Evil Woman – Eck’s Men Uncover Female Archenemy on ‘The Girl Who Never Was’ Single

Eck’s Men uncover the hidden motives of a manipulative woman on “The Girl Who Never Was.”

Eck’s Men boldly issue a warning about a female archenemy in disguise.

The New York City power pop-abilly quintet of Drew Eckmann (vocals), Rick Norman (guitar, backing vocals), Roger Astudillo (bass, backing vocals), Tom Wise (saxophone) and Dennis Vallone (drums, backing vocals) alerts unsuspecting “citizens” to the hidden motives of an evil-hearted woman on their latest fiery single, “The Girl Who Never Was.”

“It’s inspired by someone I know … it’s kind of a mean song,” said Eckmann. “People rub you the wrong way, and you step back and look at their situation … try to see what they’re seeing. Sometimes though, what you see is what’s in the song.”

A courageous Eck’s Men legion of clobbering drums, smashing cymbals, zippy bass, valiant electric guitar and fearless saxophone sonically confront the malicious forces of “The Girl Who Never Was.”

Eckmann sings, “Watch your back/She’s talking behind it/It’s a sneak attack/But she doesn’t mind it/Ask her why, she’ll tell you because/She wanted to be, but never was.”

“Writing the song took about 15 minutes. I had some alternative verses, but I think the ones I used were the best balance,” Eckmann said. “Recording the song was a lot of fun. We went to Flux Studios and recorded in the same room that had been used by both The Rolling Stones and Paul McCartney.”

Eck’s Men enlisted producers Jesse Malin and Geoff Sanoff to bring “The Girl Who Never Was” and another eye-opening single, “Conspiracy Theories,” to heroic light. Both tenacious singles serve as the band’s first new material since releasing their rockabilly-infused debut album, Who Knew?!?!?, in 2020.

“We put in two 10-hour days, and then Jesse and Geoff worked on the songs for a bit more after that. Like all of our songs, I come up with the melody, and then the guys put my melody to actual music. I’ve known Jesse for over 15 years, and he’s a good friend. He offered to produce, and I sent him four or five songs. He picked the two that we recorded,” Eckmann said.

“Geoff has worked with Steve Van Zandt, Bruce Springsteen, The Smithereerns and others, but we hadn’t met until the first day of recording. Jesse has a great ear for what makes a good song and changed both the beginning and the end of ‘The Girl Who Never Was.’ ‘Conspiracy Theories’ was pretty much left how it was. We’d already been performing both of them in shows.”

Continue reading “Evil Woman – Eck’s Men Uncover Female Archenemy on ‘The Girl Who Never Was’ Single” →

Spiritual Odyssey – Joss Jaffe Finds Resilience and Restoration on ‘Sun Mountain Sea’ Album

Joss Jaffe Photo — Joss Jaffe creates a carefree, windows-rolled-down headspace on “Sun Mountain Sea.” Photo – Mariana Shulze

Joss Jaffe closely explores the emotions and experiences of the human spirit.

The Los Angeles chillwave singer-songwriter and multi-instrumentalist embarks on an invigorating spiritual odyssey filled with resilience and restoration on his latest metamorphic album, Sun Mountain Sea, via Be Why Music.

“From a spiritual perspective, even when you’re in love with someone and it doesn’t work out, you’re still sort of connected to that person. That’s what some of these songs are talking about … trying to see that from the highest perspective, even though you may never see them again. That’s kind of what it’s like to be alive,” Jaffe said.

“When someone dies, you’re just left with the memory of that and how do you process that? These songs aren’t really that heavy, there are a couple that deal with heavier and stronger issues, but they’re pretty light in general. The hopefulness is a good quality. It’s the kind of thing you can play during a road trip and just chill.”

With a relaxed foot on the gas and one hand on the wheel, Jaffe’s Sun Mountain Sea instantly transports listeners to a carefree, windows-rolled-down headspace. Breathtaking waves of mystical electronic soundscapes, effervescent indie-pop sensibilities and lustrous instrumentation propel listeners across international scenic highways from Santa Barbara to Ibiza.

“It’s very honest, like the way a singer-songwriter would sing it. There’s an acoustic element, but it’s laid on top of these electronic beats. It’s been compared to The Postal Service and stuff like that,” said Jaffe, who also took inspiration from Foster The People, MGMT and Tycho.

“In my mind’s eye, I fantasized it would be like Ibiza-style, like Avicii or something. But that’s not me; I’m not really a big, electro-heavy guy. It has more of a chill-out kind of a vibe.”

Continue reading “Spiritual Odyssey – Joss Jaffe Finds Resilience and Restoration on ‘Sun Mountain Sea’ Album” →

Ready to Go – Liam Taylor Delivers ‘Wasting Time’ Debut Single with Sam Vallianatos

Sam Vallianatos and Liam Taylor bring a soulful indie-pop sound to “Wasting Time.” Photo – Miles Walker Whitworth

Liam Taylor clearly shares his personal expectations for long-term relationships.

The Chicago indie-pop artist declares a readiness for true love and commitment on his latest soulful single, “Wasting Time,” via Appealing Orange Records.

“I wrote this song when I was starting to like this boy. I had never been in a serious relationship before, and I definitely yearned for one, but I was so guarded back then as well. I didn’t want to let that guard down for someone who was going to eventually take advantage of me, resent me and just waste my time,” Taylor said.

“And the end of the song though, it’s like I’ve gotten to the point where I’m in deep with this person. Although it’s scary, at that point I was like, ‘How can it be a waste of time if you’re with this person you love?’”

Throughout “Wasting Time,” Taylor unearths a deeply buried vulnerability as sparkling electric guitars, contemplative bass, intimate drums and gentle cymbals gradually ease his hesitation and fear.

He sings, “I’ve only known you for one small bit of my long-ass life/But the way that you’re pressing your lips against mine/Well, it feels so right/Oh, it’s almost as if I have known you for an eternity/So let’s take our time/And get high on each other before we leave.”

“Overall, the song’s theme has appeared in my life multiple times since I’ve written it, but I mainly hope people’s takeaway is that life is short,” said Taylor, who’s currently studying music at Columbia College in Chicago.

“The song is fun and groovy, and it doesn’t necessarily have to do with a relationship. It’s a bad-bitch anthem overall, because there’s no reason anyone should be wasting your time.”

Taylor created his “bad bitch” anthem with Detroit producer Sam Vallianatos and Chicago bassist Andrew King. “Wasting Time” initially took shape in Taylor’s home studio with Vallianatos early last year.

The Stratton Setlist recently chatted with Taylor and Vallianatos about “Wasting Time” as well as their backgrounds, previous releases, current collaboration and upcoming plans.

Continue reading “Ready to Go – Liam Taylor Delivers ‘Wasting Time’ Debut Single with Sam Vallianatos” →

Hit-Worthy Parade – Matthew de Heus Unveils Hidden Gems on ‘Greatest Misses’ Album

Matthew de Heus 2 — Matthew de Heus shares his multi-genre gems on “Greatest Misses.” Photo – Avram Golden

Matthew de Heus prefers to acknowledge life’s under-the-radar moments.

The Bay City Americana singer-songwriter and bassist thoughtfully unveils those hidden milestones on his new hit-worthy anthology, Greatest Misses, out today.

“I had planned on having two releases. One was gonna be a new EP, but then I was gonna do what I initially called a Greatest Hits album, and it was almost self-deprecating,” said de Heus.

“I wanted to take some of the songs we had already done and put them on one album, so that people who wanted those could get them. I don’t reprint any of the old albums, they’re just gone … because that way if I ever do get famous, they’ll be worth a fortune.”

With Greatest Misses, de Heus assembles a priceless 15-track collection of multi-genre gems, including old favorites from prior releases and three new songs. Filled with melodic hooks, memorable lyrics and clever instrumentation, the album glides through country, power pop, jazz, blues and indie rock terrain.

“Traditionally, in pop music, and in the early days of rock and roll, you might put the same song on more than one album. That was part of it. Though I did want to throw those three new ones up front, I tried to still sequence it like an album, so it was a decent listen,” de Heus said.

“In way, this is almost like a second version of Silk Purses. Andy Reed called that my Goodbye Yellow Brick Road or White Album in the fact that every song is a different genre. Making the songs individually is one thing, but mixing and mastering them so they can sit next to each other on an album is another.”

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Carnival of Lost Souls – KDC Guild Confronts Hype Culture on ‘Cise Pavilion’ Concept Album

20200926052248_IMG_0563 — KDC Guild’s David Brescia-Weiler and Kristopher Charles “KC” Malone spent two years bringing their “Cise Pavilion” album to life. Photo – Kenneth Walker

Two years ago, Kristopher Charles “KC” Malone experienced a transformative dream.

The Washington, D.C. producer entered a spooky carnival pavilion filled with existential challenges and lessons. After waking up, he shared the lucid dream with longtime friend and collaborator David Brescia-Weiler.

“It was a crazy, trippy dream. I was in this carnival, and people didn’t recognize me. I wanted to express what it was like, so I called David, and said ‘Hey man, would you want to make an album?’” Malone said. “I had never done anything like that and neither had David. It was a broad ambition that came from COVID and being inside … this was super lockdown time.”

Despite being in lockdown, Malone and Brescia-Weiler turned that life-changing dream into a vivid, musical reality. The duo formed a new creative collaboration called KDC Guild and embarked on an ambitious journey to develop and executive produce Cise Pavilion, a hip-hop, audio-narrative concept album filled with a global cast of 60-plus artists, musicians, audio engineers, actors and comedians.

“We weren’t necessarily trying to start a company; we just wanted to work on a project together. We were like, ‘We need to do this,’ because everybody was jumping on board and getting excited,” said Brescia-Weiler, who’s also based in D.C.

“We couldn’t have predicted people from Vegas, Berlin and LA would have suddenly said, ‘Yeah, I’ll go. Send me the contract, and I’ll do it.’ We grew with the process as well.”

KDC Guild’s Cise Pavilion vision quickly grew into a classic hero’s journey brimming with 11 valuable lessons (or tracks) along the way. The insightful album thoughtfully explores the concept of “cise,” a D.C.-based term for “hype,” through protagonist Malone’s personal experiences and interactions with others in a carnival-themed world.

Compelling “cise” metaphors for jealousy, greed, peer pressure, hyperbole and vanity sprout from the digital sphere and overflow into everyday life. With Cise Pavilion, KDC Guild advocates abandoning these toxic behaviors and creating a harmonious environment that promotes acceptance and authenticity.

“Part of the point of Cise Pavilion as a project and something we all grapple with is … that temptation (of ‘cise’) is always there. As much as I’d like to say I don’t need other people’s validations, I might get excited when I get a lot of Instagram likes versus more than I normally do,” said Brescia-Weiler.

“I think that’s an internal struggle that we all have, and it’s been a fun exploration, not just for KC and me, but we get to have an ongoing discussion with each person that’s part of the project. It’s given us a lot of time to think about it … because we’re in a social media age where do you have to puff out your chest and hype yourself up a little bit or try to get on the latest TikTok trend to be seen.”

Continue reading “Carnival of Lost Souls – KDC Guild Confronts Hype Culture on ‘Cise Pavilion’ Concept Album“ →

Transition Period – Dan Hazlett Crafts Life-Changing Stories on ‘Turning Stone’ Album

Dan Hazlett 1 — Dan Hazlett shares compelling characters and narratives on his latest album, “Turning Stone.” Photo – Robin Scully

As a gifted storyteller, Dan Hazlett eloquently crafts life-changing tales.

The Waterford folk-jazz singer-songwriter and multi-instrumentalist shares insightful stories steeped in transition and growth on his latest anecdotal album, Turning Stone.

“Every person in every song is a character, even if you’re the person, because you’re not that person anymore. Even if you were when you wrote it, you’re someone else now. Every song, in its own way, is a tiny piece of musical theater. That’s now my approach. This is a world … this is a little novel or a little painting all unto itself,” Hazlett said.

“At some point, you just have to let the characters speak for themselves, and they will say surprising things. And that is really fun, and you end up with material you would never have written if you focused on ‘What would I say?’ It’s more interesting to learn ‘What would this person say?’”

With Turning Stone, Hazlett examines life through the lens of an inquisitive mathematician, a courageous child, a lost soul, a lonely housewife and other people facing life-changing circumstances. The album’s tracks convey the thoughts, feelings and actions of intriguing characters who tackle their own challenges within a jazzy, acoustic-pop landscape.

“This project turned out to be the one that’s fully produced, like a band and sort of poppy and just a different kind of record. The songs ended up being in there because musically they kind of wanted to be together. It was more like, ‘How do these songs sound together?’” he said.

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Going Strong – ATMIG Demonstrates Musical Prowess, Honors Majesty Crush on ‘Avec Muscles’ EP

Atmig(42) — ATMIG’s Drew Borowsky, David Jackowicz, Tobias Lipski and Dan Clark build a robust sound on “Avec Muscles.” Photo – Scott Millington

ATMIG strongly flexes a new creative muscle.

The Detroit indie-rock quartet of Tobias Lipski (vocals, guitar), Drew Borowsky (bass), Dan Clark (guitar) and David Jackowicz (drums) demonstrates their musical prowess with a fresh lineup and a new tenacious EP, Avec Muscles, which drops Saturday.

“A lot of that comes from the current crew. Dave can do the things on drums, Dan can do the things on guitar, and Drew can do the things on bass that I like to hear in the music that I listen to and that I sure as heck can’t do myself. We get each other’s vibe, so it can actually happen,” Lipski said.

Throughout Avec Muscles, ATMIG, or After The Money Is Gone, seamlessly builds a robust sonic system from several digestible, multi-genre “proteins,” including shoegaze, indie-folk, ambient, post-punk, dream-pop and indie-rock. Each “protein” evolves into a mighty, cohesive listen.

“For Avec Muscles, I think we still have variety, but overall, it’s a heavier album. It’s not just hard rock, it’s not just shoegaze, and it’s not just folk. It’s just us trying to put forth what the band and I do best,” said Lipski, who formed the band in 2006.

A follow-up to 2019’s Wishes album, Avec Muscles also pays tribute to Majesty Crush, a highly regarded Detroit dream-pop/shoegaze quartet that formed in 1990. The band featured the late David Stroughter (vocals), Hobey Echlin (bass), Michael Segal (guitar) and Odell Nails (drums) as part of a regal lineup that released their final EP, Sans Muscles, before splitting in 1995.

“It’s supposed to be the reverse of the Majesty Crush EP, Sans Muscles, because ‘Muscles’ was Hobey’s nickname. That was the last EP they did knowing Hobey was leaving the band,” said Lipski, whose new EP, Avec Muscles, means “With Muscle.” (“Avec” is French for “With.”)

“The whole concept is that I’m a huge Majesty Crush fan, and maybe Hobey will play with us. And if he’s going to play with us, then why don’t we name the song and EP after him? Who knows? Maybe he’ll come out to the show and play some Majesty Crush songs with us.”

Continue reading “Going Strong – ATMIG Demonstrates Musical Prowess, Honors Majesty Crush on ‘Avec Muscles’ EP” →

Uprooted – treesreach Grows from ‘The Great Resignation’ on ‘How It Seems’

For treesreach’s Dillon Rairdin, it was time to branch out in life.

The Cedar Rapids, Iowa indie rock vocalist and multi-instrumentalist left his humdrum day job in September 2020 and opted to pursue music full-time.

“The only turmoil that was going on in that job was in me. The people I worked with for the most part were really great. It was a good company, but what was going on was this feeling of complete discontentment,” said Rairdin, who previously worked for a law firm.

“It was the weirdest spot to be in because it wasn’t so bad that it was obvious I needed to quit, but it also wasn’t fulfilling in any way. And in the middle of that, I was trying to find contentment with where I was.”

Rairdin and his treesreach bandmates, guitarist Riley Thurm and drummer Luke Long, deeply explore that mindset on their latest contemplative single, “How It Seems.”

Throughout “How It Seems,” ticking cymbals, trotting drums, vibrant electric guitar, humming bass and tender acoustic guitar beckon Rairdin to uproot his professional life and grow in a new direction.

He sings, “But that song that you’ve been making/Gets stuck in my head from time to time/Like a dream/I’ll follow where it takes me/‘Cause if I stay I’m wasting time/At least that’s how it seems.”

“It was in a really awkward kind of spot that I think a lot of people were in with their jobs,” said Rairdin about the band’s “Great Resignation-themed” track.

“From what I’ve heard, it wasn’t so bad that you wanted to quit, but it was like, ‘Man, I know that I’m meant for something better,’ whether that was in a destiny sense or being in a place that utilized your strengths. I think taking a step away from that job was the right thing to do.”

Once Rairdin embarked on his new “Great Resignation” journey, treesreach started recording drums for “How It Seems” last winter in Rairdin’s parents’ basement and later finalized it in their new home studio.

Mixed by Grammy Award-winning producer Ryan Freeland, the track provides a refreshing sonic growth spurt for the band, who traded their previous lush sound for a new indie rock approach.

“Ryan just seemed really gung-ho about the song, and he really dug it. Usually, we mix all of our own stuff, but we knew with ‘How It Seems’ that we had potential for some success beyond what we’ve seen before,” Rairdin said. “The song is way more pop-accessible than anything else we’ve written, and we just really felt better handing it off to a Grammy Award winner.”

Continue reading “Uprooted – treesreach Grows from ‘The Great Resignation’ on ‘How It Seems’” →

Travel Guide – Eric Ripper’s Life Adventures Elicit Dreamy, Ambient Pop-Rock Music

Eric Ripper 1 — Eric Ripper seeks musical inspiration from his ongoing travels. Photo – Kris Herrmann

Eric Ripper naturally follows his sense of adventure.

The Northville acoustic singer-songwriter drives cross-country, visits campsites and boards cruise ships to seek inspiration for his growing catalog of dreamy, ambient pop-rock music.

“This past summer I went to Utah, and I wanted the whole experience of just driving across the country. I knew it would be inspirational for me, and then I worked at a resort just entertaining people and playing covers and originals five days a week,” Ripper said.

“I wrote a few new songs while I was out there, and that’s kind of what I wanted … to be out there experiencing life.”

Ripper thoughtfully depicts his travels, experiences and reflections across three recent releases, including an atmospheric covers album, an outdoorsy instrumental project and a transformational anthology.

“For Classic Covers, I kept noticing how I was staying in the classic rock genre, and I decided to stick with it and kept the songs in that era. I also wanted to experiment with the sounds that I created and discovered with Lost in a Perfect Camping Trip. I wasn’t ready to write new original stuff yet,” he said.

“I like the instrumental album because I’m self-conscious about my voice like all singers are. I wanted to have some fun and not focus on writing lyrics. I was just gonna jam out and play with a different sound. And Story Notes is definitely a coming-of-age album … it’s different topics and different parts of my life.”

Continue reading “Travel Guide – Eric Ripper’s Life Adventures Elicit Dreamy, Ambient Pop-Rock Music” →

Waiting to Exhale – Danielle Cosby Breathes Sigh of Relief on ‘Growing’

Growing final V2 — Danielle Cosby immerses listeners in newfound relief and closure on “Growing.” Artwork – Danielle Cosby

These days, Danielle Cosby breathes a little easier.

The Nashville, Tennessee indie pop singer-songwriter slowly exhales painful emotions and experiences from the past on her latest curative single, “Growing.”

“This song is about taking a moment to reflect on and accept the journey that I traveled to get to where I am today. This song also serves as an apology to those I was forced to leave behind, or anyone I may have hurt while I was hurting,” said Cosby, who hails from Grand Rapids.

“I’ve had to forgive myself for a lot of things and let go of resentments that kept me tied to my past. ‘Growing’ is my reminder to not look back, but to press on with the full understanding that I can do hard things. It gives me a sense of empowerment and hope for the future.”

Filled with cathartic piano and hopeful bass, “Growing” beautifully immerses listeners in newfound relief and closure. As the third release in Cosby’s “Songstress” series, it’s the ideal anthem for moving forward and rediscovering your sense of self.

Cosby sings, “Gotta cry every once in a while/Write it down, sing a song, walk a mile/In my worn out shoes, from the years I spent with you.”

“‘Growing’ is actually my oldest ‘baby’ in the series. I started writing this song probably in late 2019/early 2020 before COVID and before I moved. I think it started as a hope of what the future could feel like. Kind of a ‘fake-it-till-you-make-it’ scenario,” said Cosby, who relocated to Nashville in July 2020.

“It sat with me, always playing in the back of my mind, but never really felt authentic and ‘true’ until I moved. Clarity is a powerful thing. Once my healing journey and my feelings kind of ‘caught up’ to the song, I was able to finish writing it, and it feels like one of my most prized possessions now.”

To realize her “Growing” vision, Cosby collaborated remotely with Los Angeles producer (and Grand Haven native) Kevin DePree and recorded the piano at Nashville’s East Iris Studios. Playing on a beautiful Bosendorfer Grand provided Cosby with additional inspiration for the track.

“It’s been such a positive and fulfilling experience working with (Kevin). I think this is my most vulnerable series of music to date, so working with someone I really trust as both a producer and a person was really important to me,” Cosby said.

“(Recording on the Bosendorfer Grand) was pretty much an out-of-body experience. It really boosted my confidence in my piano skills and felt like a gift I was granting myself. I felt really proud of myself.”

Continue reading “Waiting to Exhale – Danielle Cosby Breathes Sigh of Relief on ‘Growing’” →

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Category: Songs