Desmond Jones Calls for Global Accountability, Change on New ‘George Floyd’ Single, Video

Desmond Jones emphatically speaks for countless voices lost to racial injustice.

The Grand Rapids rock-funk-jazz quintet of Isaac Berkowitz (guitar, vocals), John Nowak (drums), Chris Bota (guitars) George Falk (sax) and Taylor Watson (bass) strongly calls for global accountability, peace and unity on their thought-provoking new single and video, “George Floyd.”

Out today, it serves as a growing rally cry from the band and protesters worldwide after the May 25 death of George Floyd in Minneapolis. Desmond Jones has released “George Floyd” exclusively via Bandcamp and will donate half of the proceeds to the NAACP Grand Rapids and the other half to The Bail Project, a national organization that provides free bail assistance to low-income individuals who are legally presumed innocent.

“At the very least, I hope that it acts as a reminder of George Floyd’s story and the countless stories just like it that happen every day in this country without any repercussions. I hope that it makes people say his name and talk about why or how this could have happened,” said Berkowitz, who wrote the track.

Floyd, 46, died after Derek Chauvin, a Minneapolis police offer, kneeled on his neck and back for more than eight minutes during an arrest. Two other officers further restrained Floyd while a third prevented onlookers from intervening. Chauvin has been charged with second-degree murder while Kiernan Lane, Alexander Kueng and Tou Thao have been charged with second-degree aiding and abetting felony murder as well as second-degree aiding and abetting manslaughter.

In response, Desmond Jones’ compelling “George Floyd” single features thoughtful, echoey electric guitars, soft drums and somber sax as Berkowitz seriously reflects, “I can’t breathe he said, the cycle of oppression/Leaves only one direction to be led/I can’t breathe he said, as we heard the pain of generations past and present pled.”

“I hope that it helps people understand that this behavior and complacency of that behavior is unacceptable in this country and on this planet. With the help of the amazing video Nathan Purchase made, I think this song can show how important these issues are to people and what a serious impact our voices can have when we come together to peacefully make the change that needs to happen,” Berkowitz said.

The impactful “George Floyd” video features raw, candid black and white photos of protesters peacefully marching in Grand Rapids, Detroit, Muskegon and Columbus, Ohio. Five local, independent photographers – Nathan Purchase, Nick Small, Adam Berta, James Saville and Ryan Broton – captured and compiled the historical images during last week’s protests.

“They were able to not only capture and convey the tension and the anger of the situation, but also the unifying demand for peace and unity. Each one of these photographers was able to capture a wider image of the state of our country currently. To see how all these different people from all over were coming together in the middle of a pandemic is a powerful thing to see,” Berkowitz said.

George Floyd” also serves as Desmond Jones’ second new single and video in less than two months. In April, the band released “Major Burbank” as an ode to Jim Carrey’s legendary performance in the 1998 Academy Award-nominated film, “The Truman Show.” While “Major Burbank” celebrates a lighter side of Desmond Jones’ sound, “George Floyd” pushes the band musically and thematically toward a burgeoning political and social conscience.

“I know we are currently working on more songs that approach these political and social issues, which will be a big step forward for us lyrically and content-wise. However, besides more songs, we have been raising and donating money through livestreams and promoting our favorite local and national black artists, musicians and social leaders on social media,” Berkowitz said.

“We also have been directing people toward charities that are helping as well as local black-owned businesses to shop at. In a way, I think we’ve started to find our voice politically and don’t plan on quieting down. We are lucky enough to have a platform and right now we believe it’s right to use that to help fight against social injustice and shine a light on those who are doing all that they can to make a difference.”

The Remedy – Ania Expels Personal, Societal Toxicities on New ‘Poison’ Single, Video

Ania holds her emerald Ibanez at Exposition Park in Los Angeles. Photo – Summer Speck

With an emerald Ibanez, Ania strums toward a new antidote for personal and societal toxicity.

That antidote appears as her latest melodic pop-rock single, “Poison,” which combines slow, vibrant electric guitar, delicate cymbal taps, rhythmic bass, steady drums and swirling synths into a soothing remedy with bassist-drummer Matt Ward.

“This song was about me letting go of a toxic relationship. Lyrically, I wanted to be vague and express how this relationship broke me. This relationship literally broke my ‘shit’ in a grunge way. I feel as if I lost my sense of self and who I am,” said Ania, a Los Angeles heavy metal singer-songwriter and guitar virtuoso.

Throughout “Poison,” Ania cathartically sings, “Complications come from meditation/Your privilege gets me down again/Dusky skies are filling up with poison/And we keep breaking our own shit/Air is filling up with poison, and you keep breaking my shit/Air is filling up with poison, and you keep breaking my shit.”

“I tried to create a dark pop song that’s similar to ‘The Hand That Feeds’ by Nine Inch Nails. I also wanted to incorporate some synth electronic modern textures that I have been hearing in St. Vincent’s music to make the song more current,” she said.

Ania will extend her personal undertones of “Poison” to growing societal struggles in a new video out June 26. Wrapped in vivid shades of neon pink and green, the “Poison” video transports Ania to Hollywood’s infamous Melrose Avenue where she laments society’s self-destructive tendencies.

Throughout the “Poison” video, Ania adorns a white long-sleeve T-shirt, pink pants and black combat boots while shredding her emerald Ibanez, smashing records on alley walls and battling an evil Trump-masked drummer. This contrasting mix of vivid and muted colors also symbolizes Ania’s lingering frustrations with the superficiality of life and image of perfectionism in Los Angeles.

“I wanted the ‘Poison’ video to expose the inauthenticity of the beautiful and vibrant image that many people associate with Los Angeles. Hollywood glamour is part of the city, but it’s got an angsty side, too,” said Ania, who teamed up with filmmakers Will Milvid and Alex Ioanoviciu for the video.

“We all have an impact on the world around us. I want people to wake up and think critically for themselves and understand that we can all fight for change if we aren’t absorbed in our own image. Sometimes we’re blinded by it, but if we look up from our phones, we can fight for change and a better future.”

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‘The Desmond Jones Show’ – Grand Rapids Quintet Drops New Truman-Inspired ‘Major Burbank’ Video

For Desmond Jones, authenticity reigns tried and true.

The Grand Rapids rock-funk-jazz quintet of John Nowak (drums, vocals, guitar), Isaac Berkowitz (guitar, vocals, drums), Chris Bota (guitar, vocals), George Falk (sax, vocals) and Taylor Watson (bass) embraces their holistic selves on “Major Burbank,” a new glistening, groovy video out today. It’s the first new studio material Desmond Jones has released since their Hello, Helou album last July.

The 10-minute slow, transformative jam pays tribute to Jim Carrey’s legendary performance in the 1998 Academy Award-nominated film, “The Truman Show.” As an authentic ode to Carrey, “Major Burbank” majestically combines sparkling guitars, velvety bass, dancy drums and sensuous sax as Berkowitz smoothly sings, “So come back in to/The old world you knew/And although it’s not true/We’re all here for you.”

“With a flawless Jim Carrey performance and the layered philosophical themes present throughout the movie, ‘The Truman Show,’ makes for an excellent flick. We here at Desmond Jones aim to not only remind the listener of these important themes and encourage them to think further and pull back the curtain, but to also gain financially from the film’s popularity as well,” said Berkowitz, who wrote the track.

“We’re really excited to get this song and video out for everyone to enjoy and boogie to. We also encourage anyone who knows Jim Carrey to pass this song along to him because we think he’d dig it.”

Filmed this past winter at Plymouth Rock Recording Company, the “Major Burbank” video beautifully depicts Desmond Jones wearing fun, glitzy outfits and colorful, glam-inspired makeup on a dark, smoky soundstage while vibrant spotlights glow behind them.

Videographers Nick Small, Ryan “Toby” Hyland and Wayne Small eloquently capture the band’s magical instrumentation and rich improvisation from several innovative camera angles.

“That’s one of our newer songs, and the only recording we have is the video we took at Plymouth Rock. We did probably three full live takes, and I think we took the second one. They filmed each one, and when we chose the take we liked most, they put it to film and mixed and mastered it afterward,” Nowak said.

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