Kim Richey Returns to Her Midwestern Roots for Tonight’s 20 Front Street Show

Kim Richey will perform tonight at 20 Front Street in Lake Orion with Jordie Lane and Clare Reynolds.

For Kim Richey, tonight will serve as a Midwestern musical homecoming of sorts.

The Nashville roots singer-songwriter, who originally hails from Dayton, Ohio, will perform tonight at 20 Front Street in Lake Orion with Australian singer-songwriters Jordie Lane and Clare Reynolds. It will be Richey’s second time performing at the 100-seat intimate acoustic music venue.

“I always try to do songs from all the records, at least one or two from every record. I’ll be playing a lot of stuff from ‘Edgeland,’” said Richey during a phone interview from Banff, Alberta. “It’s such a blast to sing with people who are great singers, so we have a lot of great harmony things going. Clare plays keyboards and percussion as well, Jordie plays electric guitar, and I play acoustic.”

Edgeland album artwork

On her latest album, “Edgeland,” Richey moves through the topography of life as a woman committed to following her music. She chronicles missed train rides, cautionary tales of dangerous love, potential new pathways and other self-discoveries on the 12-track Americana-infused project.

From the Buck Owens/Don Rich opening notes of “Red Line” to the Laurel Canyon lushness of “The Get Together” to the Dusty Springfield-inspired “Can’t Let You Go” to the somber “Black Trees,” Richey’s husky crystalline alto sweeps listeners up in a whirl along her heartfelt auditory journey.

“Once every few years, you pick a dozen songs or so for a new album,” said Richey, who’s also lived in Los Angeles and London. “I think those songs reflect where I was at the time while making the record, but I have a home now, so things have changed.”

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‘Sainthood’ – Tegan and Sara Indie Pop Gem Still Sparkles 7 Years Later

Tegan and Sara perform on Oct. 26 at the Royal Oak Music Theater in Royal Oak, Mich. during the “Love You to Death” tour.

Editor’s Note: Brian Stratton writes about one of his favorite Tegan and Sara albums from the Canadian sisters’ catalog.

We all have a certain song or album that we associate with a band. It might not be the artist’s biggest hit or a critically acclaimed release, but nonetheless it strongly resonates with you.

That is the joy of music, finding a way to personally connect with the art and discovering your own meaning behind it.

For me, I can’t think about Canadian sister duo Tegan and Sara without their 2009 album “Sainthood” crossing my mind.

Continue reading “‘Sainthood’ – Tegan and Sara Indie Pop Gem Still Sparkles 7 Years Later”