All Apologies – Brian Perrone Reveals Deep Regrets on Haunting New ‘Sorry’ Single

Brian Perrone quietly mourns lost time on his latest single, “Sorry.”

Brian Perrone truly understands the meaning of a heartfelt apology.

The Livonia indie folk singer-songwriter and multi-instrumentalist deeply regrets missed moments and milestones on his latest lovelorn single, “Sorry,” which dropped Aug. 28 via all streaming platforms.

“‘Sorry’ is rooted in that awakening; that time is a gift. I have a friend who has gotten sick, and it made me think about how a diagnosis can change your life as ‘regrets’ and ‘if onlys’ come into play. When we we’re young, it seems as though we’re invincible and will live forever. This sounds like a cliché, yet it’s so true,” said Perrone, whose latest track is featured on the August edition of The Stratton Playlist.

Perrone quietly mourns lost time as somber, sparkling piano, thumping drums, jazzy cymbals and melancholic bass open his emotional floodgates. He tearfully reveals, “All the life inside of me/Extinguished by reality/Shapeshifting into memory/Two plus two is on my mind/A simple place, a simple time/Everything I thought I knew/Was everything because of you.”

“I hope that a listener might take a moment to reflect and make a positive decision to take action on something they have been putting off. Maybe spend some time with someone who’s important to them. Life seems to have gotten too busy these days; heck, it is also a reminder for me,” he said.

Peppered with shadowy elements of Radiohead and The National, Perrone recorded his poignant vocals and sorrowful piano for “Sorry” in his metro Detroit living room at the start of the pandemic. He also programmed drums and added a wistful bassline from Ypsilanti guitarist Steve Somers to highlight the track’s dark emotional intensity.

“The song almost wrote itself. I sat down one Saturday night, and it just poured out. I could barely keep up writing the chords and lyrics as they came to me. I didn’t want to miss a thing because it felt important, almost urgent. No matter who you are, or where you are in life, I think in the end there is always so much more you want to do and maybe say,” he said.

“‘Sorry’ is a subtle introduction to a more experimental style. It blends a progressive jazz rhythm section and a haunting vocal narrative while being guided by some minor chords on the piano. It’s similar to the headlights you would watch from your windshield on a dark and winding road.”

Perrone visually depicts the dark, haunting moments of “Sorry” in an eloquent puppet-themed, stop-motion video directed by Shyam Talwar. Throughout the Tim Burton-esque video, the skeletal remains of two lovers lead separate lives and long for one another while working, cooking and cleaning. Foggy, barren rooms symbolize the growing emptiness and lingering isolation they face each day.

“As a fan of Brothers Quay, I decided to seek out someone who might work in a similar medium, yet different enough to be original. After searching high and low, I recruited Shyam Talwar, and I explained my basic framework and hopes for this video. The video took about a month to complete, and I was extremely pleased when I saw the final cut,” Perrone said.

Continue reading “All Apologies – Brian Perrone Reveals Deep Regrets on Haunting New ‘Sorry’ Single”

Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’

Angela Predhomme applauds long-term relationships on her latest single, “Changeless Sky.”

Angela Predhomme brilliantly shines in the late summer night sky.

The metro Detroit soulful pop singer-songwriter serves as an inspirational North Star for lifelong love on her latest poignant single, “Changeless Sky,” which dropped Aug. 28 via all streaming platforms.

“I’ve been married for a lot of years, and it’s really different than people who are popping in and out of relationships. If you’re in a long-term thing, then it’s the ups and downs of being there and sticking it out and growing together. Everything else changes around you, but you’re there for each other,” she said.

Throughout the glistening, peaceful monogamous track, Predhomme weaves soft piano with passionate, uplifting vocals as she sings, “No matter the sun and shade passing by/The world might be twisting, thrashing right outside/But I am your changeless sky.”

“I had the idea for the title and thought those were cool words, and it’s about this enduring, never-changing thing. I took that title and just made it a love song,” said Predomme, whose latest single is the lead track on The Stratton Playlist.

Predhomme wrote and recorded “Changeless Sky” late last year in her home studio after releasing her eloquent fifth album, Love. The tender track is the second in a series of new monthly singles from Predhomme’s uplifting, expansive multi-genre catalog, which dates back to her 2008 self-titled debut.

Finding Freedom

In July, Predhomme dropped her luminous, laid-back ode to authenticity, “So Good to Be Free,” which fuses jubilant acoustic strums, upbeat maracas, rhythmic bongos and vibrant electric guitars into an infectious Bo Diddley-inspired beat.

The shimmery single also beautifully showcases Predhomme’s signature optimistic outlook as she sings, “I don’t need the look or the trend/I’ll be the least cool of my friends/You can have all that/I won’t please the pack/‘Cause I’m free/To be whatever I choose to be.”

“It’s probably more ‘me’ than a lot of the other songs I’ve released. I used to worry about how I looked even when I went to the grocery store, and now I go in sweats and no makeup. It’s good to be free and not worry anymore about what people think,” said Predhomme, who collaborated with Nashville guitarist Cheyenne Medders on the track.

“It’s also freeing about the way I write music now. When I started, I was trying to send songs to Nashville, and I thought I was too old when I was in my 30s. I was sending songs thinking maybe some major artists would sing my songs, and I got no bites. When I started singing and releasing them myself, people started picking them up for licensing.”

Continue reading “Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’”

The Funky Beats Go On – Valerie Barrymore & Foundation of Funk Host Livestream Show Saturday

Valerie Barrymore & Foundation of Funk will livestream a show Saturday at Ypsilanti’s Grove Studios as part of Arts, Beats & Eats’ “The Beats Go On” virtual and drive-in live music series. Photo courtesy of Valerie Barrymore

Valerie Barrymore & Foundation of Funk will bring sparkling, soulful grooves and delectable, dancy R&B to an Arts, Beats & Eats livestream performance Saturday at Ypsilanti’s Grove Studios.

“This will be the first Foundation of Funk virtual show, and we’ll be doing a few covers and originals. With the virus, we haven’t been able to incorporate any of our new material yet, but hopefully we’ll be able to add some new things soon. The guys are so talented; we just want to have a funky, good time,” Barrymore said.

Thankfully, Barrymore and her bandmates will return to a metro Detroit stage, an online one albeit, after going on hiatus due to the COVID-19 pandemic. They’re one of 400 local acts performing virtual shows and drive-in concerts Aug. 27 to Sept. 3 as part of a new Arts, Beats & Eats socially-distanced festival called “The Beats Go On.”

“The Beats Go On” aims to raise $500,000 for artists placed out of work due to the pandemic, which has shuttered live music venues nationwide since March. Viewers will be able to donate individually to different artists and contribute to “The Beats Go On” Musicians Fund, a broader public fundraising campaign to provide donated funds to artists who receive over 50 percent of their income from music.

Despite the ongoing challenges with live music, many artists, including Barrymore, continue to write, record and release new material. In April, Barrymore released her latest single, “I’m Here for You,” a groovy, romantic ode to long-term relationships and lifelong love.

Glistening retro synths, pulsating electronic drums, vibrant acoustic guitars and funky bass surround Barrymore as she soulfully sings, “You came home and you talked to me/Tellin’ me how bad things might be/Askin’ if I’d still love you if things messed up financially/Money’s not what attracted me, no, no/Money cannot control me/You took my heart, and it’s yours, boy/So everything else is noise, boy.”

“‘I’m Here for You’ is a song about my love for my husband (Steve Somers), and regardless, I’ll be there for him. The music for the track was written by a friend of mine, Tobias Smith, and I wrote the lyrics. We actually did 10 or more songs for an album called L.O.V.E., but today they say to release singles and not albums. We recorded a while ago, and it took me a little to start letting them go,” Barrymore said.

Barrymore also collaborated with Smith last year on “Do It for The Kids,” an upbeat, bouncy social justice anthem about putting children first. Shimmering electric guitars, rhythmic percussion, whirring synths and humming bass propel Barrymore as she optimistically sings, “One plus one and now you are three/You are a family, what a blessing/Commit to love and commitment/Let no one in and destroy it/Grow and love/Do it for the kids/You got to do it/Do it for the children.”

“Children are so precious and should be treated as such. You see horrible things happen to the beautiful children, and it just hurts. Children should be loved and protected,” she said.

Continue reading “The Funky Beats Go On – Valerie Barrymore & Foundation of Funk Host Livestream Show Saturday”

Saturday Stroll – Nina & The Buffalo Riders Headline Aug. 8 Grove Sessions Live in Ypsilanti

Nina & The Buffalo Riders will bring their groovy psych-blues rock to Grove Sessions Live Saturday in Ypsilanti. Photo – Carmel Liburdi

Nina & The Buffalo Riders will stroll through Ypsilanti Saturday night.

The Detroit psych-blues rock septet of Nina Ledesma (vocals, acoustic guitar), Daniel Decker (guitar), Oscar Sosa (guitar), Mike Fritz (keys), Ramiro Romero (bass), Chris Kaszuba (drums) and Baba Bohmbaedio (percussion, djembe) will headline Grove Sessions Live, an outdoor studio production session hosted by Grove Studios, before a masked and socially-distanced small audience.

They’ll share the intimate Grove Studios courtyard stage with three Ann Arbor-Ypsilanti acts, including progressive jam quartet Stormy Chromer, funk-soul-rock sextet Sabbatical Bob and jazz composer-guitarist Adam Kahana.

“It’s always great to connect and share stages with bands we have never met before. The more we can get together, the more we can learn from one another instead of competing. We have played with Stormy Chromer before, but none of the others. Stormy is always very entertaining – their music is incredible as well as their off-stage presence,” Ledesma said.

Ledesma and her Buffalo Riders bandmates are among a growing roster of local artists, including Dani Darling, Doogatron and Louis Picasso & The Gallery, performing at monthly Grove Sessions Live production events, which offer 50 people ticketed VIP access to four hours of live music. Those live performances are recorded and later combined with Grove Sessions livestream artist interviews every Wednesday and Friday at 4 p.m.

“The Grove Sessions livestream series began online out of necessity in March due to the COVID-19 stay-at-home order here in Michigan. We were determined to continue connecting with the music community and our clients by offering them a virtual space to share their creativity, even though our revenue had dropped to zero since we had to close our rehearsal and production space,” said Erich Friebel, Grove Studios co-founder and director of community engagement.

“Bringing performances and other content to livestreaming was something we had envisioned doing long-term, but our new reality pushed us to innovate sooner and quicker than we planned. The monthly production event gives artists an opportunity to be directly involved with our team in spreading their music and stories.”

Continue reading “Saturday Stroll – Nina & The Buffalo Riders Headline Aug. 8 Grove Sessions Live in Ypsilanti”

Big Dig – Nick Juno Unearths Local Singer-Songwriter Lyrics through The Detroit Song Mine

Nick Juno shares lyrics from local singer-songwriters through The Detroit Song Mine. Artwork – Andrea W

Outfitted with a Fender Telecaster and a worn pick-axe, Nick Juno unearths a treasure trove of Detroit musical gems twice a month.

The Motor City folk singer-songwriter carefully excavates and shares priceless song lyrics from local artists through the newly discovered The Detroit Song Mine, which launched today via Facebook.

“For the last several months, we’ve had online access to such wonderful and varied music on all different levels. Oftentimes when hearing people play their songs, I think, ‘That was great live! What did they say?’ And I thought it would be great to see the lyrics to some of these because as a writer I’m always reading the lyrics,” he said.

“It’s all about ‘the song,’ and then I was thinking about how in the ‘60s Greenwich Village had the ‘Broadside,’ which became ‘Sing Out!’ magazine. I thought it would be great to have something like that on a very small, basic level here. I didn’t want to have a contest, review or critique; I just wanted to have the bare bones skeleton lyrics of people’s songs.”

As a new online music community spearheaded by Juno, The Detroit Song Mine publishes original song lyrics from a myriad of talented, multi-genre metro Detroit singer-songwriters, including Tom Alter’sSelma,” Judy Banker’s, “Sweetest Rain,” Darin Francis’ “Lake Superior,” Dirk Kroll’s “West Thalia,” Brion Riborn’sHalf My Friends,” Milan Seth’s “Our Dear Leader” and Bob Youngs “Firestorm.”

“The first batch of writers in issue No. 1 were chosen randomly from the first handful of people who sent in songs. When I first envisioned doing this, I thought with hat in hand maybe a few people might want to do this monthly, but I got a terrific response. Now, I will be doing this twice a month to keep things moving,” Juno said.

Juno also sought inspiration for The Detroit Song Mine from the city’s historic salt deposits, which date back 400 million years and were left behind by the retreat of an ancient inland ocean. In a sense, he captures that timeless tradition and aesthetically transfers it to publishing song lyrics. Each online issue of The Detroit Song Mine invites artists to discuss and share each other’s songs.

“The idea of mining for rock salt or digging your way for songs out of thin air rang familiar, and I hope people would pick up on that. As writers, it’s often useful to play for other people and get feedback about what they think, what they heard or how things worked out,” Juno said.

“None of that’s happening right now with the ongoing shutdown, so I thought it might be good for people to have an outlet to put their songs out there good, bad or otherwise just for others to see them.”

With the next issue launching Aug. 14, Juno will announce and publish another six or seven songs from a different group of singer-songwriters. He’s interested in highlighting creative lyrics from a multitude of genres, including folk, rock and hip-hop.

“I want this to be like putting up show flyers on a kiosk or wall where you slap up your song with wheat paste and walk away. The people sending in songs are varied and different, so whatever we get I’m happy to put up. Ideally, I’d like to see this in printed form available for people to have in their hands, but I just wanted to get it started,” he said.

“Being online is a good thing because I’ve had people way outside of the Detroit area interested. My hope is that when we finally start up again playing live music readers might say at a show, ‘Oh, I know this song! I’ve seen these lyrics.”

To submit song lyrics, contact Juno at thedetroitsongmine@gmail.com.

Tasty Tracks – The Stratton Playlist Whets Musical Appetites with July 2020 Edition

Whether it’s early in the morning or late at night, there’s a new bunch of tasty tracks ready to sample.

The July edition of “The Stratton Playlist” will whet your musical appetite with shimmery pop-rock, upbeat country, mesmerizing post-rock, metalized modern rock, steamy blues rock, soulful folk, spunky hip-hop, groovy R&B and more freshly-squeezed tracks.

Featured artists include Melanie Pierce, The Steve Taylor Three, The Spider Accomplice, Asklepius, Seth Bernard, LovelyOcean, Adam Plomaritas, Nina & The Buffalo Riders, Kenyatta Rashon and more. Prepare to love every track at first bite.

Interested in becoming part of “The Stratton Playlist” on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres are welcome.

Rise Up – Asklepius Shares Majestic, Curative Transformation on New ‘Relative to a Mood’ EP

Asklepius carries a soothing, restorative sound on “Relative to a Mood” as glistening elements of prog, post-rock, jazz, ambient, psychedelia and electronica revive the soul. Artwork – Joe Groppuso

Asklepius triumphantly rises to the occasion.

The Detroit experimental post-rock trio of Justin Groppuso-Cook (keys), Dave Alpern (bass) and Matt Smiley (drums) undergoes a majestic and curative transformation on their latest aspirational four-track EP, Relative to a Mood.

“Some of the songs that are on that album we’ve been playing for a really long time. Those songs themselves evolved over time, and then Dave jumped in, and the bass gave the music more heart and more life,” Groppuso-Cook said.

“When the songs started to evolve with Dave, and we started to write new stuff for fleshed-out, different ideas, I think that additional bass added this uplifting thing, and I think we just went with it. I don’t think there was this intentional way to make it like that, and I think in certain ways, it was weird for it to sound uplifting. The music we were writing at the time didn’t sound like that was the groove.”

Incidentally, Relative to a Mood carries a soothing, restorative groove as glistening elements of prog, post-rock, jazz, ambient, psychedelia and electronica spin into a silky, sonic cocoon. All four tracks invite increasing moments of euphoria, self-reflection, progression and enlightenment as listeners beautifully emerge from an inner sanctum.

Asklepius created their own inner sanctum last summer at Detroit’s High Bias Recordings with Chris Koltay. Groppuso-Cook, Alpern and Smiley spent several days recording different live takes for Relative to a Mood with loop pedals and later added layers of keys, guitar and tenor sax.

Jubilation to Ascension

Relative to a Mood slowly unfolds with the euphoric “Jubilation” as banging drumsticks, bright and lingering piano, proggy bass, glistening synths, steady drums, light cymbals and reassuring electric strums from guest guitarist Matt Romanski bring merriment and optimism. The track also eases the mind into a therapeutic seven-minute reverie.

“We just went into the studio and started with ‘Jubilation.’ We just ran through it 10 times to get the best take, and then we were like, ‘Let’s go to the next song,’ and then we would take a break for a couple minutes and listen to all the different takes and see which one was the best one,” Groppuso- Cook said.

Continue reading “Rise Up – Asklepius Shares Majestic, Curative Transformation on New ‘Relative to a Mood’ EP”

All Together Now – The Hangabouts Invite Melodic Pop Fans into New ‘Animal Suite’ Single

All friends are welcome in The Hangabouts’ latest melodic pop single, “Animal Suite.” Artwork – Ed Rother

The Hangabouts enthusiastically welcome all walks of life on their inviting and inclusive latest single, “Animal Suite.”

The metro Detroit melodic pop trio of Greg Addington (vocals, guitar), John Lowry (vocals, guitar) and Chip Saam (vocals, bass) graciously opens their musical doors to listeners searching for a new gathering place. Think of a hip, retro venue filled with John Lennon, Elvis Costello and Jeff Lynne aficionados.

“This one came together in the studio based on an idea I had, and we took it in a new direction. We’d like to think that ‘Animal Suite’ sends a positive message out. Say hello to whomever you meet and all that. Seemed like the right message for the time. And whatever people pull from this song, or any really despite its genesis or original intention, is totally valid obviously,” Addington said.

Throughout “Animal Suite,” The Hangabouts roll out a lush, vibrant welcoming mat as fuzzy, bright electric guitars, deep bass, steady drums, twirling synths and quiet acoustic strums give listeners a hearty, sonic handshake.

In tandem, Addington benevolently sings, “Ears filled with delight/It’s a whole new world in here/Among the pigs and the birds/Who came to give you cheer/No longer down on the farm/With all its lovely views/But all my friends who are here/Except for one or two.”

“Some songs we write fast, and some take forever, and it has absolutely no bearing on quality. Cliché but true. Pretty much everything we record is done at our own studio called Earth – it’s outfitted with professional recording gear, and it’s convenient, so we work there,” Addington said.

“Yeah, the influences are always hard to pin down and ever-evolving. There is without question dozens of British Invasion bands that inspire many things we do as well as hundreds of bands since then. Perhaps the most inspiring influence, for five seconds in the song anyway, is ‘Kashmir.’”

In May, The Hangabouts also released a split-screen, quarantine-inspired video for “Animal Suite,” which features a collective, virtual jam with drummer Tom Curless as well as assorted curious cats and grazing horses. It’s an inside, upbeat and socially-distanced look at the band making the most of an unusual time in music.

“Sometimes you want solitude to explore ideas, sometimes you need collaboration to hash out concepts and ensure the project doesn’t end up as a solo record. We’ve mostly had a mix of songs largely started by one writer and then finished up with input from the group, and sometimes we write in the studio together. We’ve not yet figured out the perfect solution, but we’re hopeful that the pent-up energy might express itself in good work down the road,” Lowry said.

Continue reading “All Together Now – The Hangabouts Invite Melodic Pop Fans into New ‘Animal Suite’ Single”

Remote Start – Detroit Artists Release Quarantine-Inspired Rendition of ‘Chelsea Hotel No. 2’ via Old Main Records

Three Detroit artists beautifully preserve the romantic soul of a fallen New York love story.

Emma Guzman, Christian Ohly and Quasi-Bullfight’s Malcolm McNitt breathe new indie folk-pop life into Leonard Cohen’s 1974 one-that-got-away classic, “Chelsea Hotel No. 2,” as part of an Old Main Records-exclusive collaboration released via social media. It’s akin to Laura Marling collaborating with Pinegrove.

Together, the trio’s nostalgic, heartfelt and upbeat rendition features dreamy, swift acoustic strums, pulsating bass, effervescent handclaps, jingling tambourine, glistening horns and whistling theremin as Guzman soulfully sings, “I remember you well in the Chelsea Hotel/You were famous, your heart was a legend/You told me again you preferred handsome men/But for me you would make an exception.”

“Old Main Records grouped the three of us together, and we went through a list of songs until we agreed upon ‘Chelsea Hotel No. 2.’ I was the one to throw it out there, as I had recently started covering it, and it’s an amazing tune,” Guzman said.

“I’ve enjoyed Cohen’s music since I was younger, and his songwriting has such a rich, dark charm to it. His emotions reach below the surface, and that’s what inspires me most about his writing,” Guzman said.

Back in the spring, Guzman, Ohly and McNitt each responded to an Old Main Records call for a special quarantine-inspired artist collaboration. The plan included stimulating local artist creativity and partnership amid a new, unfamiliar socially distanced world absent of live music.

After the artists responded, Old Main Records, a Wayne State University student-run record label and organization, realized these three were a magical force. In a sense, it was a dream collaboration for a trio of emerging, complementary singer-songwriters.

“We felt we could do something to help artists meet and collaborate at the same time. We had recording engineers and graphic artists as well as our own platform to help promote these artists. We first gathered the artists to meet all together on Zoom,” said Chris Simpson, Old Main Records president and a Wayne State University student.

“Once the artists got to know each other and their music, they had to meet online to come up with a song to record. The artists picked the track based on their own recommendations of pitching each other ideas. It was a very organic process.”

Continue reading “Remote Start – Detroit Artists Release Quarantine-Inspired Rendition of ‘Chelsea Hotel No. 2’ via Old Main Records”

Summer Sounds – The Stratton Playlist Test-Drives New Tracks with June 2020 Edition

As summer kicks into high gear, get ready to test-drive a new batch of tunes from emerging local and regional artists.

The June edition of “The Stratton Playlist” will gain traction with grungy alt rock, lo-fi jazzy soul, inspirational pop rock, indie folk, bouncy pop punk, dancy pop, melodic prog rock, bouncy pop punk and uplifting country.

Featured artists include Random Ties, Dani Darling, Trey Simon, Mason Summit, U Might Be Mine, Anthony Retka, Louis Picasso and more. Get behind the wheel and ride into the sunset with the picture-perfect soundtrack.

Interested in becoming part of “The Stratton Playlist” on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres are welcome.