Big Dig – Nick Juno Unearths Local Singer-Songwriter Lyrics through The Detroit Song Mine

Nick Juno shares lyrics from local singer-songwriters through The Detroit Song Mine. Artwork – Andrea W

Outfitted with a Fender Telecaster and a worn pick-axe, Nick Juno unearths a treasure trove of Detroit musical gems twice a month.

The Motor City folk singer-songwriter carefully excavates and shares priceless song lyrics from local artists through the newly discovered The Detroit Song Mine, which launched today via Facebook.

“For the last several months, we’ve had online access to such wonderful and varied music on all different levels. Oftentimes when hearing people play their songs, I think, ‘That was great live! What did they say?’ And I thought it would be great to see the lyrics to some of these because as a writer I’m always reading the lyrics,” he said.

“It’s all about ‘the song,’ and then I was thinking about how in the ‘60s Greenwich Village had the ‘Broadside,’ which became ‘Sing Out!’ magazine. I thought it would be great to have something like that on a very small, basic level here. I didn’t want to have a contest, review or critique; I just wanted to have the bare bones skeleton lyrics of people’s songs.”

As a new online music community spearheaded by Juno, The Detroit Song Mine publishes original song lyrics from a myriad of talented, multi-genre metro Detroit singer-songwriters, including Tom Alter’sSelma,” Judy Banker’s, “Sweetest Rain,” Darin Francis’ “Lake Superior,” Dirk Kroll’s “West Thalia,” Brion Riborn’sHalf My Friends,” Milan Seth’s “Our Dear Leader” and Bob Youngs “Firestorm.”

“The first batch of writers in issue No. 1 were chosen randomly from the first handful of people who sent in songs. When I first envisioned doing this, I thought with hat in hand maybe a few people might want to do this monthly, but I got a terrific response. Now, I will be doing this twice a month to keep things moving,” Juno said.

Juno also sought inspiration for The Detroit Song Mine from the city’s historic salt deposits, which date back 400 million years and were left behind by the retreat of an ancient inland ocean. In a sense, he captures that timeless tradition and aesthetically transfers it to publishing song lyrics. Each online issue of The Detroit Song Mine invites artists to discuss and share each other’s songs.

“The idea of mining for rock salt or digging your way for songs out of thin air rang familiar, and I hope people would pick up on that. As writers, it’s often useful to play for other people and get feedback about what they think, what they heard or how things worked out,” Juno said.

“None of that’s happening right now with the ongoing shutdown, so I thought it might be good for people to have an outlet to put their songs out there good, bad or otherwise just for others to see them.”

With the next issue launching Aug. 14, Juno will announce and publish another six or seven songs from a different group of singer-songwriters. He’s interested in highlighting creative lyrics from a multitude of genres, including folk, rock and hip-hop.

“I want this to be like putting up show flyers on a kiosk or wall where you slap up your song with wheat paste and walk away. The people sending in songs are varied and different, so whatever we get I’m happy to put up. Ideally, I’d like to see this in printed form available for people to have in their hands, but I just wanted to get it started,” he said.

“Being online is a good thing because I’ve had people way outside of the Detroit area interested. My hope is that when we finally start up again playing live music readers might say at a show, ‘Oh, I know this song! I’ve seen these lyrics.”

To submit song lyrics, contact Juno at thedetroitsongmine@gmail.com.

Master Collector – Dirk Kroll Gathers Everyday Life Experiences for Profound Sonic Tales

Dirk Kroll gathers an array of life experiences and shapes them into earnest sonic tales. Photo courtesy of Dirk Kroll

Dirk Kroll has an impressive collection.

The Pontiac blues rock singer-songwriter doesn’t collect coins, cards or clippings. Instead, he gathers an array of life experiences, stories and moments and shapes them into earnest sonic tales about everyday opportunities and challenges.

“I’m truly interested in life and people. If I were an alien, or from some other time period and I landed here, I’d soak it up more than it just passing me by,” Kroll said. “That’s what I do, and it’s in everybody, the stories I hear, the people I talk to, and their slant on the way they think, the flavor of the moment and everything.”

Kroll’s wife and bandmate, Marci Feldman, laughed and agreed. “The thing about Dirk is he’s a talker. We’ll go into Trader Joe’s, and he knows the names of anybody who works anywhere. Being a painter and restorer, people consider him harmless, so they disclose stories to him.”

Kroll constantly grows his collection through conversations and interactions with family, friends, acquaintances, colleagues and characters. Those exchanges lay the foundation for past, present and future songs shared through vivid recordings and live performances with current Dirk Kroll Band members Rodney Walker (guitar), Joe Gaglio (drums), Gardell Floyd (bass), Jim Amann (keys), Robert Reeves (horns) and Feldman (vocals).

“I collect stories, moments and ideas. Lyrically, it’s an opposite reflex because when I really go hard after something, it doesn’t seem to work out right. The stuff that comes to me, that’s a mystery to me, too,” said Kroll, who moved from southern California to metro Detroit at a young age and honed an eclectic sound influenced by Motown and the British Invasion.

‘This Broken Play’

“This Broken Play” album artwork by Diane Irby

Kroll beautifully unravels an assortment of vivid stories across a multitude of genres on his latest album, “This Broken Play,” which dropped in late 2018. The album includes 10 striking tracks revolving around personal struggles, relationships, lifelong journeys and societal responses intertwined with hints of blues, rock, funk, ska, jazz and folk. Listeners will immediately think it’s the best of Elvis Costello, Nick Lowe, The Rolling Stones and Wilco rolled into one.

The album’s exquisite title track features a solemn cello mixed with banging piano chords to reflect the sadness and frustration of a passionate relationship that’s abruptly ended – “All of our lives, and all that remains/All of our moments, and all that’s the same/You cast your part in this broken play/Is it always love, forever, the price we must pay.”

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