimicking Gabriel at all, I do sound a bit similar to him sometimes because of my register. Everyone knows I’m a massive Genesis nut. I always have been, that’s why I got the gig.”
Sylvan, Hackett and the band are currently embarking on a 27-date North American “Genesis Revisited” tour through Oct. 20 and performing “Pound” as well as highlights from Hackett’s popular 1979 album, “Spectral Mornings,” and his latest release, “At the Edge of Light.”
The band previously performed a series of “Genesis Revisited” tour dates in 18 countries in seven weeks and will head back to Europe and the U.S. as well as Australia and New Zealand next year. Their next Michigan stop will be March 4 at The Fillmore Detroit.
Sylvan started touring with Hackett and his band in March 2013 in support of Hackett’s 2012 release, “Genesis Revisited II.” Hackett learned about Sylvan after he released a Genesis-inspired album with Bonamici called “Unifaun” in 2008 and a mutual friend suggested they work together.
“That’s why I did the ‘Unifaun’ album, that was just prestige of Genesis just for the hell of it, and that was long before I got to know Steve. I think that’s partly why I have the gig because he knew that guy sounds authentic, he sounds like a Genesis singer,” said Sylvan, who first saw Hackett perform with Genesis during the 1977 “Wind & Wuthering” tour in Stockholm.
“That’s how he felt about my singing, even though I have the ability to sing more soulful and go different ways with my vocals with different vibratos and what have you. But when I sing Genesis, I just sing it the way I believe I’ve heard them, but I put my own stamp on it.”
Trey Simon knows how to deliver the ultimate ray of hope in the darkest hour.
The soulful Rochester singer-songwriter sheds sonic messages of optimism and growth on his passionate new single, “When the Lights Turn On,” which dropped earlier today.
The brilliant single opens with emotionally intense guitars while pounding drums echo a nervous heartbeat and reflect an initial hesitation about a new road ahead. It’s reminiscent of mid-80s pop-rock with Phil Collins-inspired lyrics and Michael McDonald-esque vocals.
“For me, it’s a reflection song. It’s realizing that I have so much to give, and I have so much to love for somebody. Overall, it’s about waking up and realizing you’re not where you want to be yet,” Simon said. “I think that song was birthed out of places like, ‘Dang, I just want to be better than what I am right now, and I want to be better for that person I meet down the road.’”
The single also eloquently showcases “the dirt” Simon personally experiences as an artist and individual overcoming internal challenges while heading down a new spiritual path. For listeners, it’s fighting chance to escape their fears and use Simon’s new single as an emotional shield against uncertainty.
“I think the greatest thing about being an artist is really putting it on display because it’s a healing process for you, but in the same time, you can really help people in giving them the courage to go after the things they have going on, too,” Simon said.
Simon started crafting his latest single on stage a few years ago and later transformed it into a recordable version, thanks to a friend’s encouragement. He teamed up with Rochester producer and musician Josh Colyer to record “When the Lights Turn On” at Kensington Church’s studio in Troy.
“It was a changeup from the music I’ve recorded in the past, and it’s a little bit more of a rock direction since my stuff has been a little bit more of an R&B, sultry vibe. I was really ready to showcase more of myself musically, too,” he said.
“I’ve got so much that inspires me, and I feel like there are different parts of me. I’ve only been showcasing one side of what I really do, and I’m ready to give a clearer vision of who I am as an artist and who I am as a person.”
Simon will drop a new video for his latest single Oct. 9 and allow the track to speak for itself visually. Filmed by a Chicago-based director, the video features Simon sitting on a stool in a large room giving a powerful performance of his latest single.
“We ended up getting a whole crew to come out, and we got all the lighting and everything,” Simon said. “It was my first big budget video with five crew members, and we used a film studio to cut it all in Troy. We were able to finish the whole thing in a day.”
Steve Hackett will breathe new life into a beloved Genesis album Thursday in Grand Rapids, Mich.
The legendary former Genesis guitarist will perform the band’s 1973 prog rock classic, “Selling England by the Pound,” in its entirety at 20 Monroe Live, a 2,600-seat music venue located in the heart of Furniture City.
“It happens to be my favorite Genesis album. That setting was 1973, and just as we were leaving New York desperately trying to find a gig anywhere else in the States, we heard that John Lennon gave an interview and said Genesis was one of the bands he was listening to, so I assumed he liked that album at the time, and we were all very proud of it,” said Hackett, who performed with Genesis from 1971-1977.
“I get to do it again in its entirety, which wasn’t possible with the technology we had back in the day, plus an extra track included like a deleted scene. Something that Peter Gabriel introduced to the band as an unfinished song. I finished it years later with his blessing, and we shared credits on it.”
That “deleted scene” of a song is “Déjà Vu,” a quiet, emotional track filled with deep synths, exquisite classical guitar strums and a haunting extended electric guitar solo. This time, Hackett will perform it live with singer-songwriter and musician Nad Sylvan, keyboardist Roger King, bassist Jonas Reingold, saxophonist/flautist Rob Townsend and drummer Craig Blundell.
Together, the prog rock sextet is embarking on a 27-date North American “Genesis Revisited” tour through Oct. 20 and playing eight other influential tracks from “Pound” as well as highlights from Hackett’s popular 1979 album, “Spectral Mornings,” and his latest release, “At the Edge of Light.”
The band previously performed a series of “Genesis Revisited” tour dates in 18 countries in seven weeks and will head back to Europe and the U.S. as well as Australia and New Zealand next year. Their next Michigan date will take place March 4 at The Fillmore Detroit.
For their latest release, Desmond Jones has fans at “Hello, Helou.”
The Grand Rapids funk-rock-jazz fusion quintet masterfully mixes multiple genres across seven tracks on their second full-length and latest album, “Hello, Helou,” which dropped in July. It includes an eclectic batch of captivating tracks from Desmond Jones’ expansive catalog of more than 40 original songs.
“These songs were already written before we went into the studio, so it wasn’t a collective effort to write all of the music for an album,” said John Nowak, drummer, guitarist and vocalist for Desmond Jones. “Since all of the songs already existed, it was really a matter of choosing which ones we wanted to go on the next album.”
Nowak and bandmates Chris Bota (guitar, vocals), George Falk (saxophone, vocals), Isaac Berkowitz (guitar, drums, vocals) and John Loria (bass, vocals) spent eight months recording “Hello, Helou’s” tracks with manager Kevin McKay of Innovative Music Solutions in Webberville. The band also recorded a few tracks in the band room at East Grand Rapids High School where Nowak and Berkowitz attended.
In typical Desmond Jones fashion, all the tracks from “Hello, Helou” received initial live improvisational treatment before being reimagined as studio versions. With a fun, upbeat sound, the album features a collection of shorter songs compared to tracks from the band’s 2017 self-titled, full-length debut.
Four of the five band members also penned tracks for the album, which include spatial, culinary, relational, existential and fantastical themes. Listeners encounter a dynamic sonic journey while venturing from one track to another.
“In our live shows, we definitely take the liberty to extend songs as long as we want. Some songs are a better platform for that, but songs like ‘Split Again,’ ‘Sylvia’ or ‘Instructional Dance Song’ are similar to how we play them live,” said Nowak, who formed the band in 2012 while attending Michigan State University. “With streaming and attention spans, we want songs that are easily digestible for people to listen to before they come see us.”
The New York City indie rock singer-songwriter and frontwoman for Nikki and The Human Element eloquently depicts relatable themes about everyday life on her catchy debut album, “Elemental,” which dropped in June.
“For me, it’s really writing about the daily stuff I see. I’m not writing about love and love lost because I’m not falling in love every day. I’ve got two kids, and I think people just want to hear about life and things they can relate to,” said Neretin, who’s also a physician with the Institute for Child and Family Health in New York City.
“I don’t think they want to hear about the tumultuous relationship that went awry. I’m just writing about the people that I meet, the experiences that I have and the experiences that they have.”
Through “Elemental,” Neretin has become a modern-day troubadour for women, especially mothers raising a family, dealing with aging and working to improve local communities. In a sense, it’s a deep look into the thoughts, feelings and struggles of a fiftysomething wife and mother who balances personal and professional ambitions.
“I’m looking to speak to women in that way, and there’s group that still goes out, sees music and loves rock and roll are my age if not older,” said Neretin, 54, who grew up in The Bronx and cited her opera singer-actor father as her biggest musical influence. “I’m a new rock and roller coming out at this age as opposed to somebody who started in their 20s and worked their way up. This shows that I can still do this.”