Round and Round — The Dangling Participles Find a New Direction on “Carousel” Single

Austin Kaufmann, Tamiko May, and Tim Patterson of The Dangling Participles. Not pictured: Noah Cameron. Courtesy photo.

The Dangling Participles embrace change and find a new direction on “Carousel.”

“Sometimes, when we try to make changes in our lives, we feel stuck, helpless,” said Tamiko May about the Lansing band’s new indie-folk single.

“‘Carousel’ explores this idea of how—consciously or unconsciously—we sometimes find ourselves going ‘round and round’ in circles, in a pattern that doesn’t allow for change.”

Backed by contemplative instrumentation, May sings, “Face the fear of losing out / On some dream that’s preprepared / I’m not used to loose reins / And I’m feeling kind of scared / To leave the organ music and / The brass sleeves behind / As we gallop towards a future / That we ourselves define.”

“I wrote ‘Carousel’ a month after my mom died in 2023,” said May, who also plays ukulele on the song. “I had just joined an online songwriting community and had been given a prompt word, which was supposed to be the focus for writing a new song. However, the ‘Carousel’ song kept nudging me to come back to it, and I wasn’t able to focus on the ‘prompt’ song until ‘Carousel’ was finished.”

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Due West – Desmond Jones Explores Vibrant Americana Landscape on ‘Why Not?’

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Desmond Jones opts for a cohesive Americana sound on “Why Not?” Photo – Purchase Productions

Desmond Jones boldly explores the sunny, vast terrain of the undiscovered countryside.

The Grand Rapids jam quintet of John Nowak (drums, vocals), Isaac Berkowitz (guitar, vocals), Chris Bota (guitar, vocals), Taylor Watson (bass) and George Falk (sax, vocals) proudly ventures through blazing deserts, rolling hilltops and sprawling mountains on their latest Americana-infused album, Why Not?

“We’re lucky it fell together in a cohesive way because some of the songs were written almost 10 years ago. Others were written two years ago or right before we started recording the album,” Nowak said.

“We tried to collect them in a way that made thematic sense, even though we didn’t write them all together with the intention of releasing a concept album.”

As a refreshing, countrified conceptual immersion and stylistic detour from their funky, glam-jam sound, Desmond Jones’ Why Not? glides through 15 insightful, majestic tracks filled with nomadic adventures, lovelorn moments and bucolic musings.

The addition of warm, folky instrumentation – pedal steel guitars, fiddles, banjos, Dobros and mandolins – and rich four-part harmonies allow the band’s newfangled Americana sound to travel beyond the Midwestern landscape.

“A lot the songs we’ve been performing for over eight years now, and the Americana sound and songwriting style have always been a part of our live show and our catalog. We just never had the opportunity to record a lot of it or package it in that way,” said Nowak about the band’s third album.

“Once we started writing more songs that were a verse-chorus structure and a singer-songwriter style, they started to add up. We realized we had enough material to put it all together in one album, so that it wouldn’t feel as disjointed if we had put some of this stuff together with our funky or more progressive songs.”

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Knock, Knock – The Sneeks Drop New ‘Sneekin’ Out the Back Door’ EP Today

The Sneeks have released their fun-filled “Sneekin’ Out the Back Door” EP today.

For The Sneeks, opportunity knocks with a new five-song EP.

The East Lansing alt rock quartet has delivered their latest release, “Sneekin’ Out the Back Door,” today via streaming services as a fun, breezy follow-up to their eight-track 2017 debut album, “Sneek Attack.”

Through “Sneekin’ Out the Back Door,” Niko Matsamakis (vocals, guitar), Kevin Neumann (vocals, bass), Alex Olivero (vocals, guitar) and Houston Smith (drums) create a laid-back summer sound filled with shimmery Mac DeMarco-inspired guitars and wrapped in personal tales of fleeting relationships.

It’s the musical alter ego to “Sneek Attack,” which follows a “rad rock and troll” sound born out of the band’s Michigan State University (MSU) party days and garage punk rock shows with Twin Peaks at The Loft in Lansing.

“The different approach for ‘Sneekin’ Out the Back Door’ is definitely the songwriting and recording style,” Matsamakis said. “We recorded it in my house upstairs in four different rooms at the same time, and we tracked it all together. Houston was in one bedroom, I was in another, Kevin was in the other bedroom and Alex was in the bathroom.”

Neumann and Olivero also contributed tracks to the “Sneekin’ Out the Back Door” while Matsamakis wrote the material for “Sneek Attack” – his personal journey through post-breakup single life.

“We used some different effects on our guitars that we don’t normally use, and some of those ‘Sneek Attack’ sounds are harder in general, but ‘Sneekin’ Out the Back Door’ is definitely a softer sound,” Matsamakis said. “I wrote a few of the songs, showed them to Kevin, and Kevin put his touch on them, and then vice versa. I would say Kevin’s songs are definitely the softer ones.”

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