Mood Music – Bart Moore Creates Folky, Dystopian World on ‘Graveyards Wind & War’ Album

DSC-8611 V2
Bart Moore embarks on a storied folk journey through history and beyond on “Graveyards Wind & War.” Photo – Jen Hovey

In early 2020, Bart Moore tried to see the bright side of the pandemic.

The Grand Ledge, Michigan alt-folk singer-songwriter and guitarist noticed a burning desire to write new material and responded with a creative zeal. Instead, an unexpected feeling emerged.

“It’s interesting to me how everything is kind of shaped by the mood of the pandemic. When I would write a song, I would think, ‘This is pretty dystopian. I’d better write something that’s a little bit brighter,’” Moore said.

“Then, I would write another song, and it would turn out to be also kind of dystopian. I was like, ‘Wow, this is kind of a recurring theme here.’ It was hard to get out of that kind of dark tone to the songs.”

That dark tone produced Moore’s new otherworldly album, Graveyards Wind & War, which embarks on a storied folk journey through history and beyond.

Throughout his latest release via Nature Boy Records, Moore seamlessly transports listeners to Gettysburg, Dublin and San Francisco while encountering the spirits of Winfield Scott Hancock, Chris Cornell and “Marcelena.”

Immersed in acoustic introspection, Graveyards Wind & War’s memorable tales also land at the intersection of fantasy and reality and explore the possibilities of the future.

“That definitely influenced the content … the whole pandemic thing and going into the 2020 election thinking, ‘Good God, what fate is in store for us, depending on how this all goes?’ That fear and that tension were there,” said Moore, who expressed concern about the likelihood of another Trump-era administration.

“If I’m going to suffer through this, then I’m going to at least get some good music out of it. This is gonna inspire some good writing and push me to be as eloquent as I can be to write about this stuff or just get my thoughts out there.”

Continue reading “Mood Music – Bart Moore Creates Folky, Dystopian World on ‘Graveyards Wind & War’ Album”

Back in the Day – Ben Yost Unearths Deep Cuts for ‘Kickpop Records Sampler No. 1’ EP

This slideshow requires JavaScript.

A new alt-folk/emo/indie rock compilation project transports Ben Yost back to past shows, favorite venues and life-changing friendships.

The Blank Tape Tax vocalist-guitarist specially curated the five-track EP via Kickpop Records to share deep cuts from Greet Death’s Logan Gaval, For Once in My Life, The Flaks and Broadacre as well as his current band.

“The most important music to me is my music and the music of my friends because it’s the soundtrack to my life. It makes me think of old venues like the Genesis, the old Sanctuary, Toepfer House and Elijah’s (Q-Nails),” said Yost, who’s based in Detroit.

“It also makes me think of our friendships and our time together as a family. Starting Kickpop Records is about releasing music for me and my friends and to maintain the catalogs of a few artists so their music will always be out there to listen to.”

Yost launched Kickpop Records, a small DIY label, during the pandemic and released his first project, KP-005, or Kickpop Records Sampler No. 1, on 10-inch vinyl earlier this summer. While the vinyl release quickly sold out, listeners can still spin the compelling, cerebral project via Spotify.

KP-005 (or Kickpop Records Sampler No. 1) is just a little taste of what you might expect to hear in the future from Kickpop Records. The first three songs (Logan Gaval, Blank Tape Tax and For Once in My Life) all stick to a theme and were recorded on a Tascam Portatstudio. The last two songs are from out-of-print records of the two bands I drummed and wrote for – The Flaks and Broadacre,” Yost said.

“The idea for the (compilation) came from Broadacre bassist Matt Farrett. Matt and I were talking about releasing the nine-song Broadacre project, and he suggested we test the waters on a (compilation) first.”

Continue reading “Back in the Day – Ben Yost Unearths Deep Cuts for ‘Kickpop Records Sampler No. 1’ EP”

Escape Artist – Kat Steih Creates Alternate Universe on ‘Songs from a Faraway Galaxy … and West Park Volume 1’ EP

album art volume1 songs art by kat steih
Kat Steih creates a captivating electro acoustic dreamscape on her latest EP. Artwork – Kat Steih

Kat Steih thoughtfully assembles a majestic, restorative alternate universe for near and far like-minded souls.

Inside that mystical world, the Ann Arbor alt-folk singer-songwriter invites listeners into a captivating electro acoustic dreamscape on her new EP, Songs from a Faraway Galaxy … And West Park Volume 1, which dropped Aug. 28.

“My music has a strong element of escapism. I’ll be in the middle of an experience that I don’t want to be having, feeling that inner roar of resistance, and then suddenly a melody with words and a vibe will pop right into my head,” Steih said.

“A big part of musical journey is increasing my skills so that I can capture those ideas to convey them to others. It’s really important to me to share (the ideas) because they arrive like gifts from the universe.”

Throughout her latest release, Steih packs an expansive, cerebral and folky sound across four hypnotic, ethereal tracks while venturing through past experiences, changing relationships, personal growth and long-awaited renewal. It’s a mesmerizing, introspective follow-up to her breathtaking, spiritual 2019 Americana album, Hymns of the Huron.

“I’ve always loved theatrical music production like Pink Floyd, Queen and Kate Bush. The sound of this album is influenced by my collaboration with Samn Johnson while the sound of Hymns of the Huron was very influenced by the band that Ben Lorenz put together,” she said.

“I bring the melodies and chord progressions, but the final product is colored by who’s there and the vibe of the environment we’re in.”

Continue reading “Escape Artist – Kat Steih Creates Alternate Universe on ‘Songs from a Faraway Galaxy … and West Park Volume 1’ EP”