Mood Music – Bart Moore Creates Folky, Dystopian World on ‘Graveyards Wind & War’ Album

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Bart Moore embarks on a storied folk journey through history and beyond on “Graveyards Wind & War.” Photo – Jen Hovey

In early 2020, Bart Moore tried to see the bright side of the pandemic.

The Grand Ledge, Michigan alt-folk singer-songwriter and guitarist noticed a burning desire to write new material and responded with a creative zeal. Instead, an unexpected feeling emerged.

“It’s interesting to me how everything is kind of shaped by the mood of the pandemic. When I would write a song, I would think, ‘This is pretty dystopian. I’d better write something that’s a little bit brighter,’” Moore said.

“Then, I would write another song, and it would turn out to be also kind of dystopian. I was like, ‘Wow, this is kind of a recurring theme here.’ It was hard to get out of that kind of dark tone to the songs.”

That dark tone produced Moore’s new otherworldly album, Graveyards Wind & War, which embarks on a storied folk journey through history and beyond.

Throughout his latest release via Nature Boy Records, Moore seamlessly transports listeners to Gettysburg, Dublin and San Francisco while encountering the spirits of Winfield Scott Hancock, Chris Cornell and “Marcelena.”

Immersed in acoustic introspection, Graveyards Wind & War’s memorable tales also land at the intersection of fantasy and reality and explore the possibilities of the future.

“That definitely influenced the content … the whole pandemic thing and going into the 2020 election thinking, ‘Good God, what fate is in store for us, depending on how this all goes?’ That fear and that tension were there,” said Moore, who expressed concern about the likelihood of another Trump-era administration.

“If I’m going to suffer through this, then I’m going to at least get some good music out of it. This is gonna inspire some good writing and push me to be as eloquent as I can be to write about this stuff or just get my thoughts out there.”

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At Home – Ann Arbor’s Pajamas Hosts Headlining Show Friday at The Blind Pig

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Pajamas opens for Karina Rykman at The Parliament Room at Otus Supply in Ferndale. Photo – Austin R. Grinnell

Filled with gratitude and anticipation, Pajamas wants to show their hometown some love.

The Ann Arbor rock-funk jam quartet of Graham Low (drums, vocals), Nick Orr (guitars, vocals), Dan Schuler (bass, vocals) and Owen Kellenberger (keys, vocals) eagerly awaits their first headlining show Friday at The Blind Pig in nearly two years.

“Since we do perform in Ann Arbor pretty regularly, this one is going to be a love letter to our friends and fans, something unique and special. We’ve put a lot of work into making this happen. It’s a chance to celebrate our town, our community and where we are now as a band,” Orr said.

“I think people have a lot to look forward to with this show. We’ve hired a professional lighting engineer to accompany the music with an incredible light show. The Blind Pig is an Ann Arbor institution, and we’ve all been attending and playing shows there for years.”

As part of their show, Pajamas will share The Blind Pig stage with Toledo’s Cactus Jack, a quintet of talented friends quickly gaining traction with live Michigan audiences.

“We met Cactus Jack by putting a show together with them at the Tip Top Deluxe in Grand Rapids. It was our first time playing together, but I think we fit together really well musically,” Orr said.

“They’re really talented players with very good original songs. We got along really well and are happy that they were available to play with us again for this upcoming show. This show will be their Blind Pig debut, so it’s extra cool for that reason.”

Another extra “cool” reason to celebrate Pajamas’ Blind Pig return – new material to preview and experience from their forthcoming second studio album as well as some improvised covers.

“I’m really proud of the music that we’ve written for it, and I think it showcases how far we’ve come and where we’re currently at as a band,” said Orr, who previously released Onesie with the band in 2018. “It feels like we are hitting our songwriting stride, and more importantly, finding our own sound and voice. I think with this second full-length album we just know who we are and what we are about musically.”

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