Nocturnal Tendencies – Catriona Sturton Honors Coming Alive After Dark on ‘We Bloom at Night’

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Catriona Sturton celebrates being a night owl on her new song, “We Bloom at Night.” Courtesy photo

Catriona Sturton believes authenticity blooms at night.

The Ottawa, Ontario blues singer-songwriter and multi-instrumentalist spotlights the honesty and vulnerability people share after dark on “We Bloom at Night.”

“For years, I had wanted to write a song around an idea that Eniid Goodman, a great Canadian songwriter and interpreter of Joni Mitchell’s music, had shared with me,” said Sturton about her new track, which will be included part of the upcoming Night Bell 12-inch vinyl single via J.M.I. Recordings.

“It was about how there are times in life when we can be wide open to who another person is, but that it can also be stressful if [that experience] is [later] followed by them pulling back.”

At the start of “We Bloom at Night,” Sturton sings, “I see the moon / And the moon sees me / I’m used to hiding / Comes so easily / But the moon’s gentle light / Keeps shining on me / Patient and kind / Shining on what I want to be.”

“[Eniid] shared that she had learned … there are cycles in nature of [flowers] opening and closing. When I had mentioned to [another] friend about how flowers open during the day and close at night, he said, ‘What about the evening primrose?’” Sturton said.

“And in that moment, I got the idea of how to express the song I had struggled with for years. It did kind of change my life and is one of my favorites.”

The track also celebrates Sturton’s love of the nighttime and the tranquility that comes with it.

“I am most definitely a night owl and always have been since I was a child,” she said. “I like how people open up when it gets dark. When I’m myself, I feel like I can hear my thoughts better when the town is sleeping.”

I recently spoke with Sturton about her background, time in Plumtree, current recordings, new song and upcoming 12-inch vinyl single, this week’s shows with Detroit folk singer-songwriter Mike Ward and future plans.

Continue reading “Nocturnal Tendencies – Catriona Sturton Honors Coming Alive After Dark on ‘We Bloom at Night’”

Full Steam Ahead – One Ton Trolley Honors the ‘70s Rock Album Era on ‘Sunday Morning Cigarettes’

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One Ton Trolley’s Anthony Zack, Bill Arnold, Chris Brown and Jon Johnson celebrate the ’70s rock album era on “Sunday Morning Cigarettes.” Photo courtesy of One Ton Trolley

One Ton Trolley charges full steam ahead into the album era.

The Clarkston, Michigan roots-rock quartet pays homage to the days of listening to a record in its entirety and becoming immersed in the experience on Sunday Morning Cigarettes.

“I wanted to make a 1970s rock album where you got in on the first song and you rode the thing all the way to the end,” said Bill Arnold, One Ton Trolley’s lead vocalist, guitarist and dobroist, about the band’s latest album.

“I was thinking of pre-car keys Bill laying on the floor of his bedroom reading the liner notes to a record. I wanted it to flow … I’m pretty pleased with the order.”

For Sunday Morning Cigarettes, One Ton Trolley arrives in good order, but not without revisiting old routes to the past. The album’s dozen tracks reflect on previous relationships, choices and lessons from a wiser, clearer perspective.

“I don’t really write about personal experiences as much as I try to write about things that I see or hear,” Arnold said. “I’m like an observer that tries to put them … more in first person.”

Continue reading “Full Steam Ahead – One Ton Trolley Honors the ‘70s Rock Album Era on ‘Sunday Morning Cigarettes’”

Scale Up – Adam J. Snyder Overcomes Life’s Obstacles on ‘Down From the Mountain Out to the Sea’ EP

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

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Adam J. Snyder creates a comforting sonic experience on his “Down From the Mountain Out to the Sea” EP. Photo courtesy of Adam J. Snyder

No “mountain” is too high for Adam J. Snyder to scale.

The Ypsilanti singer-songwriter and guitarist overcomes life’s obstacles to follow a new path on Down From the Mountain Out to the Sea.

“I’ve been pushing against myself, and I feel like I’ve been in the weeds my whole life. I’m in a pretty good place now, and I’m heading in the right direction of where I want to be,” said Snyder about his latest folk-pop EP.

“I went to Nicaragua in March, and I got to spend some time in the mountains. Then I got to spend time surfing on the beach and hanging out. Something about [that] just felt like where I wanted to be and what I wanted to do, so that’s my goal.”

As part of that goal, Snyder shares that positive outlook on Down From the Mountain Out to the Sea, which features soft, breathy vocals; concise lyrics; bluesy influences; and percussive, rhythmic, and fingerpicked acoustic guitars.

Those elements create a comforting sonic experience and reflect the hope, encouragement, and determination embedded in the EP’s five tracks.

“I’ve just been feeling a little more in touch with that kind of stuff when I’ve been writing,“ said Snyder, who grew up in Dexter and previously fronted the now-disbanded Dirty Deville.

“When I come across an idea or things that feel right … or I’m just doing what I enjoy, which is playing guitar, I feel more connected to that kind of stuff. I feel like things are in alignment.”

Continue reading “Scale Up – Adam J. Snyder Overcomes Life’s Obstacles on ‘Down From the Mountain Out to the Sea’ EP”

Then and Now – Metro Detroit’s Ash Can Van Gogh Looks Backward and Forward on the Band’s Evolution

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Ash Can Van Gogh’s Billy Brandt, JC Whitelaw and Mary McGuire pause between performances. Photo – Ash Can Van Gogh’s Facebook page

Back in 1986, Billy Brandt and JC Whitelaw placed an ad in the Metro Times looking for a female vocalist and instrumentalist.

The two Metro Detroit singer-songwriters envisioned forming a folk-rock band—now known as Ash Can Van Gogh—that specialized in three-part harmonies.

It wasn’t long until Mary McGuire saw the ad and called Brandt from a payphone at the Inn Season Café in Royal Oak. The Lansing singer-songwriter was working at the vegetarian-vegan restaurant at the time.

“I’m standing there holding the Metro Times, and I put a dime in the phone. Billy answers the phone, and I’m like, ‘Hey, I’m calling about your ad in the Metro Times, and my name is Mary,’ and he’s like, ‘What’s your sign?’” McGuire said.

“That was the first thing he said to me, and I was like, ‘Scorpio,’ and he’s like, ‘Oh, that’s cool; I’m a Capricorn.’ And I’m like, ‘Oh, we’ll get along. I have a moon in Capricorn,’ so then we chatted about our influences and found we were big fans of Crosby, Stills, Nash & Young.”

That first conversation quickly led to Brandt and Whitelaw seeing McGuire perform at Sir Charles Pub in Royal Oak and then singing with her at her house later that night.

Continue reading “Then and Now – Metro Detroit’s Ash Can Van Gogh Looks Backward and Forward on the Band’s Evolution”

Royal Treatment – Greg Paddock Celebrates a Regal Relationship on ‘Love Me Forever’ EP

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Greg Paddock wraps listeners in a warm embrace on “Love Me Forever.” Photo courtesy of Greg Paddock

When it comes to a long-term relationship, Greg Paddock reigns supreme on Love Me Forever.

The Detroit alt-rock singer-songwriter celebrates a regal connection with his romantic partner and muse on his latest EP.

“After Cotswold was released [in 2020], I was quite happy performing and promoting the music and letting it fuel my passion. But I was also quite content being alone and having no relationships,” Paddock said.

“However, as fate would have it, I was introduced to my ‘queen,’ and she hit me like a storm (in a good way) … it was love at first sight and what she taught me was that I was not happy being alone. I don’t think I’ve ever felt love like that … and she inspired me to start writing a love song to tell the world how it felt being with her.”

Throughout Love Me ForeverPaddock documents the cyclical nature of relationships, including finding true love and overcoming heartbreak. He wraps listeners in a warm embrace across four tracks filled with spirited vocals, heartfelt lyrics and cinematic instrumentation.

“When I was writing my last EP, I had gone through a few years of turmoil from recovering from a head injury, losing my father, seeing a nephew battle cancer and ending a long-term relationship at the end of all that,” he said.

“I remember one comment after that EP of people saying, ‘Geez, when are you going to write a happy song?’ I would jokingly say, ‘Well, give me something happy to write about.’ For the record, I am a very happy, outgoing person; the previous music was just my outlet for some things that weren’t so happy in my life.”

To learn more about his current release, I recently spoke with Paddock about Love Me Forever’s tracks, his writing and recording process with former Dishwalla frontman J.R. Richards, his live Sugartips Acoustic gigs with guitarist Ryan Harrison and his upcoming plans.

Continue reading “Royal Treatment – Greg Paddock Celebrates a Regal Relationship on ‘Love Me Forever’ EP”

The Soundcheck – Strange Heart, Erin Zindle & Carolyn Striho, Letrick Olson, Steven Foster, Blank Tape Tax

The July edition of “The Soundcheck” celebrates the concept of summer through different emotions and experiences—love, authenticity, remembrance, nostalgia and connection. It’s time to think about “Your New Favorite Lover” while you “Stay Behind The Wheel” and later arrive at your destination and receive a warm greeting of Welcome to Pookie’s. There’s also a need to reflect on the life and love of “Willow” and remember what’s For Debbie.

Strange Heart, “Your New Favorite Lover”

Since releasing their sophomore album Falling Back Again in October, Detroit’s Strange Heart returns with a soulful new R&B single, “Your New Favorite Lover,” as well as a companion studio video and an official lyric video.

Rhythmic drums, gleaming electric guitar, humming bass and romantic piano wrap listeners in a heated embrace alongside frontman Josh Clemens’ fervent vocals.

He sings, “Ooooh I’m not trying to hide / What you see is what you get / Now you’re the owner of this wreck / Honestly, what did you expect of me / You only get the best of me / You’re begging for the rest of me / Honey, you’re not ready, but come and get it now.”

The track’s infectious, sensual groove is guaranteed to captivate new and current Strange Heart fans. Drummer Bobby Jankowski, bassist-vocalist Mike Schneider, lead guitar-vocalist Mike Leslie and Clemens have won me over, and I know they’ll delight you as well.

Strange Heart also blazes on stage with an eight-piece band (complete with horns), so check them out July 20 at The Whitney in Detroit and July 22 at Eastern Palace Club in Hazel Park.

Continue reading “The Soundcheck – Strange Heart, Erin Zindle & Carolyn Striho, Letrick Olson, Steven Foster, Blank Tape Tax”

Right Now – pia the band Feels Grateful for Today on ‘I Have Everything’ Single

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pia the band feels hopeful about the present on “I Have Everything.” Photo – Zach Nahshel

pia the band is right where she needs to be.

The Detroit indie-rock singer-songwriter shares that realization on her hopeful new single, “I Have Everything.”

“I think at first glance over and maybe with intention when I first wrote it, you can look at the song as definitely being inspired by loss. Maybe bigger than that … that sadness or loss you feel when things don’t really pan out the way you expect them or hope at the time,” said Pia-Allison Roa, aka pia the band.

“As everyone knows, life doesn’t always go as planned, and usually it goes in a way better than you could have imagined. That realization and affirmation that you have everything you need at this moment in time are what I hope people can reflect on to move forward and let go of what their expectations were.”

Backed by soft drums, thoughtful bass and determined electric guitar, pia the band sheds those past expectations and embraces the present as she sings, “I’m trying not to bum you all out / But every time I open my mouth / I convince myself believe / I have everything I need.”

“By the end of the song and after the huge instrumental, I repeat that phrase [‘I have everything I need’] again a couple of times, and to me, it’s a confirmation of ‘Yes, I actually do believe that I do have everything I need,’” Roa said.

“I find myself so many times being in situations with good friends, or being at the beach on a nice day, or even as silly as eating a good burger and being like, ‘Whoa, yup, I have everything I need right now.’”

Continue reading “Right Now – pia the band Feels Grateful for Today on ‘I Have Everything’ Single”

Big Picture – Mark Zhu and Felix Lahann Illustrate Self-Confidence on ‘paint the world red’ Single

Mark Zhu and Felix Lahann present a vivid picture of self-confidence on “paint the world red.”

The Ann Arbor indie-pop singer-songwriter and hip-hop / EDM producer add vibrant layers of growth and courage to their latest empowering hip-hop anthem.

“By openly sharing our personal experiences, we gain a sense of catharsis and self-acceptance. It reminds us that we’re not alone in our struggles and that vulnerability can be a powerful tool for personal growth,” said Zhu, who graduated from Skyline High School earlier this month.

“Writing this track allowed us to express our vulnerabilities and showcase the strength that comes from embracing them. We wanted to create a song that could serve as a source of empowerment and encouragement for listeners, so the idea of ‘painting the world red’ represents how our music, ideas and confidence is contagious enough to influence others.”

Together, they spread that steadfast reassurance alongside eager beats filled with glistening synth, rowdy bass and bouncy percussion. Zhu sings, “Somedays, I don’t believe I belong here / On the runway, I’ll conceal my fears / Once I paint everything red / There won’t be any spots left / I’m getting so fast / No holding me back / Just paint the world red.”

“Growing up, I found it hard to fit in and struggled with body image. I also feared rejection and failure, as I was always pressured to succeed in my community,” Zhu said.

“As I work through these struggles I have learned to channel my experiences into my music, and ‘paint the world red’ is a reflection of that journey. Collaborating with Felix Lahann, we shared our stories and found solace in our shared experiences of self-confidence, courage, fear and self-doubt.”

Continue reading “Big Picture – Mark Zhu and Felix Lahann Illustrate Self-Confidence on ‘paint the world red’ Single”

Bold Ambition – Adam Labeaux Explores the Power of Courage and Vulnerability on ‘Brave Face’ Album

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Adam Labeaux’s “Brave Face” features earnest lyrics, soulful vocals and ‘70s-inspired folk-rock instrumentation flavored with improvisational jazz and soul. Photo – Natalia Holtzman

Adam Labeaux searches for the true meaning of courage in himself and others.

The folk-rock singer-songwriter and multi-instrumentalist explores the power of tenacity, vulnerability and authenticity on his new album Brave Face.

“It does have a lot to do with these central themes, and these are things I tend to touch on a lot, including the human condition,” said Labeaux, who resides in Ann Arbor.

“I tend to write dark folk, and I gravitate toward this subject matter and a focal point that maybe people don’t want to look at all the time. But I always have hope, and I always feel there’s positivity to come out.”

That positivity and bravery shine across Brave Face’s dozen candid tracks, which feature earnest lyrics, soulful vocals and ‘70s-inspired folk-rock instrumentation flavored with improvisational jazz and soul. Imagine if Labeaux formed a new supergroup with members of Steely Dan, the E Street Band and Toto.

“I’m the first to admit that sometimes I write songs to give myself words of encouragement that I’m not getting from someone else,” said Labeaux about his fourth album. “If nothing else, I find that when I’m at my lowest and when I’m most manic that usually it means I haven’t been writing enough. I haven’t been expressing it, and I really need to get into that space and have that cathartic moment.”

Continue reading “Bold Ambition – Adam Labeaux Explores the Power of Courage and Vulnerability on ‘Brave Face’ Album”

The Soundcheck – Adam Liles, Bourgeoisie Paper Jam, Lilly MacPhee, Jeff Socia, Nicholas Arthur Powers

This month’s edition of “The Soundcheck” deciphers a range of relationships, whether they’re fleeting or everlasting. Some pull the “Ripcord” to break a scary free fall while others cherish “Every Heartbeat” and say a belated “Thank You for Breaking My Heart.” It also reveals the wisdom that comes with age and experience—I Know a Thing and Ronronner—and the potential for future growth.

Adam Liles, “Ripcord”

The Indigo Curve guitarist shares an instant headrush of emotion and energy on his debut solo single “Ripcord.” Produced by Anton Pastoria, the track’s swirling, indie-rock array of pounding drums, glistening electric guitar and humming bass propel Detroit’s Adam Liles into a brief infatuation until the “ripcord” of reality takes over. In raspy, reverb-filled vocals, he sings, “And I’m feeling it all / As far as feeling it goes / She came in like a star / Oh, but she left like a ghost.”

Liles also released a new video for “Ripcord,” which features him strumming a cream Fender Stratocaster on a pedestrian bridge at sunset over an interstate. He teamed up with Love Streams Films’ director Andrew Brumfield and Craigen Z Oster to film the introspective take on his single. Liles and Brumfield also collaborated on The Indigo Curve’s kaleidoscopic video for “But I Wanna Write Love Songs” last summer.

Continue reading “The Soundcheck – Adam Liles, Bourgeoisie Paper Jam, Lilly MacPhee, Jeff Socia, Nicholas Arthur Powers”