Joint Adventure – The Whiskey Charmers Blaze New Sonic Trails for ‘On the Run’ Album

The Whiskey Charmers 2 2022
The Whiskey Charmers capture an adventurous sonic spirit for “On the Run.” Photo courtesy of The Whiskey Charmers

The Whiskey Charmers thoughtfully choose their own adventure.

The Detroit alt-country duo of Carrie Shepard (vocals, acoustic guitar) and Lawrence Daversa (electric and steel guitars, backing vocals) explore and weather life-changing terrain on their new Odyssean album, On the Run.

“When we were trying to think of an all-encompassing title, we started realizing how much that theme goes through the record, the On the Run theme,” said Shepard about the album out today via Sweet Apple Pie Records.

“We didn’t have a specific theme before going into the record because we actually recorded about 20 songs at once. We picked half that we thought would go well together for this first one, and we have half that we’re hoping to release next year.”

As the first half, On the Run journeys through melodic Laurel Canyon soundscapes, ‘70s-inspired country-rock instrumentation fused with hard-rock, psych-rock, blues and funk elements, and daring tales of growth and reflection. Collectively, the album’s 10 tracks serve as the ideal sonic companion for an open-ended road trip.

“The last two records featured the same guitar and the same amp that I play with live all the time. I just brought different stuff in because I was playing different stuff … and some songs like ‘Billy’ seemed like it needed to be a little more aggressive,” Daversa said.

“I did a whole run-through of that song and sent it to some guitar-player friends of mine and one friend was like, ‘Yeah, I hear what you’re trying to do on that, but that ain’t it.’ At first I was like, ‘Forget you, man,’ and then I started thinking about it. He was right because I changed it to what we do now, and I think it turned out a lot better.”

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Southern Gothic – The Prickly Pair’s ‘The Long Parade’ Single Celebrates Tennessee Williams and ‘A Streetcar Named Desire’

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The Prickly Pair channels the heartbreak and betrayal of “A Streetcar Named Desire” on “The Long Parade.” Photo – Caity Krone & Artwork – Spencer Shapeero

For The Prickly Pair, a pandemic-induced film immersion provided an instant gateway to 1950s-era New Orleans.

The Nashville, Tennessee alt-country duo of Mason Summit (vocals, guitars, keys) and Irene Greene (vocals) landed in the throes of “A Streetcar Named Desire” and penned their latest Southern Gothic single, “The Long Parade,” as an ode to Tennessee Williams.

“We actually wrote that song for a Tennessee Williams tribute my mom was putting on as part of her literary series, Library Girl,” said Summit about the 1951 film based on Williams’ 1947 Pulitzer Prize-winning play.

“We often get inspired by dialogue or visuals in movies, and we were taking notes while watching the film adaptation of ‘Streetcar.’”

Throughout “The Long Parade,” The Prickly Pair become entangled in the heartbreak and betrayal of Blanche, Stanley, Stella and Mitch. Twangy lap steel, nonchalant acoustic guitar, strolling bass, somber keys, steady drums and glistening cymbals plead for serenity and closure.

Summit and Greene sing, “Pearls before swine/Pull the wool over my eyes/‘Cause I can’t tell the truth/From my own lies.”

“It’s more of an attempt to capture the overall vibe, but I think people see themselves in these characters,” Summit said. “I hope people can relate to the song in a similar way. I personally find the chorus very cathartic to play.”

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Grit ‘N Glam – Jeremy Porter and The Tucos Release New ‘Put You on Hold’ Video

Jeremy Porter and The Tucos elegantly bring grit and glam to their stylish new video for Candy Coated Cannonball’sPut You on Hold” single.

The Detroit rock trio of Jeremy Porter (guitar, vocals), Gabriel Doman (drums, vocals) and Bob Moulton (bass, vocals) seamlessly fuse energetic live performance footage with colorful animation to illustrate “Put You on Hold’s” storyline about a girl becoming captivated with city life.

“I wanted to go for a bit of a throwback to the Aerosmith videos with Alicia Silverstone – sort of a very loose plot about a party girl that maybe worked with the song, but didn’t necessarily follow the song’s lyrics to a tee,” said Porter, who worked with director-photographer David Kellogg on the video.

“There are nods to the lyrics here and there, and in general, like the song, it’s about a crazy night out for a not-so-crazy girl, but the concept and its tie-in to the lyrics aren’t overthought. We glammed the look of the band up a bit for shits ‘n giggles to do something different, get out of our comfort zone and have some fun.”

Porter and The Tucos demonstrate that glamorous fun while dressing head-to-toe in white or black and adorning sunglasses and scarves, thanks to stylist Alessandra Lipman. They proudly sport those hip stage fashions in a darkened gym located at the Plymouth Arts & Recreation Complex (PARC).

“PARC is an old high school here in Plymouth that’s been converted into an art space with studios that local artists can rent and stuff like that. I wanted something big like a high school gym, and it just seemed perfect,” said Porter, who’s partnering with Ghettoblaster Magazine to premiere the video today.

“I also like to keep my money in my community when possible and support the arts when I can. David and I met the manager there, and she showed us around, and we agreed it was our spot. The gym has the feel of the ‘Smells Like Teen Spirit’ video a bit, which I liked.”

In tandem with the band’s live performance footage, the “Put You on Hold” video includes compelling animated characters and background scenery by Jones William. It explores the main character’s social outings with friends as well as her dating life and city adventures.

“(Jones) answered a Craigslist ad and was honestly one of the very few worth following up with. We never talked, just through email, a language barrier was an issue, and I wasn’t sure what I was gonna get. In the end, he delivered, and I was pleased with the work he did,” Porter said.

The band’s “Put You on Hold” video ultimately came together with Kellogg, who brought a “youthful, enthusiastic energy” to the camera.

“I met David through Instagram when we were recording. His work caught my eye, and he ended up doing all of the photography, including the cover, for the record. And even though he’s younger, he still gets the ‘70s/‘80s references we were throwing out – he’s well-traveled, so to speak,” Porter said.

“He didn’t have much to do with the concept or animation part, but he was very involved in scouting and choosing the location and everything that went into the performance part – lighting, setup, direction and all that. He and I also edited it together.”

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Bring to Life – Jeff Socia Provides Thoughtful ‘Release’ on New Debut Album

Jeff Socia performs live in northern Michigan. Photo courtesy of Jeff Socia

Four years ago, Jeff Socia decided to reenter the Michigan music scene.

The Traverse City Americana singer-songwriter created a home studio, started playing live shows and honed his songwriting chops.  Socia continued to build his momentum until last March when COVID-19 hit and instantly shuttered the live music world.

“I started booking some stuff on my own, and then last year happened. It’s probably a story you’ve heard a lot from other people – the lockdown was the time they were going to record and release something. I decided to go along with that story and take it one step further,” he said.

Nine months later, Socia dropped his thoughtful, melodic full-length debut album, Release, via all streaming platforms. The fervent 10-track project whips listeners down cozy, winding alt country roads filled with life-changing tales of love, growth, gratitude and risk.

“Everyone needs a release a right now, and this one happened to be mine. Hopefully, when someone listens to it, this can be their release. It’s been cool for me to hear from people who listen to my songs from elsewhere,” Socia said.

“I’ve gotten feedback from people in Ireland and other places. What we do here touches other people, and it’s their release. You never know what you’re going to put out there and how it’s going to affect someone. That’s why I called it Release.”

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Country Mile – The Whiskey Charmers Take Road Less Traveled for ‘Lost on the Range’ Album

Lawrence Daversa and Carrie Shepard of The Whiskey Charmers. Photo by Jim Cohen

The Whiskey Charmers frequently travel off the beaten path.

The Detroit alt country duo of Carrie Shepard (vocals, acoustic guitar) and Lawrence Daversa (electric guitar, harmony vocals) encounter western frontiers, far-away galaxies, budget motels, fiery gun-slinging duels, deserted highways and nightmarish monsters while getting Lost on the Range.

Their refreshing 10-track cinematic road trip serves as the ideal soundtrack for a vintage-like spaghetti western directed and musically curated by David Lynch. During Range, The Whiskey Charmers embark on several introspective journeys while tumbleweeds blow past, wildfires burn and classic country guitar tones reverberate in the distance.

“We didn’t have a plan originally of what songs were going to be on there, but we picked the ones we liked the best. We thought a lot about the order once we had all the songs, and we feel like it has a beginning and an ending the way we had it structured,” Shepard said. “The girl (Akriirose) who did the album art noticed all the words she kept hearing, and she kept getting this explorer vibe.”

Daversa quickly added, “Like Lewis and Clark.”

Getting ‘Lost on the Range’

“Lost on the Range” album artwork by Akriirose

For their third country expedition via Sweet Apple Pie Records, The Whiskey Charmers enlisted Brian Ferriby (drums), Johnny “Wolf” Abel (bass), Dan “Ozzie” Andrews (bass) and Rooftop Recording engineer and multi-instrumentalist David Roof to join the “wild west” entourage.

Together, they seamlessly blend scorching retro Americana, folk and rockabilly into timeless tales of love, revenge and self-discovery amidst vast, barren fields rolling in the mind’s eye. Their Range adventure begins amidst blazing struggles and deep space odysseys.

One of Range’s most striking tales includes “Galaxy,” a hypnotic, interstellar ode to solitary confinement in an expansive universal frontier. Intertwining melodic acoustic and electric guitar strums, vibrant glockenspiel, echoing chimes, delicate bass and light drums drift to and fro as Shepard and Daversa sing, “Well I’m lost at sea, lost in the galaxy/There’s no one else tonight, no one else but me/Still I float along, most of my hope is gone/Gotta find a rocky spot, that I can land upon.”

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