
Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.
In 2019, George Mashour aspired to make a psychedelic rock album.
The anesthesiologist and neuroscientist had just turned 50 and wanted to step outside the medical world to pursue a musical project.
“I was reflecting on what I wanted to do in the next phase of my life … and [I’d] been writing all these songs—sometimes just in my head—some of them [were] decades old,” said Mashour, a University of Michigan researcher who studies consciousness and has been dabbling in music over the years.
“For my 50th birthday, my wife got me a gift certificate for studio time at Big Sky [Recording], which was cool, and in retrospect I’m really glad she did that.”
Later that year, he became chair of U-M’s Department of Anesthesiology, and then COVID hit in early 2020.
“I was super busy, and of course, everything was shut down,” Mashour said. “And yet I still had that physical gift certificate for eight hours of studio time … so it was just always on my mind. And then it was 2023 when I said, ‘You know what, I’m going to do this,’ so I got in touch with Geoff [Michael], who’s the owner of Big Sky.”
Michael connected Mashour with Marty Gray, an Ann Arbor producer, engineer, singer-songwriter, and multi-instrumentalist, to help record his debut album.
“I had never been to a studio before, never recorded music before, and had no idea of what was going to happen,” said Mashour, who worked with Gray over several studio sessions. “And I walked out of that first four-hour session with a sense of joy that I can’t even remember the last time I had experienced.”
What resulted is Eulogy for My Ego Death, a ‘60s-inspired psych-rock album filled with existential lyrics, dreamy vocals, fuzzy electric guitars, and groovy instrumentation.
“Generally speaking, in that psychedelic genre, it’s about experience, it’s about great melody, and it’s about the self,” Mashour said. “It’s not what I would call a concept album per se in terms of a narrative thread going from start to finish, but there certainly are conceptual relationships to a lot of the different songs.”
To learn more, I spoke with Mashour about the inspiration behind his album as well as his psychedelic hip-hop project VaporDaze.