‘Heavy’ Rotation – Cece June’s New EP Paints an Emotional Self-Portrait

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Cece June chronicles loss, acceptance, and growth on “How Did This Get So Heavy?” Photo – Gabby Mack

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Cece June, life is filled with near-misses and unresolved emotions.

The New York City singer-songwriter processes a gamut of feelings—from heartbreak to frustration to hope—about unclosed chapters on her latest indie-folk EP, How Did This Get So Heavy?

“It’s a feeling that emulates the void when something is no longer in your life. It’s that feeling of trying to grapple with not having people around anymore or accepting that you’re going to have to move on,” said June, a University of Michigan alumna from Barcelona, Spain.

“It’s also feeling displaced or feeling frustrated. For instance, on ‘Things Unsaid,’ you’re [ruminating] on why something could have gone wrong and thinking, ‘I could potentially have an idea of what went wrong, but if I wanted to talk to the person for them to tell me and for me to get closure I can’t because they’re no longer in my life.’ There’s no way to answer those questions to let you move forward and move on easier.”

Despite those challenges, June faces her emotions head-on and looks to the future on her sophomore release. She chronicles loss, acceptance, and growth across eight tracks, which feature cathartic lyrics and wistful stripped-down instrumentation.

“I found solace in seeing the songs evolve as I evolved as a person myself. This EP was written and recorded over two-and-a-half to three years,” June said.

“There were songs that would ebb and flow, and there were times when I was recording them in the thick of the pain or times when I was reminiscing … and no longer being in the depths of that feeling or the grief or the heartbreak.”

To learn more, I spoke with June about her EP and the inspiration behind it.

Continue reading “‘Heavy’ Rotation – Cece June’s New EP Paints an Emotional Self-Portrait”

Sonic Epilogue – Cece June Searches for Closure and Certainty on ‘Over’ Single

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Cece June finds newfound strength and confidence on her latest single, “Over.” Photo – Adelaide Wilson

Cece June deeply searches for a sense of closure.

The Barcelona, Spain indie-pop singer-songwriter and guitarist thoughtfully addresses unanswered questions, lingering uncertainties and changing relationships on her latest contemplative single, “Over.”

“It just happened, and it wasn’t really autobiographical because I wasn’t dating anyone at that point,” said June, who’s currently an art history and political science senior at the University of Michigan.

“It’s interesting, with so many of my songs, they just kind of happen, and the ability to write ‘Over’ without having felt it personally … I genuinely don’t know where that came from.”                                                     

Throughout “Over,” a tranquil symphony of pensive electric guitar, hopeful cello, crashing cymbals and thunderous drums infuses June with newfound strength and confidence.

She sings, “I can’t help but to let you know/That this is more than intended/I never meant to let you go/I said I loved you and I meant it/It isn’t over just cause you say it is/I’d like to tell you where my ending begins.”

“With the guitar pattern, I knew that I wanted a message, and I wanted it to be really restated. The verses are structurally the same, but obviously lyrically different,” June said.

“The choruses are different, and as that desperation nears the end, that’s when the music starts building up, and the cello gets stronger, and the drums come in. The drums are almost cacophonic, and I wanted them to be loud … like something’s breaking, and it’s not in your control to mend it.”

To create “Over’s” emotive sound, June collaborated with a talented cast of U-M musicians and students, including producer Ethan Matt, guitarist Matt Stawinski, drummer Casey Cheatham, cellist Micah Huisman and mixer Samuel Uribe-Botero.

“Ethan pushed me to try new things. In the first session, he was giving me auto-tune vocoders that sounded like T-Pain, and I was like, ‘What is this? This is awesome!’ It was such an awesome experience to see it evolve with the mindset of someone who’s really different,” said June, who recorded the track at Ethan Matt’s home studio in mid-February. 

“It’s really just a close-knit community of people who are always willing to help. It’s so incredible because you can be like, ‘Oh, I need a trombone,’ and you have like 70 people available.” 

Continue reading “Sonic Epilogue – Cece June Searches for Closure and Certainty on ‘Over’ Single”