Detroit Music Collective and Portfolio Medics Seek Feedback About Local Music Ecosystem Through Census

A promotional graphic for the Greater Detroit Music Census.

Editor’s Note: The Stratton Setlist is a community partner for the Greater Detroit Music Census.

Two organizations are seeking feedback from the community about the Detroit music ecosystem.

The Detroit Music Collective and Portfolio Medics are conducting the Greater Detroit Music Census, a survey designed to gain a deeper understanding of the current state and future needs of the local music ecosystem.

“The questions for the census are tailored to give us an idea, collectively and comprehensively, what the local ecosystem looks like,” said Kevin Kay, founder and CEO of the Detroit Music Collective.

“It’s never been done here before, but the response from everyone so far has been: ‘Wow! This is something that we need.’ Everyone seems to be rallying together for an initiative like this.”

Launched earlier this month, the census is being administered by Sound Music Cities. It’s free to take and open to people 18 and older working in music within a 75-mile radius of the city.

“This is your chance to use your voice,” Kay said. “If there’s something bad, say it. If there’s something good, say it. Please don’t candy-coat it to think that you need to answer everything in a positive way. The only way we make change is if we know there are problems, and that’s what’s happened in all the other cities that have done the census so far.”

Sound Music Cities has previously administered censuses for Cleveland, Nashville, Charlotte, Austin, and Columbus, Ohio.

“Nashville did their census last year, and one of the things coming out of there from the creative sector and the artists were big complaints about how there are no loading or unloading parking spaces at venues, especially if they’re playing downtown,” said Kay, who once worked for Sony Music Nashville.

“They’re parking four or five blocks away sometimes, and if it’s summertime, they’re hauling gear, and they’re sweating. The organization that helped create the census for Nashville took the data, sat down with the city and the mayor’s office, and presented it to them. The city is now working on designating [parking] spots.”

The census is also receiving support from three lead partners, including Detroit Techno Militia, D.Cipher, and Detroit Nightlife United, and several community partners.

I recently spoke with Kay about the census, which is open until March 22.

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Sky High – After Blue Embraces New Possibilities on ‘Far Above and Far Away’

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Tom Alter and Katie Williamson discard painful feelings of the past and surge toward the radiant promise of the future on “Far Above and Far Away.”

Brimming with atmospheric soundscapes and curative tales, After Blue provides a calming, aerial pathway to new possibilities.

The metro Detroit indie folk duo of Katie Williamson (vocals, piano) and Tom Alter (vocals, guitar) instantly soothes and invigorates weary, lost souls on their enchanting new album, Far Above and Far Away.

“I think the first song, ‘Armada,’ was written prior to the pandemic, and I read an article in the paper about the town and what they did to build the garden. And Katie and I finished that one off together in her old house. I think that song kinda set the stage for the rest,” said Alter, who formed After Blue with Williamson in 2016.

Throughout their latest release, After Blue gracefully discards the painful feelings of the past and surges toward the radiant promise of the future. Each mesmerizing track allows listeners to rediscover their sense of spirituality and inner peace within an azure-filled dreamscape.

“I think ‘Charlotte’ was the next one that was written … but it is about persistence. There’s a line in there where it says, ‘I promise that bruises heal,’ and that’s the core of that song,” Alter said.

Continue reading “Sky High – After Blue Embraces New Possibilities on ‘Far Above and Far Away’”