Little Victories – Jim Cherewick Finds Cathartic Moments in Everyday Life on ‘Good News’ Album

jim-cherewick-1
Jim Cherewick shares honest and insightful tales on Good News. Photo – Bryan Lackner of Lucky Penny Media

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Jim Cherewick admits he recently went through a breakup.

But it’s not the kind of breakup that immediately comes to mind.

“A lot of it is about leaving that terrible retail [job],” said Cherewick, who previously worked at a big-box store. “It was such a burden—it was sad and it was scary. Getting out of that was so important and needed.”

Cherewick addresses that professional split on “Frosting on Fire,” the melancholic opener from the Ypsilanti, Michigan singer-songwriter/visual artist’s latest indie-country-folk album Good News.

Backed by somber acoustic guitar and keys, he sings, “Questions stick to my bones / Like how much longer do we get another try here? / Making every single day a treasure cause I’m awake / And I won’t complain, no I won’t complain / I work at one of those stores.”

“As much as I didn’t want to write about it, I did because I wrote it during [the pandemic],” Cherewick said. “The job sucked, and it was soul-crushing. It was so bad, and then they would cut hours, and then they’d be hiring new people.”

Despite that soul-crushing experience, Cherewick finds fleeting moments of catharsis and gratitude on Good News. The album’s eight tracks reflect on the harsh realities of everyday life and yearn for an escape from drudgery, disappointment, and uncertainty.

Continue reading “Little Victories – Jim Cherewick Finds Cathartic Moments in Everyday Life on ‘Good News’ Album”

Countryside Tales – The Wild Honey Collective Explores Life’s Peaks and Valleys on ‘Volume 2’ Album

whc2022-1
The Wild Honey Collective features storied lyrics, timeless acoustic instrumentation and rootsy sensibilities on “Volume 2.” Photo – Michael Boyes

The Wild Honey Collective deeply explores countryside tales of the past and present on Volume 2.

The Lansing-Grand Rapids, Michigan Americana-folk quintet of Tommy McCord (vocals, acoustic guitar), Danielle Gyger (vocals, fiddle, acoustic guitar), Timmy Rodriguez (vocals, electric and upright bass), Dan O’Brien (vocals, electric and upright bass) and Adam Aymor (pedal steel) ventures through life’s peaks and valleys on their latest anecdotal album.

“One of the big differences between [2021’s] Volume 1 and Volume 2 is that on Volume 2 all of the original written songs were brand new when we did them,” said McCord, who also produced and released the album via GTG Records.

“That’s very much reflected in the material because that’s what was going on in our lives; some of us were getting married, and Timmy and Dan both had kids in 2020. It wasn’t on purpose, but that very much is true.”

Alongside Volume 2’s storied lyrics and bucolic setting, The Wild Honey Collective beautifully weaves timeless acoustic instrumentation with rootsy sensibilities. It’s a refreshing listen while spending time with family and friends at a lakeside cabin or trekking through hilly, sprawling landscapes.

“By Volume 2, we were a gigging band when we made the album, and I think that really shows,” McCord said. “It feels more like a band than a studio project. We’re just kind of driving forward with that now.”

The band also drives Volume 2 forward with invigorating renditions of traditional folk songs and unreleased tracks by other songwriters, including Mark Vella’s “Ode to Thor,” “Dark Hollow,” Buck Owens’ “There Goes My Love,” “Rocky Mountain Belle,” “Katie Cruel” and the Irish instrumental “Red Haired Boy.”

“When you play in punk bands, the idea of recording cover songs is very taboo unless if you’re making fun of it or something. But in the world of traditional and folk music, that’s kind of part of it … interpreting other people’s songs and the Great American Songbook,” said McCord, who also plays in Drinking Mercury and The Plurals.

“That’s something I’ve learned more as I’ve played is this idea of respecting and learning from other songwriters … it’s really important. It’s less about my ego and more about what are good songs.”

Continue reading Countryside Tales – The Wild Honey Collective Explores Life’s Peaks and Valleys on ‘Volume 2’ Album