Mystic Mind – Rebekah Faidia Channels Jimi Hendrix’s Creative Spirit in Latest Single

Rebekah Faidia brings dream and neo soul to life in her latest single, “Mystic Mind.” Photo by Lance Marczak, Divine Life Photography

Rebekah Faidia knows how to keep the spirit of Jimi Hendrix alive.

As a dream neo soul-pop singer-songwriter, Faidia beautifully reimagines the guitar legend’s creative world from “Have You Ever Been (To Electric Ladyland)” in her latest single, “Mystic Mind (Session 2).”

“It’s about exploring things in life that are little bit more mysterious,” she said. “It’s about my music, that world and everything that I want my music to inspire and evoke in people. It’s an introduction to me and my music.”

Faidia makes a mesmerizing introduction on “Mystic Mind,” which features soft, ethereal vocals woven with vibrant, atmospheric electric guitars and deep synths – “Take a ride into my mystic mind/You’ll have the time of your life/And if you see my soul looks like it’s fool’s gold/It’s all yours/You can indulge.”

She takes listeners on a “ride into that electric sky” to open and free the mind to new possibilities. The track itself serves as a four-minute escape into a romantic realm that lies somewhere in between “Edward Scisscorhands” and “The Shape of Water.”

Interestingly, Faidia recorded two versions of the track at Metro 37 Recording Studio in Rochester Hills with producer and engineer Kevin Sharp. Both versions are similar with the exception of a newly added guitar solo from Motor City multi-genre vocalist and guitarist Kyle Mikolajczyk.

Faidia started working with Mikolajczyk earlier this year after meeting him through mutual friend and bassist Cameron Shawcross. The trio also added drummer Garrett Ramsden to the lineup.

“Kyle’s really involved in the music scene. He’s also playing with me, and as of now, we’ve done stuff in the studio,” Faidia said. “We don’t have any live performances scheduled right now because we’re in the process of doing a lot of different things.”

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Sounds Like Love – Bill Edwards Chronicles Relationships Gained, Lost on Latest Album

Bill Edwards released his latest album, “Sounds Like Love,” in October. Photo by Chasing Light Photos

These days, Bill Edwards views love as the soundtrack of his life.

The Ann Arbor country singer-songwriter eloquently chronicles his evolving thoughts about love on his latest album, “Sounds Like Love,” which dropped in October on Regaltone Records.

“A year ago I decided I wanted to do an album of love songs. It seems like the times we’re going through right now we can use as much love as we can get,” Edwards said. “They’re not all songs that say ‘I love you.’ Some are about the complications and the darker side of some love relationships. I think they’re at least loosely related to the concept of love.”

Sounds Like Love” features 13 stellar tracks highlighting the ups and downs of love from different perspectives and moments in time – new love, lost love, lifelong love, past love and unrequited love. On each track, Edwards gently moves listeners from one soundbite of love to the next along a fascinating emotional path that includes paint, hurricanes and boxcars.

“I write about a song a week, and it’s just my creative outlet. I had accumulated quite a number of songs to choose from, and I just picked those 13 for the record,” he said. “I’ve long wanted to do an album all by myself in my own home studio, and I’ve accumulated an embarrassing amount of recording gear.”

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Skies The Limit – Erin Zindle & The Ragbirds Soar with New Band Name, New Music

Erin Zindle is releasing new music under the new band moniker, Erin Zindle & The Ragbirds. Photo by Joe Gall

Erin Zindle & The Ragbirds are ready to soar above the clouds.

The Ann Arbor infectious global groove group has taken flight with a new band moniker and migrated toward new music wrapped in breathtaking melodies, vocal harmonies and improvisational elements.

Previously known as The Ragbirds, the quartet of Erin Zindle (vocals, violin, mandolin, accordion, banjo), TJ Zindle (electric/acoustic guitar, vocals), Shannon Wade (bass, vocals) and Loren Kranz (drums, vocals) is now Erin Zindle & The Ragbirds.

“The name change sends a very clear message that this is different from what we’ve done before. This is different enough that we feel like it needs a new name,” said Zindle, who formed the band in 2005. “Also, there’s the sense of me stepping up and really taking ownership of the role that I have played in the band this whole time. My bandmates are just so amazing. I’m so proud of my band right now, and they’re the best guys I could possibly ask to work with.”

Throughout the band’s 14-year history, Erin Zindle & The Ragbirds have maintained a passionate grassroots fan base by continually reinventing themselves with an evolving sound while remaining rooted in the high-energy sphere of world-based folk rock. Today, they’ve shifted their sound to include more melodic components along with uplifting vocals, edgy guitars and groovy rhythms.

“We have less going on in the percussive world, and in the rhythm section, it’s a little less busy. And it’s interesting how that happened at the same time as I was having this natural shift toward developing my voice and stepping forward as a singer and writing songs with stronger melodies as I improve as a songwriter,” Zindle said. “I’m just getting much more honed in my craft so that I can write songs that are more vocal forward and focus on the melodic elements.”

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Magic Touch – Emilie Rivard Brings Enchanting Indie Folk to Crazy Wisdom Friday

Emilie Rivard will bring her intimate acoustic indie folk to Crazy Wisdom Friday night. Photo by Kent Koller

Emilie Rivard will forge a deep musical connection with Tree Town Friday night.

The Royal Oak indie folk singer-songwriter will share her highly personal, reflective songs with an intimate Ann Arbor crowd at Crazy Wisdom Bookstore and Tearoom.

“This one’s just going to be on my own. I want to give myself some time and space to focus on my own work,” said Rivard, who will perform two 45-minute acoustic sets. “I am working on some new songs that I will be performing, and I will be doing some covers. It will mostly be original music, but the covers will be my interpretation of the songs.”

Throughout her mesmerizing sets, Rivard will showcase raw emotional vocals with a heartfelt wall of acoustic sound. Her relatable sonic tales of love, travel and growth will resonate with crowds of all ages and musical interests.

“There’s the spiritual element of letting go and letting music flow through you. The best music that I’ve created is what just comes out of me,” Rivard said. “I’m not trying to manipulate it, I’m not trying to do anything – it just comes. I’m committed to it, and I’m going to keep on going because there’s so much to learn from it.”

Rivard spent the last three and half years honing her guitar chops after studying with Detroit singer-songwriter Joel Palmer. She later added guitar to her repertoire after playing drums, piano, banjo and autoharp while growing up in Royal Oak with several musical siblings. That instrumental prowess also led to a deep musical appreciation for Simon & Garfunkel, Gillian Welch, Lauren Hill and Scott Joplin.

“I discovered when I was younger the soundtrack for the movie, ‘Amelie,’ by Yann Tiersen,” she said. “It’s instrumental stuff that’s kind of playful and whimsical, so I think that played a part in the kind of music that I play.”

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Groovin’ for Good – New Ann Arbor Charitable Organization Hosts Inaugural Benefit Show Friday to End Domestic Violence

Tetra Music Project will perform at the inaugural Groovin’ for Good benefit show Friday at The Blind Pig.

A new Ann Arbor charitable organization is ready to groove from the heart.

Known as Groovin’ for Good, the organization hosts benefit shows and creative events to raise funds for local people in need. It will host its inaugural event, “Break the Cycle: A Benefit to End Domestic Violence,” Friday at The Blind Pig with The Funk Factory, ZZvava, Ma Baker and the Tetra Music Project.

“We developed this concept to throw these benefit shows and have the shows go to a good cause. We found out October is domestic violence awareness month, and we were planning it in April and thinking a fall show would be good,” said Erika Ratliff, who co-founded Groovin’ for Good in April with Sara Adas, MSW and LLMSW, and Stormy Chromer drummer Amin Lanseur.

“We had the concept, and then we had the cause, and we started calling around. We made a list of different area nonprofits that focus on domestic violence and sexual assault, and we settled on First Step. We’re really excited that they’re involved, and they’re going to be at the event, too.”

All ticket sales from Friday’s show will go directly to First Step, a Wayne County nonprofit based in Plymouth that provides comprehensive services for victims of domestic and sexual assault. Services include a 24-hour help line, information and referrals, community education, transitional housing, temporary emergency housing, assault response, and children’s advocacy and prevention programs.

In addition, Friday’s show will feature a silent auction with creative items and services donated by visual artists and local vendors. All proceeds from the silent auction will go directly to First Step.

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Come Together – John Lennon’s Political Impact, Creative Legacy Still Rings True Today

John Lennon continues to be an advocate for peace nearly 40 years after his death. Illustration by Nick Fewings

By Nicole Bouwkamp

John Lennon is often remembered for his time as an enigmatic member of The Beatles, the smart and witty frontman who could charm crowds and gain their animosity alike. He is also remembered for his strong political stances, namely for causes of justice and the promotion of peace.

Ann Arbor recently saw one of these promotions for peace in memory of John Lennon. On Oct. 10, the Veterans for Peace John Lennon Birthday Concert at The Ark saw local musicians come together, performing both Lennon’s own songs and other peace and protest songs. Proceeds went to the local chapter of Veterans for Peace to fund their Peace Scholarship Program.

Lennon was always leery about the politicians whose influences steeped into the lives of everyday citizens. In 1968 at The National Theatre, believing that “…our society is run by insane people for insane objectives, and I think that’s what I sussed when I was 16 and 12, way down the line.”

He also stated that “If anybody can put on paper what our government, and the American government and the Russian, Chinese, what they are actually trying to do and what they think they’re doing… I’d be very pleased to know what they think they’re doing, I think they’re all insane!”

These sentiments can be heard through his song, “Gimme Some Truth,” a song where Lennon sings that he is tired of hearing the things spread by “neurotic, psychotic, pig-headed politicians.” As Lennon’s political voice demanded to be heard, so did his music grow to become the tool to spread it to the world.

His voice was also spread by the support and influence of Yoko Ono. As a contemporary multimedia artist and peace activist herself, Ono helped Lennon find ways to voice his own thoughts about the world around them, from government corruption to the Vietnam War and everything in-between.

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Groove On – Stormy Chromer Hosts Jam-tastic Blind Pig Show Tonight with Biomassive, RADO

Stormy Chromer will host a fall hometown show tonight in Ann Arbor.

Ann Arbor will groove three times over tonight with Stormy Chromer at the musical helm.

The Ypsilanti progressive jam quartet will host a fall hometown show at The Blind Pig with Biomassive and RADO filled with danceable improvisational rock, jazz, funk and electronica.

“We have a long list of covers that’s somewhere near 80 or 100 total. Every time we perform one, we log it into an Excel sheet. We’ve been going back over this past summer and looking at it to see which ones we can let fall by the wayside, so we have a few things up our sleeve in terms of things you haven’t heard us play in a long time,” said Ryan King, Stormy Chromer’s bassist.

“In terms of originals, we might have some new stuff for you. We’re not entirely sure if we’re going to be playing some of it live yet, but we have new material in the works.”

Along with bandmates Brendan Collins (lead guitar), Spencer Hanson (lead guitar) and Amin Lanseur (drums), King has grown his improvisational chops during a month-long mini-residency at the Tip Top Deluxe Bar & Grill in Grand Rapids as well as several Michigan-based festivals and a tour out west.

“The goal for a long time was just to be comfortable enough doing it in front of a crowd and to be not doing it where they don’t stop moving,” said King, who’s racked up more than 30 original songs with Stormy Chromer. “I think that’s going to be the direction the band is headed in right now and trying to do something live that’s really unique and special at every show in terms of creating something that’s only gonna be there for that night.”

Together, Stormy Chromer started cutting their improvisational teeth after forming in 2014. Named after an accidental tribute to the legendary Michigan cap company, the band blends complex songwriting with real-time compositions to create a unique live experience. In true jam-style fashion, Stormy Chromer has performed a growing roster of live shows locally and nationally with unique nightly setlists for a dedicated fan base.

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