Tru Klassick, Approachable Minorities and Mark Cooper to Ignite Saturday Grove Sessions Livestream Show

Grove Studios April 24 Livestream
Saturday’s Grove Sessions hip-hop livestream will feature electrifying rhymes, fiery beats and explosive grooves.

Three local hip-hop acts will ignite the Grove Studios livestream stage Saturday.

Tru Klassick, Approachable Minorities and Mark Cooper will spark electrifying rhymes, fiery beats and explosive grooves for a Grove Sessions livestream audience. Rod Wallace, Grove Studios educational programs coordinator and Zero Noize Podcast host, will oversee the show’s festivities.

“We want to bring a full Approachable Minorities experience to all who come and watch the stream. Since last year we have been working hard to bring new material for our fans, and we are excited to share that with everyone,” said TJ Greggs, aka MC Lewy Seifer of Approachable Minorities.

“We plan to play some new songs for the Grove Sessions set to give a small glimpse of our new album that we will be releasing over the next year. We continue to practice and work on our craft regularly so that we may bring the best performance for any event that we are a part of.”

Along with his Approachable Minorities partners – MC Druzi Baby, aka Drew Denton, and DJ OnDemand, aka Marcus McKinney – Greggs relishes rejoining Tru Klassick for another live show and teaming up with Soundproof’s Mark Cooper for the first time.

“Tru Klassick always brings superior lyrical diversity and captures the true essence of hip-hop. We have worked and performed with Tru Klassick on many different occasions, and it is always a great time to watch his talent at work. We have not yet had the chance to perform with Mark Cooper, but we are excited to have the chance to share the stage with him,” said Greggs along with his bandmates.

Outside of performing, Approachable Minorities continue to write, record and release new material. The Ypsilanti party rap and conscious hip-hop trio recently contributed and produced tracks for last summer’s community-based hip-hop album, Formula 734, along with Louis Picasso, Sam Watson, Beretta Shells, Konphlict, King Ogundipe, Tru Klassick, Jamall Bufford and Wallace.

One of the project’s most compelling tracks includes Approachable Minorities’ thoughtful, percussive “See Me Dead,” which was inspired by last summer’s Black Lives Matter marches.

Together, they reflect, “Why they wanna see me dead, why they wanna see me dead/Probably cause my skin/Why they wanna see me dead, why they wanna see me dead/Probably cause my hair/Why they wanna see me dead, why they wanna see me dead/Probably cause I’m Black/Why they wanna see me dead/See another brother take two to the head.”

“We were on vacation in Florida when the protests initially began. We had to drive back through the country seeing alerts about the curfews and were worried about our safety while being in the south during these times. We spoke with Rod Wallace, Jamall Bufford and Louis Picasso on our way back, and they explained the situation in Detroit to us,” said Greggs, who formed Approachable Minorities with Denton and McKinney in 2016.

“We had friends down on the front lines being tear-gassed and shot with rubber bullets, and it was horrible to see the videos of the events. When we got back home, we immediately went into the studio and began writing.”

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Hip-Hop Hope – Formula 734 Brings Sense of Community to Washtenaw County Men of Color

Formula 734 brings intergenerational men of color together to create hip-hop anthems about overcoming struggles and sharing successes. Artwork – CW Creatyv for Be Creative Studios

As a fresh community-based hip-hop album, Formula 734 poetically encapsulates shared stories of struggles and successes for men of color in Washtenaw County.

“I feel as though we’ve created a historical document for this particular time in history for Washtenaw County that people can refer to, or they can gain some primary source analysis of what it was like to be in Washtenaw County during the COVID-19 pandemic and the unrest related to the death of George Floyd,” said Rod Wallace, who co-executive produced the project with Jamall Bufford.

In partnership with Washtenaw County My Brother’s Keeper (WMBK), the Ann Arbor Area Community Foundation and the Washtenaw Intermediate School District, Wallace and Bufford assembled an intergenerational group of disparate male creatives to write, record and release a compelling 12-track album with emerging hip-hop artists, producers and engineers.

“Jamall and I started to talk about our desire to engage young people with hip-hop in a positive way that taught a number of different skills. We started planning for the project, and our first meeting was in November,” Wallace said.

From November to February, Wallace and Bufford hosted Formula 734 meetings and recording sessions every two weeks with male creatives and hip-hop collaborators to build trust, teamwork and camaraderie at Grove Studios, The Workshop and The Neutral Zone’s Orpheum Studio.

Each gathering included a meal and a huddle to enrich, energize and inspire participants before they wrote and recorded music with Louis Picasso, Tru Klassick, Sam Watson, Beretta Shells, Konphlict, King Ogundipe and Approachable Minorities’ Drew Denton and TJ Greggs.

“One of the intentions of WMBK is to engage in discussions with men across generations as opposed to only focusing on young men. There are men across the spectrum of color who need support and who need positive experiences, so we try to bridge that gap, and through this project, we were able to do so,” Wallace said.

Concocting Formula 734

With Wallace and Bufford at the hip-hop helm, Formula 734 weaves introspective rhymes, thoughtful monologues, crisp beats, old-school jams and deep grooves while authentically amplifying the voices of local men of color. All 12 tracks challenge false narratives about men of color and raise awareness about the underlying causes of systemic racism.

“We want change to happen in our communities, in our neighborhoods and in our schools. One album probably won’t accomplish that, but we want this to be a stepping stone in the right direction to some of the systemic changes that we want to see for black men and young men of color in our community and around the country. We want this to hopefully be a catalyst for the conversation that needs to take place about what’s happening in our communities,” said Bufford, who’s a WMBK project specialist and Formula 734 co-executive producer.

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