Sonic Youth – Allye Gaietto Reconciles Past Expectations on New ‘Hoping for More’ Album

Allye Gaietto promo photo portrait
Allye Gaietto revisits her past self on “Hoping for More.” Photo – Rolando Ybarra

Allye Gaietto candidly shares an internal monologue with her younger self.

The Detroit indie folk-pop singer-songwriter and pianist reconciles past expectations, relationships and interactions on her perceptive new album, Hoping for More, which drops Aug. 26.

“It’s so much discovering of who you are, what your beliefs are and where you stand on all sorts of different things. I think, for a lot of us, our identity is about who’s around us and how we interact with people and how they see us,” said Gaietto about previous life experiences in her early 20s.

“I think for this record there are a lot of things … like I had my first serious relationship and then got dumped for the first time, and that’s one of the songs on the album. That was huge for me.”

With Hoping for More, Gaietto provides a huge release of deeply buried emotions that still feel tender and raw. Whether encountering relief, heartache or courage, she beautifully documents those experiences through contemplative lyrics, haunting melodies and lush instrumentation.

“It’s this funny contrast of me trying to reconcile like, ‘What do you think about me? What do I think about you? How do we feel about each other?’ with friendships, romantic relationships and parent relationships,” said Gaietto, who also released the single, “I Guess I Don’t,” earlier this year.

“After the album was finished, the new stuff I’ve been writing … sometimes I have to put myself back in that early 20s, new relationship mindset because it’s a goldmine for feelings and content.”

Continue reading “Sonic Youth – Allye Gaietto Reconciles Past Expectations on New ‘Hoping for More’ Album”

Going Strong – ATMIG Demonstrates Musical Prowess, Honors Majesty Crush on ‘Avec Muscles’ EP

Atmig(42)
ATMIG’s Drew Borowsky, David Jackowicz, Tobias Lipski and Dan Clark build a robust sound on “Avec Muscles.” Photo – Scott Millington

ATMIG strongly flexes a new creative muscle.

The Detroit indie-rock quartet of Tobias Lipski (vocals, guitar), Drew Borowsky (bass), Dan Clark (guitar) and David Jackowicz (drums) demonstrates their musical prowess with a fresh lineup and a new tenacious EP, Avec Muscles, which drops Saturday.

“A lot of that comes from the current crew. Dave can do the things on drums, Dan can do the things on guitar, and Drew can do the things on bass that I like to hear in the music that I listen to and that I sure as heck can’t do myself. We get each other’s vibe, so it can actually happen,” Lipski said.

Throughout Avec Muscles, ATMIG, or After The Money Is Gone, seamlessly builds a robust sonic system from several digestible, multi-genre “proteins,” including shoegaze, indie-folk, ambient, post-punk, dream-pop and indie-rock. Each “protein” evolves into a mighty, cohesive listen.

“For Avec Muscles, I think we still have variety, but overall, it’s a heavier album. It’s not just hard rock, it’s not just shoegaze, and it’s not just folk. It’s just us trying to put forth what the band and I do best,” said Lipski, who formed the band in 2006.

A follow-up to 2019’s Wishes album, Avec Muscles also pays tribute to Majesty Crush, a highly regarded Detroit dream-pop/shoegaze quartet that formed in 1990. The band featured the late David Stroughter (vocals), Hobey Echlin (bass), Michael Segal (guitar) and Odell Nails (drums) as part of a regal lineup that released their final EP, Sans Muscles, before splitting in 1995.

“It’s supposed to be the reverse of the Majesty Crush EP, Sans Muscles, because ‘Muscles’ was Hobey’s nickname. That was the last EP they did knowing Hobey was leaving the band,” said Lipski, whose new EP, Avec Muscles, means “With Muscle.” (“Avec” is French for “With.”)

“The whole concept is that I’m a huge Majesty Crush fan, and maybe Hobey will play with us. And if he’s going to play with us, then why don’t we name the song and EP after him? Who knows? Maybe he’ll come out to the show and play some Majesty Crush songs with us.”

Continue reading “Going Strong – ATMIG Demonstrates Musical Prowess, Honors Majesty Crush on ‘Avec Muscles’ EP”

Snapshot in Time – Pia Revisits Past Friendships on ‘Old Days’

olddays
Pia gets nostalgic on her new single, “Old Days.” Photo – AC Backus Photo

Pia thoughtfully shares a personal snapshot in time.

The Detroit indie rock singer-songwriter reminisces about a past friendship and recalls vivid moments of connection on her nostalgic new single, “Old Days.”

“It’s the singular event of a friendship not really ending, but dissipating and changing the way that it used to look. It’s a shorter realization of like, ‘Oh wow, this person that I used to either talk to every day or had this certain relationship with, it’s now different,’” she said.

Throughout “Old Days,” Pia wonders what her friend drinks for breakfast and whether they remember summertime highway jaunts or stolen firewood adventures.

Alongside those inquiries, an emotive swell of wistful electric guitar, quavering bass, thumping drums, shiny cymbals and jingly tambourine seamlessly transport Pia to the past.

She sings, “It makes me sad something changed in your eyes/Ask how you’re doing seems like a big disguise/December’s long and we both know/That the sun is coming and it’s melting the snow.”

“When I reached the end of writing ‘Old Days,’ it helped that I similarly was realizing, ‘Oh friendships and relationships end, but not always for the worst, and that time is still special,’” Pia said.

Pia penned her sentimental track in May and recorded it with a talented team of collaborators, including producer John Katona of JK (Not Kidding Studios), Minihorse’s Ben Collins (lead guitar), Tom Mihalis (lead guitar), Stoop Lee’s Ade Olaniran (drums) and Matt Jones (bass).

“I recorded the demo and basis of the whole song with Ben Collins and myself on guitar and vocals and Ade of Stoop Lee on drums. Then, I sat on the song for a little because I got busy with residency, and then ended up finishing it up at John Katona’s,” said Pia, who’s also a pharmacist.

To accompany the release of “Old Days,” Pia dropped a thoughtful new lyric video, which features her roaming around Belle Isle.

“I asked my 16-year-old sister to videotape me doing random stuff on my friend Matt’s camcorder. She was like, ‘Oh, I get to use a camcorder?’ And I was like, ‘Yeah, try it out.’ She followed me around, and I used that footage in the video,” she said.

Continue reading “Snapshot in Time – Pia Revisits Past Friendships on ‘Old Days’”

‘Steady’ Climb – Ohly Headlines Friday’s Show at The Loving Touch

Ohly 1
Pia Roa and Christian Ohly will perform as part of Ohly’s first headlining show Friday at The Loving Touch. Photo – AC Backus Photography

Editor’s Note: Proof of full vaccination is required for attending Ohly’s Friday headlining show at The Loving Touch.

For Ohly, Friday’s headlining show is bucket-list worthy.

The Ferndale indie folk rocker will relish performing his growing catalog of vivid, thoughtful tracks with Tom Mihalis (guitar), Matt Jones (keys), Brodie Glaza (drums), Pia Roa (bass, vocals) and Ian Lukas (trombone) at The Loving Touch.

“I’ve been doing music for eight or nine years now, and I started playing at coffee shops when I was 15 or 16. I think this is the first-ever proper headlining show that Ohly has ever done. We’re super excited and trying to invite all of our friends out,” said Christian Ohly, aka Ohly.

As part of Audiotree Presents, Friday’s show will allow Ohly to debut his latest contemplative single, “Steady,” and spotlight songs from his current seven-track EP, Landlines, before a metro Detroit audience.

“There are some songs that I’ve never really played live and definitely haven’t played them live with the ability that we’re at now. I’m really looking forward to playing them with a few years of experience. The more people I have up there, the livelier and more organic it will sound,” Ohly said.

Ohly also will share the stage with three emerging local acts, including Kimball, Jackamo and The Michigan Ordinary.

“These are three bands that I’ve looked up to for years. My childhood friend used to be the bassist for Kimball, so he introduced me to them years ago before I was doing original music. I saw them live a couple of times and being on the same bill as them is pretty surreal,” he said.

“Two years ago, Jackamo opened up for Remnose. I heard their set and had to run up to them right afterward. I was like, ‘You guys took my breath away.’ The Michigan Ordinary’s Steve Davis used to be in a band called The Fragile, and I saw him at the coffee shop I used to play when I was 15 or 16. My brother and I grabbed his CD, and we were like, ‘Wow, how is this guy playing in a little coffee shop?’”

Continue reading “‘Steady’ Climb – Ohly Headlines Friday’s Show at The Loving Touch”

Coming Home – Young Ritual Performs Headlining Set Saturday at Sanctuary Detroit

YR2_KrisHerrmann
Young Ritual will perform his first live show in nearly 18 months at Sanctuary Detroit on Saturday. Photo – Kris Herrmann

For Young Ritual, Saturday’s live show at Sanctuary Detroit feels like a long-awaited homecoming.

The Flint indie folk rock singer-songwriter will perform his first headlining set in nearly 18 months at the Hamtramck venue.

“I can’t even express how good it feels to be playing shows again. I really hadn’t considered how vital that type of experience was in my life until it went away. I really had to push it away for a while when we didn’t know a timetable for the return of live music,” said Dylan Grantham, aka Young Ritual.

“Once the show was announced, all of those feelings came flooding back. I just want to make this night a loud and beautiful entry back into the music scene out here for Young Ritual.”

Hosted in partnership with Audiotree Presents, the show will allow Young Ritual to debut several new tracks since releasing his introspective, two-track A/B EP in March. He’ll be joined by Fenton indie pop singer-songwriter Au Gres, aka Josh Kemp, and Detroit indie folk singer-songwriter Emma Guzman.

“They are all pretty driving rock songs because that’s where my intent in writing has been, and the one I’m most excited about is called ‘Julianna.’ The song is kind of Springsteen and The Killers, but absolutely Young Ritual top to bottom,” said Grantham, who will include Au Gres as part of his live band.

“Josh from Au Gres is one of my closest friends, and I adore his band. He writes the sleekest indie pop imaginable and is just a pleasure to have around. I haven’t met Emma yet, but I’m a huge fan of what she’s been doing, so I’m really excited to have her on board.”

Continue reading “Coming Home – Young Ritual Performs Headlining Set Saturday at Sanctuary Detroit”