In Harmony – Metro Detroit’s Voxanna Forms During Pandemic and Releases Compelling Self-Titled Debut Album

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Voxanna’s Billy Brandt, Elaine Schoendorf, Raquel Salaysay and Kerry Gluckman share rich harmonies and a timeless acoustic folk-rock sound on their self-titled debut album. Photo courtesy of Voxanna

When the pandemic first hit, Billy Brandt, Elaine Schoendorf, Kerry Gluckman and Raquel Salaysay unexpectedly found a silver lining during a dark time.

The two couples and musical collaborators experienced a burst of creativity and formed Voxanna, a new acoustic folk-rock band from Metro Detroit.

“It’s something amazingly positive to do,” said Brandt, one of the band’s vocalists and a guitarist, banjoist and autoharpist.

“It started with Kerry, Raquel and me—though I had met Elaine right before the pandemic. We trusted each other, and for some reason, we had an instinctual feeling that we’d be OK if we gathered to play music, so we did.”

At the outset, Brandt gathered with Gluckman (percussion) and Salaysay (bass, vocals) to jam outside the couple’s house and started recording their performances

“We videotaped everything, so everything was a performance … and that worked very well in our favor. People really enjoyed seeing us from their lockdown homes or whatever apartment they were living in,” Brandt said.

“This live music seemed to get 100, 300, 500 and 1,000 likes every time we posted, so we built a small online community that’s very different from an in-person community. We had good responses, and it kept us going.”

That momentum prompted Brandt to bring Schoendorf (tenor guitar, vocals) into the fold after the two had started singing and harmonizing together in 2019.

“We had been working our thing concurrently with Kerry, Raquel and I working out this trio—this rhythm section thing,” Brandt said. “But we were missing one thing and that was three-part harmonies, so we eventually put it all together.”

Continue reading “In Harmony – Metro Detroit’s Voxanna Forms During Pandemic and Releases Compelling Self-Titled Debut Album”

The Soundcheck – Jennifer Westwood and The Handsome Devils, Brian Perrone, Hard Luck Pete & The Wrong Way Streets, Marty Kohn, Grooblen and Johanna Beekman & Ben Leinbach

For the September “Soundcheck,” I assembled a collage of new releases that represent a season of change. Whether it’s being resilient, overcoming heartbreak, reflecting on the past or entering a new dimension, each release introduces a different chapter and the possibilities that come with it. I invite you to explore these sonic offerings and see how they relate to your own experiences.

Jennifer Westwood and The Handsome Devils, “Bullet Proof”

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Detroit’s Jennifer Westwood and The Handsome Devils acknowledge the power of resiliency on their latest single, “Bullet Proof.” The soulful, bluesy ballad celebrates being yourself, standing your ground and moving forward despite receiving negative feedback from others.

Alongside bold electric guitar from Dylan Dunbar, Westwood sings, “I’ve heard it all before / I’ve given my best and more / Been locked out / But I just beat down the door / It’s not like me to fade away / Oh baby, I’m bullet proof.”

Those strong words inspire us all to regain our self-confidence and deflect criticism from our detractors. I can’t think of a better song to play when I need some extra encouragement after a tough day. (Plus, Westwood offers strong words of wisdom and support daily for Detroit musicians through the Playing in the Detroit Area Tonight – Music News Facebook group.)

Westwood and husband Dunbar truly shine with top-notch bandmates Chuck Bartels (bass), David Below (drums) and Evan Mercer (piano) on the first track from their forthcoming album. They’re working with Royal Oak producer Bunky Hunt of WhistlePig Music Group and recently completed some additional recording sessions at Memphis Magnetic Recording.

Continue reading “The Soundcheck – Jennifer Westwood and The Handsome Devils, Brian Perrone, Hard Luck Pete & The Wrong Way Streets, Marty Kohn, Grooblen and Johanna Beekman & Ben Leinbach”

Nocturnal Tendencies – Catriona Sturton Honors Coming Alive After Dark on ‘We Bloom at Night’

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Catriona Sturton celebrates being a night owl on her new song, “We Bloom at Night.” Courtesy photo

Catriona Sturton believes authenticity blooms at night.

The Ottawa, Ontario blues singer-songwriter and multi-instrumentalist spotlights the honesty and vulnerability people share after dark on “We Bloom at Night.”

“For years, I had wanted to write a song around an idea that Eniid Goodman, a great Canadian songwriter and interpreter of Joni Mitchell’s music, had shared with me,” said Sturton about her new track, which will be included part of the upcoming Night Bell 12-inch vinyl single via J.M.I. Recordings.

“It was about how there are times in life when we can be wide open to who another person is, but that it can also be stressful if [that experience] is [later] followed by them pulling back.”

At the start of “We Bloom at Night,” Sturton sings, “I see the moon / And the moon sees me / I’m used to hiding / Comes so easily / But the moon’s gentle light / Keeps shining on me / Patient and kind / Shining on what I want to be.”

“[Eniid] shared that she had learned … there are cycles in nature of [flowers] opening and closing. When I had mentioned to [another] friend about how flowers open during the day and close at night, he said, ‘What about the evening primrose?’” Sturton said.

“And in that moment, I got the idea of how to express the song I had struggled with for years. It did kind of change my life and is one of my favorites.”

The track also celebrates Sturton’s love of the nighttime and the tranquility that comes with it.

“I am most definitely a night owl and always have been since I was a child,” she said. “I like how people open up when it gets dark. When I’m myself, I feel like I can hear my thoughts better when the town is sleeping.”

I recently spoke with Sturton about her background, time in Plumtree, current recordings, new song and upcoming 12-inch vinyl single, this week’s shows with Detroit folk singer-songwriter Mike Ward and future plans.

Continue reading “Nocturnal Tendencies – Catriona Sturton Honors Coming Alive After Dark on ‘We Bloom at Night’”

Then and Now – Metro Detroit’s Ash Can Van Gogh Looks Backward and Forward on the Band’s Evolution

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Ash Can Van Gogh’s Billy Brandt, JC Whitelaw and Mary McGuire pause between performances. Photo – Ash Can Van Gogh’s Facebook page

Back in 1986, Billy Brandt and JC Whitelaw placed an ad in the Metro Times looking for a female vocalist and instrumentalist.

The two Metro Detroit singer-songwriters envisioned forming a folk-rock band—now known as Ash Can Van Gogh—that specialized in three-part harmonies.

It wasn’t long until Mary McGuire saw the ad and called Brandt from a payphone at the Inn Season Café in Royal Oak. The Lansing singer-songwriter was working at the vegetarian-vegan restaurant at the time.

“I’m standing there holding the Metro Times, and I put a dime in the phone. Billy answers the phone, and I’m like, ‘Hey, I’m calling about your ad in the Metro Times, and my name is Mary,’ and he’s like, ‘What’s your sign?’” McGuire said.

“That was the first thing he said to me, and I was like, ‘Scorpio,’ and he’s like, ‘Oh, that’s cool; I’m a Capricorn.’ And I’m like, ‘Oh, we’ll get along. I have a moon in Capricorn,’ so then we chatted about our influences and found we were big fans of Crosby, Stills, Nash & Young.”

That first conversation quickly led to Brandt and Whitelaw seeing McGuire perform at Sir Charles Pub in Royal Oak and then singing with her at her house later that night.

Continue reading “Then and Now – Metro Detroit’s Ash Can Van Gogh Looks Backward and Forward on the Band’s Evolution”