Tag: bluegrass

Everything Will Be OK — Blockhouse Valley Learns From Life’s Disappointments on “It’s Alright” Album

Blockhouse Valley’s Danny Steinkopf, Cody Cooper, Ashleigh Glass-Cooper, and Jon Howard. Photo – Kyla Preissner

Blockhouse Valley finds a silver lining in life’s disappointments.

The Americana band embraces the growth and wisdom that comes from personal and professional challenges on It’s Alright.

“A lot of it was the decompression of our days and things that were weighing on us,” said Ashleigh Glass-Cooper, Blockhouse Valley’s vocalist, about the Metro Detroit band’s latest album.

“It also was thoughts we were having and things that were racing through our minds that we were able to capture in those times and hold onto for moments where we could make something better out of them.”

Glass-Cooper traded those thoughts and feelings with husband, musical partner, and mandolinist-guitarist Cody Cooper during their daily commutes home from work.

“It wasn’t that we sat down and said, ‘Let’s write songs about this,’” she said. “We tend to talk about [things] on our commutes, and our brains get a chance to decompress in ways that we don’t always set time apart for otherwise.”

Those conversations laid the groundwork for It’s Alright, which features eight tracks filled with soulful vocals, clever lyrics, and infectious instrumentation.

“We gave them a structure, a context, a musical home that we could potentially share with other people,” Glass-Cooper said. “And we think [the songs] are really relatable because we don’t want to dwell on all of the negativity. We don’t want to give it more power through what we’ve done, but we do want to provide that release.”

To learn more, I spoke with Glass-Cooper and Cooper about the album, its themes, and the creative process behind it.

Continue reading “Everything Will Be OK — Blockhouse Valley Learns From Life’s Disappointments on “It’s Alright” Album” →

Changing Course — The Steve Taylor Three Ponders New Beginnings and Closed Chapters on “Temporary Heart” Album

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Bryan Frink, Steve Taylor, and Carey Weaver of The Steve Taylor Three. Photo courtesy of Steve Taylor

The passage of time weighs heavily on Steve Taylor’s mind.

The Metro Detroit singer-songwriter and multi-instrumentalist ponders new beginnings and closed chapters on The Steve Taylor Three’s new album, Temporary Heart.

“The songs were all written in the same period, so there were certain themes that were on my mind—certainly aging,” Taylor said. “I’m 51 now, so turning 50 was a big deal from an age standpoint.”

Alongside bandmates Bryan Frink (bass, guitars, keys, vocals) and Carey Weaver (drums, percussion, vocals), Taylor explores changing family dynamics, fluctuating relationships, and childhood memories on the trio’s fifth release.

“A good friend of mine that I grew up with got married very young and then got divorced,” Taylor said. “That’s what the song, ‘Anymore,’ is about and love comes with age. I keep saying that the topics that are most on my mind right now are aging and the weather.”

On Temporary Heart, The Steve Taylor Three features a dozen heartfelt tracks bursting with rich harmonies, ruminative lyrics, and vibrant Midwest Americana instrumentation.

While the songs reflect on the fleeting nature of change, the album’s universal themes and infectious soundscapes remain deeply embedded in our hearts and minds.

To learn more, I spoke with Taylor about Temporary Heart ahead of the band’s November 29 album release show.

Continue reading “Changing Course — The Steve Taylor Three Ponders New Beginnings and Closed Chapters on “Temporary Heart” Album” →

Local Roots – The JR Band Shares Down-Home Stories of Love and Adventure on ‘Heart Street’ Album

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The JR Band’s John Patrick and Randy Juhl share rich elements of bluegrass, folk and country on “Heart Street.” Photo courtesy of The JR Band

The JR Band fondly remembers the early days of jamming at a local coffee shop.

The Bay City, Michigan duo of John Patrick (vocals, guitar) and Randy Juhl (vocals, guitar, bass, violin) revisits the camaraderie and creativity that arose from those caffeinated bluegrass sessions on “Heart Street.”

“It was called Brewtopia, and we played there for many years. I have a DVD where we started at two o’clock and ended at eight o’clock; it was six hours of bluegrass,” said Juhl about the title track from the Americana duo’s latest album, Heart Street.

“I hooked up with Rusty [Beyer], who was one of my friends, and he directed me toward the coffeehouse where we played in the bluegrass band for many years … and that’s where I met John.”

While the bluegrass band eventually dissolved, Juhl and Patrick continued performing together and became a duo about three years ago. Today, The JR Band celebrates their longtime musical partnership and the spirit of community on “Heart Street.”

Sentimental banjo transports Patrick to the past as he sings, “There’s a place we go / Where the music plays / A cup of coffee, an old café / Banjo strings ringing / Ring me back to life.”

“It’s about getting out of our weekly routines, too, because everybody works,” Juhl said. “It’s like, ‘Let’s go play some music.’”

Continue reading “Local Roots – The JR Band Shares Down-Home Stories of Love and Adventure on ‘Heart Street’ Album” →

Midwest Americana – Blockhouse Valley Combines Regional Folk and Bluegrass with Rust Belt Grit on Self-Titled Debut EP

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Blockhouse Valley’s Ashleigh Glass, Jon Howard, Cody Cooper and Danny Steinkopf feature wistful stories about heartbreak, home and hope on their self-titled debut EP. Photo courtesy of Blockhouse Valley

With musical roots throughout the Midwest, Blockhouse Valley deeply cultivates a flourishing Americana landscape in southeast Michigan.

The metro Detroit quartet of Ashleigh Glass (vocals), Cody Cooper (mandolin, guitar), Jon Howard (guitar) and Danny Steinkopf (upright bass) combines robust elements of Appalachian folk and Tennessee bluegrass with gritty Rust Belt sentiments on their self-titled debut EP.

“Growing up, my prolific and prodigious grandparents helped shape my vision for my musical endeavors. I was exposed to artists like Dolly Parton, Marty Stuart and Chet Atkins, but my personal preferences skewed more toward rock, blues and indie music,” said Cooper, who hails from Sunbury, Ohio, and whose grandparents reside in northeast Tennessee’s Blockhouse Valley.

“When Ashleigh, a West Virginia native, and I started writing music together, we found a lot of shared experiences tied to the trials of living in the Rust Belt. We both lamented witnessing the impact of lost industry and economy on our parents’ and grandparents’ generations and were concerned about how it was shaping our peers and our perspectives in the Midwest.”

In response, Cooper and Glass penned six thoughtful tracks for the EP that reconcile past struggles and beckon future growth. Wistful stories about heartbreak, home and hope soar alongside rich harmonies and fervent acoustic instrumentation.

“The tie to Blockhouse Valley harkens to the short-lived promise of prosperity, the long-term costs lurking beneath the surface, and the ever-enduring splinter of hope that we might learn to do better as we learn from all we’ve seen,” Glass said.

“From this viewpoint, our music has been influenced by a wide range of artists, most notably Chris Thile and his bands Punch Brothers and Nickel Creek. They encapsulate so many elements that we relish, including bluegrass instrumentation that blends nods to their predecessors with truly virtuosic musicianship.”

Continue reading “Midwest Americana – Blockhouse Valley Combines Regional Folk and Bluegrass with Rust Belt Grit on Self-Titled Debut EP” →

Bluegrass Roots – Mark Lavengood Cultivates Homegrown Dobro Sound Locally, Nationally

Mark Lavengood will perform at “The Ebird & Friends Holiday Show” tonight through Saturday at The Ark.

Mark Lavengood will bring warm down-home holiday sounds to Ann Arbor this weekend.

The Grand Rapids bluegrass roots vocalist and multi-instrumentalist will join a star-studded lineup of Michigan artists and musicians for the 12th annual “The Ebird & Friends Holiday Show” tonight, Friday and Saturday at The Ark.

Hosted by Erin Zindle & The Ragbirds, the variety-style show will also feature Alex Holycross (The Native Howl), Graham Parsons (The Go Rounds), Carolyn Striho, Anne Heaton, Brad Phillips, Jen Sygit, Jessica McCumons (Jessica Delle) and members from The Macpodz, The Appleseed Collective and Jive Colossus.

“I’ve done it two other years. I love Erin so much, that production is one of the most pro things I think I’ve been a part of, and it’s just always a good time, and I’m always honored to be invited back,” Lavengood said. “I get to lead some, and I get to back other people who play the instruments. It’s just a great hang, the community comes out in droves, and there really isn’t a show like it anywhere.”

As an established touring artist and musician, Lavengood regularly shares his resonant energy with spirited crowds from Michigan to Colorado. He eloquently combines folk, bluegrass and Americana with bandmates Justin Avdek (bass), Dutcher Snedeker (keys), Justin Wierenga (guitar) and Loren Kranz (drums) on stage and in the studio for a growing catalog of bluegrass roots singles and albums.

With an expansive musical palate, Lavengood adds delectable instrumental flavors of dobro, steel guitar, mandolin, banjo, ukulele, drums and percussion to assemble an appetizing eclectic sound for fans nationwide.

“I’m fleshing out a lot of songs that I been sitting on over the years, and I love playing the music, but at the same time, I like getting the ideas out and then bringing a band into the studio and tracking it that way,” Lavengood said. “There’s a lot of magic you get when you have a bunch of different minds in one space serving a song together.”

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Monsters of Country Rock — Fangs and Twang Host ‘Spirits & Chasers’ Album Release Show Saturday at Ziggy’s

Fangs and Twang will celebrate the release of “Spirits & Chasers” at Ziggy’s on Saturday.

For Fangs and Twang, it’s a monstrous weekend.

The Ypsilanti roots rock and bluegrass trio will sing countrified tales of the Swamp Thing, Godzilla and Ogo Pogo during their “Spirits & Chasers” album release show Saturday at Ziggy’s with the Jim Roll Band and Child Sleep.

They’re also hoping for a little monster mashing on the dance floor.

“We’re going to play the new album in order and pull out some older stuff, but we also plan to have some line dancing throughout the night,” said Joe Bertoletti, bassist and vocalist for Fangs and Twang. “We need to see some grooving and moving out there.”

Fangs and Twang fans will have a ghoulishly good time as Billy LaLonde (drums, vocals), Andy Benes (guitar, vocals) and Bertoletti bring their new musical behemoth to life.

Last Saturday, the band dropped their third and latest release, “Spirits & Chasers,” a seamless seven-track country odyssey packed with famous monsters, personal adventures and ghosts of times past.

It’s a beastly brilliant follow-up to 2017’s “High Fives All Around,” which drew monster-heavy inspiration from books, movies, comics and regional urban legends.

“‘Spirits & Chasers’ feels like a step forward, but very much building on the previous record. It was less about having to write all monster songs and more about writing Fangs and Twang songs,” Bertoletti said. “We’ve been playing together for almost five years, and we have three-hour sets now, so everything feels more natural and tighter.”

Continue reading “Monsters of Country Rock — Fangs and Twang Host ‘Spirits & Chasers’ Album Release Show Saturday at Ziggy’s” →

Wire in the Wood’s ‘All Fall Apart’ Debut Album Moves Full Steam Ahead

“All Fall Apart” album artwork courtesy of Wire in the Wood.

Ann Arbor, Mich.-based bluegrass quartet Wire in the Wood moves full steam ahead with their debut album, “All Fall Apart,” which dropped March 1.

This stunning seven-track album from the self-proclaimed “prog-bluegrass locomotive” fueled by Billy Kirst (vocals and guitar), Kyle Rhodes (vocals and mandolin), Jordan Adema (violin) and Ryan Shea (bass and vocals) pulls listeners along a personal journey while they ride in “psych-folk” boxcars filled with frustration, nostalgia, love and self-discovery.

The journey begins with the energetic title track and captures the frustration of living in an era when “…instead of seeing everyone as sisters and brothers/They started pointing fingers at one another.”

While the lyrics brilliantly capture anger and blame, the band’s acoustic guitar, violin, mandolin and bass harmoniously meld together and instrumentally portray a sense of hope for the future.

That hope is carried through to “Madison,” which features Kirst’s and Rhodes’ lush harmonies coupled with nostalgic lyrics and the fast-paced sonic partnership of Adema’s violin and Rhodes’ mandolin.

Continue reading “Wire in the Wood’s ‘All Fall Apart’ Debut Album Moves Full Steam Ahead” →