Spiritual Odyssey – Joss Jaffe Finds Resilience and Restoration on ‘Sun Mountain Sea’ Album

Joss Jaffe Photo
Joss Jaffe creates a carefree, windows-rolled-down headspace on “Sun Mountain Sea.” Photo – Mariana Shulze

Joss Jaffe closely explores the emotions and experiences of the human spirit.

The Los Angeles chillwave singer-songwriter and multi-instrumentalist embarks on an invigorating spiritual odyssey filled with resilience and restoration on his latest metamorphic album, Sun Mountain Sea, via Be Why Music.

“From a spiritual perspective, even when you’re in love with someone and it doesn’t work out, you’re still sort of connected to that person. That’s what some of these songs are talking about … trying to see that from the highest perspective, even though you may never see them again. That’s kind of what it’s like to be alive,” Jaffe said.

“When someone dies, you’re just left with the memory of that and how do you process that? These songs aren’t really that heavy, there are a couple that deal with heavier and stronger issues, but they’re pretty light in general. The hopefulness is a good quality. It’s the kind of thing you can play during a road trip and just chill.”

With a relaxed foot on the gas and one hand on the wheel, Jaffe’s Sun Mountain Sea instantly transports listeners to a carefree, windows-rolled-down headspace. Breathtaking waves of mystical electronic soundscapes, effervescent indie-pop sensibilities and lustrous instrumentation propel listeners across international scenic highways from Santa Barbara to Ibiza.

“It’s very honest, like the way a singer-songwriter would sing it. There’s an acoustic element, but it’s laid on top of these electronic beats. It’s been compared to The Postal Service and stuff like that,” said Jaffe, who also took inspiration from Foster The People, MGMT and Tycho.

“In my mind’s eye, I fantasized it would be like Ibiza-style, like Avicii or something. But that’s not me; I’m not really a big, electro-heavy guy. It has more of a chill-out kind of a vibe.”

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False Note – Joss Jaffe Uncovers Empty Political ‘Promises’ with Mykal Rose

Joss Jaffe unearths political fallacies on “Promises,” with reggae legend Mykal Rose. Photo – Kim Jae Yoon

For Joss Jaffe, today’s global political climate runs rampant with false promises.

The Oakland, California world music singer-songwriter and multi-instrumentalist shares this widely held notion in his latest reggae-infused single, “Promises,” with Mykal Rose.

“Ultimately, I think politics is always divisive. Peter Tosh would call it ‘politricks.’ But yes, this period in time has been especially unprecedented. Although I do not call out Trump by name in this song and take the approach of an old-school reggae song, where we speak in metaphors and allegory stories, clearly it references the cascade of lies and falsehoods that seem to never end,” Jaffe said.

“However, yes, the song also speaks to the timeless, and sadly, seemingly ever relevant problems this poor type of leadership brings, and it’s not just limited to the U.S.”

Throughout “Promises,” Jaffe and Rose quickly unstitch the increasing fallacies Trump and other controversial political figures continually weave into society’s fraying fabric. Vibrant horns, thumping drums, bouncy bass, breezy synths, spirited organ and peppy electric guitar seamlessly undo each tumultuous thread.

Rose eagerly chants, “Promises are a comfort to a fool/All they wanna give is promises/We know the golden rule/Yet they wanna use you like a footstool.” In response, Jaffe soulfully sings, “Step on you to reach that goal/And cast you aside when you played your role/Promises that keep on saying/But then you look at them and see they’d never change.”

“My vision for this song is something that’s uplifting and triumphant over adversity. Something that rises above the current moment, however difficult it is, and gets back in touch with the universal consciousness,” Jaffe said.

With honest, reflective lyrics and a hypnotic reggae sway, Jaffe and Rose triumph with “Promises” as a fitting theme song for our turbulent political and social times. The track serves as the duo’s second dynamic collaboration since the divine, glistening “Elohim” with Shimshai in 2015 for Jaffe’s Dub Mantra Sangha album.

“Mykal Rose has always been one of my longtime heroes of reggae music. We have a mutual friend named Siah who is his guitar player and produces some of his songs. Mykal is a true legend; rocksteady in the studio and always pushing everyone to capture their best possible take. It was a true blessing,” Jaffe said.

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