French-Canadian Genesis tribute band, The Musical Box, covered the prog quintet’s famous 1973 “Selling England by the Pound” tour Sunday at Motor City Casino’s Sound Board in Detroit.
The two-hour show celebrated the best of Peter Gabriel-era Genesis with “Firth of Fifth,” “Watcher of the Skies,” “Dancing with the Moonlit Knight,” “I Know What I Like (In Your Wardrobe),” “The Knife” and other favorites.
The Musical Box singer Denis Gagné wore memorable and colorful Peter Gabriel-inspired costumes from the era — Bat Wings, Britannia, the Old Man, The Reverend, The Flower Mask and Magog.
It was like stepping back in a 1970s British prog rock time machine and never wanting to come back. At least I didn’t.
Phil Collins calmly hobbled on stage amidst a chorus of welcoming cheers from 5,200 ecstatic fans at London’s Royal Albert Hall.
The former Genesis frontman and Grammy-winning pop balladeer performed his third sold-out “Not Dead Yet Live” show at the iconic 146-year-old concert hall on June 7.
Collins kicked off the 2.5-hour show with the No. 1 power ballad “Against All Odds” from 1984. Fans erupted with thunderous applause and a collective call of joy in response to the Collins classic.
“I know I said that I wouldn’t do this again, but the truth is that I missed you,” he said. “You won’t be seeing too much dancing from me tonight. Thank God! I had a back operation, leg’s f**ked, but we’re here, right?”
For me, music abundantly fills my life with a repertoire of endless possibilities.
There’s always a new artist, song or album to study, digest and experience. Each musical encounter slowly satisfies my hunger until the next one comes along. I live for musical abundance, and there’s still more for me to see, hear and do.
Each week, my life is a flurry of concerts, albums, family, friends and professional commitments. The energy I draw from concerts and albums replenishes me in a way I never thought possible. I recharge the most when I can combine music and people together. It’s truly what makes me tick.
One of my greatest joys is to discover new musical talent that leaves a sonic imprint in my mind. I constantly monitor satellite radio and social media for new artists, songs and albums. I keep mental and physical lists of artists and albums handy when I visit record stores and merch tables at concerts.
As a music aficionado, it’s not uncommon for me to randomly hear my favorite parts of different songs in my head throughout the day. Tony Banks’ iconic piano solo in the beginning and middle of Genesis’ “Firth of Fifth” is on repeat. Mick Fleetwood’s gentle drumming in Fleetwood Mac’s “Sara” is another. I hope these beautiful instrumentations never vanish from my mind.
My abundant love of music also allows me to draw musical connections between different artists. I often say to my husband that’s a Geddy Lee bass line or Steve Hackett guitar tap. It’s gratifying to form those connections and see how artists truly influence other musicians.
I just wish they all knew how much they influenced me.