In Hindsight – Ohly Recounts Memorable Tales of the Past on ‘Miracle’ Album

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Christian Ohly weaves vivid recollections of people, places and experiences on “Miracle.” Photo – Alexis Backus

For Ohly, life’s most impactful moments are more visible in hindsight.

Through that lens, the Detroit indie-folk singer-songwriter recounts memorable tales of loss, love and growth on his latest album, Miracle.

“There’s a lot of introspection on different relationships—family, friends and some romance in there. A lot of it covers loss and the songs poured out of me after I experienced that loss. There are also some more playful and happier songs that were crafted,” said Christian Ohly about his third release via Bird Fight Records.

“Somebody asked me if the songs were more recent or if they cover most of my life, and I realized some of those songs talk about when I was five and six, then 12 and 13 and stuff that happened last year.”

Each track on Miracle transcends space and time as Ohly weaves vivid recollections of people, places and experiences. Whether it’s spending time with Annie, Julia or a sibling or venturing to Paris, Colorado or California, the album functions as an emotive travelogue that instantly connects with listeners.

“The last few years, I’ve really wanted to travel, and I thought about being able to do it when I was in high school … and then having a job and having some time off and also wanting to play music in some different places,” said Ohly, who’s inspired by James Taylor and Christian Lee Hutson.

“So many of the songwriters that I listen to and have been inspired by use very specific places, details and people. While listening to the whole thing and doing more introspection on the final project I was like, ‘Man, there sure are a lot of names and places in here I did not realize when I was recording [it].’”

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‘Steady’ Climb – Ohly Headlines Friday’s Show at The Loving Touch

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Pia Roa and Christian Ohly will perform as part of Ohly’s first headlining show Friday at The Loving Touch. Photo – AC Backus Photography

Editor’s Note: Proof of full vaccination is required for attending Ohly’s Friday headlining show at The Loving Touch.

For Ohly, Friday’s headlining show is bucket-list worthy.

The Ferndale indie folk rocker will relish performing his growing catalog of vivid, thoughtful tracks with Tom Mihalis (guitar), Matt Jones (keys), Brodie Glaza (drums), Pia Roa (bass, vocals) and Ian Lukas (trombone) at The Loving Touch.

“I’ve been doing music for eight or nine years now, and I started playing at coffee shops when I was 15 or 16. I think this is the first-ever proper headlining show that Ohly has ever done. We’re super excited and trying to invite all of our friends out,” said Christian Ohly, aka Ohly.

As part of Audiotree Presents, Friday’s show will allow Ohly to debut his latest contemplative single, “Steady,” and spotlight songs from his current seven-track EP, Landlines, before a metro Detroit audience.

“There are some songs that I’ve never really played live and definitely haven’t played them live with the ability that we’re at now. I’m really looking forward to playing them with a few years of experience. The more people I have up there, the livelier and more organic it will sound,” Ohly said.

Ohly also will share the stage with three emerging local acts, including Kimball, Jackamo and The Michigan Ordinary.

“These are three bands that I’ve looked up to for years. My childhood friend used to be the bassist for Kimball, so he introduced me to them years ago before I was doing original music. I saw them live a couple of times and being on the same bill as them is pretty surreal,” he said.

“Two years ago, Jackamo opened up for Remnose. I heard their set and had to run up to them right afterward. I was like, ‘You guys took my breath away.’ The Michigan Ordinary’s Steve Davis used to be in a band called The Fragile, and I saw him at the coffee shop I used to play when I was 15 or 16. My brother and I grabbed his CD, and we were like, ‘Wow, how is this guy playing in a little coffee shop?’”

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Pain Relief – Au Gres Finds Comfort on New ‘At Home in the Dark’ Single

Josh Kemp embraces uncertainty on his latest Au Gres single, “At Home in the Dark.” Photo – Kris Herrmann

For Au Gres, not every problem requires an immediate solution.

Instead, the Fenton indie pop singer-songwriter finds instant relief in uncertainty on his latest introspective, self-comfort single, “At Home in the Dark,” which dropped Feb. 26 via all streaming platforms.

“I hope this song might encourage others to be more present with each other during hard times, though not necessarily in the physical sense, pandemic and all. I wrote it specifically about someone dealing with depression, but I think it applies to much more than that,” said Josh Kemp, aka Au Gres.

“These moments don’t always call for ‘solutions.’ Sometimes the best thing to do for someone is just let them know you’re available to talk and reassure them that they aren’t ‘broken.’”

Au Gres beautifully provides a sense of solace as ascending, sheeny synths, thoughtful electric guitar, delicate drums and soft bass surround listeners while they’re feeling “At Home in the Dark.” Kemp reveals, “I wanna be there when it rains/I wanna know you on your bad days, baby/I wanna be there when you start/To think the wrong things in the right time frame.”

“So much of this track is inspired by my experience with depression (i.e., the dark). I’ve had moments in my life where I really needed someone to help me feel less alone. I’ve also been the one to do that for others,” said Kemp, who’s inspired by Passion Pit, Phoenix and The Smashing Pumpkins.

“The thing about depression is that it’s usually episodic, and when you’re in it, you usually don’t want or need to hear solutions. Sometimes the best thing to do for someone is just sit with them while they’re in it. Bringing over a cheap bottle of wine often helps, too.”

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