With November’s upcoming arrival, some soulful sonic nourishment is needed to weather and withstand the remainder of 2020.
Fortifying morsels of lo-fi folk, shiny indie pop, fiery classic rock, breezy dance, garage-filled indie rock, heartfelt acoustic ballads and groovy, emotive hip-hop strengthen the mind and spirit for the unknown road ahead.
The Dearborn rhythm-and-roots acoustic singer-songwriter believes historical people, places and pieces holistically define and shape society today.
“When I read this quote, it really kind of summed up what this was all about, and it was this Kansas journalist named Roy Wenzl, and he was talking about what he learned from his father. There’s just this great essay about it, but the quote I love is, ‘The ground beneath our feet is filled with the bones and the stories of millions of creatures that came before us,’” Karoub said.
“He talks about how we all go through our lives sleepwalking and missing what’s happening and not thinking about the people who came before or the places that have come and gone. Here, we live in this town where Motown rose and then relocated, but lots of musicians stayed and kept making music, but the world wasn’t necessarily hearing them anymore. I’m grappling with the past, but I also definitely want to be very much living in now and making sure I don’t miss anything.”
Karoub’s viewpoint of past meets present serves as a core theme throughout his latest and fourth Motown-made folk album, “Pieces Break,” which dropped in November.
Piecing Together ‘Pieces Break’
In a sense, the album references timeless symbols of Midwestern life – tires, bells, barns and cities – and reminds people to reflect on how far they’ve come. Each track beautifully stands alone, yet collectively represents a certain musical point in time.
The album’s heartfelt title track wraps listeners in vibrant acoustic strums and vintage Hammond B3 organ chords while whisking them into a poetic reverie – “Sometimes the pieces break/In such perfect shapes/They’re better left apart/What does the water wash over/And what does it forget/If I was never here and we never talked, would it matter much?”
The Royal Oak indie folk singer-songwriter will share her highly personal, reflective songs with an intimate Ann Arbor crowd at Crazy Wisdom Bookstore and Tearoom.
“This one’s just going to be on my own. I want to give myself some time and space to focus on my own work,” said Rivard, who will perform two 45-minute acoustic sets. “I am working on some new songs that I will be performing, and I will be doing some covers. It will mostly be original music, but the covers will be my interpretation of the songs.”
Throughout her mesmerizing sets, Rivard will showcase raw emotional vocals with a heartfelt wall of acoustic sound. Her relatable sonic tales of love, travel and growth will resonate with crowds of all ages and musical interests.
“There’s the spiritual element of letting go and letting music flow through you. The best music that I’ve created is what just comes out of me,” Rivard said. “I’m not trying to manipulate it, I’m not trying to do anything – it just comes. I’m committed to it, and I’m going to keep on going because there’s so much to learn from it.”
Rivard spent the last three and half years honing her guitar chops after studying with Detroit singer-songwriter Joel Palmer. She later added guitar to her repertoire after playing drums, piano, banjo and autoharp while growing up in Royal Oak with several musical siblings. That instrumental prowess also led to a deep musical appreciation for Simon & Garfunkel, Gillian Welch, Lauren Hill and Scott Joplin.
“I discovered when I was younger the soundtrack for the movie, ‘Amelie,’ by Yann Tiersen,” she said. “It’s instrumental stuff that’s kind of playful and whimsical, so I think that played a part in the kind of music that I play.”