Momentary Feelings — Lilly MacPhee Overcomes Heartbreak and Disappointment on “This Too Shall Pass” Single

Lilly MacPhee closes a difficult chapter and finds catharsis on “This Too Shall Pass.” Photo courtesy of the artist.

Lilly MacPhee knows moments of heartbreak and disappointment are fleeting.

The Detroit singer-songwriter acknowledges those emotions and their ephemeral impact on her latest indie-folk single, “This Too Shall Pass.”

“It was the first song I had written when I moved back from Nashville, and it was an accumulation of everything I had been through over the years. When I was living in Nashville, my best friend Jackie [Pappas] and I would talk on the phone several times a day,” said MacPhee, who briefly relocated to Nashville in 2023.

“I would vent to her, or she would vent to me about something. But when I would vent to her, she would always say, ‘Lilly, this too shall pass,’ and it [stayed] with me. And then I thought, ‘That sounds like a song. Thank you, Jackie.’”

On “This Too Shall Pass,” MacPhee closes that difficult chapter and finds catharsis in family and friends. Comforted by serene acoustic guitar, she sings, “I kissed lips that spoke lies / Met grief eye to eye / Cried to the ones who cared / When silence was too much to bear.”

“Songwriting itself is like therapy—it’s how I view it. You get everything out and it makes you feel better. A song like that is bittersweet,” she said.

“You hope people don’t relate to it, but you’re OK if they do because it’s a comforting feeling for them to know that they’re not the only ones experiencing heartbreak, grief, or whatever else they might be going through in life.”

Continue reading “Momentary Feelings — Lilly MacPhee Overcomes Heartbreak and Disappointment on “This Too Shall Pass” Single”

The Struggle Within — Painted Friends Looks Inward and Finds Clarity on “The Devil in the Deep State” Album

Painted Friends’ Mitch Crosby and Jeremiah McWhorter performing in 2022. Photo – Connor Dean Harrington

For Jeremiah McWhorter, vulnerability leads to a purposeful existence.

The Painted Friends frontman embraced his fragility and uncovered hidden truths while penning tracks for the Detroit duo’s latest indie-rock album.

“Without getting too deep into my personal life, I took time to think honestly about the decisions I have made in the last eight months or so while putting the album together. I thought about how deep I got into some struggles and what I needed to do to get out,” said McWhorter, the band’s vocalist-guitarist-bassist about The Devil in the Deep State.

“I started to become more aware of when the natural vulnerability I have from just being a human is leading me somewhere I don’t actually want to go. The key is understanding how to use vulnerability for good instead of evil.”

Alongside drummer Mitch Crosby, McWhorter explores that emotional and spiritual journey and its ramifications through perceptive lyrics and cathartic instrumentation.

“The personal struggles I have in life have always been a big part of what I write about. It helps me process it all. In doing this, I am learning how similar we all are in regard to having personal struggles,” he said.

“I listen to music I can relate to because it sometimes can be that extra push I need to keep going. If I can be that extra push for others, I don’t think there is anything better than that.”

To learn more, I spoke with McWhorter about the thematic and sonic elements behind The Devil in the Deep State.

Continue reading “The Struggle Within — Painted Friends Looks Inward and Finds Clarity on “The Devil in the Deep State” Album”

Bring to Mind — Danny VanZandt Examines the Emotional Connection Between Senses and Memories on “Proust in the Kitchen With the Wooden Spoon!” Album

From left: Randy Favot, George Jr., Anton Filyayev, Andrew Benjamin, and Danny VanZandt. Photo – Spencer Isberg

For Danny VanZandt, distinctive smells, tastes, and sounds trigger vivid memories.

The Detroit singer-songwriter explores those sensory experiences and the powerful recollections associated with them on his new album, Proust in the Kitchen With the Wooden Spoon!.

“It’s that concept of the Proustian memory that’s in one of his books where the character eats a cookie and has a flashback to a memory,” said VanZandt about his indie-rock release. “That—I think—is such a real thing and such a weird phenomenon that happens.”

As part of that phenomenon, he reflects on a gamut of emotions, ranging from gratitude to longing to anticipation, that arises when cooking and eating his late mother’s spaghetti and listening to music with friends.

“For me, my mom passing [away] was when I started thinking about that kind of stuff,” said VanZandt, who lost his mother in 2020.

“When she first passed away, the emotions wouldn’t come up on their own when just dealing with that, but then it would get reflected through a movie or a song. Then, I could process it and see the totality of it and that’s the way that I would deal with it.”

VanZandt processes everything through 11 emotive tracks on Proust in the Kitchen With the Wooden Spoon!. His sentimental lyrics and evocative instrumentation transport listeners to a special time, place, or feeling.

Each track feels like a magical short story soundtracked with elements of Americana, folk, rock ‘n’ roll, and alt-country.

“I remember listening to Spotify on shuffle and ‘Freak Scene’ by Dinosaur Jr. came on, and I had forgotten that song existed. I also had forgotten that Bug as an album existed and it reminded me of a CD a friend had burned for me in high school,” he said.

“It was such a faraway memory that I had not thought of in years, and I could see the color of the CD. When that stuff happens, that’s so crazy to me and so is the idea of how music can be a vessel that holds memories.”

I recently spoke with VanZandt about the album and the inspiration behind it.

Continue reading “Bring to Mind — Danny VanZandt Examines the Emotional Connection Between Senses and Memories on “Proust in the Kitchen With the Wooden Spoon!” Album”

“Darkness on the Edge of Corktown” — Bruce Springsteen Tribute Show Features Detroit Singer-Songwriters and Benefits Motor City Mitten Mission January 17 at Lager House

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In December 2022, a group of Detroit singer-songwriters hosted a Bruce Springsteen tribute show to benefit the homeless.

Billed as Darkness on the Edge of Corktown at Lager House, the show featured local artists performing songs from The Boss’ extensive catalog and collecting donated winter clothing for people in need.

“We did it then for the first time and accepted clothing donations, but we didn’t have a nonprofit partner per se,” said Mike Ward, a folk singer-songwriter who co-organized the show.

“Everybody had a great time at it, and [co-organizer] Nick Juno was the one who said, ‘Hey, we should be doing that again.’ And I said, ‘Yeah, you know what, you’re right, we should.’”

Two years later, Darkness on the Edge of Corktown returns January 17 for a second edition at Lager House.

The Springsteen-themed show includes performances from 25 singer-songwriters and benefits the Motor City Mitten Mission, a St. Clair Shores, Michigan nonprofit that supports the homeless.

Darkness on the Edge of Town is one of Springsteen’s albums and it’s one of my favorite albums of all time. It works because we’re right at the edge of Corktown where Lager House is,” Ward said.

“For this show, we figured out the logistics of having a benefit for the Motor City Mitten Mission and we talked to executive director Gail Marlow. She’s totally into it because she does a lot of promoting with the Detroit Lions—she’s a tireless worker.”

The show also serves as a collection site to donate winter clothing and outdoor gear for the homeless. Only new donations will be accepted.

Show attendees can donate any of the following items—sweatshirts, sweatpants, long underwear, sleeping bags, backpacks, tarps, hand and toe warmers, and more—and receive a discounted entry fee of $5 that night.

People also can make monetary donations at the show or through the Motor City Mitten Mission’s website. All donations and proceeds from the show will go to the nonprofit.

“The Motor City Mitten Mission is a fantastic organization, so we felt like, ‘OK if we’re gonna do this, let’s do it right and reduce the price of admission with the donation of an item,’” said Ward, who started planning the event with Juno last summer.

“Everybody is volunteering for this event, and we’re working with general manager and talent buyer Katelyn Burkart at Lager House to coordinate it.”

In addition to supporting those in need, the show spotlights a myriad of talent from local artists, including Mark Jewett, Ryan Trager, Annie Bacon, George Montrelle, Audra Kubat, Jackamo, Emily Rose and Kate Hinote, Dave Boutette and Kristi Davis, and others. During the show, each artist will perform a different Springsteen song.

“We liked that format of everybody playing a song and everybody had a great time at the first show,” Ward said. “There’s so much camaraderie in this community, and we have all these different performers joining up with others and doing duets—it’s going to be fun.”

Darkness on the Edge of Corktown is January 17 at Lager House, 1254 Michigan Avenue, Detroit. The show is a benefit for the Motor City Mitten Mission. Admission is $5 with donation or $10 without donation. Doors are 7 p.m. and show is 8 p.m. For tickets, visit Lager House’s website.

Rocky Mountain High — Detroit’s Jeremy Porter Longs for a Snowy Holiday Out West on “Colorado Christmas” Single

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Detroit’s Jeremy Porter offers a fresh take on Nitty Gritty Dirt Band’s “Colorado Christmas.” Photo – Noreen Porter

Two years ago, Jeremy Porter discovered a hidden Christmas classic in a collection of 7-inch vinyl singles.

The Detroit singer-songwriter and guitarist flipped over a “Mr. Bojangles” single for the Nitty Gritty Dirty Band and found “Colorado Christmas” on the B-side.

“Their version is solid, of course, but it was the B-side, ‘Colorado Christmas,’ that really caught my ear,” said Porter, who also fronts The Tucos. “I’m always looking for a good Christmas song to cover. I actually spent a Christmas in Colorado as a kid, so it just seemed like a natural choice.”

Porter decided to record a rendition of Nitty Gritty Dirt Band’s “Colorado Christmas” during the studio sessions for his latest alt-country album, Dynamite Alley, via GTG Records.

On “Colorado Christmas,” the protagonist longs to escape Los Angeles for a snow-filled Christmas in Colorado.

Surrounded by somber banjo and pedal steel, Porter sings, “Now the sun is setting in the California sky / And I can’t find the spirit anywhere / So I think it’s time for me to tell Los Angeles goodbye / I’m going back home to look for Christmas there.”

“The lyrics exploring the contradiction between winter in the Colorado Rockies and Los Angeles traffic and palm trees was the icing on the cake,” Porter said.

Continue reading “Rocky Mountain High — Detroit’s Jeremy Porter Longs for a Snowy Holiday Out West on “Colorado Christmas” Single”

All Ears — Detroit Prog Rockers Belling The Tiger Share Empathetic and Cathartic Tales on “Listen” EP

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Belling The Tiger members Nick Geiersbach, Andrew Harvey, Ani Balalau, Michael Allen Moore, and Duane Harvey. Photo – John Willems

Michael Allen Moore advocates being an active listener.

The frontman for Belling The Tiger applied that skill after reading The Lost Art of Listening many years ago.

“I was shocked and embarrassed about how many mistakes I made in listening to others,” said Moore, the band’s vocalist, keyboardist, and guitarist.

“However, I was truly flabbergasted at how badly everybody else I was around at the time was. It helped immensely and allowed me to be a more empathetic human being.”

He also embraced that mindset while writing the title track for the Detroit prog-rock quintet’s latest five-track EP, Listen.

“I think writing music and lyrics is cathartic,” Moore said. “I’m happy to sneak in my self-expression as therapy with the music, and if people don’t pick up on the details, then I’m at peace with that. I have a Buddhist sensibility when it comes to the goals of making music.”

On the title track, Belling The Tiger attempts to help someone who’s on a destructive path before it’s too late.

Alongside Moore, bandmates Duane Harvey (drums, percussion), Andrew Harvey (bass), Ani Balalau (vocals, various instruments), and Nick Geiersbach (keys, trumpet, flugelhorn, various instruments) provide a melodic mix of serene and fearless instrumentation.

Moore sings, “Follow me if you can linear / Thoughts unforgiving and twisting / Speak to me if you can honestly / Unafraid of what we are.”

“The song is about a particular person—however—that person turns out to be a stereotype,” he said. “Therefore, it can have a universal application to others.”

I recently spoke to Belling The Tiger about its EP ahead of two Metro Detroit shows this week.

Continue reading “All Ears — Detroit Prog Rockers Belling The Tiger Share Empathetic and Cathartic Tales on “Listen” EP”

Sounds Like Michigan — Michigan Music Alliance Celebrates Relaunch With November 23 Fundraiser Show at Grand Rapids’ Wealthy Theatre

Editor’s note as of November 23, 2024: Frontier Ruckus is unable to perform at tonight’s Sounds Like Michigan show due to COVID.

The Michigan Music Alliance is ready to take center stage and shine a spotlight on the state’s music community.

The statewide nonprofit is marking its official relaunch with Sounds Like Michigan, a live music fundraiser taking place November 23 at the Wealthy Theatre in Grand Rapids, Michigan.

“We’ve spent the last year working behind the scenes to set the organization up for long-term success, especially when it comes to the educational programming we provide to Michigan musicians,” said Nicholas James Thomasma, interim executive director of the Michigan Music Alliance. “Now, it’s time to celebrate, and Sounds Like Michigan is a celebration of Michigan music.”

Detroit-Ypsilanti indie-folk-rock trio Frontier Ruckus is headlining the event, which also includes Detroit R&B artist ARI B, Grand Rapids alt-Latin band Cabildo, and Grand Rapids indie-rock band The American Hotel System.

“It’s an eclectic bill with a mix of well-known and up-and-coming artists from both sides of the state,” Thomasma said. “It’s bridging the gap between the two communities and showcasing the collaborative spirit of the Michigan music scene.”

During the show, the Michigan Music Alliance will unveil its programming for 2025 and acknowledge grants awarded for more than $23,000 from the Michigan Arts and Culture Council and the Great Lakes Energy People Fund.

It also will feature a Sounds of the Zoo-hosted silent auction for attendees to bid on exclusive items, including:

In addition, attendees can purchase 50/50 raffle tickets and limited-edition merchandise. Meanwhile, VIP ticket holders will receive a private performance and meet-and-greet with Frontier Ruckus before doors open. All proceeds from the show will go to the Michigan Music Alliance.

Local Spins editor and publisher John Sinkevics will emcee Sounds Like Michigan, which features the West Michigan music website as an event partner along with WYCE (88.1-FM) and Triumph Music Academy. Event sponsors include Our Family, Founders Brewing Co., Studio C, and Tee See Tee.

Tickets for Sounds Like Michigan are on sale now via the Grand Rapids Community Media website. VIP tickets are $100 and general admission tickets are $35.

The Michigan Music Alliance’s Sounds Like Michigan fundraiser show is November 23 at the Wealthy Theatre, 1130 Wealthy St. SE in Grand Rapids, Michigan. Doors are at 6 p.m. and the show starts at 7 p.m. For details, visit the Michigan Music Alliance’s website.

Best Practices — Kylee Phillips Shares “The Good Parts” of Her Personal Journey on New EP

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Kylee Phillips offers heartfelt tales of resilience and acceptance on “The Good Parts.” Photo – Misty Lyn Bergeron

Kylee Phillips doesn’t need to give herself daily pep talks anymore.

After some deep introspection, the Ypsilanti, Michigan singer-songwriter/keyboardist gained a fresh perspective and wanted to share “the good parts” of her journey on a new EP.

“I feel like the pep talks worked,” said Phillips about The Good Parts, her sophomore release. “It’s encouraging because it’s hard to see yourself grow when it’s happening, and it’s not until you look back that you say, ‘Oh, I made it to the other side.’”

Coming out the other side, Phillips offers heartfelt tales of resilience and acceptance across four honest tracks on her indie-folk-pop EP.

“The songs are about saying, ‘Maybe I need to try a different path,’ but they’re also saying, ‘These are the things I’ve noticed about myself that are not going to change—that I’m not letting go of,’” she said.

“It’s this funny combination of ‘I’m going to have to make some different choices, but I also know better who I actually am now.’”

That authenticity quickly resonates with listeners on The Good Parts, which features reflective lyrics and lush instrumentation.

“I had a friend reach out to me and say, ‘I feel like you wrote this song for me.’ And I said, ‘I wrote it for myself, and now I feel like you need it more than I do,’” she said. “I always write the stuff that I need to hear, but when it’s also what other people need to hear, it feels special.”

Continue reading “Best Practices — Kylee Phillips Shares “The Good Parts” of Her Personal Journey on New EP”

The Power of Goodbye — Melanie Pierce Finds Closure From a Past Relationship on “Enough” Single

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Melanie Pierce shares messages of self-empowerment and resilience on “Enough.” Photo courtesy of Melanie Pierce

Melanie Pierce boldly reclaims her power on “Enough.”

The Detroit singer-songwriter asserts her true feelings and finds closure from a past relationship on her new emo-pop single.

“‘Enough’ is a song that I’m very proud of, and I’m really thankful to have had music to lean on when the events behind the song were taking place,” Pierce said.

“The song is a reflection of events that hurt or things that at the time I looked at through rose-colored glasses. Then I pulled them off and said, ‘This sucked … and it’s enough for me to get over this and move on.’’”

Surrounded by fearless acoustic guitar, electric guitar, bass, and drums, she sings: “I poured my heart out and I wrote you songs / You felt awkward, said it’s like someone’s singing happy birthday to you / Someday, I’m gonna find someone who actually deserves all I do / So I reclaim every song I sent you and the magic you had access to / And the girl that would have done anything for you.”

“It’s a song that screams, ‘I don’t deserve this,’” Pierce said. “I hope the takeaway for listeners is exactly that. You don’t deserve the shit you’ve put up with and you’re stronger than this.”

I spoke with Pierce about her latest single ahead of an October 11 show at 20 Front Street in Lake Orion, Michigan.

Continue reading “The Power of Goodbye — Melanie Pierce Finds Closure From a Past Relationship on “Enough” Single”

Random Connections — Detroit’s Television City Celebrates Chance Encounters With Others on “Lost in Arkansas” Single

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Brian Raleigh, left, performs with Garret Bielaniec during a Television City show at Detroit’s Lager House in 2018. Photo – Erick Buchholz

Brian Raleigh reminisces about a special moment in the not-too-distant past.

The Television City frontman reflects on a chance encounter with a woman in the U.P. and relishes that random connection on the band’s latest alt-country-rock single, “Lost in Arkansas.”

“It was a very innocent sort of meeting where we talked, we got to know each other, and we felt a very strong connection. That’s all there was,” said Raleigh, the Detroit band’s vocalist, guitarist, and keyboardist.

Backed by nostalgic electric guitar, pedal steel, and drums, Raleigh sings, “And in the blink of an eye / She was gone as quick as she came / Back to the wind, the Great Lakes / The trees and the rain / And I don’t think I’m ever gonna be the same again / As I was before / But I can remember when.”

“It’s about being lost in that moment,” he said. “It was a few years ago [when I met her] … and we’ve kept in touch a little bit.”

Raleigh wrote the track shortly after that encounter and shared it with his Television City bandmates.

“I might have written the song the day after that occurred or not too long after. And I put it away, and I thought, ‘I don’t even know if this song is any good or not,’” he said.

“And then I brought it out when we were looking for songs to record this next batch, and [guitarist] Garret [Bielaniec] said, ‘That’s the one.’”

Now, Raleigh is celebrating the release of “Lost in Arkansas” with Television City during a September 28 show with Jim Roll, Mike Galbraith, and Courtney Hurley at Ghost Light in Hamtramck, Michigan.

To learn more, I spoke with Raleigh about the band and single ahead of the show.

Continue reading “Random Connections — Detroit’s Television City Celebrates Chance Encounters With Others on “Lost in Arkansas” Single”